Displayed in the Bruthen Shire office untill shire ammalgamation Localy historicaly significantPrint framed under glassPresented to the Shire of Tambo from the Bruthen Sub-Branch R.S.L.I.L.A. June 9th 1925 (RHS) Presented to the Australian Commonwealth Governement by Austin Taylor esq London (LHS) From the original picture by Charles Dixon now in the National Art Gallery Sydneyanzac, landing at anzac cove, 25th april 1915, shire of tambo, austin taylor esq london, charles dixon, national art gallery sydney

Index, bibliography, notes, maps, ill, p.324.non-fictionA detailed account of what happened to the Australian, New Zealand and Turkish troops on the beaches and hills of the Gallipoli peninsula on that fateful day - the day the ANZAC legend was born. On the 25th of April 1915 Australian troops landed on the Gallipoli Peninsula in what is now called Anzac Cove. They rushed from the beach up to Plugge's Plateau into Australian military history suffering many casualties on the way. Just after midday troops from New Zealand landed at Gallipoli and together the Australians and New Zealanders created the Anzac legend. It was the events of this first day that set the course of the whole battle leading to the evacuation of the Anzac troops in December 1915. This is the story of that day telling the Australian, New Zealand and Turkish side of what was to become a tragedy for all three countries and an ultimate triumph for Turkey. It concludes with the visit of Charles Bean, the official Australian war correspondent, to the peninsula in 1919 as part of the Australian Historical mission to organise the burial of the dead that had lain exposed to the elements for the last four years, and to the formation of the cemeteries that are today visited by thousands. About the Author : Dr David Cameron is a biological anthropologist who has written several books. In early 2003 he conducted a preliminary survey of the Anzac Gallipoli battlefields and held numerous discussions with Turkish and Australian government officials about conservation issues relating to the Anzac area. He became interested in the actual landing and decided to write this book.--publisher. A detailed account of what happened to the Australian, New Zealand and Turkish troops on the beaches and hills of the Gallipoli peninsula on that fateful day - the day the ANZAC legend was born. world war 1914-1918 - campaigns - gallipoli, australian army - anzac corps

4 colour photographs of 25 Allens Rd, Heathmont. Weatherboard house since demolished.On back of photos: A: F Miller - 1860 Acorn from ?? B: Oak Trees planted (from) acorn from England by Frank Miller (1860) C. F. Miller 25 Allens Rd.D. ditto + "Heathmont"

Mid green buckram covers with light green dust jackets, several with plastic. Titles on front & spines. Illustrated with black & white photos & drawings. .1) Vol I The Government and the People 1939-1941,644 pages .2) Vol II The Government and the People 1942 -1945, 771 pages .3) Vol IV War Economy 1942 -1945, 817 pages .4) Vol V The role of Science and Industry, 738 pagesbooks - history, politics

Dennys, Lascelles Ltd Annual Wool Circular Season 1914-1915Dennys, Lascelles Ltd Annual Wool Circular Season 1914-1915wool stores, dennys, lascelles limited

Training Manuals - War Office London 1920 - 1939. .1) Red coloured cardboard with red coloured buckram, spine, black print on front & Coat of Arms. 166 pages, cut, plain, off white paper with black & white & coloured maps & diagrams. .2), .3) & .4) Red coloured cardboard with red coloured buckram, spine, black print on front. Cut, plain, off white paper with black & white & coloured maps & diagrams. .2) 132 pages. .3) 80 pages. .4) 69 pages. .1) “1929 Reprinted with amendments No's 1 to 4 1939” .2) “1955 Part 1 Map Reading” .3) “1957 Part III Field Sketching” Front fly leaf in red ballpoint pen: “S Sgt Moore / LAD” .4) “1958 Part II Air Photo Reading”books-military history, technical, documents - maps

Unique photo showing view of the Nek from Anzac Cove, taken April 1915Actual photo showing land scape as it was in April 1915Photo in Wooden FrameView of the Nek from Anzac Cove April 1915. Presented by Legionnaire R. G. Grant 1925

On Easter Monday, 5 April 1915, the Mission organised a picnic on the St Andrew's Church grounds in Brighton. Some French and Swedish sailors ere invited to take part in sports. In the centre is probably Ethel Godfrey, Honorary Secretary of the LHLG, who was just back from England where she visited her brother, Dr Frank Godfrey and his family in Scarborough. Along with her sisters Federica and Winifred, they saw the German attack on the English town.\ located on the North Sea. Article published in the Herald, Monday 12 April 1915, page 3: "SAILORS ENJOY OUTING In the spacious grounds of St. Andrew's Church, Brighton, on Easter Monday, the Seamen's Mission held an enjoyable outing, which culminated in a tug-of-war between French and Swedish sailors, and a race in fancy costume. In the evening, at the mission house, on the Australian Wharf, a welcome home was given, after the chapel service, to Miss Ethel Godfrey, who addressed the men, and related some of her adventures at Scarborough, where she was staying when the English seaside resort was raided by German warshlps."The Godfrey sisters and their step-mother had done the voyage to Europe to visit their brother just before the war stars. They witnessed the outbreak of the war, the attacks on Scarborough. When they came back to Australia, the voyage was dangerous as Germans were attacking vessels. Barely arrived in Australia, Ethel Godfrey who could speak French, having studied in Belgium, was already helping with the picnics, eager to share her story and support French sailors.sepia photograph depicting four sailors, a lady and two young girls standing in a park.One of the sailors is handing an apple to them.Written in Pencil on verso: French sailors in Brighton 1915french, picnic, lhlg, brighton, st andrew's church, ethel godfrey, scarborough raid, sailors, mission to seamen, seamen's mission, children, girls, apples

Given to Australian soldiers over the Christmas new year period 1915.Gift tin made of brass coloured tin with black writing on it. 1915 - To the Australian Expeditionary Force from the Australian War Contingent Association London. Happy New Year to one and all.regimental property, wark vc club, ww1, christmas, 1915

Cloth sample book: "City & Guilds Exams 1914-1915 Patterns" has 35 grey and black cloth samples (1 space is blank). Pages entitled: "Range 1 & 2 Tropical Suitings" (5 samples); "Ranges 3 & 4 Suitings" (6 samples); "Range 5 Suitings" (3 samples)/ "Range 6 Vestings" (3 samples); "Range 7 & 8 Vestings" (7 samples); "Ranges 9 & 10 Trouserings" (5 samples); "Ranges 11 & 12 Trouserings" (6 samples);City & Guilds Exams 1914-1915 Patterns (ink)weaving textile industry textile design textile industry - education, weaving, textile industry, textile design, textile industry - education

This is a register of weddings performed at the Mission to Seafarers at the Port Melbourne site. The register names all parties involved including bride, groom, celebrant, witnesses, bride and groom's parents and addresses at the time. It also outlines previous marital status, employment details and other personal details. Historical record of marriages performed at the Mission to Seafarers commencing in 1915.Purple stamp in top left-hand corner of a flag with a flying angel. "From the Mission to Seamen Melbourne" Handwritten: Register No. 1, No. 1-11 (Dec. 7th 1915 to July 27th 1921)st nicholas chapel, port melbourne, mission to seamen, seamen's mission, mission to seafarers, marriage, register, wedding, st james, anglican church, dio-marriages, dio-archives

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Ridgeway Avenue, Kew by Margaret Picken.25 RIDGEWAY AVE., KEW / MARG PICKENartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 ridgeway avenue -- kew (vic.)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 25 Harcourt Street, Hawthorn East by Margaret Picken.25 HARCOURT ST, HAW WOODARDS - HAWTHORNartist - margaret picken 1950-

Foolscap page concerning the 1915 Ballarat School of Mines Science and Field Naturalists Club Wild Flower Show.Ballarat School of Mines Science and Field Naturalists Club. Wild Flower Show. 1915: The Committee of the above show of native Victorian Wild Flowers beg to tender you their most hearty thanks for the flowers sent by you. Our thanks are also due to those who helped you in the collecting of the flowers. The Exhibition was a great success, and you will be pleased to know that a substantial sum was realized for the Red Cross Funds. It is hoped that a similar show will be held about the same time next year, and we trust to again have the benefit of your kind assistance. Again thanking you, we are, yours truly, Charles Fenner. President C. A. Hoadley. H. L. Williamson (Hon Secs.)smb, ballarat school of mines, ballarat science and field naturalists club, wild flower show, charles fenner, charles hoadley, h. l. williamson, red cross

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 25 Maitland Avenue, Kew by Margaret Picken.25 MAITLAND AVE., KEW E. / MARGARET PICKEN ~98 / WOODARDS ~ artist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 25 maitland avenue - kew (vic)

To honour 25 years of service provided, a silver coloured medallion inset to a wooden column was awarded to individuals. On the front is a cameo of a woman (Tilly Aston) wearing a pendant and an old-fashioned ruffled blouse. Around the outside is written 'Vision Australia Foundation Tilly Aston Award' and below this '25 Year Award'.1 maroon wooden stand with silver tone inlaid medallion, with illustrations25 Years Awardvision australia foundation, awards

A group photograph of the Ballarat School of Mines Staff in 1915.ballarat school of mines, george clegg, steane, albert steane, alfred mica smith, ruby lonie, daniel krause, ken moss, h.h. smith

This architectural drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 and 27 Edgecombe Street, Kew by Margaret Picken.25 EDGECOMBE ST., KEW / WOODARDS ~ HAWTHORN ~ M PICKENartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 edgecombe street -- kew (vic.)

Monthly reports were mandatory for all RASvy unitsA plastic bound, A4 cardboard covered report that includes text and diagramsroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Davis Street, Kew by Margaret Picken.25 DAVIS ST., KEW / MARGARET PICKEN ~91 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 davis street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Denmark Street, Kew by Margaret Picken.25 DENMARK ST., KEW / MARGARET PICKEN ~94 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 denmark street -- kew (vic.)

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Grandview Terrace, Kew by Margaret Picken.25 GRANDVIEW TCE., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 grandview terrace -- kew (vic.)

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Grandview Terrace, Kew by Margaret Picken.25 GRANDVIEW TCE., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 grandview terrace -- kew (vic.)