Showing 124 items
matching aboriginal man
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Federation University Historical Collection
Image, Riding a Camel, c1939, 1939
A man riding a Camelaborigine, aboriginal, spear, spearing -
Federation University Historical Collection
Drawing - Image, Native Women Getting Tambourn Roots, c1883
Image from William Westgarth's "Port Phillip Settlement" (1883)Image of two Aboriginal women gathering roots, both use a digging stick. They wear cloaks and carry a basket over their shoulders. In the background is a man is carrying a stick. aborigines, aboriginal, women, food, basket, digging stick, tools -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Letter (Item) - Hand written letter, John William Lindt, 1903
A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Federation University Historical Collection
Book - Course Guide, University of Ballarat Program Guide 2012/13, 2012
Couloured cover, predominantly in ochre, with a young man's face featuring. Contents include: Applications. Deferring. VTAC, fees, financial assistance, scholarships, TAFE, Campuses, Exchange Universities, Stawell Campus, Camp Street Campus, Arts Academy, SMB Campus, Mt Helen Campus, Ararat Campus, Horsham Campus, UB Tec, Student Experience office, Student Living Skills, Aboriginal Education Centre, Student Learning Skills, Conselling, UB PASS, UB Ready, SMB Fitness Centre, Disability, Helat Services, Alumni, Gold Key Chapter, Student Res, idences, apprenticeships, traineeships, unisports, ceramics, acting, teaching, nursing, human movement, Nick Driden, engineering, geology, mining, equineapplications. deferring. vtac, fees, financial assistance, scholarships, tafe, campuses, exchange universities, stawell campus, camp street campus, arts academy, smb campus, mt helen campus, ararat campus, horsham campus, ub tec, student experience office, student living skills, aboriginal education centre, student learning skills, conselling, ub pass, ub ready, smb fitness centre, disability, helat services, alumni, gold key chapter, student res, idences, apprenticeships, traineeships, unisports, ceramics, acting, teaching, nursing, human movement, nick driden, engineering, geology, mining, equine, courses, handbook -
Australian Queer Archives
Flyer, His own special friend, 1993
Associated text: "Cyclone Productions presents : His own special friend : a two man show by Darwin author Dino Hodge, based on the first chapter of his book : Did you meet any malagas? A homosexual history of Australia's tropical capital. 3 nights only Dec 9, 10, 11, Brown's Mart. In conjunction with the show will be an exhibition of Male nudes and Territory landscapes, by Ian Hanse. Exhibition opens 7:30pm. Performance at 8:30pm. Drinks and copies of the book available.darwin, gay, aboriginal and torres strait islander -
Warrnambool and District Historical Society Inc.
Tradesman’s Work Diary, Book, 1940s
This exercise book contains details on the work carried out by A.Greed, a tradesman undertaking small carpentry and repair jobs in the Warrnambool region. The works completed date from 17 April 1945 to 11 October 1949. Mr Greed apparently worked mostly for the Public Works Department and had contracts for schools including Ecklin South, Panmure, Cudgee, Dennington, Mailors Flat, Grasmere, and Warrnambool Technical School and for other public buildings including the Warrnambool Court House, the Police Station and Housing Commission buildings. Other contracts included ones for the Framlingham Aboriginal Reserve, Callaghan’s Garage, the Caledonian Hotel, the Methodist Croquet Club and many private home owners. Details on the identity of ‘A. Greed’ are not known as there are several possibilities for the 1940s era. One clue is that an ‘E. Greed’ was also an employee.This exercise book is of some interest as an example of a tradesman’s handwritten details of his work as a carpenter and repair man in the 1940s in the Warrnambool area. There are many local names and businesses of interest mentioned in the exercise book. This is an exercise book with a grey cover with red binding. The dark blue printing on the front cover is enclosed in scroll patterns and the back cover has dark blue printing The cover is creased and has some ink splotches. The front cover has been stamped but the printing is now mostly illegible. The pages contain handwritten work and accounting information in black and blue ink. Some pages have been overwritten in red and black ink and pencil and there is one loose sheet.The Vana Exercise Booka.greed,, warrnambool tradesman, history of warrnambool -
Federation University Art Collection
Work on paper - Artwork - printmaking, Lytlewode Press, A suite of limited edition prints by Paddy Fordham Wainburranga, 2003
Paddy Fordham Wainburranga (1932-2006) Area: Arnhem Land Country: Bamdibu (Bumdubu) near Bulman Station As a child, Paddy grew up in Maningrida an Aboriginal community on the top end of the Northern Territory. He started working as a boy around cattle yards, which finally led him to working as a stockman for 20 years. Before this, he spent much of his time hunting and learning culture and customs from his father and uncles. He could remember being taken to a sacred location where he was told many Dreamtime stories of how customs came to be and why Aboriginal people practice them. Paddy was part of the movement for equal rights for all Aborigines, actively involved in claiming Bumdibu as his traditional land for his clan. He resided over this land as Jungai (caretaker, policeman). Paddy was taught to paint by his father but did not begin to paint seriously until the early 1970s. He was also recognized as a story teller, bark painter, sculpture, dancer, singer and musician. He was familiar with Central Arnhem Land rock and bark painting traditions; however he developed an idiosyncratic style which fused the figurative schema of western Arnhem Land with the narrative capacities of the north-east producing dense pictorial paintings divided into sequential segments. A suite of seven limited edition prints using the sugar lift aquatint technique. .1) Yalk Yalk Woman Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .2) Walga Walga Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .3) Nammooroddoo Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 Nammooroddoo Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .3) Nammooroddoo Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .4) Mun Gruk Gruk Woman Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .5 Mun Gruk Gruk Man Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .6) Mun Gruk Gruk Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .7) Lightning Man Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artist, artwork, paddy fordham wainburranga, paddy fordham, wainburranga, printmaking, aboriginal, indigenous, churchill, dreaming -
Federation University Art Collection
Artwork, Troy Firebrace, 'A Galaxy Swirl' by Troy Firebrace, 2015
Troy FIREBRACE (c1994-) Country/Language: Yorta Yorta Troy is a Shepparton born Yorta Yorta man, whose career is on the rise after winning the prestigious Federation University Acquisitive Award for Work by a Victorian Regional Artist at the 10th Victorian Indigenous Art Awards. He completed Year Twelve at Shepparton Secondary College in 2010, and in 2015 Troy was studying Creative Arts at La Trobe University, Bendigo where he has pursued his interest in his Aboriginal identity and art. He is largely influenced by the art of his Uncle Chris Firebrace and he enjoys the design aspects of creating a painting. Usually Troyʼs works contain a narrative, or at least hint of a meaning that he would like to convey to people. Influenced by the imagery of his Aboriginal cultural background he works at bringing together references of landscape, environmental processes and concerns, looking at the way in which we as humans relate to the natural world. Troy seeks to find and demonstrate a connection between humanity and the environment, exploring the idea of harmonious co-existence. Artist's statement: "‘Stories are being told and shared like particles in the universe, a constant swirl of words filled with emotions creating a pattern — explosions — smashing into each other creating a layering effect — creating worlds, planets — well nourished and suited to sustain life, and from this life new stories will emerge, to be told, to be shared — a continuous galaxy swirl. I like the idea that we are a part of something bigger — yes, the earth is massive, but we are just a speck of something far beyond the Milky Way itself.” The work was inspired by the work of abstract expressionist painter Jackson Pollock, science and space. This work won the 2015 Victorian Indigenous Art Awards Federation University Acquisitive Award for work by a Victorian regional artist. His canvas 'A Galaxy Swirl' was described by judges as ‘‘a vibrant and dynamic painting that, as the artist explains, epitomises a bringing together of modernism and Aboriginal arts’’.victorian indigenous art awards, troy firebrace, artwork, artist, indigenous, aboriginal, painting, indigenous artist -
Tatura Irrigation & Wartime Camps Museum
Book, Jubilee Exhibition of Australian Art, 1951 and 1985
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. in 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australian in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Soft grey cover with Australian Emblem in white printing and red printing on the cover. Also loose in the book a white card with black writing on it "Sir Hano Heysen ms A998. Tape recording NL.M888. Tape no. 27 pp 309-311 " on one side and "pp 4-7, pp 22-26, pp 50-51" on the other side. A newspaper cutting from The Herald, Thurs., Oct 17, 1985 titled "Life on the Dunera was no TV soap opera"books, jubilee exhibition of australian art, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Book, Primitive art, 1940
Dr Leonhard Adam studied both Anthropology and jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England , sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Blue and white soft cover book with black printing front and back. 36 photos and numerous line drawings in the text. Written in Englishprimitive art, leonhard adam, mary clare adam murvitz -
Tatura Irrigation & Wartime Camps Museum
Book, Que es el arte primitivo ?, 1962
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England , sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Light brown and black soft cover book with red and white writing.que es el arte primitivo, adam murvitz mc, camp 2, camp 2 tatura, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Book, Primitivna Umetnost, 1963
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Brown and cream hard cover book with red writing on the spine. Brown and cream dust cover with primitive art and writing on the front and spine. 40 pages of reproductionsprimitivna umetnost, adam murvitz mc, camp 2 tatura, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Book, Haida und Tsimshian
Dr. Leonhard Adam studied both Anthropology and jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Green hardcover book with gold writing on the front and spine.haida und tsimshian, adam murvitz mc, camp 2 tatura, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Booklet, Primitive Art Exhibition, 1943
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Soft cream coloured cover with black and red writing. 8 pages of photographs.leonhard adams, mary clare adam murvitz, camp 2 tatura -
Tatura Irrigation & Wartime Camps Museum
Booklet, Has Australian Aboriginal Art a Future?, 1944
Dr. Leonhard Adam studied both anthropology and jurisprudence as a young man.Soft cream coloured cover booklet with brown writing. 4 pages of photographs Written in Englishbooks, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, Stammesorganisation und Hauptlingstum der Wakashstamme Leonhard Adam Stammesorgainsation etc. der Wakash-Stamme Leonhard Adam Wakash-Stamme, 1918
Dr. Leonhard Adam studied both anthropology and jurisprudence as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refugee in England. In 1940 interned as a security risk in England, sent to Australia, in June 1940. Interned Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Dark green hard cover book with gold writing on the spine and front cover. Written in German.leonhard adam, anthropology, jurisprudence -
Tatura Irrigation & Wartime Camps Museum
Book, Groote Eylandt Art Leonhard Adam Ethnological Collection Part 1, 1973
Dr. Leonhard Adam studied both Anthropology and jurisdiction as a young manBlack and brown soft cover with aboriginal type art on the front and back covers, plastic slotted spine. Collection of productions of Groote Eylandt artifacts. Written in Englishgroote eylandt art, adam l, adam murvitz mc, camp 2, tatura, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Booklet, The Leonhard Adam Collection, 1988
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young manDark blue soft cover with picture of artefacts on the front and back covers. 3 pages of reproduction of aboriginal artefacts together with list and numbers of artefacts. Printed in Englishbooks, history, local -
Tatura Irrigation & Wartime Camps Museum
Booklet, Exhibition of Works of Primitive Art
Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Grey soft cover booklet with black writing on the front.books, leonhard adam -
Koorie Heritage Trust
Book, Batty, Joyce D, Namatjira : wanderer between two worlds, 1976
... . Biographies. A moving account of an Aboriginal man caught between two ...A moving account of an Aboriginal man caught between two civilisations.9-158 P.; ports.; map; 18 cm.A moving account of an Aboriginal man caught between two civilisations.namatjira, albert, 1902-1959. | australian paintings. namatjira, albert, 1902-1959. biographies. -
Koorie Heritage Trust
Book, Robinson, Roland Edward, The man who sold his dreaming, 1977
Blurb: The title of this book is taken from the story of an Aboriginal who sold his 'dreaming', or sacred tribal birthright, to the white man for five sovereigns and two bottles of rum. In collecting and reporting these stories, Roland Robinson has retained the style of speaking of each Aboriginal narrator. The stories are actually verbatim narratives, and Robinson was taken by his Aboriginal friends in New South Wales to visit the sacred mountains, rivers, rocks, and waterholes that are featured in this book.143 p. : ill. ; 18 cm.Blurb: The title of this book is taken from the story of an Aboriginal who sold his 'dreaming', or sacred tribal birthright, to the white man for five sovereigns and two bottles of rum. In collecting and reporting these stories, Roland Robinson has retained the style of speaking of each Aboriginal narrator. The stories are actually verbatim narratives, and Robinson was taken by his Aboriginal friends in New South Wales to visit the sacred mountains, rivers, rocks, and waterholes that are featured in this book.aboriginal australians -- folklore. | legends -- new south wales. -
Koorie Heritage Trust
Booklet, Aboriginal History Programme, Special people, 1985
... . Aboriginal History Programme (Vic.) 2. Stolen Generations 3 Stahle ...Contents: Aboriginal Stephanie Charles; Mookeye - Man and legend Iris Lovett; Grandfather Willie Bill Brunette; My Story - about Uncle Billy Carter Rita Wilson; As I Remember Rita Watkins; Aunty Cissie Jon Cox; Own Thoughts Lorna Lovett-Beulah; Grannie Foster Iris Lovett; Grannie and Granfather Lovett Rose Donker; My Brother Venis Collard Elaine Foley; My Aunty Emma Lovett Irene Onus; Granny Mag Maude Smith.24 p. : ill., ports. ; 21 cm.Contents: Aboriginal Stephanie Charles; Mookeye - Man and legend Iris Lovett; Grandfather Willie Bill Brunette; My Story - about Uncle Billy Carter Rita Wilson; As I Remember Rita Watkins; Aunty Cissie Jon Cox; Own Thoughts Lorna Lovett-Beulah; Grannie Foster Iris Lovett; Grannie and Granfather Lovett Rose Donker; My Brother Venis Collard Elaine Foley; My Aunty Emma Lovett Irene Onus; Granny Mag Maude Smith.1. aborigines, australian -- biography. i. aboriginal history programme (vic.), 2. stolen generations, 3, stahle, rev., 4. lake condah, - history -
Koorie Heritage Trust
Book, Robertson, Craig, Buckley's Hope : the real life story of Australia's Robinson Crusoe, 1981
Blurb: On Boxing Day 1803 a young English convict named William Buckley escaped from Victoria's abortive first settlement, at Sorrento.For the next thirty-two years Buckley survived in the wild, mainly because he was adopted and helped by the local tribes.In 1835 Buckley rejoined the civilization he had cast aside, emerging to meet Melbourne's founders. He became an important guide and interpreter in the crucial first years of the European conquest of the Port Phillip region.Then, as the Aborigines were engulfed by the flood of white men, Buckley found himself in no-man's land, mistrusted by his former black friends and by the white society who so misunderstood them. He was reviled, so harshly that his reputation has suffered to this day.This is William Buckley's story. It is a story based on fact, about a real Robinson Crusoe who was unique in Australia's history.And it is also a story of European intruders imposing their savage will on an alien, ancient continent. Rarely has Australian history come more alive than in the pages of this remarkable first novel. Buckley's life with the Aboriginal people of Port Phillip between 1803 and 1835; subsequent life in white community ; includes glossary of Aboriginal words (p. 271-280).288 p. : 3 maps ; 22 cm.Blurb: On Boxing Day 1803 a young English convict named William Buckley escaped from Victoria's abortive first settlement, at Sorrento.For the next thirty-two years Buckley survived in the wild, mainly because he was adopted and helped by the local tribes.In 1835 Buckley rejoined the civilization he had cast aside, emerging to meet Melbourne's founders. He became an important guide and interpreter in the crucial first years of the European conquest of the Port Phillip region.Then, as the Aborigines were engulfed by the flood of white men, Buckley found himself in no-man's land, mistrusted by his former black friends and by the white society who so misunderstood them. He was reviled, so harshly that his reputation has suffered to this day.This is William Buckley's story. It is a story based on fact, about a real Robinson Crusoe who was unique in Australia's history.And it is also a story of European intruders imposing their savage will on an alien, ancient continent. Rarely has Australian history come more alive than in the pages of this remarkable first novel. Buckley's life with the Aboriginal people of Port Phillip between 1803 and 1835; subsequent life in white community ; includes glossary of Aboriginal words (p. 271-280).buckley, william, 1780-1856 -- fiction. | novels in english. australian writers, 1945-. texts | convicts -- australia -- history -- fiction. | history - biographies - non-indigenous | settlement and contacts - penal colonies / convicts | settlement and contacts - colonisation - 1788-1850 | race relations - attitudes | language - vocabulary - word lists | kurnai / gunai people (s68) (vic sj55) | port phillip / western port area (vic sj55) -
Koorie Heritage Trust
Book, Bonwick, James, The Last of the Tasmanians : or The Black War of Van Diemen's Land, 1870
Contents: Voyagers' Tales of the Tasmanians - The first battle; Captain Cook's visit; The French visit in 1792; Flinders and Bass at the Derwent; Peron's visit in 1802; The French and the Wood-nymphs. The Black War - Massacre of the Blacks in 1804; Destruction of Public Records; Kidnapping Black Boys; Michael Howe's Black Mary; Chase after Stock-keepers; Colonel Sorell's order of 1819. Cruelties to the Blacks - Cruelty of Early Settlers; Cruelty of Bushrangers; Spanish and Dutch Cruelties. Outrages of the Blacks - Hanging of Two Aborigines; The Demarcation Order of 1828; Martial Law; Pictorial Proclamation; Proclamation of October 1830; Mosquito and the Tame Mob; Execution of Mosquito and Black Jack; Cruelties of the Blacks; A hand left in the trap; Bravery of a Half-caste wife; Chastity of White Women respected; Time of terror. The Line - Proclamation for Volunteers; Arrangements for the Capture; Leaders and numbers in the Line; Savage's Tale of the Savages; Mr. Walpole caught a Black; Siege of the "Three Thumbs"; Ï30,000 for One Black; Egg-gathers break through a Line. Capture Parties - Leaders of Parties; John Batman, the Blacks' Friend; The Sydney Black Guides; A Night at Ben Lomond; Gilbert Robertson, the Leader; Jorgen Jorgenson, the Dane. George Augustus Robinson, The Concilliator - Bruni Island Depot; Tuganina, the beautiful Tasmanian; The Conciliatory Mission; Robinson's Capture of a Tribe; Triumphal Entry into Hobart Town; Truganina saves Robinson's Life. Flinders Island - Swan Island Depot; Gun Carriage Island; Flinders Island Depot; Visit of the Quaker Missionaries; Life of Aborigines on Flinders Island; Mr Clark, the Catechist; School Examination of the Natives; Dr. Jeannert, the Commandant; Dr Milligan removes Natives from Flinders. Oyster Cove - Author's Visit to the Naives at Oyster Cove; Death of Mr Clark; Maryann and Walter. The Sealers - Home Life of Sealers' Women; Robinson removes the Women to Flinders; The Quakers and Sealers. Half-Castes - Murder of Half-castes; Fecundity of Mixed Races; Bishop Nixon's Visit to the Straits' Half-castes; Bong and her Daughter Dolly. Native Rights - Legal Rights; Hanging of Four Tasmanians. Civilization - Whately's Degradation Theory; Effects of Civilization; Drink and Civilization; Walter the civilized Tasmanian; An Aboriginal Discourse; Mr. Wedge's Black Boy; Failure of Australian Missions; Christian Tasmanians. Decline - Amalgamation of Races; Decline, a 'Decreeof Providence'; Hawaiian and Maori Decline; Drink, the great Destroyer; Story of the civilised Mathinna; Count Strzelecki's Theory of Decline; Lanne, the Last Man; Lalla Rookh, the Last Tasmanian.400 p., 15 leaves of ports. : ill., fold-out map ; 23 cm.Contents: Voyagers' Tales of the Tasmanians - The first battle; Captain Cook's visit; The French visit in 1792; Flinders and Bass at the Derwent; Peron's visit in 1802; The French and the Wood-nymphs. The Black War - Massacre of the Blacks in 1804; Destruction of Public Records; Kidnapping Black Boys; Michael Howe's Black Mary; Chase after Stock-keepers; Colonel Sorell's order of 1819. Cruelties to the Blacks - Cruelty of Early Settlers; Cruelty of Bushrangers; Spanish and Dutch Cruelties. Outrages of the Blacks - Hanging of Two Aborigines; The Demarcation Order of 1828; Martial Law; Pictorial Proclamation; Proclamation of October 1830; Mosquito and the Tame Mob; Execution of Mosquito and Black Jack; Cruelties of the Blacks; A hand left in the trap; Bravery of a Half-caste wife; Chastity of White Women respected; Time of terror. The Line - Proclamation for Volunteers; Arrangements for the Capture; Leaders and numbers in the Line; Savage's Tale of the Savages; Mr. Walpole caught a Black; Siege of the "Three Thumbs"; Ï30,000 for One Black; Egg-gathers break through a Line. Capture Parties - Leaders of Parties; John Batman, the Blacks' Friend; The Sydney Black Guides; A Night at Ben Lomond; Gilbert Robertson, the Leader; Jorgen Jorgenson, the Dane. George Augustus Robinson, The Concilliator - Bruni Island Depot; Tuganina, the beautiful Tasmanian; The Conciliatory Mission; Robinson's Capture of a Tribe; Triumphal Entry into Hobart Town; Truganina saves Robinson's Life. Flinders Island - Swan Island Depot; Gun Carriage Island; Flinders Island Depot; Visit of the Quaker Missionaries; Life of Aborigines on Flinders Island; Mr Clark, the Catechist; School Examination of the Natives; Dr. Jeannert, the Commandant; Dr Milligan removes Natives from Flinders. Oyster Cove - Author's Visit to the Naives at Oyster Cove; Death of Mr Clark; Maryann and Walter. The Sealers - Home Life of Sealers' Women; Robinson removes the Women to Flinders; The Quakers and Sealers. Half-Castes - Murder of Half-castes; Fecundity of Mixed Races; Bishop Nixon's Visit to the Straits' Half-castes; Bong and her Daughter Dolly. Native Rights - Legal Rights; Hanging of Four Tasmanians. Civilization - Whately's Degradation Theory; Effects of Civilization; Drink and Civilization; Walter the civilized Tasmanian; An Aboriginal Discourse; Mr. Wedge's Black Boy; Failure of Australian Missions; Christian Tasmanians. Decline - Amalgamation of Races; Decline, a 'Decreeof Providence'; Hawaiian and Maori Decline; Drink, the great Destroyer; Story of the civilised Mathinna; Count Strzelecki's Theory of Decline; Lanne, the Last Man; Lalla Rookh, the Last Tasmanian.aboriginal tasmanians. | tasmania -- history -- to 1803. | tasmania -- history -- 1803-1900. -
Koorie Heritage Trust
Booklet, Barrett, Charles et al, Blackfellows of Australia, 1936
Contents: The Aboriginal Environment - Birds and Reptiles; Whence came the Blackfellow. The Natural Man - Tattooing: ornamental scars. The Tribes of the South - Down the Darling. Tribes of Central and Northern Australia - The Aruntas; Wilderness vanishing; Untamed Tribes.The Tasmanian Race - Doomed people.Tribal Organisation - Public opinion; The Council of Old Men; Tribal Classification; Tribal Naming; Dual Classes; Totemism.Daily life of the Blacks - Making fire; Cooking methods - the native oven; Vegetarian diet; Miscellaneous foods. Weapons and Implements - Classes of Stone; Quarries; Weapons of wood - spears; The Boomerang; Shields; Water vessels and Carriers; Baskets and Dilly-bags.Medicine-men and medicine - Faith cures; Rain-making. Mia-Mias, Whurlies and Gunyahs - Tripod fires; Two-storey huts. The Aboriginal as an Engineer - Weirs and fish traps; Wells and Rockholes. Wild White Men; Dances and Games - Children's toys. Black Police and Tracking - Tribal Mixture; The Blacktrackers; Trained from infancy. Navigation - The Bark Canoe - Calm-weather Craft. Aboriginal Art - Animal Tracks; Old Camp-fires. Blackfellow Music and Bards; Death and Burial - Wailing Women; Relics of Lost Tribes; Decorated skulls; Creation myth pole. Language - Letter-sticks. Myths and Legends; Mission work among the Blacks - Spheres of Service; The Mission Stations.43 p. : ill. ; 28 cm.Contents: The Aboriginal Environment - Birds and Reptiles; Whence came the Blackfellow. The Natural Man - Tattooing: ornamental scars. The Tribes of the South - Down the Darling. Tribes of Central and Northern Australia - The Aruntas; Wilderness vanishing; Untamed Tribes.The Tasmanian Race - Doomed people.Tribal Organisation - Public opinion; The Council of Old Men; Tribal Classification; Tribal Naming; Dual Classes; Totemism.Daily life of the Blacks - Making fire; Cooking methods - the native oven; Vegetarian diet; Miscellaneous foods. Weapons and Implements - Classes of Stone; Quarries; Weapons of wood - spears; The Boomerang; Shields; Water vessels and Carriers; Baskets and Dilly-bags.Medicine-men and medicine - Faith cures; Rain-making. Mia-Mias, Whurlies and Gunyahs - Tripod fires; Two-storey huts. The Aboriginal as an Engineer - Weirs and fish traps; Wells and Rockholes. Wild White Men; Dances and Games - Children's toys. Black Police and Tracking - Tribal Mixture; The Blacktrackers; Trained from infancy. Navigation - The Bark Canoe - Calm-weather Craft. Aboriginal Art - Animal Tracks; Old Camp-fires. Blackfellow Music and Bards; Death and Burial - Wailing Women; Relics of Lost Tribes; Decorated skulls; Creation myth pole. Language - Letter-sticks. Myths and Legends; Mission work among the Blacks - Spheres of Service; The Mission Stations.aboriginals, australian - social life and customs -
Koorie Heritage Trust
Book, Bonwick, James, William Buckley : the wild white man, and his Port Phillip black friends, 1856
7-97 p.; 21 cm.buckley, william, 1780-1856. | aboriginal australians -- social life and customs. | aboriginal australians -- victoria -- history.