This journal is the first issue of the Women's Art Forum, a women artists' collective established in 1978 (Melbourne, Australia), in connection with the Women's Art Register.The Women's Art Register is an Australian collection of national significance, documenting the work of Australian women artists from the 19th, 20th and 21st centuries.First issue of the Women's Art Forum, reporting on the state of feminist art in Australia in 1978. 100 pages. B/W text and illustrations. Articles include artist drawings, stories, histories of women artists, and reports, advocating and representing Australian women artists.Published by the Women's Art Forum of Victoria. Printed by Sybylla Co-operative Press Ltd.

Crime and Punishment, a History of Bendigo's law and order, a display at the Post Office Gallery 2014. Letter from the Bendigo Art Gallery giving the Historical Society a copy of the Crime and Punishment: A History of Bendigo's Law and Order for their contribution to the exhibition.Post Office Gallerybook, bendigo, post office gallery

Colour three parts foldable leaflet explaining the history of the Mission, the Flinders Street building and the ANL Art Prize. Leaflet available in the club room for visitors.mission to seafarers, marketing

Albert E. WILLIAMS (1899-1986) Born Victoria, Australia Albert Edward Williams was among the first to undertake the five-year, Technical Art Teacher’s Certificate (TATC) at the Ballarat Technical Art School in 1915, with work placement at the Ballarat Lithographic company. Williams taught for several years before he was selected to undertake further teacher training at the Working Men’s College, Melbourne, in 1926. He returned to teach at Ballarat in 1928, facilitating many student activities, while pursuing the arduous Art Teacher’s Certificate. From its inception in 1914, it was 30 years before the first candidate achieved the certificate’s exhaustive requirements. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Mounted original illuminated artwork in Celtic style"Design for Title Page, in Historic Style of Ornament." "Submitted by Albert E. Williams, Technical Art School, Ballarat, for Art Teacher's Certificate" "Celtic Art. A treatise on the history and peculiarities of Celtic Art with numerous illustrations in colour taken from ancient national manuscripts in the British Museum and other libraries." "Ballarat A.D. 1936". Monogram of AW forms part of the artwork.art, artwork, albert e. williams, celtic art, ballarat technical art school, art teacher's certificate, illumination, title page, design

Application form with conditions of entry to Rotary Club of Bendigo Easter Fair Art Show 1994. The first Bendigo Easter Fair Art Show was held in 1968 and every year since. In past 10 years more than 12,000 paintings have been exhibited. on back of form - other history of art show details price range of painting sold.bendigo, bendigo easter fair, rotary art show

Brown hard covered book was an account of the different styles of lace, their history, characteristics and Manufacture. Library cards from the Ballarat Technical Art School are still in place in the back of the book.ballarat technical art school library, library catalogue cards and date stamps, lace, cutwork, punto in aria, italian bobbin lace, venetian needlepoint, burano lace, milanese lace, cretan lace, flanders lace, belgian lace, mechlin lace, antwerp lace, valenciennes lace, dutch lace, alencon lace, argentan lace, lille lace, arras lace, chantilly lace, english needlepoint, english bobbin lace, irish laces, blondes, library cards, library date stamp, bookplate

The competition was to increase awareness of the pioneering of Phillip Island. 155 entries were received and winners were compiled in the booklet. Art competition winners were Open- Frances Reith and Maree Chaston. Secondary- Neil McRae and Shannon Condick. Primary- Laurie Chisholm and Paul Matthews. Essay Competition winners were Open- Patsy Hunt and Audrey Nicol.. Secondary- Judy Nicol and Cameron Ashe. Primary- Joanne Scrase and Richard Patching.HistoricalLarge yellow coloured booklet with green binding with typed pages, photos and drawings. Also a draft copy of the booklet pre printing which has typed sections pasted onto pages.Snippets of Phillip Island History. Entries from The Shire of Phillip Island Art and Essay competition 1982, conducted in association with the opening of the library, heritage centre and meeting room.chicory industry, the speke, phillip island cemetery, swimming baths, churchill island, ventnor state school, ventnor hall, killara ferry, motor racing

Document. Norman Penrose collection: 13 drawings (ink) of Australian Native Plants on the back of cardboard drawings of 'A History of British Birds.' One card has notes about Byzantine art on the back.drawing, ink, native plants, norman penrose collection, drawing of native plants, art notes

Hetti Perkins introduces this collection of reproductions of of Western Arnhem Land bark paintings, rock art, woven fibre art and wooden sculpture that was exhibited by the Art Gallery of NSW in 2004, emphasising the cultural foundations of the Kuninjku artists, their beliefs, artistic conventions and innovations. The book includes interviews with traditional rock and bark artists (including some language), and essays describing the connection of the people to the land, their spiritual beliefs and their art. There are also reproductions of works on paper and woven forms and an essay on the role of women in producing these art forms. An essay by Professor Jon Altmann is entitled "Brokering Kuninjku Art: Artists, Institutions and the Market. A chronolgy details the history of aboriginal art in the area, there are biographies of the artists whose works were included in the exhibition, a list of the works themselves, a glossary of place names, art terms, aboriginal, linguistic and anthropological terms, and a select bibliography. The list of contributors includes, as well as the two mentioned above, Dr Murray Garde, Apolline Kohen, Steven Miller, Cara Pinchbeck and Dr Luke Taylor.Colour photographs

Document. Norman Penrose collection: (1) Dark green empty book cover. Revised Art Course Intermediate & Leaving & Honours. History and App. Of Art written on the front. (2) Register of Attendances during year 1901 in the Subject of - - . Lt bluish cover with brown binding containing newspaper cuttings, a picture of the 'The Two Philosopher's by Rembrandt and some drawings.education, bendigo, norm penrose collection, norman penrose collection, art notes

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A catalogue for an exhibition of Australian Art (1818-1968) at Studley House (Xavier Preparatory School) in 1968. The catalogue includes artist biographies and lists works exhibited. The foreword on the history of Studley House is written by Dorothy Rogersxavier college, australian art, dorothy rogers, art catalogues

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A catalogue for an exhibition of Australian Art (1818-1968) at Studley House (Xavier Preparatory School) in 1968. The catalogue includes artist biographies and lists works exhibited. The foreword on the history of Studley House is written by Dorothy Rogersaustralian art, xavier college

The author, Denis O'Bryan was an assistant forester in Orbost, 1977/78.This book is a chronological history of East Gippsland.A small paperback book with a bright orange front cover. It has a stylised picture with historical drawings of a settler, sheep and Aboriginal art. The book was written by Denis O'Bryan and is a chronological account of the history of East Gippsland. It contains black and white photos.In pen - Marina Johnson $5.95 stamp of Orbost Historical Society Box 344 2190 Orb ostpionering-east-gippsland o'bryan-denis history-east-gippsland

Bendigo Weekly article by Edith Lunn ''A snippet of Bendigo history'', the View Street story, continued. In this article Edith details the history of the Trades Hall building erected in 1858 as a Court of Petty Sessions and of the Bendigo Art Gallery Building. Also mentioned are the only two commercial enterprises on that side of View street: Swallow & Ariell's wholesale biscuit depot and McKenzie's wholesale grocers. The clip is in a folder.newspaper, bendigo, bendigo weekly

In 1958 the Ballarat Teachers' College moved from Dana Street Primary School to a custom built college in Gillies Street. Accommodation again became a problem in 1968 with the introduction of the three year Diploma of Teaching (Primary) course. On 19 December 1972 the State College of Victoria Act received Royal Assent. The Act restructured the teacher training policies of Victoria. Ballarat was one of the State Teachers' Colleges which until 30th June 1973, was under Education Department control. Ballarat Teachers' College was renames the State College of Victoria at Ballarat and had its own governing council. In 1975 State College of Victoria at Ballarat moved to the Ballarat Institute of Advanced Education campus at Mount Helen, and the name was changed to Ballarat College of Advanced Education. Small, green, soft covered booklet. Th book includes course, regulations, assessments, subject details, general information, art collection overview and student organisations. A good history of the evolution of the Ballarat Teachers' College and State College Victoria at Ballarat (SCVB) is given. 'Mr P. Fryar' on front cover. Signed 'Peter Fryar' on inside front page. ballarat teachers' college, state college of victoria at ballarat, state college of victoria, ballarat, art collection, handbook, gillies street

5 copies of the Victorian institute of Colleges News Letter Vol 4 No. 2, April 1970, Ballarat Centenary Issue. contains articles on Development of policy on degree courses, appointments to council, new art diplomas, increased salaries for colleges of advanced education and The Ballarat Heritage: A History. ballarat centenary issue, victorian institute of colleges newsletter, victorian institute of colleges, p.g. law, redmond barry, harrie wood, judge rogers, joseph flude, w.h. barnard, judge bindon, robert m.serjeant, c.w thomas, alexander peacock, mica smith, ferdinand krause, daniel walker, james gibson, herbert r. sleeman, israel flegeltaub, f. martell, mr poole, dr. c. fenner, m. copland, a. heseltine, r.w. richards, h.e. arblaster, e.j.barker, jack barker, bella guerin, j.m. sutherland, james oddie

Bound) Notes relating to a meeting of the Bendigo Bicentennial Community Consultative Committee (30th March 1987). Agenda plus correspondence. Reference to 1. National Register of Unusual Monuments Project (incl. Statue of George Lansell, Bendigo); application for grants for i. microfilming Bendigo Advertiser ; ii history of the Cornish miners; iii commemorative art work; entries for design of pictorial Quilt competition (three entries described); correspondence re the Bicentennial Commemorative Art Work (Gateway Sculpture - Anthony Pryor)Bendigo Bicentennial Committeebendigo, history, centenary, bendigo bicentennial community consultative committee. national register of monuments project. first fleet re-enactment company, bendigo art gallery

Material relating to the first Eltham Arts Festival organised by the Eltham Arts Council. It was held Friday June 14 to Sunday June 24, 1968. Events included an Art Show, Jazz Night, Musical Workshop, Photographic exhibition, String Quartette performance at Montsalvat, A night with the Poets, Evening of Chamber Music, Historical Exhibition (organised by the Shire of Eltham Historical Society), Choral Recital, Gilbert & Sullivan performance at Eltham High School, Film festival, Fesitval luncheon and Open discussion eventing with the theme: Eltham: A Happening or a Way of Life".Bulletin: Eltham Arts Council Special Fesitval Issue, 1 June 1968 Poster: Eltham Festival (calandar of events) Poster: Eltham Festival Jazz Night Program: History of Jazz Program: 1968 Eltham Art Show (includes complete list of paintings, sculpture, craft and pottery and their creators)whiteford, charis pelling, ailsa belbin, win pain, eltham arts council, eltham art show, eltham art awards, jazz festival

Hardback. Dark brown cover with the title in gold lettering. There is also a border in gold decorating the outer edge of the front cover. The spine is also decorated in gold along with the title and the volume number.non-fictionA history of Victoria from the time of the discovery of Australia through until 1888.melbourne, victoria, exploration, settlement, john batman, john pascoe fawkner, pioneers, colonisation, immegration, aboriginals, discovery of gold, democracy, burke and wills, agriculture, manufacturing, literature, art, music, drama, education, science, churches, history

A valuable collection of pottery and tiles collected by Nunawading Historical Society and traced to the early history of the potters' art in Nunawading. At present the collection is stored under the home of a society member who is moving. The council are debating whether to display the collection in the Council Offices foyer or whether the request should come from the Historical Society.A valuable collection of pottery and tiles collected by Nunawading Historical Society and traced to the early history of the potters' art in Nunawading. pottery, nunawading historical society, australian tesselated tile co. pty. ltd, city of nunawading, mitcham, cox, george

Famous French artist Jean Baptiste Camille Corot, 1796-1875, was trained in the classical landscape style. His inspiration came from his travels around France and Italy. He developed a soft poetic or romantic style of work which became very popular. He had the skills to bring'light' into his paintings. The original oil on canvas painting by Corot is held at The National Gallery in the United Kingdom. It is titled 'Souvenir of a Journey to Coubron' and is one of twenty-seven of his works at the Gallery. Corot visited Coubon, east of Paris, many times. In 1873 during his stay there he sketched the scene that became the basis of this painting. This reproduction print was made by The Medici Society Ltd., founded in England 1908. The Society's aim was to make artwork affordable and available to the general public. The name Medici was chosen to honour the support and encouragement given to artists in the 15th century by Lorenzo de' Medici (1449 - 1492), known as Lorenzo the Magnificent, and his family. His profile is on the company's trademark. The Medici Society still produces Fine Art reproduction prints as well as selling original works. The print was framed by Westminster Art Gallery in Camperdown, London. The handwritten text on the back of the artwork adds some background to the artist: Corot was apprenticed to a Draper but changed to his profession at the age of 22 years. When he went from a poor artist to achieving wealth and fame he generously supported his less fortunate fellow artists. Corot found that the light and shade in a natural scene meant more to a landscape painter that what could be learned by following the principles of the academies. Corot was 51 years old before he sold his first picture. He though that he was the only artist that could really paint 'light'. The National Gallery, Victoria, has an original oil on canvas by Corot "the bent tree", created 1856-1860. It is in a similar style to this print "Souvenir of a Journey to Coubron", which was likely to have been painted around the same time.This high quality reproduction print was produced in the early-to-mid 1900;'s. This advancement in technology allowed everyday people to own and enjoy the fine art that was previously only accessible to the wealthy. The print is significant for its association with the famous 19th century artist Jean Baptiste Camille Corot.Print of a painting by Jean Baptiste Camille Corot, depicting a landscape with two buildings amongst trees and a boatman in the marshy foreground. The print is famed in carved timber with a cream matt, behind glass. there is an inscription on bottom right of print and further stamped and handwritten inscriptions of the reverse paper. The is a genuine Medici Society Fine Art reproduction print and was framed by Westminster Art Gallery.Original artwork painted and signed by artist "COROT" White sticker with"32" Reproduction print by the Medici Society, London Stamp "Westminster Art Gallery / 91 CAMBERWELL RD. / CAMBERWELL E.6." Text on Corot's history Underlined statement "GENUINE MEDICI PRINT "flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, jean-baptiste-camille corot, french artist, jean corot, camille corot, print, souvenir of a journey to coubron, coubron, 19th century artist, medici society, reproduction print, westminster art gallery, fine art

Art Collection Previously located in History HouseThe painting depicts the Portland Port from an aerial perspective. The perspective is taken from the ocean looking down across the Port and into the town of Portland. Within the foreground is the ocean beyond the Main Breakwater, the Main Breakwater and the Port. Within the Port nine large ships are docked and another is being brought into the Port by two tugboats. The background features a distant view of the town of Portland and the landscape beyond the township. The work has a white wooden frame and glass.Front: TROMPF (white paint, bottom right corner) Back: (no inscriptions)

A history of the art collection of the City of Whitehorse 2003A history of the art collection of the City of Whitehorse 2003A4, 40p booklet and catalogue included in colour of the City of Whitehorse Art Collectioncity of whitehorse, art, art galleries

Art Collection Previously located in History HouseThe painting depicts a body of water with two large trees in the foreground. The two trees are situated on the left side of the riverbank which extends across the foreground of the work. The trees extend beyond the borders of the work with only a few branches visible at the top of the work. To the right of the trees, on the surfaceof the water, is a boat with a large white sail. The river bed continues on the left and right sides of the work and is covered with brown trees. The background features a distant view of the riverbank covered in blue trees. The work has a gilded ornate frame with cardboard and gilded mount and glass.Front: A.S. Murray plaque attached to frame: SCENE on the RIVER MURRAY Back: W. HAMER __________Street, Ballarat