Showing 2330 items matching "australia-description and travel"
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Lakes Entrance Historical Society
Photograph - Gray, Lakes Post Newspaper, Debbie Gray, 2001
Colour photograph of Debbie Gray at travelling exhibition named Ordinary Women, Extraordinary Lives held at Shire Office. Debbie is being presented with her own personalized postage stamps and book by Australia Post Manager Andrew McNaughton, Joseph Cullen CEO Shire in photograph, Lakes Entrance Victoriagenealogy, social history -
Flagstaff Hill Maritime Museum and Village
Instrument - Compass, c. 1839
This magnetic compass is a good size to fit easily into a person's pocket or personal luggage and is protected from knocks by its wooden case. It could have been used for reference when travelling on land or sea. There is no visible manufacturer's mark, which may mean that it was not of high monetary value. Leith is a district of Edinburgh in the country of Scotland, the U.K. It was once the Port of Edinburgh and many migrant ships departed from here bound for the Australian colony. It had a busy shipbuilding industry, with wet and dry docks. It appears from the inscription on the case "Chas Gray, LEITH, 1839" that this pocket compass once belonged to Charles M. Gray (Chas is a common abbreviation for the name Charles). The inscription coincides with the name, place and date that the Western Victorian pioneer Charles M. Gray left Scotland and arrived in Australia. Charles Gray was born in Anstruther, Scotland, in 1818. His family was connected with the Royal Marines, which may have created his nautical instruments such as this pocket compass. Charles Gray arrived in Hobson's Bay on 15 June 1839 on the ship “Midlothian”. That same ship had departed from Leith, Scotland on February 15th 1839. Did Charles Gray acquire the pocket compass in Leith, perhaps as a gift or a souvenir of his motherland? Charles Gray was an early squatter and went on to become a very successful settler as a sheep pastoralist in the Western District of what is now Victoria (originally the colony of New South Wales). He and his wife had a large property called “Nareeb Nareeb”, Green Hill Creek District (now Glenthompson), Victoria, from 1840-1886. He was also a local Councillor and Justice of the Peace, and had an interest in the local indigenous people; he named his property after their tribe. Charles returned to England in 1890 and died there in 1905. Charles Gray had written an account in 1890 of his life at Nareeb Nareeb, called Western Victoria in the Forties: "REMINISCENCES OF A PIONEER The Western District in the 1840's By Charles Gray" , a valuable historical reference to colonial Victoria. His book was published by the Hamilton Spectator in 1932. Charles Gray's photograph is one of 713 historical photographs of early Victorian settlers, created as a montage by Thomas Foster Chuck in 1872. The State Library of Victoria holds the framed montage titled “The Explorers and Early Colonists of Victoria”. To qualify for inclusion on this montage the Settlers must have arrived in Victoria before 1843. Charles Gray's photograph is number 349! The pocket compass is associated with Charles Gray, one of the early squatters and settlers in Western Victoria, possibly given to him as a parting gift on his emigration to Van Diemans land in 1839. The item is very significant as it's connection with one of Victoria's early pioneers is well provenanced by the inscriptions on the wooden case. Pocket compass, brass, set into a square wooden case with hinged lid and small hook catch. Compass is marked with 360 degrees and compass points and has two pointers; one to show magnetic north and one to set the direction of travel. Hinges are triangular and inset into the wood. The lid has an attached brass plaque with the inscription "Chas Gray, Leith, 1839" (It likely belonged to Charles Gray, Leith, UK, who migrated to Port Philip Australia in 1839 and became a successful pastoralist.) “Chas Gray / LEITH / 1839” engraved on brass plaque on lid.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, magnetic compass, pocket compass, charles m. gray, chas gray, migrrant from leith 1839, charles gray anstruther, scottland, ship midlothian 1839, squatter western victoria, settler western victoria, hobson's bay port phillip australia, charles gray nareeb nareeb - green hill creek district, western victoria in the forties: reminiscences of a pioneer by charles m. gray 1890, leith edinburgh u.k., western victoria in the forties: reminiscences of a pioneer - montage by thomas foster chuck 1872, charles gray, reminiscences of a pioneer, the western district in the 1840's, compass, scientific instrument, nautical instrument, direction, directional compass, navigation -
Glenelg Shire Council Cultural Collection
Booklet - Tourist Guide, VICTORIAN RAILWAYS PRINTING WORKS LAURENS STREET NORTH MELBOURNE VIC, Where to go in Victoria, c. 1935
Promotional booklet produced by the Victorian Government Tourist Bureau and published and printed by the Australian Railways Advertising Division and Printing Works. 'Where to go in Victoria' hotel and guesthouse guide, soft cover, full colour depiction of a steam train with carriages travelling through rural scene. Booklet and pictures black and white.tourism, visitor economy, travel -
Charlton Golden Grains Museum Inc
Photograph, Charlton High St 1987, c.1987
High St Charlton 1987. Part of Shire of Charlton series of photos. National Australia Bank building. Established as Bank of Victoria in 1876, later became Commercial Banking Company of Sydney. Current building built in c. 1940Colour photo of High St, Charlton looking east. National Australia Bank on the corner of High & Armstrong Streets. Sign for Victoria Bitter and East Charlton Hotel on LH side. White car travelling toward photographer. Two people holding bicycles and standing next to a motor bike on LH side of road.high st charlton, national australia bank, bank of victoria, commercial banking company of sydney, charlton, business, industry -
Bendigo Historical Society Inc.
Document - A. N. A. MONSTER PICNIC 1890
Printed flyer announcing the A. N. A. Monster Picnic to Harcourt, on Boxing Day, 1890. There is a description of the picnic area, which was running the Publican's Booth and the Refreshment Booth, entertainment, and on the back the Monster Art Union 100 prizes, value £500. There is also a sports programme, details of train travel from Sandhurst, Eaglehawk, California Gully, Golden Square, Kangaroo Flat and Castlemaine. Also included are Railway Fare, Admission to Ground and a chance in the Art Union.event, social, a.n.a., a n a monster picnic 1890, harcourt railway station, mr g ward, mr e conlen, eaglehawk brass band, j e buchan -
Tennis Australia
Photographic print, Circa 1934
Black and white photographic print of large number of people posed ona ship deck. Probably Australian tennis team travelling to Europe. Front from left are Don Turnbull, Viv McGrath, Adrian Quist, and behind McGrath is Jack Crawford. Other people unidentified. Part of a collection of photos taken/owned by Australian player D.P. Turnbull - found in collection in a vinyl album marked 'Photos by D P Turnbull'. Materials: Paper, Photographic emulsiontennis -
Warrnambool and District Historical Society Inc.
Book, Kirkham's Find Mary Grant, 1988
This book is a 1988 reprint of an 1897 novel by Mary Gaunt (1861-1942). She was an Australian writer of more than 20 novels and many travel books, short stories and magazine articles and achieved international recognition. The wife of Dr H.L. Miller, she lived in Warrnambool from 1894 to 1900. ‘Kirkham’s Find’ was written while she was in Warrnambool and is of particular local interest as it is partly set in an area that can be identified as Allansford. The novel outlines the difficulties faced by a woman in the 19th century if she wished to pursue a career and gives us a good description of 19th century rural Australia. Although it is only a reprint this novel is of some interest as it was written by Mary Gaunt, an Australian writer of considerable importance. As a one-time resident of Warrnambool and a writer using local places and situations in her stories, she has a place in Warrnambool’s history. This is a soft cover book of 340 pages. It has a purple cover with a reproduction of a 19th century painting on the front cover and material about the contents of the book on the back cover. The spine is an orange colour with black and white printing. The book has an introduction by Kylie Tennant, an afterword by Dale Spender and 29 chapters of a novel. mary gaunt, history of warrnambool, women in literature -
National Vietnam Veterans Museum (NVVM)
Certificate - Vaccination Certificates
Standard item as issued to Australian servicemen prior to travelling to Vietnam3 Vaccination Certificates Green - International Certificate of Vaccination against Smallpox - R.A.White 25/8/1947 Yellow - International Certificate of Vaccination against Yellow Fever - R.A.White 25/8/1947 Yellow - International Certificate of Vaccination against Cholera - R.A.White 25/8/1947Issued by Ministry of Health - London International Certificate of Vaccination against Smallpox - R.A.White 25/8/1947 International Certificate of Vaccination against Yellow Fever - R.A.White 25/8/1947 International Certificate of Vaccination against Cholera - R.A.White 25/8/1947vaccination certificate, cholera, yellow fever, smallpox, r.a.white, white -
National Wool Museum
Work on paper - Men's Village/Travel Uniform Design Drawing, Wendy Powitt, c. 1992
A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Village/Travel Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The village clothing was designed to be a highly visible garment meaning that it was easy to "Spot the Aussies" and helped to contribute to a good team spirit. Blocks of contrasting colours were a feature of the pure wool shirts. A newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic men's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts, a green and yellow striped shirt with the Australian emblem on the right breast of the shirt and a brown leather woven belt. The top of the page shows a detailed drawing of the belt weave with a symbol of Australia as the belt buckle. To the right of the main image is a detailed drawing of the shorts as well as a drawing of a leather pouch that is attached to the belt.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
Bendigo Historical Society Inc.
Photograph - HERCULES AND ENERGETIC MINE, 1930's
black and white photograph, overhead and underhand stoping 1930's ( James Lerk 26th. November, 1999 ) Note acetylene gas lamps illumination. 'down below' at Bendigo in black lead pencil on rear. ' Hercules and Energetic ' J.J. Stone' in black lead. ' Mine underground working, Bendigo ' Not to be reproduced unless by special permission of the Australian national Travel AssociationAustrralian Nat. Travel ?organization, business, hercules and energetic mine -
Melbourne Tram Museum
Postcard, Yarra Trams, "Beware of Sudden Stops", c2016
Postcard - titled "Beware of Sudden Stops", featuring a rhino falling off a skateboard, safety message to get passengers to hang on while travelling by tram. Has a rhino on one side with a hand hanging on and on the rear, a postcard format with a place for a stamp, address and safety message. Has Yarra Trams and PTV logos. Made by Avantcard Australia, 2016 with their email address.trams, tramways, yarra trams, safety, rhinos -
Ithacan Historical Society
Photograph, Passenger ship 'Queen Frederica', 1965
The passenger liner 'Queen Frederica' was one of the many ships that transported Greek emigrants to Australia in the post World War 2 years up until air travel became a more efficient and faster means of travel. Between 1945 and 1965, two million immigrants arrived in Australia. The decision by the Australian Government to open up the nation in this way was based on the notion of ‘populate or perish’ that emerged in the wake of the Second World War. Among the new immigrants were the first government-sanctioned non-British migrants.A black and white photograph of a ship berthed at Princes Pier, Port Melbourne. Rail trucks and a crane are in the middle distance and a car, utility and trailer are parked beside the ship. The photograph has been mounted on chip board.51A/ 26port melbourne. -
Diamond Valley Vietnam Veterans Sub-Branch
Photograph - Huey, 2/11/2020
The Huey (Iraquois) helicopter was the major travel mode for Australian troops during the Vietnam War.Troops in the Vietnam War relied heavily upon the Huey helicopters and their crews for transport, resupply, medivacs of the wounded or killed and fire support.Framed picture of Huey helicopter flying over South VietnamPlate describing donor; signatures of crew.vietnam, vietnam war, helicopter, diamond valley vietnam veterans sub branch -
Clunes Museum
Photograph - PHOTOGRAPHS
These images were taken by a travelling photographer in the goldfields of Clunes, Victoria, Australia circa 1896.1 Copy of sepia photograph of Jane Ann Jones, age 14 years, Date of Birth 17 June 1882 and Elizabeth Mirriam age 4 years Date of Birth 1 September 1892 .2 Copy of sepia photograph of Elizabeth Jones (nee Paull) Mother of Jane Ann and Elizabeth Mirriam .3 Copy of sepia photograph of Elias David Jones who married Elizabeth (nee Paull), Father to Jane Ann who died at age 72 years, Phillip, (killed when 11 years of age), Elias ( killed in Western Australian mine at age 19), Paull who died at age 65 years, Benjamine who died from war injuries, Elizabeth Mirriam and Rachel who died at age 6 weeks .4 Copy of sepia photograph of .5 LIST OF NAMES: Back Row: Benjamine Jones, Jane Ann Jones, Paull Jones, Elias Jones Jnr Front Row: Elizabeth Jones (nee Paull), Edward? married to Jane An, Elizabeth Mirriam .5 Letter of acknowledgment to the donor of this material from Clunes Museum dated 23 November 2008 .6 Hand written list in pencil of people who appear in these photographsNiljones family, paull family, travelling photographer, mining death -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: BEEHIVE
Bendigo Advertiser ''The way we were'' from 2000. Beehive store: circa 1865. James Buick was born in Scotland in 1824. In 1851, after travelling to Australia he raised his tent on the diggings in Bendigo and found some 3,000 pounds worth of gold.. He purchased the Beehive building in 1868 and had drapery businesses in both Bendigo and Melbourne. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Stawell Historical Society Inc
Book, Neil A. McLennan, Travel was Tough 100 Years Ago!, 1971
Excerpts from the Diary of John McLenna and Notes on the history of S.S. Great Britain.White card cover, Union Jack Flag, Red Print B/W photo of a sailing ship in heavy seas below which is more print Black.Travel was Tough 100 years Ago! Excerpts from the diary of John McLennan and Motes on the History of S.S Great Britain Written and complied by Neil A. McLennan Stawell, Australia 1971. On Last Page in blue ink: From - Estate Ruby Willy 1998stawell transport -
Bendigo Historical Society Inc.
Book - NATIONAL TRUST COLLECTION: SUBMISSION FOR THE PRESERVATION OF THE CASTLEMAINE MARKET
Booklet titled National Trust of Australia (Victoria) Submission for the Preservation of the Castlemaine Market, Castlemaine, Victoria. Classified ''A'' - Of National Importance; To Be Preserved At All Costs. June 1967. Contents: Official trust Photograph of the Market - Introduction - The Castlemaine Market, Its Importance - Historical Notes - Detailed Report Regarding the Ptresent structural Conditions of the Building - Schedule of Works - Cost of Restoration - Extracts from ''Australia's travel and tourist Industry, 1965 - Extracts from the United Nations' Report Connected with its International Campaign for Monuments - Conclusion - Drawings.national trust, properties, submission -
Kew Historical Society Inc
Photograph, 1st Kew Scouts - Adelaide SA Jan 1924, 1924
The group was most likely en route to the Australian Corroboree, which in 1924 was held at the Adelaide Exhibition Oval. The building in the background is likely to be the railway station, as travelling by train would have been the main method of inter-capital city transport in those days. The ‘Corroboree’ involved a large gathering of Scouts from across Australia. They would have pitched tents to live in, and participated in activities such as swapping badges, visiting the city, going on day trips, putting on concerts and displays, and spending time preparing their own meals.Adelaide SA Jan 19241st kew scouts, south australian corroboree 1924, kew - scouts -
Moorabbin Air Museum
Document (Item) - Simon Warrender Collection See Description for details
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Bendigo Historical Society Inc.
Book - ALBUM OF SONGS, 1912 - 1917
Album of Songs selected and bound by the Rev Bruce Plowman. Carried by him on his camel train while travelling central Australia from 1912 - 1917 as the first patrol padre for the Rev John Flynn. Signature inside front cover R.B.Plowman. Plus 2 photographs and a precis written by his daughter Mrs Jean Whitla donor of book. Green embossed cardboard cover and paper.book, rev bruce plowman, music, rev bruce plowman. -
Expression Australia
Book, Let the Accent be on Ability
Shirley Dawson was the H J Heinz Company Australia Ltd. Travelling Scholar for 1972. Rep0rt written 1973.Yellow cover, spiral bound, 27.5cmx22cm, 47 pages -
Bendigo Historical Society Inc.
Photograph - MINE POPPET HEAD
Black + White Photograph. Poppet Head with tubular steel legs, lattice stays and cross bracing. 1 Male pushing one track on overhead trackway from first landing platemans cubby or first landing. Wincher house, wood stack, chimney shed without coverin On back 'A,156' Signature 'R. Stanistreet.' 'Poppet head of a Bendigo Mine'. Stamped Australian Nations Travel Association.mining, surface equipment, surface site, bendigo, mines and mining, mines, mine, poppet head, mining shed -
Bendigo Historical Society Inc.
Ephemera - SS KALGOORLIE, PASSENGER LIST
Folded Printed cardboard passenger list containg 36 names of Saloon passengers traveling to Sydney on the SS Kalgoorlie from Melbourne for Inauguration of the Australian Commonwealth, January 1st 1901. Bendigo names are, Mr F Wilkinson , Mr G H Curnow, Mr Busst, Mr D Lazarus. Reverse. List of Saloon regulations. Meal times, light extinguished time at night, both At Sea and In Port.heritage, australian federation. ss kalgoorlie -
National Wool Museum
Work on paper - Women's Village/Travel Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Village/Travel Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The village clothing was designed to be a highly visible garment meaning that it was easy to "Spot the Aussies" and helped to contribute to a good team spirit. Blocks of contrasting colours were a feature of the pure wool shirts. A newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8118.1- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic women's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts with a yellow and green printed, striped shirt, cinched at the waist by a brown woven belt. At the bottom of the page is a detailed drawing of the weave of the belt with an Australia shaped belt buckle. A small drawing to the right of the main image also details a small bag/pouch that attaches to the belt. 8118.2- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic women's Village/Travel Wear Uniform. The main drawing shows the design for a pair of yellow shorts paired with a block colour shirt in green, red, white and yellow with a symbol in the shape of Australia on the right side of the shirt. There are small detail images of shorts and a skirt to the left of the main image and a detail drawing of a brown leather shoe to the right.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
Vision Australia
Card - Object, N.S.W. Transport Authorities Blind Person's Permit, 1982
The travel pass was used by NSW State Rail Authority to ascertain that the bearer was indeed a blind person and entitled to free travel. This example was numbered 4017 and was issued in the name of Mr N.L. Walker. It outlines what the named is authorised to obtain including 'Free Travel' which includes first or economy class, whichever is desired on State Rail Authority or Urban Transit Authority rail, bus and ferry services (except Hydrofoil) for journeys wholly within the stipulated N.S.W. areas and on Australian Government bus services in Canberra and also outlines details for 'Concession Travel'. 1 rectangular travel pass with blue cloth cover and black text On the cover of this Travel pass it states; 'N.S.W. Transport Authorities Blind Person's Permit, Including Attendant, Expires 30th June, 1982'. royal blind society of nsw, nsw state rail authority -
Queenscliffe Maritime Museum
Painting - MV Castel Felice, Dacre Smyth, Castel Felice
Owned by the Sitmar Line, the 'Castel Felice' operated on the Australia migrgant route from the 60s to the 70s prioir to air travel in the mid 70s. Mrs B SmythA framed oil painting of the migrant ship 'MV Castel Felice'Castel Felicemv castel felice, migrant ships -
Flagstaff Hill Maritime Museum and Village
Container - Ink Bottle & Case, 1934 – Mid 1950’s
Pens, nib pens and later fountain pens, with suitable inks, were commonly used for writing communications from the 18th century to the mod 20th century. Fountain pens continue to be used and enjoyed. Dip pens with a wide variety of nibs are used for calligraphy writing, a hobby enjoyed by many people. The quality of the pen handle, the nib and the ink all work together to produce fine handwriting that expresses the character and mood of the writer. This Bakelite ink case has been specifically moulded to snugly contain an ink bottle, with just enough room to wrap the bottle with a padding or card or blotting paper. The screw top lid fits the case well and this container would be a good way to travel with ink because any spillage would be kept within the waterproof case. The Bakelite material is lightweight and strong. Ink bottle cases, or travelling cases, have been made as an accessory for nib pen writers. The first patent for a “pocket-case for bottles”, a wooden case, was applied for in the US in 1891. Other materials such as steel, pewter and aluminum as well as Bakelite have also been used. The British Museum has an elaborately decorated bronze ink pot holder that is inlaid with turquoise. Today ink bottle cases are even available in fabric with loops to attach to a belt. Bakelite, the material used for this ink bottle case, is made from synthetic materials and is an early form of plastic, developed in 1907 and used extensively until the 1940’s. It is still in used today for specific applications but has been largely replaced by more modern forms of plastics. This ink bottle case carries the imprint of Mabie, Todd & Co. (Aust.) Pty. Ltd. This form of company name was used from 1938 to the mid 1950’s. The Swan ink bottle’s information says it was made by Mabie, Todd & Co. Ltd., London and Sydney, so dates the ink bottle from about 1908 until 1934. (Australian newspapers display advertisements dated 1908 until 1934 for Sydney wholesalers and agents for Mabie, Todd & Co. Ltd.) ABOUT PERSONAL FOUNTAIN PENS (FOUNT PENS) A 1917 newspaper advertisement recommends that the owner of a “Swan” doesn’t lend it to anyone else to use due to its qualities of it personalised to the owner. It reads “Don’t lend your “Swan” fountpen, recommend it, but don’t let other people use it. You see, a good pen doesn’t wear, but its “tamper” (or spring) works into the writer’s pressure and manner of holding. Another person with a dashing style of writing may strain it do that it will no longer feel just like your own.” This personalisation of nib pens may be the reason that legal documents in the past being acceptable only if they were signed using a ‘wet ink’ pen. Forgeries of signatures could be easily detected as the nib takes on the character of the pen’s owner. A ballpoint pen was not acceptable. This is a strong contrast to modern times when a digital signature is widely accepted. ABOUT MABIE TODD Pty Ltd. The American company Mabie Todd began by making pencil cases in New York in the 1860’s. The Bard Brothers, makers of Gold nibs, joined Mabie Todd and the company was established in the 1870’s as Mabie Todd and Bard. In 1878 the company filed a patent for the design of a fountain pen and in 1884 the first Swan fountain pen was released. In 1884 a Mabie Todd and Bard office and showroom was established in London. In 1906 the company’s name changed to Mabie Todd & Co, New York. The UK offices also used this new name and in 1907 the UK began producing their own Swan pens. Manufacturing was going so well in England that New York sold their rights to European and Colonial business to the new Mabie Todd & Company Ltd of England. By the end of the 1930’s all components for the pens were being made in the UK; the pens in the London factory, the gold nibs in Birmingham and the ink in Liverpool. Newspaper articles from 1934 stated that Mabie Todd were large buyers of Tasmanian iridium, which had been welded with gold and used since 1834 for the tips of nib and fountain pens. Fountain pen points were the largest market buyers for Tasmanian iridium, which was classed as “the best in the world”. Production growth continued up until WWII times, when the headquarters and main factory were destroyed. Mabie Todd & Company Ltd of England rebuilt out of the inner city and by 1946 pen production began again. The market for nib and fountain pens was diminishing by this time, with people beginning to use the new ballpoint ‘Biro’ pens. The Mabie Todd bought shares in Biro Pens and in 1952 became Biro Swan. They went on to make more ballpoint pens than any other manufacturer in Britain. The ink refills that Biro-Swan produced came in five different viscosity or thickness xhoices, depending on the season and location of where the pen would be used . Along with the ballpoint pens, Biro-Swan also introduced a range of Calligraph pens to attract those following the new trend for italic writing. In 1948 Mr. T. Burke, a director for Mabie Todd & Co. (Aust.) Pty Ltd., announced that there would be a £40,000 factory built in Sydney in 1949 for the manufacture of ink. The plant for the factory would be imported from overseas. Sadly the company struggled against competition and in 1956 Mabie Todd closed business and no more Swan pens were produced. The ink bottle and container was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The ink bottle case is significant for its association with writing methods commonly used during the colonisation of Australia until the mid-20th century. The protective Bakelite case demonstrates the value placed on caring for the user’s supply of ink and protecting other belongings of the user, enabling writers to easily carry and safely transport their ink without the concern of spilling it. The case’s design is a good example of the use of new technology. The properties of Bakelite have enabled its moulded design and make it waterproof and lightweight, easily cleaned, closely fitted to the shape of the ink bottle within and lid and base join together using a smooth screwing action. The maker’s marks have also been moulded into the Bakelite, therefore not distracting from the simple but elegant design. This ink bottle case also represents the period of early to mid-20th century when handwriting materials for writers using ink and nib pens were imported into Australia and developed for the Australian market and sold by wholesalers on behalf of overseas companies. Vintage brown Bakelite travelling ink bottle case (or holder, pot, well) containing glass ink bottle and original textured cardboard liner, made by Swan Ink, Mabie, Todd & Co. (Aust) Pty.. Ltd. The Bakelite container is shaped to fit snugly around the ink bottle. It still retains its original shiny finish, the lid screws on and off perfectly. The maker’s name is embossed on lid and base of the Bakelite container. The inkwell contains a glass Ink bottle with a tiny amount of dried up ink Swan triple filtered ink inside. The bottle is cylindrical with curved shoulders tapering to a neck of around 2cm. The white metal screw-on lid and the white and red paper label on the side of the bottle both have a printed description of the ink and maker. Circa 1934-1950’sBAKELITE INK CASE - embossed on either side of the lid “ “SWAN” INK / ”SWAN” INK “ - embossed into base, written in a circle “MABIE TODD & Co (Aust.) PTY. LTD.” GLASS BOTTLE – printed on lid “SWAN”/ [corporate logo combining letters ‘M, T, co’]/TRIPLE FILTERED/ INK.” - printed on label “SWAN” INK /FOR FOUNTAIN & / STEEL PENS / A BLUE BLACK INK OF/ THE FINEST QUALITY/ MADE IN ENGLAND/ MABIE. TODD & CO LTD …….. LONDON. SYDNEY/ Makers of “SWAN” Pens, Gold Pens & Ink“ - moulded into the base of the ink bottle and written around the bottom outside edge of the bottle are the words “THIS BOTTLE ALWAYS REMAINS THE PROPERTY OF/ MABIE TODD/AUST”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ink bottle holder, ink bottle case, ink bottle pot, travelling inkwell, portable inkwell, travelling ink pot, travelling ink bottle case, ink bottle, inkwell, ink well, swan ink, bakelite, dip pen ink, nib pen ink, fountain pen, fontpen, writing methods, stationery, mabie todd & co, swan fountain pens, biro-swan -
Ithacan Historical Society
Photograph, On board ship, c 1950s
The group, members of the Kallinikos family, is on board a ship, possibly farewelling a relative who is departing Melbourne for a return visit to Ithaca. A few Ithacans travelled back home during the 1940s and 1950s, and overtime more families made the long 30 day boat trip to Greece. The advent of air travel travel made it easier for people to travel back home regularly and today those Australian born of Ithacan descent regularly visit the island.A black and white photograph taken on the deck of a ship while it is in port. Three men, five ladies, a young girl and a little boy and girl are grouped together to farewell some of the people on an overseas trip. There are other people standing looking out across the bay.overseas trips -
Melbourne Tram Museum
Document - Report, Melbourne & Metropolitan Tramways Board (MMTB), "Linking the Horizons of City Public Passenger Transport", c1958
Report or Paper - 10 foolscap sheets, stapled on left hand side titled "Linking the Horizons of City Public Passenger Transport". No details as who presented it or date. Possibly by MMTB Chairman Robert Risson as in his style. Latest date in the report is about wages - June 1958. Report looks at the history of Melbourne transport, the MMTB, passengers numbers, fares, congestion, trams buses, costs of buses vs trams. Also has notes on a comparison between the USA and Australia (Melbourne) including transport and restaurants. Quotes Arthur O'Connor former American Manager of the Australian Nation Travel Associationtrams, tramways, mmtb, melbourne, trams, public transport, costs, traffic control, road transport, buses -
Melbourne Tram Museum
Newspaper, The Age, The Herald, Michael Venus, Gerry Carman, "Steep rises for some in new fares system", "Train, tram Fares Shake up - one - ticket travel plan", 17 and 18/9/1981
.1 - Newspaper cutting from The Age 18/9/1981, titled "Steep rises for some in new fares system", about the introduction of a new public transport fare system into Melbourne - 3 zones, Travel cards - refers to the coloured brochure - "The new train, tram and bus ticket system (see Reg Item 433) - includes a map of the rail system showing the various zones. Written by Gerry Carman .2 - Newspaper cutting from The Herald, 17/9/1981, titled "Train, tram Fares Shake up - one - ticket travel plan", item. Gives a description of the new system. Item written by Michael Venus. Consists of two parts - from another page - stapled in the top left hand corner. Cuttings has the Aust. Press Cuttings Agency source sheet pasted to the top right hand corner along with the paper name and date stamp.Has in pencil at top of cutting "Trams/Ballarat Trams"trams, tramways, fares, tickets, travel cards, buses, mmtb, vicrail