Timber desk stand on 4 button feet. Ebonised surround to top. Recessed pen trough. Two square-based glass inkwells with hinged brass lids. Central container with hinged lid. Calendar display at rear with sliding box opening at right-hand side. Writing surface with pigeon-holes above slides out at lower front. Brass escutheon and key to lock this compartment. Brass handles at sides (recessed).REGISTERED NOVr 19TH 1869writing desk stand

This particular box of brass drawing pins would have been used before the introduction of cheaper polished chrome drawing pins manufactured in Asia. The box construction and label would suggest that supply of this boxes contents could have been in the early 1950's. Drawing pins or push pins were first invented in 1900 by Mr Edwin Moore. The need for a secure fastener to accommodate temporary signs and notes for domestic and commercial environments sprang up from the need to cope with an increasing faster method of presenting information on removable surfaces such as temporary notice boards. In the 1950's and later the increase in the pace of "living" brought about many time saving written communication notices. This temporary method of providing fast temporary notices is being surpassed by the computer age and mobile telephone "applications". The information spectrum of the computer age has made many "hands on" (drawing pin) applications go to the "dodo" level. This box of drawing pins is very significant to the Kiewa Valley and its region because it demonstrates that the pace in rural regions especially those that were once semi remote regions has moved at the same pace as the bigger towns and cities. Differences are still noticeable, such as the requirement of drawing pins for temporary signs and mail box commercially important "sales" notifications. The pressures that produce the "rat" syndrome, that is pressure by increased population levels infringing upon the individual's day-to-day existence is still not present in rural areas such as the Kiewa Valley. Drawing pins are still a requirement for leased accommodation (which are usually short term accommodation) for the personalisation of "home" wall decorations and shopper's "notice and information boards"This small box, similar to a "match box" (thumb activated slide, top open, cardboard container), holds brass drawing pins. These brass pins are also known as brass tacks, thumbtacks or push pins. The top of the brass tack has a "domed head" with the manufacturer's logo stamped on it. The number "2" on the bottom right of the label is the "weight" of the drawing pin. On the front and within a red border and red letters "BRASS" and below this in script form "Drawing Pins" and below this in smaller letters "Made In Germany" Below this and on the bottom left side "100" and also on the bottom but to the right "No. 2"notice and information boards, quick temporary fasteners., pins, tacts, brass tacts, domestic, decorations

Mr. Braz Borschman was born in Beechworth on the 1st of July 1914 at his parents home. He played for many years in the Towns volunteer Brass Band, a popular local band of about 30 members. Braz played the coronet and later the trombone. His first job was for the post office, but he spend most of his working life at the Beechworth Tannery. His interview contains lots of information about the tanning processes, including the story of 'Young Thomas', who lost his arm in a tannery accident. Braz recalls the open-air picture theatres of Beechworth, the many dances and balls, and distinct lack of cars. His testimony is rich with detail and filled with many other side-stories, including 'Blind Tommy', a self-sufficient, opium-smoking blind man of Chinese descent. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Braz' interview is significant for the many historical details it provides about life, work, and leisure in Beechworth, particularly in relation to the period of the depression and after, which is the context which Braz' interview focuses on. His detail about the Beechworth tannery and the many open-air picture gardens is particularly rare and insightful to any social history of Beechworth. The oral history project more broadly is significant for its capture of the lives of ordinary Beechworth residents from incredibly divergent backgrounds, which has led to a rich, nuanced and diverse range of accounts of Beechworth.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.listen to what they say, beechworth, oral history, braz borschman, brass band

This item is an example of the self-reliance needed by families during hard times. Many household necessities were made from available materials. A roughly made wooden writing box which has been made from recycled materials including a COCOA ESSENCE lid. The corners are dovetailed.The lid is brass hinged and there are finger tabs to lift the lid.writing-box container homemade great-depression

This box was crafted from a portion of one of the original oak trees in the Jarrahmond WW11 Avenue of Honour.The Avenue was planted in 1955 and linked the farms of the two servicemen from Jarrahmond who lost their lives in WWII. It consisted of English Oaks interspersed with flowering peaches and cherries. Wood for the box was collected in the early 1990's by Stan Weatherall following a windstorm. Stan had the timber rough-sawn into planks by local sawmiller Max Reynolds. The timber was stored for a number of years before being given to Don McLean.A hand-made oak box. The inside base is lined in green felt. The lid is single hinged. the front panel displays a radiating pattern in the grain of the oak wood that resembles the rising sun badge of the Australian Defence Forces. Two brass pins are symbols of Australian military regalia. Inside the box is an envelope with information and letters on the manufacture of the box and presentation to Orbost. The information concerns the Jarrahmond School and the Avenue of Honour.handcraft oak jarrahmond-avenue-of-honour container

A cylindrical brown leather cabin hat box. it has a leather hinge with a metal lock at the front. On top is a leather handle with metal (brass?) fittings. There is a variety of labels pasted on. They include : On sides - Kindly place this label on the end of the package. P.&.O. SN Co Bombay to Melbourne Passrenger's Name - T. D. GoveIn gold paint T.D.G. 2 x in gold print G-90mmstorage luggage container hat-box

The beginning of standardised weights and measures began In Victoria when the Melbourne Observatory received sets of standard weights and measures, which had been tested in Britain against the then British Imperial standards. These included the primary standard yard and pound for the Colony of Victoria. Other standards of weights and measure held by shires and the administrative body's within the colony could then be compared to these primary standards. A Weights and Measures Act was passed in Victoria in 1862, establishing local inspectors throughout the colony. By the 1870s each local council and shire in Victoria held a set of standards that were used to test scales, weights and dry measures used by wholesalers, factories and shops. Every ten years the councils’ standards would themselves need to be rechecked against the Victorian Standards. The checking was done by the Victorian Customs Department in the 19th century, but with the transfer of responsibility for customs to the Federal Government in 1901, weights and measures function was retained by the Victorian Government and was shifted to the Melbourne Observatory. In 1904, a new building was erected at the south end of the Great Melbourne Telescope House, where the standard weights and measures and testing equipment was installed. This room had a large whirling apparatus for testing air meters and became known as the Whirling Room. When the Melbourne Observatory closed in 1944, the Weights and Measures Branch was formed to continue and this branch remained at the Observatory site unit until 1995.An example of a brass measuring jug made specifically to maintain government standard liquid measurements that were sold to the public. The probability is that this artefact was made sometime between George V reign (1910-1936) and gives us today a snapshot of how imperial weights and measures were checked by Government departments prior to decimalisation and how a standard for the various types of measurement was developed in Australian based on the Imperial British measurement system. The container has social significance as an item used in Victoria as a legal standard measure to ensure that goods sold in Victoria were correct. Jug brass haystack form with a deep lip and pouring spout, small neck and broad base. It displays a curved pistol handle. Inscription at base of handle top of jug stamped 61 GVR SM. These marks signify that the measure complied with the Victorian Government capacity liquid standard measurement. Item made during the reign of George V (1910-1936 (GVR).Other marks indicate model number (61) & SM possible could be either small measure, the maker, or Standards Melbourne.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The firm Dring and Fage were active from 1790 to 1940 in London and were manufacturers of hydrometers and mathematical instruments they became established in London in 1790 by John Dring, who was a brass worker and hydrometer maker, and William Fage. Dring and Fage manufactured also saccharometers and other instruments used to measure the strength of alcohol. These instruments were primarily used to calculate excises. They traded at various addresses in London and they were at 56 Stamford St. between 1903 and 1938. By 1850 the company was owned by Edward Hall and Edward Jenkin and in 1940 the company became Dring & Fage Ltd, trading till the 1960s. Historically, gauging has meant measuring a volume, these gauging instruments were used by Customs and Excise and manufacturers for determining the volume and contents of liquid containers. For Customs the determination and collection of duty on imported goods which has had a very long history. Chaucer was a Customs Officer as was his father and grandfather, excise was first officially introduced in 1643, with the aim of maintaining military forces raised by the English Parliament at that time. Excise was initially a duty on home produced alcoholic beverages and soap but being easily applied, spread rapidly to a wide range of goods including imports of varying kinds. The government departments of Customs and Excise merged only in 1909 and it is from around this time that our instrument was made and used. The item demonstrates a long social history of the practice of Government's collecting duty on alcoholic beverages and thereby makes this item historically significant as it was used locally at Port Fairy by the ports Customs agents. Gauging rod or bung rod; ullaging gauge. Long brown wooden gauging rod with brass tips and sliding brass marker. Measurements are marked along the length of the rod. Used for measuring volume of liquor in casks in order for Customs to calculate excise (tax) on the contents. Made by Dring & Fage, London.Engraved “Dring & Fage 56 Stamford St London flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, gauging rod, ullaging rods, measuring instruments, customs tax, dring & fage, alcohol measurement

This trade mark (V inside a clover) was German. It was used by the lamp makers Veritas Efsca Works in Birmingham, and for a time by Valor Co. Ltd. which took over Veritas. Valor Co. Ltd. was established in Birmingham in 1890 and produced oil containers for the Anglo-American Oil Com. In 1901 the firm advertised themselves as Stampers And Pieces. Later it was named 'The Valor Co. and was associated with the Aston Brass Co., and advertised as makers of oil lamps and stoves. Valor became a maker of oil heaters cookers and many other products that were fueled by oil. Later it sold gas heaters and ovens. In 1936 Valor Co. Ltd. was made a Public Company and operated under the name The Velor Company Ltd. The company changed names over the years and it was still operating under Velor Fires in January 2002.Oil or kerosene lamps were the means of lighting for homes, farms and industry in the late 19th and early-to-mid 20th centuries. Lamps like these were important as Lighthouse Keepers and Assistant Keepers' equipment. They were in common use in until the lighting was powered by gas and electricity. The reflector at the back of the lamp makes it of greater significance as most lamps don't have this feature. The logo is also interesting as it originated in Germany and was used with permission by a British company and the company that brought it out for a short time. Similar lamps are still available today, usually with gas for fuel. Kerosene lamp; blue painted metal fuel can and metal rear reflector support. and a round corrugated reflector at the rear. The mid-section wick is made of brass. The glass cover or chimney is bulbous in shape. Inscriptions include a trademark "V" inside a clover. It is British-made in Birmingham by either Veritas Efsca Works or Veritas Valor.Trademark; "[clover symbol] surrounding a "V" Stamp: "BRITISH MADE" Marked on adjusting device: "English Made 1 in w" Marked on support of deflector shield - "British Made" and symbolwarrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, oil lamp, table lamp, kerosene lamp, valor co. ltd, v inside a clover, veritas, british made, lamp reflector, lighting, lamp, the valor company ltd

The medallion is a 1951 Commemorative being 100 years of Government and discovery of gold in Victoria. The winner K.M. Mcleod is believed to be Kenneth Meadowbank McCleod. He enlisted initially in 1915 but was discharged medically unfit in 1916, re enlisted in 1917 No 3840 and served in the 4th LH Regt, discharged from the AIF on 6.12.1919. Refer Cat No 1805P. There were two Billiard Tables in the Soldiers Memorial Institute in what was called the Billiard room. This was a source of income for the Bendigo Branch for some 70 years. One table was sold in 1967 as usage had declined and the last one was sold in 1994..1) Medallion circular bronze, front depicts 2 gold miners, oround outside is text, centre is engraved with details of who was presented with the item. Rear has a depiction of a horse carrying a man and a woman which depicts "Equality & Justice is Freedom" .2) Container for the medallion, rectangular shape brown colour, front has in gold a Coat of Arms with "Victoria" under. inside lid is a cream silk lining with the makers details in gold, medallion is set in red velvet. lid is hinged in brass with a brass closing catch.On face of Medallion, "Centenary of Government of Victoria 1851 - 1951". Centre of Medallion, "Awarded to K.M. McLeod Bendigo RSL Centenary Billiards Champion"brsl, smirsl, medallion, billiards

Ornamental brass box of unknown use. Item in the collection of "Richard William McGILVERY" RAAF. Refer Cat No. 7287P for his service details, photo and awards.Silver metal box with separate lid. Lid has inlays of Japanese scenery of antelope, tree, buuildings. Mostly gold colour but with red plants. Centre of lid has hole cut into it.ornamental box, bcof

John Glass Cramond 1829 and James Dickson 1831-1910 were founders of a large drapery store. Both were Scots and both came separately to Australia in 1852. Cramond initially came for gold but soon opened a store in St Kilda with a post Office attached and he was the first post master there. Dickson was a farmer’s son but became a draper and while he was unsuccessful on the Bendigo diggings and then returned to Melbourne where he met Cramond and soon after they opened a store on Lonsdale Street. They opened their business in Warrnambool in 1855 as a general store with groceries, drapery and ironmongery. Both partners were involved with the community and James Dickson was an original director of the Warrnambool Woollen Mill 1909 and the Warrnambool Cheese and butter factory. He also served on the committee of management of Warrnambool Base Hospital. This case was a wedding gift from James Dickson Jnr to his wife Mary Glass Cramond on the occasion of their wedding. This item has significance on a number of levels. It belonged to a member of one of Warrnambool’s earliest pioneering families and it marks the occasion when the two families of Cramond and Dickson were linked through the marriage of James Dickson jnr and Mary Glass Cramond. The firm played a significant part in the development of the city and traded for nearly 150 years. It therefore has social significance to Warrnambool. The item is well provenance with the case initialed and items within the case monogrammed. The case and its items are aesthetically quite beautiful as well as being typical of travelling or dressing cases of the more well to do, of the time. Mappin & Webb were manufacturers of some standing with the Mappin name appearing in manufacturing as early as 1775.The company has held a royal warrant as silversmiths since 1897 to the present day and as crown jeweler since 2012. Throughout this time, they have manufactured quality items for the luxury market. It provides an insight into the way ladies travelled and the items which they considered essential. This consists of a black leather with leather handle attached with brass fittings. Middle opening with side pocket on one side with metal catches. Inside has removable sections for holding the numerous containers and items belonging to the case. Interior of the case is dark blue satin. The items contained within the case are as follows: 321.1 Luggage case 321.2 Glass bottle rectangular, silver monogrammed lid, empty. 321.3 Tall round glass bottle, silver monogrammed lid, empty. 321.4 Small glass bottle with pink powder, silver monogrammed lid. 321.5 Small multi sided bottle with stopper and brass hinged lid. 321.6 Tall round bottle with silver monogrammed lid. 321.7 Tall thin multi sided bottle with brass lid. 321.8 Cream coloured monogrammed jar cotton wool inside. 321.9 Clothes brush rectangular cream back. 321.10.1Glove stretcher bone coloured .10.2 Case black leather. 321.11.1 hair comb cream with silver edge .11.2 Case black leather 321.12 Hair brush cream handle 321.13Spatula cream monogrammed 321.14 Mirror, silver round with handle. 321.15 Writing compendium .1 Case black leather .2 Pen with nib .3 Lead pencil .4 Navy satin covered blotting book 321.16 Inkwell glass bottle in small black leather case. 321.17 Match striker in leather case. 321.18 Mirror in black leather case rectangular 321.19 Small case for visiting cards. 321.20Sewing kit rectangular, contains threads and needles pkts x 3 321.21Container, small, hinged tortoise shell patterned. 321.22.1 Manicure set .2 Scissors small .3 Scissors large .4Corkscrew with Mother of pearl handle .5 Pocket knife with Mother of pearl handle .6Tweezers with Mother of pearl handle .7 File with Mother of pearl handle .8 Fine hook Mother of pearl handle .9 Bodkin .10 Bodkin 321.23 Hairbrush oval silver backed 321.24 Mirror silver handled hand mirror. 321.25 Hairbrush wooden handled with Mother of pearl inlay. 321.26 Cylinder, silver with removable lid and small phial of iodine labelled Felton’s pocket iodine. 321.27 Phial small glass with gold decorations. 321.28 Inhaler with insert 321.29 Thimble, metal. 321.30 Silver backed hair brush 321.31 silver backed clothes brushEngraved on side pocket: M.G.D. Mappin and Webb Sheffield and London. Some of the items are monogrammed as per the list above. A number of the glass bottles have lids hallmarked Mappin & Webb London and Sheffield makers stamped inside lid with hall marks history of warrnambool, cramond and dickson, mary glass cramond, dressing bag, woman's toiletry bag 1880

This is an early model of a hand-held juice extractor. It is a household item that is probably over 100 years old.This juice extractor has no known local provenance but it is an interesting item and useful for display. This juice extractor has a brass ring with a handle. Sitting in the ring is a heavy glass container with a concave base and a ridge inner base moulded in a shape to fit a whole or a half of a lemon or orange or other fruit or vegetable. The rim of the glass has two pieces broken off. Attached to the brass base is a metal scoop-shaped dish with a handle. The handle pushes up and down into the glass container to put pressure on the object in the glass container to extract the juice. The scoop section has the maker’s name on the front. ‘Williams’ history of warrnambool, social history, hand held juicer

This object was used to light gas burners, lamps, lights etc. The tapers were used to light a burner that was hard to reach. It may also have been used in a church to light candles. This taper and matches holder has no known local significance but is an attractive object and will be useful for display.This is a brass object made in two parts – a rectangular container holding six wax tapers and a squat jar-shaped container for holding matches. The match holder is welded to the taper holder. The tapers are bent or broken in several places. The taper holder has a hinged lid with a brass top. The match holder has an embedded shell-shaped emblem. social history, warrnambool history, metal candle taper

This tea caddy, an attractive item, was given to Margaret Fletcher (date of presentation unknown). A tea caddy in the 19th century was a valued object as tea was expensive and was bought in small quantities. The two side containers are for green and black tea and the middle one was for blending the tea mixtures. The caddy was lockable so that domestic workers etc could not have easy access to a valuable commodity. The local provenance of this object and the identity of Margaret Fletcher have not yet been established. She may be related to John Fletcher, the Warrnambool cordial maker or James Fletcher, the Warrnambool lawyer. This tea caddy is of great interest as an attractive artefact from the 19th century and as an example of a household item no longer in use. It is also of interest because it was given to Margaret Fletcher, possibly a local Warrnambool person. This is a polished wood container made in a casket style. The wood is believed to be Coramandel. The casket has curved sides and is on a base with four legs. The lid has a brass hinge and a gold lock with the key and the lock mechanism missing. Inside are three compartments, two with hinged lids with leather tops and zinc linings. The middle compartment has a glass container set in a wooden compartment. The inscription is on a brass plate inside the casket. ‘Presented to Margaret Fletcher as a Mark of Respect’. margaret fletcher, history of warrnambool

This stock measurer would have been used on a farm during the first half of the 20th century. A similar item with decimal measurements may perhaps be used today though mechanized weighing machines are now available. This stock tape measure has no known local significance but it is an interesting item and has its place in the history of agriculture in the district. It will be useful for display. This is a glassfibre measuring tape (imperial measure) in a circular brass holder. The tape has a metal clip at the end. The tape is yellow on one side (measuring weight of pigs) and red on the other side (measuring weight of cattle). The holder has a winding mechanism on the top attached by a brass screw. There is a knob on the winder to hold while turning the winder to bring out the tape to the measurement required and to retract it back into the holder. The holder has a black ridged pattern around the sides. The maker’s marks are etched into the back of the container and printed on the tape. ‘We –Bo’ ‘Comb Maal” On tape: ‘We-Bo Made in Denmark’ ‘Live weight of pigs in lbs in relation to chest-measure in inches’ ‘Live weight of cattle in lbs in relation to chest-measure in inches’ stock tape measure, history of warrnambool, agricultural history

These cartridges have been used to contain pellets or shot to be fired from a shotgun. They have been in the collection of the Warrnambool and District Historical Society for many years but the reason for keeping them is now not known. Warrnambool has had a Gun Club since the 19th century and they may have been kept as souvenirs of a past clubThese cartridges are of minor interest and may have some use as display items..1 A blue plastic container with a fluted edge at the top which is open. The base has a brass holder with etched figures and letters. .2 A red plastic container open at the top which has a fluted edge. The base has a brass holder with etched figures and letters and there is black printing on the side of the cartridge .3 A gold-coloured plastic container open at the top. There is black printing on the side of the container and etched figures and letters on the base of the brass holder..1 12, IMI .2 Winchester 12 GA, AA, Winchester 350, 3-50-32-7 Trap .3. Winchester 12 GA AA, Winchester 275, 2.75-32-7 Trapwarrnambool gun club, warrnambool history

Used by German troops to clean Mauser K98k Carbine WWIIMundlos RG34 cleaning Kit for Mauser K98k. Kit container containing Brush with brass wire core, bristle brush, oil canister, pull through.tool, waxed thread and wax blockrg34, cleaning kit, mundlos, pull through, mauser

The embossed brass tin was a Christmas Gift to the Troops 1914 from HRH Princess Mary containing pipe, tinder lighter, tobacco, cigarettes and Christmas Card.Embossed tin presented to troops as a Xmas gift about 1914. Gold coloured metal embossed tin.passchendaele barracks trust, ww1, gift

Metal trunk issued to F.G. Davey for his personal effects which were shipped home to Australia after WW2.Part of the Frederick Gardner Davey DFC collection. Refer Cat No 3536PRectangular metal hinged trunk painted black. A hinged metal handle in on each end and at the back. Each handle is secured with metal rivets. The lid is secured closed with two 'Closebind' catches A brass locking mechanism is located on the front of the body and is accessed through a keyhole. The interior is painted grey with a brown leather seal around the edges of the lid. Various markings in white paint appear on the lid, each end, the back and the front. Paper stickers are glued onto the lid, back and right hand end. Inside the lid is a manufacturers plaque and year of manufacture printed in black.On lid: 'J13/S, F.G. Davey, VIC, R/124, RAAF Central Repository, West Melbourne, Vic'. On front: 'J13/S'. On Left hand end: 'J13?S 90 VIC, P410533, Davey F.G.'. On right hand end: 'J13/S, Vic' plus paper labels 'Geelong' and 'Mr F.G. Davey, Bendigo'. On back: 'J13/S' and paper label 'Not wanted on voyage'. Inside lid; ' 1944'.f.g. davey, personal equipment, military equipment

Hexamine stoves, such as this example, were used in the field by soldiers for the preparation of food and boiling of water. The stove would have been fuelled by hexamine tablets, which contain flammable elements of formaldehyde, ammonia, nitrogen oxide and hydrogen cyanide. Associated tablets have been removed from collection as a safety precaution. Due to the fumes of the fuel tablet, food cooked on such a stove would have been sealed in a container when cooking.Silver coloured aluminium hexamine stove. The stove is made of three pieces of metal, the 'floor' and two sides, which form a box when closed and when open appear like an upturned table. The floor of the stove has a series of holes and lines stamped into it. The sides of the stove have been attached to the base with brass rivets. When open, the sides open to form a stand at the base and the interlocking grooves which line the edges of the sides act as a cooking platform on top. When closed, the stove appears as a small box. cooking, vietnam, field, equipment, rations, food, 1960s

Many casings were decorated by troops and used as ashtrays & containers.It examples the quality of material [brass]used for shell casing at that time.Brass Shell Base with Lid Belgium 1916-1919BELGIUM ...1916_1919

The medals belonged to Charles Sutherland CORNELIUS No 40595 RAAF. Enlisted in the RAAF on 13.5.1941 age 21 years. On discharge from the RAAF he was a Corporal in No 4 Radio Installation and Maintenance Unit. Refer Reg No's also 94 & 95P..1) Medal: 60th Anniversary of the end of WW11, gold coloured, made of aluminium, zinc and bronze amalgam. .2) Black presentation box for .1). .3) Medal set, brass plate mounted, set of 4 re C S CORNELIUS. 1. Pacific Star. 2. Defence Medal. 3. War Medal 1939-45 4. Australian Service Medal..1) & .2) "60th Anniversary of the end of WW11", "For Service to Australia 1945-2005" .3) "40595 C.S Cornelius"numismatics - medals, containers, military history - souvenirs

This is one of the last 50 x 105 mm cannon shells fired in Sth Vietnam..1) Brass Cannon Shell rimmed. .2) Cardboard tube with end caps to hold shell. .3) Card, RAA Badge..1) Base of shell stamped: “105 mm M14 Type 1 Lot ERM-1-43 1943” Place at base: “Presentation case number 31 of 50. Fired at Nui Dat Sth Vietnam by A Field Battery on the occasion of the Centenary of the Battery, 1 August 1971 whilst on active service with 12 field Regt RAA” .2) Marked: “Container M105A2 UAC 105 mm HOW” .3) Card: “This cartridge is number 31 of 50. Presented to Col Comdt E Comb by the Commanding Officer and all Ranks 12 Field Regiment RAA, Sth Vietnam 1971”.arms-ammunition, military history-army

Air to ground container WWI.Pouch, khaki, containing a lead weight inside. Two brass press studs, strong cotton bunting material plain dyed with white stitching. Attached are two long ribbons composed of three segments coloured green then white & red. Pouch: “HCR LO 1918, a broad arrow with No. 422” Handwritten on one of the white panels: “No. 7”containers-military, metalcraft- brassware, military equipment

Item issued to Flying Officer Geoffrey Wilkin NEVILLE No 438263 RAAF. Refer Cat No 3291 for his Service History.RAAF Kit Bag, blue canvas, white rope attached through brass eyelets. Identification details stenciled on. A white circle has RAAF No 1. F/O NEVILLE 438263 53 Forest Street Bendigo Vic K36/Q.military equipment, containers -personal, kit bag raaf

Canvas bag, khaki colour with flap lid closed with brass press stud, rectangular box shape. Straps on rear provide attachment to a waist belt short straps with brass buckle on sides - no shoulder strap with item. Inside flap lid are 2 tubular shaped holders for pencils/pens.Handwritten in black ink on back of bag: “Hennequin / 3203681” Stamped into press stud top: “Newey's Pat. 10949/16”containers, military history - equipment, passchendaele barracks trust

Kit Bag, brown canvas, cylindrical Top closed with rope threaded through 8 brass eyes. Rope threaded through material loop on base to form a shoulder strap. Circular flap sewn into top to cover contents when bag is closed.military equipment, containers, kit bag, passchendaele barracks trust

Map Case, khaki canvas outer, tri-fold with clear perspex sections for securing map inside. Fastens with two canvas flaps & brass press studs & a canvas strap. Small pocket on outside. military equipment, containers, map, passchendaele barracks trust

.1) Oil bottle, brass, one end as internal thread. .2) Oil bottle cap, threaded with long spoon like shaped utensil.arms accessories, military equipment, oil, containers