Deep Lead – Portrait Charles Thomas Hume and bride Liza Munro on Wedding daystawell deep lead

In 2005, members of the PMH&PS undertook a study of the residents of the houses in a Port Melbourne street precinct from the 1880s to 1960. The area is bounded by Evans Street, the E side of Bridge Street, S side of Williamstown Road, Farrell Street both the E & W sides plus the section of Ross Street between Farrell and Bridge and the part of Derham Street between Farrell and Bridge. The resulting map and an interactive CD won the Best Community Research, Registers & Records project at the 2007 Victorian Community History Awards. The project was launched on the railway reserve near the corner of Evans & Farrell streets. Co-author Graham BRIDE.Co-author, Graham Bride, at the launch of the History of a Street Precinct25/9/05 Graham Bridehistory of a street precinct, graham bride

Huttley Martin FamilyB/W Portrait: Bride wearing a Jeweled Crux Gammata ( Gammadion Cross), Tasselled lace over white floor length dress & veil, wears elbow length gloves. Groom white shirt and Light coloured tine, dark suit, holding gloves. Gainsborough 215 Chapel Street Prahan On reverse Harry Martin m alice Henderson (my Uncle) MADGE HUTTLEY'S UNCLEhuttley, martin

Magazine - 52 page, full colour A4 publication, centre stapled titled "Ballarat bride 2016". Features various stories about local weddings, wedding planning and advertisers including the BTM. Page 16 features a story of Ebony Burns & Benjamin Johnson with one of the BTM trams in the background and BTM advert on page 49 of services available for weddings.trams, tramways, btm, weddings, advertisements

Photos belonged to Ada POLSON (nee BELLION), Margaret BRIDE's mother. William took over the family business in Stokes St when his parents retired to Sydney in 1890From the booklet "Four immigrant families and some of their descendants" .04 - William BELLION 1868-1917 families, margaret bride nee polson, ada polson nee bellion, thomas sinclair, elizabeth weller bellion, william j bellion, louisa bellion, letitia sinclair, mother falkenreich, ada florence bellion, lizzie sinclair

In 2005, members of the PMH&PS undertook a study of the residents of the houses in a Port Melbourne street precinct from the 1880s to 1960. The area is bounded by Evans Street, the E side of Bridge Street, S side of Williamstown Road, Farrell Street both the E & W sides plus the section of Ross Street between Farrell and Bridge and the part of Derham Street between Farrell and Bridge. The resulting map and an interactive CD won the Best Community Research, Registers & Records project at the 2007 Victorian Community History Awards. The project was launched on the railway reserve near the corner of Evans & Farrell streets. LL - R - unknown, Pat GRAINGER, Graham BRIDE.Pat GRAINGER, Graham BRIDE at the launch of the History of a Street Precinct project. 25/9/05 Not Known, Pat Grainger, Graham Bridepat grainger, graham bride, history of a street precinct

Soft cover book of 293 pages; Appendix, Sources of Images, Endnotes, Bibliography and Index, by Margaret and Graham Bride. Front cover is sky blue and features a 2.5 cm wide strip of five small photos above the cream coloured title. Organisational logos on the back; Port Melbourne Historical and Preservation Society, City of Port Phillip, Port of Melbournenon-fictionport melbourne, early settlers, port of melbourne, port phillip, reverend kerr johnston, seamen's mission, mission to seafarers, sandridge, bethel, church, hulk emily, pmhps, pat grainger

Collector says: Cream and blue panel blankets were the first style of domestic blankets I started collecting and both of these ones were found in Geelong op shops. Pairs of blankets were regularly advertised as ideal wedding gifts and 'The Bride' label is one of my favourite labels of all time. This is the only one I've ever seen but hopefully there are lots more out there being handed down the generations.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized cream blanket with blue stripesWarrnambool/The Bride/All Wool ---Deluxe/Made in Australiawool, blanket, blanket fever, warrnambool, bride

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." "Most admired of the Bride's presents" (bride and bridesmaids with blanket)"Most admired of the Bride's presents" /Warrnambool Blankets and Rugs/Warmer Wool from Warrnamboolblankets, blanket fever, wool, advertisement, warrnambool, australian women's weekly

Photograph 1994 of milling machine manufactured in Port Melbourne by O.C. Schumacher and now in the Bark Mill Museum, Swansea, Tasmania, a former flour millDetails in blue ink on back: 'Bark Mill Museum Swansea East coast Tasmania 1994'business and traders, industry - manufacturing, o c schumacher

Built at a cost of £75,000 the five-span reinforced concrete bridge replaced the oldest bridge across the Yarra river, linking the Shire of Doncaster-Templestowe on the south bank with Eltham on the north. The bridge was opened by Mr. G. Reid, M.L.A.Three black and white photographsbridges, warrandyte, yarra river, councillors, ceremonies, stanley addison

Although this book is the biography of a Jewess from Vienna rather than from the Netherlands the author's experiences could have taken place in any of the Nazi-occupied countries. Her tale, however, is extraordinary in the combination of survival skills and luck that enabled her to live through the Jewish persecution of WWII.A 240p. paperback edition of the author's biographical experiences. It mostly describes her extraordinary survival of Hitler's Jew extermination policy.De Joodse Bruid - Edith Hahn Beer met Susan Dworkin. Zij trouwde een Nazi en redde haar leven. (She married a Nazi and saved her life). Original title : The Nazi Officer's Wife Translated by Ineke van Bronswijk ISBN 90 443 0092X

62, city of heidelberg repertory group, heidelberg theatre company inc, 1961, directed by lois connor

wedding photograph

Black and white photograph of Ellen Carroll dressed as a bride. ellen carroll, bride, marriage

Photograph of bride and groom 1925. Caption on back identifies the bride as Chrisie Barber and the year 1925. From the collection of Jessie Partington.Sepia studio portrait of bride and groom, mounted on heavy card.Name and address of studio on front of mount. Handwritten caption "Chrisie Barber 1925" on back of mount.chrissie barber, weddings, jessie partington