Photo taken around 1958-61 of Ed and Imi(Fred) Strauks standing with Brian Burton and brother?, Neil and Mark Clarkson also one other person on the Mullum Mullum Bridge in Ringwood, according to Gaby Strauks.3 children sitting on bridge (unnamed) with tricycle.Written on back of photograph, "Bridge over Mullum end Adelaide Street."

fay bridge collection, cottles bridge, fay bridge, heidelberg-kinglake road, roadside trader

Decorated for the visit of Duke & Duchess of York, 1901 Federation celebrationsblack and white photograph mounted fair conditionPrinces Bridge showing traffic and decorations of flags and bunting

Series of four photos of Railway Step Bridge Stawell 1991Four (4) Colour Photographs, two on one page and 2 individual Photographs.The Two photographs one showing a footbridge in the distance with two cement pipes in front, and a pile of soil further back. A Truck is parked under the bridge. Buildings are in the distance on the lsft side. The Lower photograph is showing the bridge almost dismantled with the surfces of the bridge being held by two cranes with a person on the brdge. The other two photgraphs show the bridge from the groundlooking across the railway tracks one is a clsoe up of the bridge. On the rear of the tow Individual Photographs 224-2a on the top from the left Stawell Old Railway Bridge Bottom left corner ST1-2 224-2b From top left Stawell Old Railway bridge 1991. Bottom left ST1-4stawell, railways

Newspaper clipping documents deputations to the Minister of Public Works for grants to be made available for repairs to bridges and roads damaged by heavy flooding in 1933, in particular, the replacement of a stone and concrete bridge over the Leigh River at Garibaldi in the Buninyong Shire. The concrete slabs were still in the water in the 1960s/70s or even later. Three black and white photographs showing flood damage to the bridge over the Leigh River at Garibaldi, plus a photocopy of a newspaper clipping from The Argus December 1933 describing the extent of the flood damage. .1) shows blue stone buttress and collapsed bridge/road. .2) mirror image of above .3) unknown man waling an a girder of the Garibaldi bridge .4) photocopy of newspaper clipping about flood damage from The Argus December 1933Damage by Floods: Bridges washed away (The Argus December 1933)leigh river, garibaldi, buninyong shire, richard vincent, garibaldi bridge

Hanging Bridge is a medieval bridge spanning the Hanging Ditch which connected the rivers Irk and Irwell in Manchester. 'For many years the bridge was completely hidden, remembered only in the name of the area where it had stood, until its rediscovery and subsequent excavation as a result of demolition work carried out in the 1880s.' ... More information is on the pamphlet A pamphlet containing images and information about the Hanging Bridge at Manchester Cathedral.Manchester Cathedral Hanging Bridge: A scheduled ancient monument of Manchester constructed in 1421. ... More information and timeline on pamphlethanging bridge, manchester, medieval, manchester cathedral

A number of colour photos of the Beazley's Bridge Hall and avenue of honourbeazley's bridge, beazley's bridge public hall, beazley's bridge avenue of honour, world war one, world war two, world war two, j.j. greenaway, c.w. greenaway, r. peck, j.j.mckay, c.e. long, j.v. mccallum, nurse j. hall, d. mctaggart, j.j. mcgowan, g. mckay, t. mcgowan, h.t. hoskin, a. laing, m. mcquieen, a.w.l. fithall, j.w.a. mcgregor, e. fithall, g. mcivor, r. mclean, j. laing, a.d. mccallum, c. baldwin, c.j. mcrae, m. mccallum, s. mckay, a. mcquieen, f.j. bibby, w.r. bibby, z. brain, j.n. mcdonald, c.h. arbuckle, w.e. fithall, k.p. cifford, t.a. hall

(Restricted) Government publicationPrinted in February 1951Light brown thin card board front and Back, interior pages off white 17 pages and appendix H of 9 pages. Provisional user handbook for Extra Wide Bailey Bridge and Pontoon Bridge = Part II Pontoon Bridge. Dated February 1951Provisional user handbook for Extra Wide Bailey Bridge and Pontoon Bridge = Part II Pontoon Bridge. Dated February 1951. (RESTRICTED) Ministry of Supply, Directorate Royal Engineer Equipment.user handbook, extra wide bailey bridge, pontoon bridge

Original negative and photograph held by The Age, before by Orm Cook, Echuca. Photo is of a drawing of Bridge work taking place in 1877, across Murray River at Echuca. Orm Cook gave The Age the photograph in 1981 as the round arches on the bridge were about to be removed.A bridge crossing of the Murray River was needed by 1877. It linked Echuca and Moama in a more tangible way. The bridge was funded privately and public use of it was discussed for the next several years.A black and white photograph of a drawing, depicting the construction of the iron Murray Bridge at Echuca, showing the Surveyor, the bridge workers, hoists , a crane, and much activity.Written in pen on the back, "Murray Bridge at Echuca under construction. Original to 'Age' came from Orm Cook. Also the numbers 6530 written in pen. Also on the back is a rectangular stamp with these words inside the rectangle. "COPYRIGHT. This photograph may not be reproduced without permission in writing from the Editor of "The Age" 250 Spencer Street, Melbourne, and 39/41 York St, Sydney.murray river, bridge work, bridge construction, bridge workers., the age newspaper., orm cook.

One of a collection of 18 photographs and postcards donated by Jill Yeoman. The Suspension Bridge was built 1940. Black & White Postcard of the Suspension Bridge looking towards San Remo from Newhaven Phillip Island."Suspension Bridge, looking towards San Remo from Phillip Island" Series 4203suspension bridge phillip island, bridges, jill yeoman

fay bridge collection, 1990-01, art, bridge street bridge, graffiti

View looking southeast from Alistair Knox Park (west). The Diamond Creek Trail footbridge is completely submerged. Significant flood events occurred Nov-Dec 2004 and Jan-Feb 2005.fay bridge collection, 2004, bridge street bridge, diamond creek (creek), floods, floodwater

View of San Remo showing Suspension Bridge - completed in 1940 - demolished in 1970. From the Jack Jenner Collection.Old Suspension Bridge right hand side of photograph. View looking towards San Remo with pier at middle left.P3460 The Rose Series. View from the Bridge looking toward San Remo - Vic.local history, photographs, civil engineering, bridges, phillip island bridge, sea transport, black & white photograph - post card - rose series, jack jenner collection, phillip island bridges, public construction

New Bridge over River Moyne Port Fairy East 1902Black and white photograph view of new bridge over the river Moyne taken in 1902New Bridge over River Moyne Port Fairy East 1902 (handwritten) Mr G.W.Scott C.E.Engineer. .......Watts Riordan Contractorsbridge, river, moyne, river moyne, traffic

Bluestone bridge across the Plenty River, Mernda. Commissioned by Moses Thomas, Secretary Morang District Road Board 1867bridges, moses thomas, mernda, bridge inn road

Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 2016-05-14, art gallery, barreenong road, clifton pugh, cottles bridge, dunmoochin, maurice hurry

Visit to Dunmoochin prior to Clifton Pugh's home being destroyed by fire in 2002. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 1995, barreenong road, cottles bridge, dunmoochin

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Queen's Bridge, Melbourne. Coloured postcard. Weir collection."Queen's Bridge, Melbourne"postcards, george and edith weir, queens bridge - melbourne , yarra river - melbourne, weir collection, postcards -- melbourne (vic.)

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Princes Bridge, Melbourne. Coloured postcard. Weir collection."Princes Bridge, Melbourne"postcards, george and edith weir, princes bridge - melbourne, weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Princes Bridge, Melbourne. Coloured postcard. Weir collection."Princes Bridge, Melbourne"postcards, george and edith weir, princes bridge - melbourne, weir collection

A colour photograph of Murchison Street from the F.J. Barton Bridge in Marysville in Victoria.A colour photograph of Pack Road from the F.J. Barton Bridge in Marysville in Victoria. Labeling is incorrect. The view is looking down Murchison Street from the F.J. Barton Bridge. The F.J. Barton Bridge was named after Frederick John Barton. The Barton Family were amongst Marysville's first pioneering families. This postcard was published by Nucolorvue Productions as a souvenir of Marysville.NU-COLOR-VUE/ OF / AUSTRALIA MARYSVILLE, VICTORIA. Pack Road from F.J. BARTON/ BRIDGE. PLACE/ STAMP/ HERE POST CARD NCV.172 - NUCOLORVUE PRODUCTIONS PTY. LTD./ COPYRIGHT Printed in Australiamarysville, f.j. barton bridge, murchison street, victoria, postcard, souvenir, nucolorvue productions, fj barton

The Bridge Road Bridge built in 1913 by Sir John Monash for the Shire of Melton. It was built to provide railway station access to the new farming areas.Black and white photo of the bridgetransport, council

Black and white print photograph of the wooden 'Penny Bridge' at Studley Park. The name was colloquially arrived at as a penny wa the toll one paid to cross the bridge. The copy of the postcard identifies the photographers as McAlpin Bros, Richmond.Reverse: "Studley Pk Toll Bridge / joining Church Street Abbotsford / Penny Bridge"toll bridges -- river yarra, bridges - yarra river -- kew (vic.), penny bridge

The original of this image is held by the State Library of Victoria.Copy of a black and white photograph of Bridge Street Ballarat from the corner of Grenville Street and Sturt Street. The photo shows a street lamp in the middle of the intersection, fire hydrant, Yeoman's flag, tram tracks, and horse drawn vehicles.bridge street ballarat, sturt street ballarat, grenville street ballarat,, f.b. wilson, buck's head hotel

From bridge in Warrandyte Road. See DB Item 2957 for later photo, same scene, with bridge identified.Typed below photograph, "Mullum Creek 1970 from bridge"

fay bridge collection, eltham, eltham railway trestle bridge, trestle bridge

fay bridge collection, eltham, eltham railway trestle bridge, trestle bridge, eltham trestle bridge, hot rods

The Lasting Memories Mosaic Group Seat is part of Nillumbik Shire Council's Public Art. Following the Black Saturday Bushfire of February 7, 2009, which ravaged St Andrews and surrounding district, a group of bushfire affected women formed the Lasting Memories Mosaic group and created this concrete seat covered in mosaic as part of their healing process. It was completed in 2012. For more information see Nillumbik Shire Council's link Public Art: Lasting Memories Mosaic GROUP, Lasting Memories Mosaic Seat - https://victoriancollections.net.au/items/58536395d0ce201b746561c6fay bridge collection, fay bridge, mosaics, st andrews, lasting memories mosaic group seat, st andrews hall

Beatrice Wanliss Irvine was the daughter of former Victorian Premier Sir William Irvine. From age 13 she lived at “Killeavey” off Laughing Waters Road (later accessed from Reynolds Road). In 1923 she married James Morrison and the couple received Killeavey as a wedding gift. The property supported fruit and vegetable growing as well as an impressive botanical garden. But James died in 1936 after a period of ill health, leaving Beatrice to support their six children. The Killeavey house was built atop a cliff, 40 metres above the Yarra River. The garden was designed in 1910 by William Guilfoyle who was the second director of the Royal Botanical Gardens. The house was totally destroyed in the Black Friday bushfires in 1939, but was rebuilt. Beatrice continued to live at Killeavey and became well regarded as a botanist and naturalist. She died in 1989 and is buried in Eltham Cemetery with her husband and one of their sons. The (rebuilt) house was demolished by Parks Victoria. It contains significant garden remnants. The surrounding bushland is valued for its significant plant communities.fay bridge collection, beatrice wanliss morrison (nee irvine), eltham, james morrison, killeavey, laughing waters road, william irvine, new zealand oak, fay bridge