Authorised by Mockridge and completed by his wife Irene in collaboration with his greater friend John Burrowes. First edition of Mockridge's autobiography. Has tributes from Jack Baker, Stuart Connungha, Gino Bambagotti, Lionel Cox, Rev E.M.R. Hunkin. An interesting memorial to a talented cyclist.Hard backed autobiography by Russell Mockridge. It has a red paper sleeve covering the red hard back of the book with the title in white. The cover also has a photograph in a circle of Russell Mockridge cycling and below this is a depiction of the globe. On the back of the cover is a photograph of Percy Cerutty and Herb Elliott and an article on Cerutty's book - How to become a Champion."My World on Wheels" "The posthumous autobiography of Russell Mockridge"mockridge, tour de france, my world on wheels, hubert opperman

BookA collection of essays by art critics, historians and journalists exploring 12 individual and group practices of activist art making. An overview of the dynamic exhibitions, events, happenings and cultural practices engaged in creating social change.public art, collective, interdisciplinary, body, racism, durational art, social practice, museology, feminism, collaboration

These sculptures represent peace and harmony for the collaboration between two artists commissioned by the City of Ballarat during the refurbishment of the park. The artwork is of aesthetic significance to the people of BallaratA pair of circular sculptures featuring painted metal structures with brick details

Compiled by H.W.McCay, Divisional Engineer and L.B.Cullen, Assistant Engineer in collaboration with E.A. Hepburn, Sanitary Engineer, Department of Public HealthState Rivers and Water Supply Commission was the government body responsible for water supply.A booklet, with a front brown cover, back cover missing, 61 pagesHandwritten L Bush on top of first pagewater supply, sewage, wastewater management, operating manuals, water reclamation plant

The booklet was prepared by Safety Publishing Services in collaboration with the Department of Health Victoria, and issued with the approval of the Minister of Health. E.P. Cameron M.L.C. was the Minister of Health.26 page booklet. 10 pages with insturcions on prevention and action of common accidents in the home. The last 16 pages are advertisements for business.prevention of home accidents, health, children, first aid

This publication was published as part of a community project coordinated by C.H.A.R.M in collaboration with the community, the Immigration Museum and proudly supported by the Scanlon Foundation and the Victorian Multicultural Commission. It was produced after much time and effort had been spent researching and collating information about people who migrated to Australia from the islands of Mauritius and Rodrigues. particularly those in Victoria. Publication with faces of people from the islands of Mauritius and Rodrigues and sunset picture on the coverImmigration Museum Project - Sponsored by the Victorian Multicultural Commission and C.H.A.R.M. Vic.beyond the postcard image, community project, mauritians and rodriguans in victoria

BOOK - ALEC H CHISHOLM COLLECTION. 227 page hardback book with dust jacket. 'Flynn's Flying Doctors by Harry Hudson is an artist's journey through the outback and the story of the Flying Doctor Service in Australia. Illustrated by the author with 130 sketches. Written in collaboration with P.R. Stephenson and with a forward by George Simpson. Published by William Heinemann, Melbourne in 1956 and printed by Speciality Press, Melbourne. Handwritten in ink on flyleaf 'To Alec H Chisholm mammoth of the editorial chair from P.R. Stephenson Dec. 1956 Happy Landings!' '2198 HUD' catalogue sticker on spine and inside back cover.Harry Hudsonbooks, natural history, australia, alec h chisholm collection, flying doctor service, john flynn, harry hudson, p.r.stephenson, george simpson.

This is an invitation to Robin Boyd to contribute to a compilation of an 'International Fairy-Tale and Fable-Book' in collaboration with UNICEF in Paris and Cologne. Marchen und Fabelbuch are West German Publishers.Typewritten

Electronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom. Blue paper sleeve housed in yellow plastic case. CD printed black and blue.non-fictionElectronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom.university of ballarat, federation university, graphic design, drawing, research, hdr, mt helen, school of arts, hearing loss, deafness, loris button, ross morgan, amanda george

This kit is the result of a collaboration between the NMCOT Advanced Certificate in Management students and the organising committee of the CERES Return of the Kingfisher Festival. Students developed the sponsorship proposal and literature as a project for the course.A professional proposal giving students the opportunity to participate in real life situations.White folder containing 3 books of varying pages.ceres, return of the kingfisher festival, sponsorship proposals, merri creek, advanced certificate in management, nmit

Program for a civic service of thanksgiving for the cessation of hostilities in the Second World War, arranged by the City of St Kilda in collaboration with the churches involved and held at the St Kilda Town Hall. The date is not specified.White paper, discoloured with age, printed in black on both sides and foldedcity of st kilda, wwii victory celebrations, arnold colman

"Oklahoma" was the first collaboration for Rogers and Hammerstein. It was based on the book "Green Grow the Lilacs" by Lynn Riggs. It was first performed on Broadway in 1943 and won a special Pulitzer Prize in 1944. It was made into a movie in 1955.Bendigo Operatic Society, music programme. "Oklahoma," At the Capital Theatre View Street - Opening for 5 Nights, Commencing 15th October, 1965. A5 booklet with 15 pages. Booklet consists of lists and photos of individuals participating and organizing the event, advertising, advertisements, synopsis of story and scenes. music, programme, concert

Program for a civic service of thanksgiving for the cessation of hostilities in Europe in the Second World War, arranged by the City of St Kilda in collaboration with the churches involved and held at the St Kilda Town Hall. The date is not specified.Cream paper, printed in dark blue on both sides and foldedcity of st kilda, wwii victory celebrations, arnold colman

non-fictionA new walking trail has been created near Schwerkolt Cottage featuring indigenous art.eastlink indigenous art trail, eastlink trail, mullum mullum creek, croydon hills men's shed

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

The Desert Song" is an operetta based on the uprising of a Berber group against French Colonial rule in Morocco. The music was by Sigmund Romberg and the lyrics were a collaboration between Oscar Hammerstein II, Harbach and Mandel. It opened on Broadway in 1926.Bendigo Operatic Society Program for the production of The Desert Song White & orange/pink front page with a picture image of a desert scene Information on front cover: At the Capital Theatre for a five night season commencing 14th Nov, 1969 8 double sided pages with black & white photos of cast & production teamsouvenir programme, bendigo operatic society

This letter thanks Boyd for his charming story and illustrations (see D296), which will be published in autumn 1968 in an 'International Fairy-Tale and Fable-Book' in collaboration with UNICEF in Paris and Cologne. Marchen und Fabelbuch are West German Publishers.Typewritten

A brief history of the National Gallery of Australia, including the design competition, designs, location, collaboration of the chosen architect (Colin Madigan of Edwards, Madigan and Torzillo) with the gallery director, James Sweeney, approval by relevant statutory bodies, and the political upheaval that stalled progress.Original manuscript of an article published as ‘What’s become of our new gallery?' in "The Sunday Australian", 11.04.1971.Typewritten, (p/copy), quarto, 9 pagesnational gallery of australia, colin madigan, edwards, madigan and torzillo, james sweeney, art gallery design, canberra, robin boyd, manuscript

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White Photograph. Portrait orientation, showing tractor moving through an area covered with dirt. Trees framing the background and the sky is overexposedCatalogue number in pencil on reversechurchill island, tractor

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White photograph of a tractor lifting a cannon barrel suspended on chains over a ute.Catalogue number in pencil on reversechurchill island, cannon

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White portrait photograph showing a tractor in the background and a cannon barrel n the middle of the photographCatalogue number in pencil on reversechurchill island, tractor, cannon

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White portrait photograph of a volunteer in a white mob cap using the spinning wheel.Catalogue number in pencil on reversechurchill island, volunteer, costume

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show conservation work from the Churchill Island precinct and the enormous amount of collaboration that went into the development of the heritage site.Black and White photograph with white border depicting two men in hard hats capturing a koala. White border.Catalogue number in pencil on reverse. Faded pencil on reverse: 'G. Jobling' Pencil on reverse 'grout coven' ?conservation, churchill island, koala

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and white photograph showing a dilapidated barn and a field with a line of trees leading to the water.Catalogue number written in pencil on reverse. '4' written in pencil on reversechurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White Photograph of the bridge between Churchill Island and Phillip Island. Photograph is taken from Churchill Island and includes the mudflats and is at low tide.Catalogue number written on reverse in pencil.photograph, churchill island, bridge

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White landscape photograph of a pasture on Churchill Island with a barbed wire fence in the foreground. In the background,the inlet between Phillip Island and Churchill Island can be seen.Catalogue number written on reverse in pencil.photograph, churchill island, bridge

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show the restoration and building of the Churchill Island precinct and the enormous amount of collaboration and work that went into the development of the heritage area.Black and White landscape photograph of a pasture on Churchill Island with a small herd of cows towards the left of the frame.Catalogue number written on reverse in pencil.photograph, churchill island, bridge