Bullboar, Macaroni and Mineral Water was written by Clare Gervasoni, director of BHS Publishing. It tells the story of the Swiss and Italian immigrants in Daylesford and district.A book covering the history of Italian speakers on the Jim Crow Goldfields (Daylesford and Hepburn Springs).swiss italian, clare gervasoni, daylesford, hepburn springs, jim crow goldfields, swiss, italian, swiss/italian, manuscript

Grey Butcherbirds live in wooded habitats, including suburban areas, from the north of Western Australia, across different parts of the top of the country, through to mid-eastern Queensland, and then south along the eastern side of the country all the way down to Tasmania. They have a 'lovely, lilting song', and are fiercely protective of their nests and chicks, swooping at presumed attackers with enough strength to sometimes draw blood. Adult Grey Butcher Birds are typically a light grey colour with dark heads and white underparts. The brown colouring on this animal suggests that it is a young bird, with its grey adult feathers coming in. This bird appears thinner than most Grey Butcher Birds, but it is unclear if this is because of its age or because of inaccurate taxidermy. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This specimen is particularly special in the Burke Museum Collection as it is part of a male/female pair (see Relationships). Many birds in the collection were originally donated in male/female pairs, but at least one specimen has been lost, leaving these as one of the few surviving sets.This Grey Butcher Bird (likely female, based on size) has a light grey and brown bill with a sharp hook. The majority of the feathers on its back and tail are an olive-brown colour. The feathers of its underparts, the patches on either side of its bill, and two stripes coming up either side of its neck are a yellow-white colour. There are some light grey feathers coming through in small patches, particularly across the back, the top of the underparts, and along the upper half of the legs. The eyes are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.18a. / Collared Crow. Shrike / See Catalogue; Page 10. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, australian birds, butcher bird, butcherbird, grey butcher bird, collared crow-shrike, australian butcherbird, tasmanian butcherbird, tasmania, bird pair

B/W. Lead-in to Beech Forest Railway Station in 1912, with line to Crowes on the left and the line from Colac on the right. Note Gardner Street crossing the Crowes line, the Beech Forest Public Hall to its left, a house further down, and the Catholic Church to the right.beech forest; railways;, beech forest; railways;

BLACK AND WHITE PHOTOGRAPH.TWO BLACK CROWS MARYSVILLE Victoria 1924-25 / TWO MEN STANDING IN FRONT OF LOG CABINphotograph, person, male

Murray Comrie Collection. This photograph is a reasonable copy created from an older original.A black and white photograph depicting six men with two horse-drawn carts at the Jim Crow Cyanide Plant, Tarnagullatarnagulla, mining, cyanide plant, jim crow, work, employment, industry

Murray Comrie Collection. This photograph is a reasonable copy created from an older original.A black and white photograph depicting six men with two horse-drawn carts at the Jim Crow Cyanide Plant, Tarnagullatarnagulla, mining, cyanide plant, jim crow, work, employment, industry

B/W. Photocopy. Crowes-Beech Forest-Colac narrow gauge line, December 1911, showing for each station the height above sea level in feet, the miles from Crowes to Colac (and Melbourne), the Station, a mixed train on Tuesdays, Thursdays and Saturdays, a mixed train on other days, and loading factors.. colac; beech forest; crowes; melbourne; railway;

Original photograph in the Jim Crow Ranges (around Daylesford)/ A person and horse can be located in the centre of the photograph, and a timber bridge in the background. jim crow ranges, daylesford, bridge, trestle bridge, horse, nicholas caire

Colour photograph of a view through a blast hole made through basalt at Hepburn by Chinese Miners to divert the Jim Crow Creek.blowhole, hepburn, chinese, jim crow creek

The first HMAS Torrens was a Torpedo - Boat Destroyer which served through WW1. Built at Cockatoo Dockyard in NSW she was commissioned in July 1916 and served for 10 years. In 1975 a second HMAS Torrens was in service, this time a Destroyer Escort. Ward room plaque fro the HMAS Torrens.The main symbol on the plaque is a crow confirming the ships connection to the Torrens River in South Australia.

Naval Sword, Dress, Queen Victorier Crow. Pre Federation. (Retailed by Criag Williamson Thomas Melbourne) ."Alan John Rankin Watson"

Photograph, B/W. Locomotive G41 derailed at the "Black Stump" at Crowes on 7 August 1942. Actual photo: 169mm x 276mmcrowes; garratt; g41; derailment; "black stump";

This specimen is named the Grey Crow on the swing tag but is more likely a Grey Currawong. There are six subspecies of Grey Currawongs and they can sometimes interbreed with other species of Currawong leading to a divergent series of appearances amongst the species. The species can be found in the south western to south eastern parts of Australia, including in Tasmania. It is an endangered species in the Northern Territory although the reasons why are not yet known. They prefer a wide range of habitats including coastal to arid and can also be occasionally found in suburban areas. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Grey Crow (or alternatively Grey Currawong) has mainly grey plumage with a white tail tip and darker undercarriage. It has yellow irises, made of glass, and brown claws. The bill is dark in colour. This specimen has been placed upon a wooden mount in a downwards facing position. It has a paper tag attached to its right leg.16a / Grey Cro [torn] / See Cat / [torn] /axidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, grey crow, grey currawong, currawong

35mm Kodak white cardboard colour slide by Keith Kings of SW2 436 at Preston Workshops. Has adverts for Sylvania and White Crow sauce.Keith Kings stamp and number "54-22", with details of exposure. "MMTB SW2 436 at Preston W/s 25/4/1969"trams, tramways, sw2 class, overhauls, preston workshops, tram 436

Hat, mid blue colour with brim, cotton fabric with "United Nations. Nations Unies" - emblem machine embroidered in white thread on front of hagMakers label inside hat crow: "Hills Made By Hills Hats In New Zealand Medium"

The museum register is somewhat ambiguous but it is recorded - along with about 12 others - that this specimen was transferred from the 'Nat. Sc. Dept' in September 1899. The specimen also apparently has something to do with Frederick McCoy; his name is entered as the party that identified the skeleton. It seems certain that these were a batch (accession numbers MUZD1113-1126) of specimens given to the university teaching museum during the move of the state museum from the university campus to its subsequent site on Russell St. Examination of the Currawong skeleton (and some of the others in this batch) revels that the specimen has been remounted at some point. The other items in this batch are, like this specimen, predominantly mounted articulated vertebrate skeletons: [Specimens are listed with accession number and name as written in the original register] MUZD1113 - 'Lepus timidus' (Mountain hare), mounted skeleton; currently on display in the Tiegs Zoology Museum MUZD1114 - 'Emydura' (Short-necked Turtle), mounted skeleton; currently on display in the Tiegs Zoology Museum MUZD1115 - 'Astur novaehollandiae' (Obsolete binomial name for Accipiter novaehollandiae - Grey Goshawk); mounted skeleton, currently in storage, disassembled, in the Tiegs Zoology Museum. MUZD1116 - 'Grey crow-shrike ♂' (Grey Currawong), mounted skeleton; currently on display in the Tiegs Zoology Museum MUZD1117 - 'Herpestes, India' (Mongoose sp.), mounted skeleton; currently on display in the Tiegs Zoology Museum MUZD1118 - 'Macropus giganteus (aged[?]), Goulburn River' (Eastern Grey Kangaroo), ♀ skull; whereabouts unknown MUZD1119 - 'Macropus giganteus, ?' (Eastern Grey Kangaroo), skull; whereabouts unknown MUZD1120 - 'Raia ? lemprieri' (Obsolete binomial name for Dentiraja lemprieri -Thornback Skate), stuffed; whereabouts unknown MUZD1121 - 'Cyprinus carpio' (Common carp), skeleton - roughly prepared; whereabouts unknown MUZD1122 - 'Ovis' (Domestic sheep probably Jacob Sheep, '4 horned breed'), skull; whereabouts unknown MUZD1123 - 'Cervus canadensis (Wapiti)', skull and lower jaw - no horns; currently on display in the Tiegs Zoology Museum MUZD1124 - 'Antelope', no further information; whereabouts unknown MUZD1125 - 'Encope emarginata' (Echinoderm), currently on display in the Tiegs Zoology Museum MUZD1126 - 'Heterocentrotus trigonarius' (Pencil urchin), currently on display in the Tiegs Zoology Museum (accession number is not written on wooden base, but on the inside of the specimen.)Mounted skeleton of Grey Currawong (Strepera versicolor). Skeleton is mounted on a black wooden stand with a round base.Accession number '2259' is written in ink on the sternum. Wooden mount has black label with white text on the base reading 'GREY CROW SHRIKE/ STREPERA VERSICOLOR'. animal, vertebrate, bird, skeleton, frederick mccoy, national museum of victoria, passeriformes, artamidae

Commemorative photo of 1930 Loyal Farmers Rest Lodge, Orford Julbilee 1938. Names on back - Back row. Dr.McInnes, ?, K.L.Sherlock, A.Pope, W.Mason, R.Crow, D.Dyson, O.Dyson, A.Ryan, T.Crow. Middle row. T.Heisenger, J.Pope, K.Fry, R.Rowbotton, J.C.Cameron, A.Sherlock, E.Mason, R.Tieman, A.Dyson, Hazel Crow. Front row. Dulcie Crow, Hilda Crow, J.J.Fry, ?, W.W.Fry, S.Pope, J. Wilsher, D.Watson, Muriel Crow.Black and white photograph of a group of members Loyal Farmers Rest Lodge. Orford. M.U..I.O.O.F. Jubilee 1938 mounted on card. Rectangular. Named on back.Jubilee 1938 - S.Bowman Pt. Fairyorford, loyal farmers rest lodge, m.u.i.o.o.f. jubilee 1938.

It is known that we choose our family before we are born, for me I get a great deal of comfort knowing this, for me it is very true. I was adopted at birth, I have always known this. My mum is my best friend, she is my confidant in times of sadness and pain. She is my guiding light in times when I have lost my way. I share everything with her as she does me. She is my hero, especially now that I have my own children, seeing the sacrifices she has made along the way and is still sacrificing so much for our wellbeing. I celebrate her daily for all she does, we celebrate together the wonderful things that we achieve on a daily basis no matter how small they appear to be. She is always there for me – how privileged I am to have her in my life. I met my birth mother once I had children of my own, I understood what a sacrifice it must have been to give me up. The first words that I muttered out of my mouth when I met her was, “I am so proud of you, and thank you”. She was quite baffled by this and then I explained. Through your unconditional sacrifice I have been given a wonderful life, the doors have been opened to me in so many ways. I have been loved unconditionally and have had the devotion of my mum and dad behind me all the way – how blessed I have been. The dual figures that I have weaved signify my mothers, my mum is holding a babe in arms a gift from the universe. My birthmother is present within this figure, her face is at the back of my mums head. She wasn’t physically there during my many years without her, yet spiritually she never left. This figure is a homage to my mothers, a recognition of respect and admiration, to hold them in great esteem, adulation and worship. Lisa Waup, 2016emu feathers, parrot feathers, ostrich feathers, tapa cloth, fibre, crow’s feet, parrot feet, parrot wings, possum fur, seeds, raffia, woodmother and child, sculpure, weaving, lisa waup, torres strait islander, gunditjmara, indigenous, handcraft, chosen before birth, adoption, emu, feather, possum, mother, child

Crows Nest, NSW : Allen & Unwin, 2017 ©2013 xii, 227 pages, 16 unnumbered pages of plates : illustrations, portraits, plates ; 20 cm non-fictionBiography of Dame Pattie and Sir Robert Menziesaustralia -- history -- 20th century -- biography., prime ministers -- australia -- biography.

On 8 March 1962, after the line from Crowes to Weeaproinah was shut down. Beginning at Crowes, groups of gangers started removing the tracks, loading them into NQR open wagons pushed by locomotive G42.B/W. Four empty NQR open wagons with a group of gangers tearing up the lines.crowes; beech forest; weeaproinah; railways;

The Daylesford goldfield was originally known as Jim Crow. Salmon pink soft covered book with a number of plates showing images relating to the Dayelsford goldfieldcornish, mining, daylesford, hepburn springs, cornish mine, stony creek falls, jim crow, wombat

Colour. On 26 April 1964, the site of Crowes yard looking towards the end of the line after the tracks have been removed. A car standing beside a man are shown left centre.crowes; railway;

Foresters usually measure the diameter of trees at Breast Height – traditionally 4 foot, 6 inches – now 1.3 m – which is termed Diameter Breast Height Over Bark (DBHOB). The most common way to measure tree diameter is to place a calibrated tape around the stem at breast height. It’s simple, but can be slow, particularly if the scrub is thick, or if there are heaps of trees. A tree caliper is another quick method of estimating DBHOB. Wooden tree measuring calipersMeasurements are in inches (pre metrication in 1974) A crown faint crown mark (331) and crows foot is visible on one end forest measurement

People - "Crow, William & Elizabeth Bonar & Francis" Buildings - Studio Portrait

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL PUBLIC LIBRARY The Warrnambool Mechanics’ Institute (WMI) was formed by a voluntary community group in 1863, within six years of Warrnambool’s beginnings, and its Reading Room opened in 1854. The WMI operated until 1963, at which time it was one of the oldest Mechanics’ Institutes in Victoria. Mechanics’ Institutes offered important services to the public including libraries, reading rooms and places to display and store collections of all sorts such as curiosities and local historical relics. In 1886 a Museum and Fine Arts Gallery were added to the WMI and by the beginning of the 20th century there was also a billiards room and a School of Art. By this time all Mechanics’ Institutes in country Victoria had museums attached. Over the years the Warrnambool Mechanics’ Institute Library was also known as the Warrnambool Public Library the Warrnambool Library and the Free Library. Early funding from the government was for the “Free Library”. The inscription in a book “Science of Man” was for the “Warrnambool Public Library”, donated by Joseph Archibald in 1899. Another inscription in the book “Catalogue of Plants Under Cultivation in the Melbourne Botanic Gardens 1 & 2, 1883” was presented to the “Warrnambool Library” and signed by the author W.R. Guilfoyle. In 1903 the Warrnambool Public Library decided to add a Juvenile Department to library and stock it with hundreds of books suitable for youth. In 1905 the Public Library committee decided to update the collection of books and added 100 new novels plus arrangements for the latest novels to be included as soon as they were available in Victoria. In July 1911 the Warrnambool Council took over the management of the Public Library, Art Gallery, Museum and Mechanics’ Institute and planned to double the size of the then-current building. In 1953, when Mr. R. Pattison was Public Librarian, the Warrnambool Public Library’s senior section 10,000 of the 13,000 books were fiction. The children’s section offered an additional 3,400 books. The library had the equivalent of one book per head of population and served around 33 percent of the reading population. The collection of books was made up of around 60 percent reference and 40 percent fiction. The library was lending 400 books per day. In 1963 the Warrnambool City Council allocated the site of the Mechanics’ Institute building, which included the Public Library, Museum and Art Gallery, for the new Municipal Offices and the Collections were dispersed until 1971. The Warrnambool Library took over the Mechanics’ Institute Library’s holdings on behalf of the Warrnambool City Council. Since the closure of the Warrnambool Mechanics’ Institute the exact location and composition of the original WMI books and items has become unclear. Other materials have been added to the collection, including items from Terang MI, Warrnambool Court House and Customs House. Many of the books have been identified as the Pattison Collection, named after the Librarian who catalogued and numbered the books during his time as Warrnambool Public Librarian in the time before the Mechanics’ Institute closed. It seems that when Warrnambool became part of the Corangamite Regional Library some of the books and materials went to its head office in Colac and then back to Warrnambool where they were stored at the Art Gallery for quite some time. Some then went to the Warrnambool Historical Society, some stayed at the Art Gallery and some were moved to Flagstaff Hill Maritime Village. The various stamps and labels on the books held at Flagstaff Hill show the variety of the collection’s distribution and origin. The books in the collection at Flagstaff Hill Maritime Village date from the 1850’s to the late 1950’s and include rare and valuable volumes. Many of the books are part of the “Pattison Collection” after the Warrnambool’s Public Librarian, Mr. R. Pattison. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Warrnambool Mechanics' Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, and to reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. As with many Mechanics' Institutes in Australia, the one which operated in Warrnambool was established and overseen for many years by key individuals associated with the development of the city itself. The WMI publication collection is historically significant because of its association with local people, places and the key historical themes in the development of Warrnambool of rural development, industry, farming, education, and community. The collection documents and illustrates the changing interests, focus and tastes of Victorians, especially those in regional cities. Generally the individual items in the collection are not particularly rare, as examples of all probably exist in other public collections in Victoria. It is primarily because there are so very few surviving Mechanics' Institute collections in Victoria, which lends this overall collection its significance. Many items in the WMI Collection have the potential to support further research, both as individual objects and through the collection in its entirety. This material is significant for its ability to assist in the interpretation of the history of the area and adds to the general understanding of the development of the township. Many components of the WMI publication collection complement and reinforce the Flagstaff Hill Maritime Museum Collection, the Warrnambool Art Gallery Collection, and that in the Warrnambool Historical Society, and also contribute to a clearer understanding of the original Warrnambool Mechanics' Institute collections. This will greatly enhance the appreciation of the few surviving Mechanics' Institute collections across Victoria, and also in New South Wales. The similarities and differences between the small number of collections that have survived can provide further insights into how the people of Victoria in general, and Warrnambool in particular, constructed a civic culture of adult learning to foster an informed citizenry. The Warrnambool Mechanics' Institute publication collection is of both local and state significance. The Life and Adventures of James P Beckwourth,Mountaineer, Scout, Pioneer, and Chief of the Crow Nation of Indians Written from his own Dictation by T.D. Bonner Publisher: T Fisher Unwin Date: 1891Label on spine cover with typed text PAT 920 BEC Pastedown front endpaper has sticker from Warrnambool Public Library Front loose endpaper has a sticker and stamp from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the life and adventures of james p beckwourth, james p beckwourth, t.d. bonner, t d bonner

The Beechy. The life and times of the Colac-Beech Forest-Crowes narrow gauge railway, 1902-1962; Norman Houghton; hard cover; viii, 176 p.; illus., maps; ISBN 0909340 28 5Printing - McPherson's Printing Group; Typesetting - Mackenzies Typesetting.the beechy; colac; beech forest; crowes; narrow gauge railway; norman houghton; locomotive operations; traffic; timber tramways; otway people; the garrett; trolley traffic; lean 1930s;

The sulphur crested cockatoo (scientific name Cacatua galerita) is a large white parrot with dark grey-black bill, a distinctive sulphur-yellow crest and a yellow wash on the underside of the wings. Sexes are similar, although the female can be separated at close range by its red-brown eye (darker brown in the male). Sulphur-crested Cockatoos are found in a variety of timbered habitats and are common around human settlements. The birds stay in the same area all year round. (http://www.birdsinbackyards.net/species/Cacatua-galerita, accessed 12/06/2014)Two Sulphur-crested cockatoos on the window ledge of the Geoffrey Blainey Research Centre at Federation University Australia. Numerous birds visit 'dance' along the window ledge including cockatiels, Magpie Larks, Crows and Rosellas.federation university australia, geoffrey blainey research centre, cockatoo, birds, native birds, sulphur-crested cockatoo