Before loose leaf bailing was introduced dried tobacco was graded then tied in bunches. 300 - 350 bunches went into one bale ready for sale.Tobacco farming began c1960 in the Kiewa Valley and consequently became one of its major industries.Groups of dried tobacco leaves tied at the stem.tobacco, farming, bortolo stefani, kiewa valley

Dried red poppy flowers from cemetery Pozieres, France.Frame - light timber frame, glass protection. Dried poppies x 6.framed flowers, france

Dry plate photography was a photographic technology invented by R.L. Maddox in 1871. Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. The introduction of this technology allowed for greater flexibility in photographic practice outside of indoor studios, as earlier wet plate photographic technology required immediate exposure and development. Dry plate photography was superseded by the invention of celluloid film in the early twentieth century. This object forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and the history of photography.Box of dry glass negative plates for developing photographs. In pencil on face of box "MR PHIL GEEPER/46 THOMAS MITCHELL DRIVE WOD"photography, wet plate photography, dry plate photography, photos, haeusler collection, history of photography, historical photographs, technology, wodonga

Small ovoid shaped china bowl - cream with narrow gold rim. +Additional Keywords: Marilyn Dry CleanersWith compliments, Marilyn Dry Cleaners, Molan Street, Ringwood 870-8560 (on base - see maker)

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows the dry docks themselves, including the Fenris and another ship.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Finn Boda dry dock, in Stockholm, dated 18-5-49.Reverse: FINN BODA STOCKHOLM / 18-5-49 handwritten in blue ink. There is an indecipherable mark below this.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949, finn boda

Depicts the drying operations within a mill, c.1950s. Part of a series of photos depicting the various operations within a textile mill, all of which have been edited for publication.textile mills - operation, drying, drying machinery

Ron White used these dry fuel sticks for cooking when camping. He was involved in the Mt Beauty Youth Club.Ron White assisted with the Mt Beauty Youth Group. See KVHS 1282Each packet has dry fuel sticks which are solid white powder sticks used for warming and cooking. There are several sticks (or tablets) in each packet. There are two packets in a hinged brown and gold tin box with the photo of a man playing a violin on the lid and three packets n a coloured tin with a red base and the photo of a steam train on the detached lid."Solid Fuel Hot Pocket Warmer" and "Esbit Pocket-Sized Stove" on packets stored in 'Sweetacres" embossed on the base of the tin. "Solid Fuel Sticks for Hot Pocket Warmer" and x2 "Esbit Dry Fuel" on packets in "Griffiths Sweets Pty Ltd Melbourne" embossed on the base of the 'train tin'. ron white, fuel sticks, camping, cooking

Depicts the piece drying room from one of the Godfrey Hirst mills in 1966. In 1966 McKendrick Consolidated Industries Ltd purchased Godfrey Hirst Ltd to operate a carpet manufacturing concern and this photo was taken at the time of the takeover.Proof IAN HAWTHORNE / PHOTOGRAPHER / Commercial, Portrait, Wedding, Colour Processor / Upstairs, 140 Moorabool St., Geelong Ph. 98096godfrey hirst and co. pty ltd, drying, drying machinery

The photograph is part of a series of five, depicting the Aniston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows workers painting the "bootopping"of the ship.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of workers painting the "bootopping"of the Aniston, while in dry dock.Handwritten in black ink on reverse: WORKERS PAINTING / BOOTOPPING IN DOCK / 26.8.47 / D (in pencil). There is also a small mark in blue ink in the bottom left hand corner.allan-quinn, photograph, aniston, dry-docks, hoboken, new-jersey, bootopping

This card is the fifteenth in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of dry blowing the cloth, which fixes the width and imparts lustre.Card no. 15 from the Crusader Mills information card set, c.1945-55. Verso of card no. 15 from the Crusader Mills information card set, c.1945-55.No. 15 Dry blowing at the Crusader Mills.textile finishing, australian woollen mills pty ltd stamina clothing company

"The Development of the Tentering Machine and the Last Word in Modern Methods of Cloth Drying" - Arthur Heaton & Co. Ltd, England, c.1928. Provides an overview of machine cloth drying and tentering, and examines the operation of the Krantz Tentering Machine.Book: "The Development of the Tentering Machine and the last word in modern methods of cloth drying" - Arthur Heaton & Co. Ltd, c.1928.textile machinery, arthur heaton and co. ltd, tentering

The photograph is part of a series of five, depicting the Ariston in dry docks in Hoboken, New jersey, on the 26th of August, 1947. This photograph shows the propeller screws of the ship.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph showing one of the propeller screws of the Ariston while in dry dock.Handwritten in black ink on the reverse: SCREWS OF ARISTON / 26.8.47 / D (handwritten in pencil). There is also a small blue ink mark in the bottom right hand corner.allan-quinn, photograph, dry-docks, hoboken, new-jersey, propeller-screws, ariston

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows the front of the ship.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the front of the M/S Fenris in dry dock, in Stockholm.Reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. There is an indecipherable mark in pencil below this.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

"The dry stone walls provide a tangible link to the area’s white settlement, and they remain a symbol of the profound change in land usage from the original Kulin custodians to the European arrivals of the nineteenth century. The bulk of dry stone wall construction in Victoria occurred between the 1850s and 1880s. The gold rush of the early 1850s in particular inspired a flurry of construction. At this time, labour previously available for shepherding livestock dried up, as men gravitated to the goldfields to seek their fortunes. This necessitated the building of fencing to contain the district’s growing number of sheep, cattle and horses. An explosion in surveying, subdivision and the sale of Crown lands also contributed to a boost in construction. Government regulations that punished pastoralists for allowing their livestock to stray provided further incentive to fence-off previously open expanses of land. The major benefit of this type of fencing was that it utilised the materials at hand; the plentiful grey basalt that scattered the landscape. In the case of the dry stone walls built around Melton, the characteristic round or oval shape of the volcanic fieldstones on the western plains inspired some distinctive designs.54 Another advantage of dry stone walls was their ability to withstand the ravages of flood, fire and drought often experienced in the district. This durability accounts for the fact that many of these fences still exist today". Dry Stone Wall trail brochure/pamphlet for visitors provided by Melton Visitor Information Centrecouncil, landscapes of significance

In 2007, after years of drought, Lake Wendouree was dry. A fundraising walk was organised to enable people to safely walk through the middle of the lake.A number of photographs taken from the centre of Lake Wendouree when it was dry during the drought of 2007.lake wendouree, ann gervasoni, lisa gervasoni, robyn brandenburg, silos, boathouses, drought, dry lake

The Kodak powders inside this tin were used in the production of dry plate photography. Dry plate photography was a photographic technology invented by R.L. Maddox in 1871. Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. The introduction of this technology allowed for greater flexibility in photographic practice outside of indoor studios, as earlier wet plate photographic technology required immediate exposure and development. Dry plate photography was superseded by the invention of celluloid film in the early twentieth century.This item forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and the history of photography.A silver toned alloy tin with hinged lid. Inside are two packets of Kodak brand dry plate developer powder. On face of tin lid "20 BELLMETAL REEDS/B.C DUNLOP SYSTEM/CRACKAJACK/HAND FITTED AND TURNED/MADE IN (SENIOR) GERMANY"photography, wet plate photography, dry plate photography, photos, haeusler collection, history of photography, historical photographs, technology, wodonga

'Hoover' Steam and Dry Iron made in Great Britain.|Bakelite handle with circular dial beneath, stating heat degrees. Chrome body and stainless steel sole where the steam is ejected. On top of the bakelite handle is an on/off button in the area where the water is put in.Hooves Steam and Dry - 240V 1000W|Model 0114 R40979domestic items, irons

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows refinishing being done on one of the ship's propellers.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of one of the propellers from the M/S Fenris in dry dock, in Stockholm.Reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. Below this is an indecipherable mark in pencil.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph shows the stern of the ship.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of work being donw on the stern of the M/S Fenris while in dry dock, in Stockholm.Reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. Below this is an indecipherable mark in pencil.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

Original directional signs from Chalet interior. Dated to pre 1960's. "A number of specific items, which have been useful in the day to day operations of the Chalet, remain in the building with each complementing the other to provide context, meaning and character to their setting. Items such as the hall porter bell, the many signs providing information to the guests, the wall clock, barometer and dinner bell point to the Chalet being a well-run social institution with a pleasant environment for rest, recreation and congenial company." (Pg 81 Historica, MBCC) Listed in Draft Inventory of Significant Collection Items. Appendix A.3 Fixtures and Fittings. (Pg 165 Historica MBCC) Varnished wooden directional signs with painted gold lettering to direct guests through the chalet to the cafe and the guests drying room. Signs have rounded edges and are attached to a vertical post.1. "Cafe, fruit, drinks, souvenirs, confectionary, tabacco, photographs, suppers etc." 2. "GUESTS DRYING ROOM"

In 2007 Lake Wendouree was dry. on 12 March 2007 a fundraiser enabled people to walk through the centre of the lake. Two colour photographs in digital format showing the dry bed of Lake Wendouree and a number of boathouses and Nazareth House taken from the centre of the lake.ballarat, lake wendouree

The photograph is part of a series of six, depicting the Fenris in dry docks in at Finn Boda ship yards, in Stockholm, Sweden, between the 4th and the 27th of May, 1948. This photograph showsa new plate being fitted to the Fenris.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of a new plate being fitted on the M/S Fenris while in dry dock, in Stockholm.Reverse: STOCKHOLM / 18-5-49 handwritten in blue ink. Below this is an indecipherable mark in pencil.allan-quinn, photograph, fenris, dry-dock, sweden, stockholm, 1949

Looking south into Devil's Kitchen, Piggoreet with the Woady Yallock River dry bed. This photograph was originally thought to be of the Try Again Mine, however information from Joan Hunt in 2015 suggests this is the Port Arthur No. 1 Mine, located between the Devil's Kitchen and the Grand Trunk MineSmall black and white original photograph of dry creek bed with mine poppet head in distance."1920s-1930s/Devils Kitchen/Piggoreet".try again mine, port arthur no. 1 mine, devil's kitchen, piggoreet, mining, mines

This label comes from The Garden Dry Cleaners, a Warrnambool business at 121-123 Fairy Street in the 1950s and 60s, opposite what was Callaghan Motors at that time. This label is of interest as the only memento we have of a dry cleaning business that was in Warrnambool over 60 years ago.This is a small sheet of cream-coloured paper with green printing. The label has an adhesive backing.From “The Garden” Dry Cleaners M………. 121-123 Fairy Street, Warrnambool the garden dry cleaners, history of warrnambool, label

This was used by Snowy River Dry Cleaners. Snowy River Dry Cleaners was situated in Stanley Street, Orbost (previously a hat factory). There was also a shop in the CBD of Orbost. Basil Dowie moved his dry cleaning business from Nicholson Street to 31 Stanley Street where Stuart Hats had been. He had originally bought the business from Laurie Harrington in August 1950. (more information in Orbost & District Historical Society Newsletter No. 138 - John Phillips)This item is from a business which no longer exists in Orbost.A clear rectangular shaped plastic bag with red print inside a red frame - : Snowy River Dry Cleaners Orbost Moth Proof Storage Bag Service". It has a logo for FlexPak on an outline of Australia. snowy-river-dry-cleaners

Produced as a promotional item by Brown Gouge, a dry-cleaning company with agencies across Victoria - including one at Kew - hence the "X3101" labelling (being Kew's postcode, as introduced in 1967).Locally significant. A locally targeted promotional item, albeit a useful and functional item. Most similar items would have had a limited life and thus they are now likely to be uncommon.Clothes brush, with a brown stained / lacquered wooden handle and a single-row of black, stiff brush hairs. Inscribed on one side of the wooden handle: Gouge - The Successful DRY CLEANERS AND DRYERS - X3101clothes brushes, brown gouge

Several kangaroos were reported bounding along Blackburn's busy streets early on February 27th having been attracted to roadsides in search of grass & water during our prolonged dry spell.Several kangaroos were reported bounding along Blackburn's busy streets early on February 27th. wildlife, blackburn, whitehorse road, blackburn, warriors 4 wildlife

Alan PEASCOD (1943-2007). Born England. Arrived Australia 1952. Alan Peascod was one of Australia’s most highly acclaimed ceramic artists. For over 35 years his work has been at the forefront of the Australian ceramics movement, developing radical techniques previously unexplored with his developments in unusual glazes and firing methods. His creative repertoire includes dry glazed vessels, alkaline glazes, majolica, saturated metals, and many post firing finishes. Alan's work with the very difficult reduced lustre technique is highly regarded. He was taught the method by Professor Said El Sadr in Cairo, Egypt in 1972 and this led to lifelong research of the technique throughout the Middle East and Europe. His work in the field led to the completion of his doctoral studies at the University of Wollongong in 1994. This study also led to satirical figurative sculpture themes dealing with the human condition. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Blue and green dry glaze bottle. alan peascod, ceramics, gippsland, jan feder memorial ceramics collection, gippsland campus, visiting artist

This is a photograph of one of the many stone ruins which can be seen in the Sunbury area and surrounding districts. These ruins are found in varying degrees of structural damage caused by erosion, vegetation growth and vandalism. The dry stone wall is at Crowes Hill at Yuroke.A coloured photograph of a dry stone wall with a row of shaped cypress trees running off at right angles to the fence. A small tree covered hill is in the distance.stone structures, dry stone walls, crowes hill, george evans collection