Postcard with raised 8.5cm x 8.5cm coloured image of Trafalgar Square and entrance to The Strand 4521 London L.S. & P. Co. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 21' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of a woman seated in a chair and seted with a fan appear either side of the image. On reverse card is addressed to Miss Dean Golden Square Victoria Australia. 1 penny stamp attached.W.N. Sharpe Sole Publisher Bradfordpostcard

Lone Pine was an action that featured one of the most famous assaults of the Gallipoli campaign. The attack was planned as a diversion for the Australian and New Zealand units that were to breakout from the Anzac perimeter by capturing the heights of Chunuk Bair and Hill 971. At 5.30 pm on 6 August 1915, the Australian artillery barrage lifted and from concealed trenches in no man’s land the 1st Australian Brigade charged towards the Turkish trenches. The troops paused on reaching the Turkish trenches, finding that many were covered by timber roofs. Some fired, bombed and bayoneted from above, some found their way inside and others ran on past to the open communications and support trenches behind. Others advanced as far as "the Cup" which was where Turkish support units were located and from where the Turks counter-attacked. By nightfall, most of the enemy front line was in Australian hands and outposts had been established in former Turkish communication trenches. The Australian Engineers dug a safe passage across no man’s land so that reinforcements could enter the captured positions without being exposed to Turkish fire. Having captured the Turkish trenches, the Australians now tried to hold what they had taken while the Turks desperately and determinedly tried to throw the Australians out. From nightfall on 6 August until the night of 9 August a fierce battle ensued underground in the complex maze of Turkish tunnels. The Australians succeeded in drawing the whole of the immediate Turkish reserve. Six Australian battalions suffered nearly 2,300 killed and wounded at Lone Pine. Seven Australians were awarded the Victoria Cross, the highest number ever awarded to an Australian division for one action.(http://www.awmlondon.gov.au/battles/lone-pine)Entrance to a tunnel at Lone Pine, Gallipoli. gallipoli, world war one, tunnel, mmm

Amatuer photograph, Clydesdale horses drawing boat ride with moon in foreground, with entrance and Scenic Railway in the background Luna Park, St Kildablack and white photograph, unmounted, copy, fair condition

Part of a set of drawings by David Williams of the National Wool MuseumPen and ink drawing, with wash, on paper, of the entrance to the Worker's Cottage in Gallery 2 at the National Wool Museum. By David Williams.David Williams SCHUTZMACHER SHOELLESHAMMERnational wool museum

Used to advertise vacant job positions at the entrance to Foster Valley Mill.Cone Drawing

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 1 Nives Crt., Burwood East. This property is listed as having sold for $315,000 in 2003 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 1 Nives Crt., Burwood East A one story brick house with covered porch in the background, and front lawn with a path leading from the driveway on the left to the to the entrance. The driveway leads to a picket back fence and gate.1 Nives Crt., Burwood.E Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, burwood, house, garden, burwood east

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 2 Bennett St., Forest Hill This property built circa 1960's, is listed as having sold for $144,500 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 2 Bennett St., Forest Hill Of a two story house with a double garage in the background. Of a driveway on the left leading to a carport, with a path leading to the entrance of a one story brick house. There are two hole punch holes along the top edge.2 Bennett St., Forest Hill Margaret Picken -94 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

A property illustration by Margret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 1 Boyle St., Forest Hill This property is listed as having sold for $144,500 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 1 Boyle St., Forest Hill of a two story house with a double garage in the background. Of a driveway on the left leading to a carport, with a path leading to the entrance of a one story brick house. There are two hole punch holes along the top edge, with the punched out holes still attached.1 Boyle St., Forest Hill Margaret Picken -94 Woodards B/Burnwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

Photograph of a framed lithograph showing building of entrance from Gippsland Lakes to ocean Bass Strait. Four black and white detailed drawings shown. Lakes Entrance Victoriaoccupation, waterways, public works, boats and boating

Photographic reproduction of woodcut drawing of the building of the entrance and map above of location.Black and white photograph of a woodcut showing dredge working between timber constructed piers on entrance from the lakes to the ocean Bass Strait. Piers unfinished, timber lying around, sand in the entrance. Map above showing position of the lakes, old and new entrances, southern ocean and sand dune vegetation. Lakes Entrance VictoriaA woodcut depicting the making of the Lakes Entrance.public works, dredging, houses, waterways

Map traced from a photocopy of :- Map TP8A Bairnsdale. 'Site. Sand Hummocks of Lakes Entrance'. Drawn by John Lardner 18 January 1898. Scale two chains to one inch. ( A photocopy of this map in Latrobe Library map collection, June 1983)Black and white photograph showing sketch map of 1898 by John Lardner Plan of Sites - sand hummocks. Drawing shows sites of buildings at entrance along Cunninghame Arm shoreline at Lakes Entrance, Victoria.islands, waterfront, boats and boating, township

Date made February 1996Black and white photograph of the exhibition of designs for the proposed Gondwanaland Education Centre on Bullock. It shows architectural drawings and a model of the building. Lakes Entrance Victoriaislands, education, waterways

Other number 02895.1Colour photograph Showing Uncle Les Cooper leading a group of pre school children through a chalk drawing experience for NAIDOC week, Lakes Entrance Victoriaeducation

Blue tri-fold pamphlet titled 'Villa Fortuna Action Group' which has a photo of Fortuna and the lake on the front with Fortuna 1908 under the photo and Working for Community Use of Fortuna. On the inside is a brief history of Fortuna, What the Action Group plans to do and Potential Activities. There is also a photo of the Billiard Room, criteria 1908 and another of the exterior of the building. There is also a space to fill in for a Joining Fee and Annual Membership Fee of $10 each. On a lighter photo on the back page is a proposed drawing of the Entrance Hall.bendigo, clubs, villa fortuna action group, fortuna, army survey regiment, theodore ballerstedt, vahland, getzschmann, 180 mine, george lansell, roman bath, pompeii fountain, department of defence, the villa fortuna action group, bendigo historical society inc.

Plan drawn on waxed paper. Written on plan 'Full size Drawing of part of entrance door for G. Lansell, Esq' Plan shows line drawings of side elevations of Frame, Stile, Pelmet, Stile, Frame. On bottom of plan purple ink stamp 'Vahland & Getzschmann, Architects, Sandhurst'.Vahland & Getzschmann, Architects, Sandhurst.bendigo, house, fortuna villa

Boroondara General Cemetery, often referred to as Kew cemetery, is one of the oldest cemeteries in Victoria, Australia, created in the tradition of the Victorian garden cemetery. The cemetery, located in Kew, a suburb of Melbourne, is listed as a heritage place on the Victorian Heritage Register. Framed pastel drawing, donated to the Kew Historical Society in 1965 of the entrance to Boroondara General (Kew) Cemetery, believed to be drawn by the sister of the artist George Bell. The drawing shows one of the entrances to the Cemetery before the construction of the high brick wall in 1895. This would be consistent with the life of Caroline Bell (1872-1947). The artist's perspective is estimated to be near the west end of the cemetery, perhaps in Victoria Park.caroline ethel bell (1872-1947), boroondara general (kew) cemetery, victoria park