Showing 41 items
matching female relatives
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Bendigo Military Museum
Badge - MOTHERS BADGE & BAR, Amor Sydney, c1939- 1947
... In WW2, this badge was issued to the nearest female... goldfields In WW2, this badge was issued to the nearest female ...In WW2, this badge was issued to the nearest female relative, that has a service member abroad. Each star on the bar is for a serving member. Badge A293587, was issued to GREEN, C. Of 'Morneve'. Leopold street, Kangaroo point, Inverloch, VIC. Her relationship is noted as (S) sister of Denis and (E) of Annie. The two stars were for these Defence Force members:- V315242. BOURKE, Denis Patrick. Discharged 1 APR 1946 of the 39 WORKS Coy. VF389600. BOURKE, Annie Irene. Discharged 15 FEB 1946. Unit was Aust. Womens Army Service. A circular silver badge. Around the circumference are oak leaves. At the top is a Royal Crown. In the center of the badge is a map of Australia, which is surrounded by a leaf pattern. Between the two rings of leaves, are the words "to the Women of Australia". Suspended beneath the badge is a rectangular silver bar. On that bar are two gold stars.On the rear is stamped the number A293587.mothers badge, ww2 -
Flagstaff Hill Maritime Museum and Village
Badge - BMA Ladies Badge, Stokes, 1935
... 'BMA'. It is known as the Female Relative's Bade or Ladies... Medical Association 'BMA'. It is known as the Female Relative's ...The badge was issued by the British Medical Association 'BMA'. It is known as the Female Relative's Bade or Ladies' Badge. It was manufactured in Melbourne in 1935 by Stokes of Melbourne. The BMA badge is one of a set of badges collected by Dr W R Angus from the organisations in which he was involved. They are now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus, surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the responsibility of part-time Port Medical Officer and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This badge is significant for connecting Doctor Angus with organisations that support men and women who performed military service for Australia. The badge was specifically for a female relative of the person who did service, showing compassion for women. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800's.This BMA badge is an overall rectangular shape made in a silver metal. It has a raised oval section in the centre. The badge has embossed text and a basket weave background pattern within the metal. It is a Ladies Badge, made for the women connected to members of the British Medical Association. It was made in Melbourne in 1935. This badge is part of a set of badges collected by Dr W R Angus. the set represents organisations that he was involved in, and is part of the W.R. Angus Collection.Front embossed; “BMA” “LADIES” “BADGE. Back embossed; “MELBOURNE / 1935 “ “STOKES MELB”flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, w.r. angus, badge, bma, british medical association, ladies’ badge, female relative's badge, military service, stokes, melbourne, w.r. angus collection -
Colac RSL Sub Branch
Decorative object - Baulch Brothers. Their Service - Our Heritage. Photo/Badge Collection, Baulch Family, 2008
... Lower Centre. Female Relatives Badges and Information sheet.../1946. ? Battalion Lower Centre. Female Relatives Badges ...Item donated to Colac RSL by the Baulch Family February 2008. Constructed of Otway Forest Blackwood. Made by Frank Nemec of Eden N.S.W High SignificanceBlackwood Timber Frame. Blue material cloth background, with photos and military badges. Banner - Blue material with gold writingPhoto Frame:- Upper Left. Private Frank Baulch. VX72238 + small Rising Sun Badge. Born 15/11/1911 at Glen Aire, Vic. Enlisted 15/2/1942 in Caulfield, Vic. Discharged 3/12/1945. 2nd/2nd Pioneer Battalion. Lower Left. Corporal Horace Baulch. VX869036 + Large Rising Sun Badge. Born 29/4/1942 at Colac, Vic. Enlisted 29/4/1942 at Seymour, Vic. Discharged 13/3/1946. H.Q. AMF School of Mechanization. Centre. Lance Corporal Stanley Baulch VX72233. Born 8/12/1914 at Gellibrand, Vic. Enlisted 19/1/1942 in Caulfield, Vic. Discharged 5/12/1945. 2nd/2nd Pioneer Battalion. Private Jack Baulch VX72232. Born 18/5/1917 at Colac, Vic. Enlisted 15/1/1942 in Colac, Vic. Discharged 29/1/1946. ? Battalion Lower Centre. Female Relatives Badges and Information sheet. Badges:- Sarah, Alice, Iris and Elizabeth Baulch. Photo Sarah and Fred Baulch. Upper Right. Alexander Baulch VX56771 + small Rising Sun Badge. Born 21/2/1919 at Collingwood, Vic. Enlisted 28/5/1942 at Royal Park, Vic. Discharged 20/11/1945. ? Batt. Lower Right. Norman Baulch. VX86902 + large Rising Sun Badge. Enlisted 28/5/1942 at Royal Park, Vic. Born 5/12/1921 at Colac, Vic. Enlisted 29/7/1942 in Seymour, Vic. Discharged 28/2/1945. ?Batt. -
Flagstaff Hill Maritime Museum and Village
Book - Religious Book, Oxford University Press, The Holy Bible, 1859
Young Henry Pitts sailed from Liverpool, England, in about October 1860, on a ship called the 'British Trident'. About three months later, on January 7th 1861, he arrived in Sydney, Australia. While he travelled from one side of the world to the other, Henry attended lessons on the ship with his onboard teacher, Joseph Benton. On the day before the ship arrived at Sydney, Henry was given a Holy Bible by his teacher. The small black book had a hardcover and many printed pages of very thin paper. Henry must have felt special when he read his teacher’s beautifully written message that said the gift was a ‘mark of respect’ towards Henry. Maybe Mr Benton taught Henry to write with a pen and ink because Henry wrote his name several times inside the front of the book and again below his teacher’s message. Henry may have even learned to read from a Bible, which many passengers included in their luggage. The immigrants on board the British Trident were mostly new arrivals to Australia. Like Henry, they planned to make Australia their new home. Many also hoped to find work in this new country. Some passengers had family and friends waiting for them, people who deposited money towards their trip. Henry’s relative, Charles Pitts, had helped him pay for the ship’s passage, and William Oberthan paid money towards Joseph Benton’s fare. He may have planned for Joseph to work as a teacher in Australia. The Single Females were allowed to leave the ship the day after it docked at Sydney, but the Families and Single Men, including Henry and Joseph, had to stay onboard until Thursday. This Holy Bible is significant for its age, as it was published in 1859. The inscriptions within this small Bible are significant as they show that during a ship's voyage passengers had the opportunity to teach and to learn. They also show a relationship of encouragement had been built between the teacher and pupil. The Holy Bible containing the Old and New Testaments: Translated out of the original tongues: and with the former translations diligently compared and revised by His Majesty's Special Command. approved to be read in churches. Publisher and printed at the Oxford University Press, Sold by E. Gardner and Son, at the Oxford Bible Warehouse, Paternoster Row, London; and by J. and C. Mozley, Derby. Date: 1859 (in Roman Numerals) Handwritten black ink inscriptions are inside the front and back covers. The book once belonged to Henry Pitts and was presented to him by Joseph Benton in 1861.Front left side: " H Pitts H Pitts / - - - - - - of this Book / C - - - - - - - - -K " Front right side: "Given / to / Henry Pitts / As / A Mark of Respect / From / His Teacher on Board / the / British Trident / January 6th 1861 / Joseph Benton" "Henry" Back left: (indecipherable character)warrnambool, flagstaff hill maritime museum, holy bible, henry pitts, joseph benton, immigrant ship, 1861, single male, single female, charles pitts, william oberthan, british trident, hyde partk -
Kiewa Valley Historical Society
Dress Knitted
This dress was possibly manufactured by a local seamstress in the period circa early 1900.The quality of the dress suggests that the lady who wore it was from middle to upper range of the socio-economic structure within the Kiewa ValleyHistorically this item dating in the early 1900s was made by a very competent seamstress (lack of manufacturer's label). It demonstrates that the conditions of relative isolation within the Kiewa Valley was not extreme and that local manufacture of clothing items were available and at a very high level of quality. This item demonstrates that the hand made era was alive and an essential part of community/social adhesion within the valley.Beige knitted dress, sleeveless ladies pin weaved running from waist to bottom. Fine pin weave from bust to waist. Two mother of pearl buttons fastening opening front neck 11cm from neck to upper breastno manufacturer's label suggesting manufacturer was a very talented local seamstress costume, woollen, knitted, dress, female clothing -
Warrnambool RSL Sub Branch
THE COOK FAMILY: BOB & HAROLD'S MATERNAL RELATIVES AND THEIR HISTORY as told by cousins, Jeff Miers and Marion ('Bab') Hulme and Bob Snape himself
The Cook family was vitally important to the Snape boys who seem to have enjoyed a specially close relationship with Grandfather, 'Charlie Cook the Carpenter' and this largely female branch of the family many of whom lived nearby in Moonee Ponds when the boys were young. Charlie Cook was born at Blackheath in England. He voyaged to the USA to seek his fortune on the Californian goldfields. Hence, he was known as a 'Forty-niner". From California, he sailed to Australia, fetching up in Hobart in 185........... where he met and married Eliza Gardiner...............snape collection -
Women's Art Register
Book - Anthology, Thomas B Hess and Elizabeth Baker, Art and Sexual Politics Why have there been no great women artists?, 1971
Professor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity -
Bendigo Historical Society Inc.
Photograph - ELMA WINSLADE WELLS COLLECTION: PHOTO OF 'HARRIET' BALMORAL HILL
A small black and white photograph of "Harriet", there is no surname, Balmoral Hill Blackheath. A relative of Elma Winslade wells. Harriet is show standing with her arms resting on a cushion on top of the back of what looks like a leather chair, she is wearing a black long dress. At the bottom T. Wright, Poplar. On the back the logo of T. Wright, photographer, 199 East India Road, opposite Poplar church, London.person, individual, female portrait -
Whitehorse Historical Society Inc.
Accessory - Fan
From a collection donated by Mary McGowan. Brought to Australia by Mary Russell in 1934, a relative of donorWide fan with Spanish scene painted on gold paper backgroundA la Feria de Sevilla de Vigo Recuerdocostume accessories, female -
Surrey Hills Historical Society Collection
Photograph, Surrey Hills Primary School class photo, Grade 4, 1929, 1929
It is assumed that the donor is amongst the students. The timing of the donation would have prohibited him providing identifying details. This is one of a series of photos donated by Arthur Lyons. Arthur was the only son of Frederick Adolphus Lyons (1891-1980), cab man, born in Surrey Hills, the son of Thomas and Catherine Lyons. Fred married Elizabeth Ruby Hall in 1918. They lived at 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920 so would have been 8 or 9 at the time this photo was taken. He became a motor mechanic / welder and lived his whole life at 55 Sunbury Crescent. The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to. Black and white photo of a class of 63 children ( 36 male and 27 female children) of Surrey Hills Primary School taken outside the school against a brick wall. Some of the boys are wearing caps. None are identified.SH67schools, surrey hills primary school, education, primary education, children, arthur lyons, arthur frederick lyons -
Mrs Aeneas Gunn Memorial Library
Book, Blackwood, The daft days, 1923
It is the story of a little American girl, Bud, who has lost her parents and comes to stay with her relatives in a small Scottish town (clearly based on Inveraray). She progresses, thanks to her enlightened but only semi-liberated Aunt Ailie, to become a Shakespearean actress in London's West End - in spite of the negativity of the Scottish education system and the background of social and religious attitudes which regarded the theatre as unsuitable and rather sinful. It is especially interesting because it confronts the problem of the female creative artist in a society whose mores inhibit the expression of her talent.p.284.fictionIt is the story of a little American girl, Bud, who has lost her parents and comes to stay with her relatives in a small Scottish town (clearly based on Inveraray). She progresses, thanks to her enlightened but only semi-liberated Aunt Ailie, to become a Shakespearean actress in London's West End - in spite of the negativity of the Scottish education system and the background of social and religious attitudes which regarded the theatre as unsuitable and rather sinful. It is especially interesting because it confronts the problem of the female creative artist in a society whose mores inhibit the expression of her talent.england - fiction, feminism