Printed in 1908, the postcard depicts a public gathering at Baarmutha Park, Beechworth on Boxing Day the same year. There are many men, women and children dressed in formal attire including suits and hats. A large number of women are holding parasols. Multiple horse-drawn carts are visible throughout the image.The record is historically significant due to its production in the very early twentieth century. This significance is enhanced by its contextual information, as the record provides insight into the social and leisure activities enjoyed by people at Baarmutha Park during this time.Sepia rectangular postcard printed on card.Obverse: BAARMUTHA PARK, BEECHWORTH. BOXING DAY, 1908. / Reverse: Parks & Gardens. / POST CARD. / KODAK / CORRESPONDENCE. / ADDRESS ONLY. / AUSTRAL / AUSTRAL / KODAK / (?) Craig / Stanley / 3747 / 9/ - Boxing Day / Sports Baarmutha / Park Beechworth / 84-148-1 / GARDENS / 97.2335 / 79.21.9 /entertainment album, baarmutha park, beechworth, 1900s, social, leisure, gathering, horses

The postcard shows a photograph of William Ferrier, the 25-year-old Warrnambool fisherman from South Warrnambool whose rescue of two sailors from the wrecked La Bella made him an overnight National hero, quoted as “one of the most heroic rescues in Victoria’s shipwreck history”. The La Bella was wrecked on 10th November 1905 and the photograph was taken on the next day. In the photograph, William Ferrier is seated in the centre, with four of the five survivors beside him: (from left to right) Leonard Robertson, R. Payne, Oscar Rosenholme and Jack Noake. The photograph was taken by Foyle Photography Studio in Warrnambool, originally owned by James Charles Foyle. He previously had a photographic studio in Melbourne 1882 1887, then opened “Foyle’s Photo Card Studios” in Liebig St, Warrnambool. James Foyle died on 13th July 1905 and his son and daughter, Charles and Lilian Foyle continued on with the business until 1945. This photograph was most likely taken by either Charles or Lilian Foyle. The story of William Ferrier’s brave act follows on below … The ship from which the sailors were rescued was the three-masted, iron and steel barquentine the La Bella, built in Norway in 1893. She was one of two iron and steel ships by Johan Smith, the company was one of the leading shipping families in Tvedestrand, Norway. She was significant to Norwegian shipping, being one of only 27 iron and steel ships ever built in Norway. She was registered in New Zealand and engaged from 1902 in inter-colonial trading of timber in the Pacific, between New Zealand and Australia and was often in Port Phillip Bay, Victoria. On 5th October 1905, the twelve-year-old La Bella left Lyttleton, New Zealand carrying a cargo of timber bound for Warrnambool, Australia. She was manned by a crew of twelve: the Master, (Captain Mylius, previously 1st Mate of La Bella, appointed Captain to La Bella on 6th February 1903) 2 Mates, Cook, six able seamen, one ordinary seaman and a boy. Bad weather en route caused her to shelter at Burnie on Tasmania's North West coast. On November 10th, the 37th day of her journey, La Bella approached Warrnambool. Captain Mylius steered her towards Lady Bay Channel in heavy south-west seas and evening mist. He ordered the helmsman to steer for the light. As the ship came round, a tremendous sea struck her on the port quarter, causing her to breach broadside in a northwesterly direction into breakers. The helm was brought round twice more, but each time heavy seas broke over her, the third time throwing the La Bella on to a submerged reef in Lady Bay now known as La Bella Reef (about 100 yards from the Warrnambool breakwater). The sea was so rough that it even wrenched a one-and-a-half ton anchor from its fastenings and into the sea. As Captain Mylius headed to the steel wheelhouse, intending to send up a rocket flare, a huge sea slammed the steel door into him (resulting in massive bruising front and back) Despite his injuries he still managed to set off a blue light, which he held up in his hands. La Bella’s lifeboats were filled with seawater and broke up on their chocks. The blue light was the first indication to people on the shore that there was a ship in distress. The Harbour Master, Captain Roe (who lived in the Harbour Master’s House opposite Flagstaff Hill), organised a group of volunteers to crew the lifeboat because the trained crew was unavailable; the crewmen were working on a steamer in Port Fairy at the time. He then poured oil onto the water to try and smooth the sea. At around 11 pm three of the crew took shelter in the steel forecastle but the sea crashed into it and broke it up. While the rest of the crew and onlookers watched helplessly in the moonlight the bodies were washed away into the sea, never to be seen again. Some of the crew lashed themselves to the weather rail to keep from being washed away. Watson, the ordinary seaman, became tangled in the rigging lines and was too weak to move, so the 2nd Mate, Robertson, put a line onto him so that he wouldn’t wash off. Around 11 pm three of the crew were unconscious from exhaustion. The situation on La Bella was becoming dangerous. The 2nd Mate moved to the ‘house’ and soon afterwards the ship slipped in the heavy sea. The lashings of the 1st Mate and the ‘boy’ Denham had kept them safe until about 2 am when they were washed overboard; no one was able to help. One by one, the exhausted crew were being washed overboard, too weak to hold on any longer. During the night the La Bella had broken into two and the deckhouse ran out towards the sea. Two more men drowned when trying to reach the lifeboat. By sunrise, the only survivors of the twelve were the Master, 2nd Mate and three seamen. Early in the morning, Captain Roe used the rocket apparatus on shore to try and shoot a line to the ship for a safer rescue but each attempt fell short of the target. Several attempts were made by the lifeboat to rescue the stricken sailors, but the rough conditions made this difficult for the boat to get close enough to the ship and the lifeboat had to return to shore. During a final attempt to reach the ship Captain Mylius ordered his men to jump into the sea. Leonard Robertson, 2nd mate, jumped and swam towards the lifeboat, taking hold of the boat hook offered to him. Oscar Rosenholme managed to reach the boat floating on a piece of timber from the ship’s load and a third survivor, Noake, also made the boat. Along with the lifeboat rescue crew, 25-year-old William Ferrier rowed his small dingy through the heavy seas and managed to rescue the Captain, whom he landed on the breakwater. Ferrier then returned to the ship to attempt a final rescue, losing his oars and rowlocks into the high sea. Using just a spare paddle he skulled towards the La Bella, reaching her stern in time to cut loose the lone surviving sailor, Payne, from the lashing that held him to the ship; the terrified sailor dropped from the ship and into the dingy. Shortly after the last man was rescued, the La Bella was lifted by a huge wave and crashed back down on the reef; she broke up and sank. The ordeal had lasted ten hours. The survivors were taken to the nearby Bay View Hotel and gratefully received warm food and clothing, medical attention and a place to sleep. In the following days, an unidentified body of a young person had washed ashore; it was either Watson or Denham. The body was buried in the Warrnambool cemetery with an appropriate gravestone and inscription. William Ferrier became a national hero as news of the daring rescue spread. In recognition of his bravery in the two daring rescues, he was awarded the Silver Medal for Bravery by the Royal Humane Society and was honoured in the letter from the Prime Minister and the Parliament of the Commonwealth, telegrams and a cheque for £20 from the Governor-General, over £150 subscribed by the public, including Warrnambool and district and readers of The Argus, and a gold medal from the Glenelg Dinghy Club of South Australia. Ferrier’s rescue efforts are one of the most heroic in Victoria’s shipwreck history. (William Ferrier’s son, Frank, received a similar award almost fifty years later when he helped rescue four members of the crew on the yacht Merlan after it ran on to a reef near the Point Lonsdale Lighthouse. ) The wreck of La Bella now lies on her port side in 13 metres of sheltered water inside the reef she struck. The bow section is relatively intact and part of the stern has drifted north-easterly towards the mouth of the Hopkins River. The reef the La Bella struck now bears its name. Those five rescued from the La Bella were Captain George Mylius, Leonard Robertson (2nd Mate, 21 years old), R. Payne, Oscar Rosenholme and Jack Noake. Those seven who lost their lives were Mr Coulson (1st mate), Charles Jackman (cook) Gustave Johnson, Pierre Johann and Robert Gent (all able seamen), Harry Watson (ordinary seaman) and Jack Denham (ship’s boy), Captain Mylius was found guilty of careless navigation; he had sailed into the bay without the services of a pilot. His Master Certificate was suspended for twelve months. Later he was also charged with manslaughter of one of the crew who had died when the La Bella was wrecked but found not guilty. The event’s adverse publicity and damage to his career took a toll on his health and he died of a heart attack six months after the wreck; he was only thirty-seven. His body was buried in the Melbourne General Cemetery. The La Bella was “the best documented of all sailing ships owned in New Zealand”. Her record books, ship logs, correspondence and supporting papers are still available. At the time of the tragedy, she was owned by Messers David C.Turnbull and Co. of Timaru, New Zealand timber merchants and shipping agents, who had purchased her on 13th December 1901. A detailed account of the last journey of La Bella can be read in “Leonard Robertson, the Whangaroa & La Bella” written by Jack Churchouse, published in 1982 by Millwood Press Ltd, Wellington, NZ. As well as this postcard, Flagstaff Hill’s La Bella Collection includes a photograph of the wrecked La Bella, a brass rail holder and the letter from the Prime Minister and other Members of Parliament that was sent to William Ferrier to commend him for his bravery. Some 15 – 17 ships are believed to have sunk in Lady Bay, but only two have been discovered on the seafloor; the “La Bella” and the “Edinburgh Castle”. Both wrecks are popular diving sites and are preserved as significant historical marine and marine archaeological sites. This postcard is part of the La Bella Collection and is significant at both a local and state level. Its connection to the La Bella shipwreck and the rescue of five survivors highlights the dangers of Victoria’s Shipwreck Coast. The photograph of William Ferrier and four of the five survivors demonstrates the bravery of ordinary Australians who risked their lives to save victims of shipwrecks along the coast. The postcard is significant to the history of Warrnambool as it portrays William Ferrier, a local fisherman whose descendants continue to live in the area. It highlights the way of life of people who lived in coastal towns in 19th century Victoria and the effects of shipwrecks upon them. The postcard connects to the congratulatory letter which was sent to William Ferrier by the Prime Minister and Government of Australia and demonstrates the importance they attached to his efforts for Victoria and to Australia. The postcard is also an example of the photography of Foyle Photographers who were in the town of Warrnambool from the late 1800’s. Charles and Lillian Foyle took over the business when their father James died in 1905. Lillian Foyle is significant as the first woman photographer in Warrnambool. It is not known whether Charles of Lillian took this photograph. This postcard is significant because of its association with the sailing ship “La Bella”. The “La Bella” is of local and state and national significance. It is one of the only two shipwrecks discovered in Lady Bay, Warrnambool, out of the 15-17 shipwrecks in the bay. Sepia photograph of William (Bill) Ferrier (seated in the middle), heroic rescuer of two crew members of the La Bella, wrecked at Warrnambool. The photograph is a postcard and shows five men dressed formally in suits and hats. Printed below the photograph are the name and place of the photographer, a royal crest and the details of two patrons of the photographer. Also below the photograph are some handwritten words in black pen. On the back of the postcard is a handwritten message in the same writing as the front.Printed on the front of the card is “Foyle, WARRNAMBOOL” “PATRONS: / HIS ROYAL HIGHNESS THE DUKE OF CORNWALL & YORK. / HIS EXCELLENCY LORD BRAS_ EY, R.O.B.” Handwritten on the front of the card is “Bill Ferrier / rescuer / Oh my hero _ _ _ “ Handwritten on the back of the card is a message. “La Bella” Wrecked off W.Bool Breakwater Nov. 1906 (_ _ _ _ show night) Payne Noake Rosenholme Robertson and Capt Mylius (saved) (moonlight bright) Watson (_ _ _ _ boy) Richwoud [possibly Richmond] drowned” and signed “Desdewoua [possibly Desdemona] Slogos”la bella, foyle, william ferrier, bill ferrier, lady bay, 1905, 10th november 1905, 11th november 1905, parliament of the commonwealth, royal humane society medal, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village

Photograph (proof 68) of two men seated in a buggy, there are two grey horses hitched to the buggy. One of the men is wearing a suit (not formal) and tie, and has on a flat cap. The other male is dressed in working clothes.topic, farming, horse and buggy, horse and buggy, farming

Photograph (proof 67) of two horses hitched to a buggy. There are two men seated in the buggy and one standing at the rear. All of then are formally dressed, with dark suits and bowler hats. The name 'Sam Perks' is written underneath the photo.person, group, horse and buggy, horse and buggy, sam perks

Photograph of three men and two women. The women are wearing long formal frocks buttoned up at the front, and the men are wearing formal 3-piece suits, . The names are written on the back; A.J. Hicks, minister MLC, Albert Hooper (died at 31), Ada Hooper, John Hooper (Grandpa), Mrs. Hooper (nee Tonkin)Bloomfield Rees, Eaglehawkperson, family, hooper, a.j. hicks, albert hooper, john hooper, mrs hooper, tonkin

Photocopies of photos. On front written in pencil 1962 Marlene Hazeldene (now Llewellyn) has originals, has framed life governorship Home and Hospital, have originals both hospitals annual reports. Image on front shows Triumph sports car with women sitting up high on seat, in Easter Parade. Presumably Marlene Hazeldene. On back, photo of 4 women, one man. Women dressed formally in suits, dresses and hats. One woman has Mary Keating written on sash. Man in suit. In pencil '1958'. And Bendigo Advertiser.bendigo, bendigo easter fair, 1958, 1962 popular girls

This photo is probably the oldest known photographic record of the Balliang Football Club, an Australian Rules football team in the Bacchus Marsh area. Australian Rules football was played in this area as early as the 1870s. An organized competition to play regular matches was formed in the early years of the twentieth century. This item has historic and social significance as an image of one of the early sporting teams of Bacchus Marsh and district. It is a typical example of team photographs of this era. It is evidence of the transition of football from a social informal setting to an organised activity and signals the growth of importance of sport, in this case Australian Rules football, as a cultural and social activity central to the Australian ethos.A sepia photograph print mounted on mounting board, showing a group of 20 men arranged in two rows with two men reclining in front. Fifteen men are wearing horizontally striped football guernseys, one wearing a guernsey which is vertically striped. Two men wear white guernseys with a diagonal sash, one man in the back row is dressed formally in suit, collar and tie. One man, identified as the umpire, is in a white polo-necked sweater and is holding a football. The photo is taken in a clearing in an outdoor setting. It is possible to see the figures of three women in the background, two looking on from under a tree, one walking along a footpath.Above the photo in red ink:"Balliang Football Team 1912." Beneath the photo in red ink with one alteration in blue ink the names: "J.Davie, C. Bissell, F. Dodemaide (these two names showing a reversal of position), J.Turnbull, G.Dodemaide, A. Phalp, A. Bissell, A. Cashmore, J.Sharkey. R.McArthur, J.Cashmore., W. Loats, C. Smith. Elliott (ump), B.Phalp. W.Cashmore, L. Beggs. Because the number of names given does not tally with the number of men in the photo, it is not possible to accurately ascribe a name to any individual player. Underneath the hand-written names, there is a circular professional stamp of the photographer, reading: PHOTO ARTIST BACCHUS MARSH. A.BESELERballiang football team, australian rules football

Photograph. Harry Biggs Collection. A black & white photo of many people in formal attire. 3 piece suits for men, long dresses for ladies - standing near courthouse 'discussing the case'. A fire sighting tower is in the background with fire station beside it. Discussing the case outside the court (printed at the bottom of the photo).person, group, harry biggs collection, harry biggs collection, court case

Portrait of a man against a dark background (green-brown and black). He is wearing formal attire: a black suit, black waistcoat, a white shirt with small brass (?) buttons and a narrow black cravat. His hair is dark blond and parted on the left. His sideburns are of a more reddish shade and reach to his jawline. Only upper torso visible. Original frame: ornate gold-painted wooden frame.Front: (no inscriptions) Back: Framers label - (Isaac Whitehead Collins St Melbourne) Conservation Centre, Melbourne label.

A very dark copy of a photo of the staff and students at Bendigo Teachers' College 1929. They are all dressed formally - the men with suits or jackets with ties.The women in frocks or skirts and all with short hair. The staff and students are listed in order from the back to the front row. Back row - R. Frankling, R. Jackman, K. Mitchell, A. Rebbechi, A.C. Macmichael, T. Condon, N. McLennon, C. Streader, R. Harry, T. Seymour, H. Brown, J. Leach, J. Day, A. Willey, H. Sergeant, A. Gomarsall. Second row - Misses B. Duggan, J. Mackenzie, O. Clarke, R. Nicholas, J. Bowling, B. Bradford, J. Metcalf, K. Fleischer, A. McInnes, L. Haines, M. Westwood, G. Stuart, B. Glasson, E. Kelly, M. Haydock, E. Armstrong, D. McKernan, N. Fraser. Third row - Misses J. Young, I. Collard, N. Comer, S. McKinnon, M. Roberts, M. Wickham, Miss Alice Smith, Mr. P. G. Samson, Miss D.A. Mackay, Mr. T. F. Scott, Miss M. McGawley, Misses W. Nixon, E. Liddell, M. Rowe, A. John, I. Lawson, V. Davis, G. Harris. Fourth row - J. Cunningham, F. Ryall, J. Hendry, J. Flanagan, W. Stephens, J.O'Dwyer, N. Wearne, G. Downing, L. Culhane, H. Parker, A. Elliott, E. Craving, S. Thompson, A. Keating. Absent - Miss A. Rosan. See 3320.100bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teaching, teacher training, bendigo teachers' college, photo, photos, photograph, photographs, photography, history miss j.c. burnett, mr. geoff. pryor, history, staff, students, r. frankling, r. jackman, k. mitchell, a. rebbechi, a.c. macmichael, t. condon, n. mclennon, c. streader, r. harry, t. seymour, h. brown, j. leach, j. day, a. willey, h. sargeant, a. gomarshall b. duggan, j. mackenzie, o. clarke, r. nicholas, j. bowling, b. bradford, j. metcalf, k. fleischer, a. mcinnes, l. haines, m. westwood, g. stuart, b. glasson, e. kelly, m. haydock, e. armstrong, d. mckernan, n. fraser, j. young, i. collard, n. comer, s. mckinnon, m. roberts, m. wickham, alice smith, p. g. samson, d.a. mackay, t. f. scott, m. mcgawley, w. nixon, e. liddell, m. rowe, a. john, i. lawson, v. davis, g. harris, j. cunningham, f. ryall, j. hendry, j. flanagan, w. stephens, j. o'dwyer, n. wearne, g. downing, l. culhane, h. parker, a. elliott, e. cravino, s. shompson, a. keating, a. rosan

Taken in 1973, this photograph features 13 men in suits, most of whom are council members of the United Shire of Beechworth, as well as a secretary and engineer. The photo is taken in a formal setting, suggesting there may have been an occasion at this time (potentially surrounding or related to the August council meeting). Previously a district (1856), then a borough (1863) and separate shire (1866) at this time the Local Government Area (LGA) had been known by this name for approximately two years, after having amalgamated with the still-existing borough. Beechworth amalgamated with Rutherglen and Chiltern Yackandandah to become the Indigo Shire Council in 1994. Little has been found about the men in the photograph, however this was at also around the time that women were becoming more widely accepted into positions on Victorian council (such as Valerie Mason, who was elected the first President of the United Shire of Beechworth council 6 years after this photograph.) The photograph has been taken in front of the Beechworth Shire Hall. The Hall was designed by architects J.J. Coe and Thomas Dalziel and is dated to 1859. Originally the building was used as the Shire Offices but also doubled as a fire station and a courthouse, with still surviving cells underneath. The Town Hall is now home to the Visitor Information Centre, is the starting point for historical Precinct walking tours and is available for hire for events or community meetings.The Beechworth Town Hall is one of five distinctive granite buildings on Ford Street that comprise the Justice Precinct, and is listed on the Victorian Heritage register. This photograph captures the ongoing importance and use of the Beechworth Town Hall and its ties to Council operations in the 1970s.Black and white rectangular photograph print matt photographic paperReverse - written in pencil upper right corner: 1997.2602; stamped in black ink across centre margin: Beechworth shire council Aug.1973/ Crs.H.H.Warner, H.C.Lucas, L.W. Powell, L. Leentjes, R.C. Sewell, T.J. Carroll/ G.Gray (Secry), Crs.R.P. O'Connor, D. Nankervis, D. McKenzie-McHaig, J.J. Macaulay, H.R. Sinclair/ D.Pope (Engineer), Absent Cr.J.V.Diffey; written in pencil in cursive lower left margin: Absent J Diffey; written in pencil bottom right edge: BMMA02602beechworth shire council, crs.h.h.warner, h.c.lucas, l.w. powell, l. leentjes, r.c. sewell, t.j. carroll, g.gray (secry), crs.r.p. o'connor, d. nankervis, d. mckenzie-mchaig, j.j. macaulay, h.r. sinclair, d.pope (engineer), cr.j.v.diffey, beechworth town hall

The photo is taken in 1890 and a man is depicted, entering the main gates of the Mental Hospital at Beechworth, with the lodge on his right side. The man is dressed according to the australian fashion of that time, wearing a dark suit and a top hat. The countryside surrounding the Hospital is in the background. The Mayday Hills Hospital was constructed between 1864 and 1867, with buildings created in a number of periods. It formally opened on 24 October 1867 and, along with the Ovens Hospital and the Benevolent Asylum, made Beechworth a prominent social welfare centre in Victoria. The need for an institution of this kind was arisen due to the increased number of people with mental disturbances (induced by the harsh living conditions on the goldfields) and the remoteness of the district from Melbourne. The site was chosen for its panoramic view of the countryside, the hilltop atmosphere and the native fauna, all contributing to the cure of patients. It was designed in Italianate style and around 250 workmen were employed for its construction. The Hospital was originally named the “Ovens Lunatic Asylum” but, during the centenary celebrations in 1967, the name was officially changed to “Mayday Hills Hospital”, showing the gradual shift in the perception and understanding of mental health conditions over the last decades. The Hospital lies on the traditional land of the Kulin Nation.This photograph is historically significant as it provides an insight into the location, surroundings and the exterior of the Mayday Hills Hospital at the end of the 19th century. It also contributes to the understanding of the district`s development and its importance to the course of Victoria`s history. Moreover, it adds information to the scientific research and the way mental health conditions were treated at that time.Black and white rectangular photograph printed on paper unframed.Obverse: Asylum Gates & Lodge/ Reverse: 3451-1/mental hospital, beechworth, australian fashion, dark suit, top hat, countryside, mayday hills hospital, ovens hospital, benevolent asylum, institution, mental disturbances, social welfare, living conditions, goldfields, workmen, italianate style, kulin nation, mental health, ovens lunatic asylum, patients

Depicted in this photograph is a religious minister or priest dressed in a dark suit with a clerical collar. He is seated in an armchair holding a small suitcase or a briefcase. A group of adults (mainly women) dressed in formal attire are standing behind him, while a older women holding a bouquet stands beside him.Black and white rectangular reproduced photograph printed on matte photographic paper Reverse: 6952 (in pencil)/ B62K091 (stamped in black ink)/entertainment album, beechworth, burke museum, religion

Depicted is Father Cannon Hull, dressed in a suit and clerical collar, is standing in front of a large group of adults dressed in either costumes or formal clothing. They are all standing upon a stage as part of an act for a concert party. Sepia rectangular reproduced photograph printed on matte photographic paper.Reverse: 5647 (in black pen)/ Front/ Father Cannon Hull (in pencil)/entertainment album, burke museum, beechworth, concert, party

This is a digital copy of a photograph of Cecil, Gladys and Susan Vedmore on the occasion of Susan's debut. The Vedmore family set up the Vedmore Trust to provide funds for financially disadvantaged families in South West Victoria. This item is retained because of the Vedmore family's association with a local trust.This is a digital copy of a black and white photograph of a father in a suit and tie, his daughter in her debutante frock and her mother dressed in formal wear.vedmore trust, cecil vedmore, gladys vedmore, susan vedmore

Clothes brushes are still used today but they were of more importance in the days when white collar workers, both men and women, wore suits and hats and tailored clothing to work and these required frequent brushing to keep them looking good as they were not washable items. Formal work clothes were more likely to be worn, particularly by men, in the 20th century up to about 1970. This case with two brushes would have been used particularly in times of travel. This item is retained as an example of a household item of the past and will be useful for display purposes..1 -This is a brown oval-shaped leather piece rolled over to make a container or case. It has a leather and metal strap and buckle stitched into the front of the case. The leather case is slightly worn and stained. .2 & .3. -The case contains two oval-shaped clothes brushes that have light brown wooden polished backs with yellow/light brown horse hair tufts attached to the back. .1 - L 14 cm. W 8.5 cm. D 8 cm. .2 & .3 - L 12. 5 cm. W 8 cm. D 3.5 cm. household items, history of warrnambool

The man is possibly a ship master or captain and the photo of the couple depicts also his wife. Studio photographic portrait of two people: female standing dressed in black? formal attire, arm leaning on seated male also formally dressed in 3 piece suit with watch chain and bowler hat.skipper, captain, ship master

A shirt stud is a decorative fastener that fits onto a buttonhole on the front of a pleated shirt, or onto the starched bib of a stiff-front shirt. Such shirts have special buttonholes solely for shirt studs. A shirt stud may be fashioned from alloys, precious metals, and gemstones—materials uncommon to buttons sewn on shirts. The stud may have an inlay, such as of pearl or onyx. Dress code of the modern western world reserves shirt studs for men's formal wear and some semi-formal occasions. In the western world, shirt studs were first used in the mid-19th century, when some shirt fronts were too stiff to close with buttons. So remains the case for the heavily starched, modern full dress shirts worn with white tie. A collection of men's shirt studs in black and white and in various styles,and sizesclothing, shirts, menswear, early settlers, pioneers, moorabbin, bentleigh, cheltenham, jewellery, dinner suits

[see inscriptions] Black and white mounted photograph. Approximately 160 men (171 according to inscription on the back) sitting on large tables at a formal dinner event; all weatinh suits and posing for photograph. Photo was taken in a large rooom with a stage, Malvern Town Hall accoring to inscriptions on the back - tables occupy centre and front of photograph - but in the background: [left] Australia flag, WWII poster; [center] stage with painted landscape and piano; [right] WWII poster and Britain flag. [information of event on newspaper cutting stuck on the back - as described on Inscriptions]Handwritten: 171 PRESENT // FEB 1945 // (?) OFF SUPT KNOTT // INSPT SAMBLEBE // CONST GRAMBEU /// MALVERN TOWN HALL Newspaper cutting glued to frame: Supt. J. R. H. Knott, has rettired from the Police Force after 38 and half years' service, was farewelled by citizens and police officials at Malvern Town Hall on Tuesday night, The mayor of Malvern (Cr. J. Johnson) presided and presented SUpt. Knott with a chair and a wallet of notes. Similar presentations were made to Inspector C.H.D. Samblebe and First Constable O. Grambau, who have also retired. Supt. A.D. McKinnon of Ballarat will succeed Supt. Knott // handwritten: SUN 1/2/45victoria police museum, police officers, police academy, police force, superintendent mckinnon, superintendent knott, cr johnson, inspector samblebe, first constable grambau, poulter, william

Black and white photograph mounted on grey frame. 25 mid age police officers in formal setting posing for photograph in 3 row structure [all seem to be influential personalities of Victoria Police - see Inscriptions bellow]. They are all in full 1950s Police uniform, apart from two men on the extremes of front row, who wear suits. They stand in terrace of what seems to be a large and wealthy building on the back, large windows and collums on varandah.Printed above photograph: POLICE COLLEGE << Course No.1 -- November, 1958 - June 1959 >> Printed bellow photograph: Left to Right, Back Row: Stn. Officer Mooney, Sgt. Sheather, Det-Sgt. Carter, Sgt. Poulter, Sgt. Mooring, Sgt. Pearson, Sgt. Comrie, Sgt. Sharkey, Det.Sgt. McKnight. Centre Row: Sgt. Scotney, Insp. Hynes, Sgt. Long, Sgt. Payne, Insp. Houghton, Sgt. Peach, Sgt. Moore, Sgt. Heath, Sgt. Rose. Front Row (Directing Staff): Mr. C. H. Smith, Det-Sgt. Warne, Insp. Quill, Insp. DeLany, Insp. Milner, Det-Sgt. Braybrook, Mr. R. Crowling.victoria police museum, police officers, police academy, police force, william, poulter, bill poulter, police college, tompkins, stuart, stn. officer mooney, sgt. sheather, det-sgt. carter, mr. r. crowling., det-sgt. braybrook, insp. milner, insp. delany, insp. quill, det-sgt. warne, mr. c. h. smith, sgt. rose, sgt. heath, sgt. moore, sgt. peach, insp. houghton, sgt. payne, sgt. long, insp. hynes, sgt. scotney, det.sgt. mcknight, sgt. sharkey, sgt. comrie, sgt. pearson, sgt. mooring, sgt. poulter

Black and white photograph mounted on brown frame. Formal 2 row structure portrait in front of brick building - all in sharp suit clothing. 7 men [police officers?] standing cheerfully looking to the camera. On the front row 3 men sitting and woman in the middle (perhaps office assistant).victoria police museum, police officers, police force, police woman

There is no information with this item.This is a pictorial record of local Orbost people in typical mid 20th century fashion clothing which tended to be more conservative than current fashion..A black / white photograph of three people in - a man on the left in a suit and tie; two women with hats and pearl necklaces.The woman in the middle is wearing a spotted dress and holding a white hat with a handbag over her arm. The other woman, in glasses, is wearing a plain dark dress and a more formal hat.on back - "Jack Irvine, Audrey Cameron, Elsie Norman (nee O'Brien)"irvine-jack cameron-audrey norman-elsie

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in AustraliaBlack and white formal photograph of a man dressed in a dinner suit and holding a trumpet in his left hand and a baton in his right hand. The man is Frank Wright.frank wright, conductor, ballarat, trumpet

Maurice Wright was the brother of Frank Wright. Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man standing in a formal pose holding the back of an ornate chair. The backdrop is a dark curtain and the man is standing on a floral carpet. The man is wearing a suit and light coloured hat with a dark hat band. The man is Maurice Wright.Hand written on back - With best wishes from Maurice Nov. 1919 Printed on back - The 'Tesla Studios', Wanganui, N.Z.maurice wright, frank wright, new zealand

Port of Portland Authority archivesFront: (no inscriptions) Back: KS Anderson/ Chairman PHT (blue pen, centre)port of portland authority archives

Port of Portland Authority archivesFront: (no inscriptions) Back: C (pink felt-tip pen, upper right)port of portland authority archives

Port of Portland Authority archivesFront: (no inscriptions) Back: KS Anderson/ Chairman PHT (blue pen, centre)port of portland archives, k s anderson

This Man's White 'Silk' Dress Scarf, with a black and white silk fringe, was worn with a dress suit as part of the formal wear for men in City of Moorabbin c 1960 for special occasions, events and ceremonies This Man's White 'Silk' Dress Scarf was worn with a dress suit as part of the formal wear for men in City of Moorabbin c 1960 for special occasions, events and ceremonies Man's White 'Silk' Dress Scarf with a black and white silk fringe . Tootal Scarf / Wash as Silk / Men's Wear Centre / Smythes / 115 Glenhuntly Rd E'wick clothing, evening wear, dinner suits, formal wear, scarves, collars winged, tailcoats, bow ties, cheltenham, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, maynard dennis, post world war 2 estates ,