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Morongo Old Collegians
Book, Holy Bible, 1958 (estimated)
Also contains two cards: (1) with dried flowers from Jerusalem, and (2) from Bethlehem Before it came to Morongo it was jused in Bethlehem, Nazareth and Titerus (Sea of Galilee).The Holy Bible contains the Old and New Testaments and is the authorised King James Version. It contains numerous maps showing 'The Ancient World, Canan, Journeys of Children of Israel, Ancienct Jerusalem, Herod's Temple, etc.' The front and back covers faced in wood from the olive tree.Presented to "Morongo" by Margaret L. Toyne, 16/11/63 in appreciation for my School Years. Bought for the School, used in Bathlehem, Nazareth, Titerus (Sea of Galilee).'book, education, school, morongo, geelong, girls, boarding, presbyterian, uniting, history, assembly, private-girls-school, lucy-shaw, gertrude-pratt, dulcie-brookshaw, 1920-1994, kindergarten-year-12, holy-bible -
RSL Victoria - Anzac House Reference Library and Memorabilia Collection
Letters of Henry George Green, Henry George Green, May 1916 to March 1917
Letters to Green's family cover two main periods: from Geelong Camp early May 1916 until embarkation on board Orontes on 16 August 1916, and from France on 7 December 1916 until 31 March 1917. Green was killed at Bullecourt on 11 April 1917.Sixty WW1 letters of Henry George Green (2198 - 46th Battalion, 4th Reinforcement).ww1, bullecourt, letters, henry george green, 46 battalion -
Geelong Cycling Club
Minutes, Books, 1911 - 1968
Minute books of the GWCC dating from 1911 - 1968Provides details of the club's activities and persons connected with the club in the years 1911-1968.Six handwritten minute books of the Geelong West Cycling Club dated from 16/11/1911 - 13/2/1968. Each book has a hard cover and is bound along the spine.geelong cycling club; geelong west cycling club; minute books; 1911; 1968; -
Federation University Art Collection
Painting - Oil, et al, [The Green Vase] by David Strachan, c1948
David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available -
Williamstown High School
Athletics meet program 1946
This program details the Metropolitan High Schools' Sports Association 27th annual Championship athletic sports meeting. The event was held on the Essendon Recreation Reserve. It was a 3 day meet, with Williamstown High School competeing on day two against Coburg, Essendon & Geelong High Schools.Black and white, printed on paper, this program details an 1946 official schools swim meet. It comprises 16 pages.See image above.williamstown high school, 1946, athletics -
Williamstown High School
Athletics meet program 1947
This program details the Metropolitan High School' Sports Association 28th annual athletic sports meeting. The event went for three days and was held on the Essendon Recreation Reserve. Williamstown High School competed on the second day, against Box Hill, Coburg,Essendon, and Geelong High Schools.Booklet issued on white paper with black print, comprising 16 pages. wiulliamstown high school, 1947, programme -
Williamstown High School
Athletic sports meet 1948
This programme details the three day Athletic Sports meeting of 1948, organised by the Metropolitan High Schools' Sports Association. Williamstown High School competed on day two at the North Melbourne Cricket Ground. Other schools competing on that day were Ballarat, Coburg, Essendon and Geelong.Paper, black printed booklet comprising 16 pages. Williamstown High School competed in this meet in 1948.Student name on cover.williamstown high school, 1948, athletic sports, melbourne high schools' sports association -
National Wool Museum
Textile - Parsons Rolled Oats Bag
These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with colour image and black text. Image shows a full length brown horse with bridle.Front: PARSONS FARM ANIMAL SERIES No.3 \ SUFFOLK \ The Suffolk, often known as the Suffolk Punch, originated in the County of Suffolk, England \ and is noted for its hardiness. From 15 to 16 hands in height. The Suffolk in general is smaller than \ the Clydesdale. The head is rather coarse, with the neck short. The body long deep and wide with \ a round full appearance. The croup is straight and legs short and free from leather. The invariable \ colour is chestnut, varying from light to dark.wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
National Wool Museum
Folder, Wool processing - training
Part of Ken Galloways research material associated with his career as a woolclasser. "Wool processing - training"Wool processing - training 16woolclassing sheep breeding education wool - research wool processing wool industry, national wool museum wesfarmers dalgety limited, geelong, galloway, mr ken, woolclassing, sheep breeding, education, wool - research, wool processing, wool industry -
National Wool Museum
Book, Wool Catalogues 1946-1947 No.s 1-16 Official No. 1 Chief Wool Valuer
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1946-1947 No.s 1-16 Official No.1 Chief Wool Valuer.WOOL / CATALOGUES / 1946-1947 / No.s 1-16 / OFFICIAL / No. 1 / CHIEF / WOOL / VALUERgoldsbrough, mort and company limited -
National Wool Museum
Book, Wool Catalogues 1946-1947 No.s 1-16 Wool & Produce Manager
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1946-1947 No.s 1-16 Wool and Produce Manager.WOOL / CATALOGUES / 1946-1947 / No.s 1-16 / WOOL & / PRODUCE / MANAGERgoldsbrough, mort and company limited -
National Wool Museum
Book, 'Boss' Hurst of Geelong and Nauru: a life
"'Boss' Hurst of Geelong and Nauru: a life" - Don Chambers, 1994. Biography of Harold Hurst who was involved in the Scouting Movement in the Geelong and Western District area. He was also heavily involved in Nauru and its independence. He invented, patented and manufactured metal fasteners for wool bales and fencing. This book has been signed by the author and the then prime minister of Nauru.Don Chambers / 16 October 1994 Bernard Dowlyogo / 16.10.94wool bale clips, hurst, mr harold e. -
National Wool Museum
Program, Woolmark 1998 Melbourne Fashion Festival
"Woolmark 1998 Melbourne Fashion Festival: festival program 16-22 February 1998" - Woolmark, 1998. Program for the fashion festival held at the same time as the Melbourne International Festival.fashion, woolmark company -
Geelong Gallery
Film - There is no there, MANGANO, Gavriella, 2015
Single channel High Definition digital video; 16:9, black and white. -
National Wool Museum
Badge
Badge was almost certainly produced as a World War I fundraiser related to the fall of France. It has 'Vive la France Fete Nationale 14-7-16' printed on it.VIVE LA FRANCE / F?E NATIONALE 14-7-16world war i -
National Wool Museum
Functional object - Needles, W.H. Head & Son, c1895
Needles are over 100 years old. The donor obtained them from Mrs Patricia Wrench, a granddaughter of Lord Brassey, Governor of Victoria between 1985 – 1900. The needles were manufactured by W.H. Head & Son, a Trimming Manufacture and Wholesale Haberdashers company established in London.A purple leather case containing 39 steel knitting needles of varying widths.Above clip of case, gold lettering - W.H. Head & Son, Sloane st, London, S.W. Inside case, gold lettering - 10 11 12 13 14 15 16 17 18 19 20england, needles, patricia wrench, lord brassey, knitting -
National Wool Museum
Print, Chris McClelland, Shearing the Rams – Tuppal Station, 210
Chris was invited to be artist in resident for the historic re-enactment of “Shearing the Rams” at the North Tuppal Station woolshed held on the 4th and 5th June 2010. The celebration attracted record crowds to witness the shearing of the station rams by 72 blade shearers. Over a single weekend in 2010, thousands of people queued for hours to see a piece of Australian history recreated at North Tuppal Station near Tocumwal, NSW. In 1900, Francis Faulkner invested a staggering £4000 to extend his shearing shed on Tuppal Station, making it the biggest in the country. Over the next decade more than three million sheep trod its pine boards and were shorn in its 72 stands. After years of drought and the Great Depression, the property fell into disrepair and the station was split up. When North Tuppal Station was sold to the Atkinson family in 1928, just five of the 72 stands were in operation. In 2010, Sport Shear Australia approached the Atkinson family about holding an event in the historic shearing shed to raise money for a team of Australian shearers to go to the world shearing title in Wales. An army of volunteers restored the T-shaped shed and yards and organised a weekend of events. Over two days, 6,000 sheep were shorn and all 72 stands of the restored North Tuppal shed were brought back to life. A total of 117 shearers shared the boards with 90 wool handlers who skirted 19 fleeces every minute. For a period on each day of this historic weekend, the machines were then silenced, and 72 shearers picked up their old blade shears to recreate past shearing methods. “When they fired up and got the blades out there was deathly silence on the board - you could hear a pin drop because normal shearing you have all the machines and it is quite noisy. Here you could just hear the click, like in the song Click Go the Shears Boys. People had tears in their eyes. It was quite an emotional thing to see that and very proud to be here.” George Falkiner, grandson of Francis FalkinerColoured framed print of shearing scene in the Tuppal station, Ferrrier’s wool press on the left-hand side and station on the top. Print in framed in a light-coloured wooden frame with white coloured matte.Under artwork - In 1891 Tuppal Station, a sum of 176,000 acres threshold, was bought by Mr Fiane Sadlies Falkines, Under the management of his eldest son F.B.S. Falkines, the 72 stand woolshed was build in 1900 and powered by a 16 horsepower steam engine. Sheep were pure Boonoke blood and the average numbers of sheep shorn over nineteen years to 1909 was 152,780. Around 7200 sheep could be shorn daily. The largest clip totalled 3326 baled of greasy and scoured wool and was sold in London. Bottom right corner - Chris McClelland 181/720 Shearing The Rams – Tuppal Station -
National Wool Museum
Album - Photo Album, Grazcos, c.1999
Photo album detailing the process involved in the Jumbo Wool Auction Service. This process was developed by Grazcos, a company who advanced innovations for shearers and wool farmers before amalgamating with Dalgety in the early 1990s. Grazcos was a well-known name to source a competent shearing team, or as a destination for wool in need of bulk classing. The Jumbo Wool Auction service was designed to process wool more efficiently through volume. 63 traditionally dumped farm bales of wool would fill a typical shipping container. The Jumbo Wool Auction Service enabled 108 farm bales to fit into the same container. This brought reductions in the costs of handling, selling, storing, and shipping of wool. This photo album details this process; from classing to shipping. This photo album was a draft copy produced for review before the production of mass-produced advertising flyers. 12-page hard cover photo album. Internally colour images and printed text have been stuck behind a protective plastic onto paper. The backing paper has many distinctive orange and grey horizontal lines. Printed text is in black ink. Colour images are 2 x 3 inches with rounded corners. Images and text are numbered 1 to 16 detailing the process of the Jumbo Wool Auction Service developed by Grazcos.wool auction, wool processing, grazcos -
National Wool Museum
Journal, Patons Style vol. 16
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book is volume 16 of a series titled 'Style' produced by Patons and Baldwins. This issue is an unusually luxurious one when compared to most of Patons' knitting books, as it was produced at the time of the Royal Visit in 1954. Thus there is a double page spread (pp. 2-3) of the Government Houses where Queen Elizabeth and Prince Phillip would be staying, and the titles of all the garments have a royal theme.STYLE / P&B / WOOLS / Patons & Baldwins (Australia) Limited / 2'-handicrafts - history knitting, patons and baldwins (australia) ltd athol shmith pty ltd, handicrafts - history, knitting -
National Wool Museum
Envelope
Envelope produced by the Stamina Clothing Company, manufacturers of work clothes, who used Crusader brand cloth produced by the Australian Woollen Mills complex at Marrickville, NSW. It was made to house a set of 16 information cards on the manufacturing processes in a woollen mill. They were issued as give aways and could be found in the pockets of Stamina brand clothing.Envelope for 16 information cards (4350-4365) which were promotional give aways from Crusader Mills, c.1945-1955.Crusader / With the good wishes of the / makers of Crusader Clothaustralian woollen mills pty ltd stamina clothing company -
National Wool Museum
Card
This card is the first in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks at merino sheep and wool production in Australia.Card no. 1 from the Crusader Mills information card set, c.1945-55. Verso of card no. 1 from the Crusader Mills information card set, c.1945-55.No. 1 The beginning of the story of Crusader Cloth.wool growing merino sheep - history, australian woollen mills pty ltd stamina clothing company, wool growing, merino sheep - history -
National Wool Museum
Card
This card is the second in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of sheep shearing.Card no. 2 from the Crusader Mills information card set, c.1945-55. Verso of card no. 2 from the Crusader Mills information card set, c.1945-55.No. 2 Shearing merinos for the Crusader Mills.shearing, australian woollen mills pty ltd stamina clothing company -
National Wool Museum
Card
This card is the third in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of wool buying and wool sales.Card no. 3 from the Crusader Mills information card set, c.1945-55. Verso of card no. 3 from the Crusader Mills information card set, c.1945-55.No. 3 Buying the 'Golden Fleece' for the Crusader Mills.wool brokering wool sales, australian woollen mills pty ltd stamina clothing company, wool brokering, wool sales -
National Wool Museum
Card
This card is the fourth in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of wool sorting and classing.Card no. 4 from the Crusader Mills information card set, c.1945-55. Verso of card no. 4 from the Crusader Mills information card set, c.1945-55.No. 4 Wool Sorting at the Crusader Mills.woolclassing, australian woollen mills pty ltd stamina clothing company -
National Wool Museum
Card
This card is the fifth in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of wool scouring.Card no. 5 from the Crusader Mills information card set, c.1945-55. Verso of card no. 5 from the Crusader Mills information card set, c.1945-55.No. 5 Wool scouring at the Crusader Mills.australian woollen mills pty ltd stamina clothing company, scouring -
National Wool Museum
Card
This card is the sixth in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of wool carding.Card no. 6 from the Crusader Mills information card set, c.1945-55. Verso of card no. 6 from the Crusader Mills information card set, c.1945-55.No. 6 Carding the scoured wool at the Crusader Mills.australian woollen mills pty ltd stamina clothing company, carding -
National Wool Museum
Card
This card is the seventh in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of wool combing and shows a Noble comb.Card no. 7 from the Crusader Mills information card set, c.1945-55. Verso of card no. 7 from the Crusader Mills information card set, c.1945-55.No. 7 Combing the carded slivers at the Crusader Mills.australian woollen mills pty ltd stamina clothing company, combing, noble comb -
National Wool Museum
Card
This card is the eighth in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of top making at a gilling machine.Card no. 8 from the Crusader Mills information card set, c.1945-55. Verso of card no. 8 from the Crusader Mills information card set, c.1945-55.No. 8 Top making at the Crusader Mills.australian woollen mills pty ltd stamina clothing company, gilling, top making -
National Wool Museum
Card
This card is the ninth in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of the drawing out of the top.Card no. 9 from the Crusader Mills information card set, c.1945-55. Verso of card no. 9 from the Crusader Mills information card set, c.1945-55.No. 9 Drawing out the Top prior to spinning at the Crusader Mills.australian woollen mills pty ltd stamina clothing company, drawing -
National Wool Museum
Card
This card is the tenth in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of spinning.Card no. 10 from the Crusader Mills information card set, c.1945-55. Verso of card no. 10 from the Crusader Mills information card set, c.1945-55.No. 10 Spinning the rovings into yarn at the Crusader Mills.australian woollen mills pty ltd stamina clothing company, spinning