Trio of Cup, Saucer & Plate which belonged to Lydia Chancellor, off white china with green, yellow & orange decoration and gilding around edges.Phoenix Ware made in England T.F & S.Ltddomestic equipment, food consumption, cups, dr 340.1.2.3

China tea set consisting of 5 cups, 4 saucers, white and pink with gilding and floral decoration, number 84 impressed on bottom of cups.domestic equipment, table setting, cups

Photograph of four men standing on the porch of Gildings Bootmaker's shop in Main Street Greensborough. John Gilding is standing in front of doorway. Harness maker W. Woodward stands next to him. The shop was opposite the Greensborough Fire Station in Church and in 1885 his shop and home were moved to the lower end of Main Street near the Plenty River.Links: 00374:01277:01278:01279:01280 Copy of black and white photographjohn gilding, gilding family

2 white china cups from Tennis sets decorated with blue and yellow crested bird perched on pink blossom twigs and gilding around edges.domestic equipment, table setting, cups

Account dated March 23 for painting and gilding dispensation Board £1.10.0. At the end: 'Settled A. S. Bartlett April 9th 1864'. Hand written on blue paper.societies, aof, correspondence, ancient order of foresters no. 3770 collection - account/receipt, court king of the forest, a s bartlett

Account dated may 2nd 1864 to make a letter box - lettering & gilding glass as per Tender £1.15.0. Signed Paid May ? 1864 C Hoffman.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, ? hoffman, c hoffman

White china Tennis set, cup, saucer and plate combined. Decorated with a blue and yellow crested bird perched on stems of pink blossom with gilding around rim and edges.domestic equipment, table setting, cups

This scrapbook contains newspaper cuttings, hand written poems and quotes from friends and family members and pressed flowers and ferns. Entries were made in the mid 1800s to early 1900s and relate to Duncan family history. The initials suggest this is Lillie and Olive's father, David Hood Duncan, who created this scrapbook. David Hood Duncan married Ada Blanche Thomson (1861-1928) on 25 November 1896. Ada was the daughter of John Gilmour Thomson (1829-1905) from Moonee Ponds and Hannah Davies (1834-1890) Their first daughter, Lillie, was born on 15 October 1897 in Woodland, South Gippsland where he was a farmer. In 1908, 1910, 1911, 1913, Lillie Duncan sent letters to Patience from the Young Folk section of the Australian. She was writing from Woodlea, Cathkin, where they had moved as there was no school in South Gippsland. They moved to 11 Paxton Street, East Malvern when David retired. He was leasing a farm, Kia Ora, in Koo Wee Rup, the South Gippsland. Ada Blanche died on 28 December 1928. David died on 24 May 1942.This is an album of social and historic significance, being part of a sub-collection of material that provides a snapshot of the type of individuals and families involved in the Ladies Harbour Lights Guild and the activities carried out by that organisation.Decoratively embossed word on front cover : "ALBUM" . Inner pages: Handwritten in various inks throughout are poems and quotes. Two unidentified initials followed by Duncan name on the inside page. duncan, poems, quotes, newspaper cuttings, albums, scrapbooks, lillie duncan, olive duncan, poetry, ferns, plants, david hood duncan, ada blanche duncan (nee thomson), epistolary

This mug commemorates the birth of Mary S. Edwards on February 3rd, 1857. The mug is one of four (within the collection) gifted to each of the Edwards children. 2. Wm I Edwards born may 5th 1859 3. Elizabth Edwards born on April 19th 1862. 4. Grace Edwards born on February 19th 1864. All mugs were used by the Edwards children during their lifetimes and were donated to the museum by Misses Illife and Bessie Edwards in 1979.These mugs are of local Ararat and District significant due to their age (over 150years old in 2011), the fact that compile a complete set of four from the same family, and the fact that the family has close ties with the Ararat district. Their condition is very good (minor chips) and this, along with their usage during the lifetime of the original owners, adds to their significance.Highly glazed white porcelain mug inscribed in gold gilding across the body, and decorated with same on the lip, base and handle. Some crackling of glaze. Brown wear marks on handle and around rim. Inscription in gold on the body of mug: "Mary S. Edwards / Born Feby 3rd1857".ararat, langi morgala, museum, social history, mug, children, edwards, 1857

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This theatre costume was made Thea Sartori for her daughter to wear in a Ruyton Girls' School theatre production. It is one of a number of items donated to the Fashion Collection by Thea Sartori, which were made by, or for four generations of her family: her grandmother Frances Ethel Winifred Jones; her mother Dorothea Fush (nee Winstanley); by Thea Sartori (nee Morris), and her daughter. Burgundy coloured long theatre costume in the Medieval style. The high waisted dress has a square neck and gilding to the long sleeves. The dress was worn in a Ruyton school play. character “Anne of Cleeves”women's clothing, theatre costumes, ruyton girls school, thea sartori

This seal press was used by the City of Sandringham to emboss agreements and official documents. Cast iron seal press, with wooden handle at angle to metal compartment. Gilded decorative treatment on black, with red line beneath gilding around the base. Round die still attached for City of Sandringhamseal press, seal, die, city of sandringham, sandringham, council, writing accessory, stamp, press, bayside

Account written on a piece of pale greyish paper and dated April 23/73. Court King of the Forest No. 3770 To Charles Kelynack, Painting and Gilding Banner Poles £0:14:0. Initallled. Woodwards carrying.societies, aof, correspondence, ancient order of foresters no 3770 collection - account, court king of the forest, charles kelynack, woodwards

A porcelain invalid feeding cup with spout and handle decorated with gilding to handle, rim and spout on white body. These invalid feeding cups were used during illness, the spout assisting when patients needed assistance in feeding medical, feeding,

Six small white china plates with decorative pierced edges and gilding around rim, centre of plates showing scenes of three female figures in Grecian style costumes, 3 plates showing figures with a musical instrument & 3 shown with fruits.domestic equipment, food consumption, plates

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Wallpaper fragment from ‘Reno’. These two large fragments of wallpaper have a formality of design that is accentuated by the wide borders and narrow vertical lines that separate the repeated designs of rose garlands in vases on a vertical trellis design. The design is in tones of pink and green with gilding.reno, st john's parade, kew, samuel cocking, wallpaper

Two china plates/saucers from Tennis sets. 1. White with floral motifs in various colours with gold decoration and gilding on edges. Nosegay Royal Albert Bone China England PEG No 39142 2. White with gilded motifs. Hand painted made in JapanNosegay Crown Royal Albert Bone China England Peg No 839142 & Hand painted made in Japandomestic equipment, table setting, plate

This is a Warrnambool souvenir item made about the 1940s. It features the Warrnambool War Memorial which is a Warrnambool landmark popular with the makers of souvenir items for sale to local residents and tourists to the city. The War Memorial was originally designed as a memorial to the local soldiers who enlisted and died during World War One. It was built in 1924 and first used for an official function in 1925. A World War Two memorial section added was added in the 1950s. These items are of interest as examples of the souvenirs made to sell to tourists sixty years ago. The items were made of good quality bone china. The Warrnambool War Memorial still features today on some items sold as souvenirs of the City.This is a white bone china cup and saucer set - a Warrnambool souvenir piece. It has a black and white image of the Warrnambool War Memorial on the side of the cup and on the base of the saucer. There is gilding on the edges of the cup and its handle and on the saucer. The base of both items has a British Crown symbol on it. Under the War Memorial images : ‘Soldiers Memorial, Warrnambool Vic.’ On the base of cup and the saucer: ‘Melba Bone China, Guaranteed Made in England’ warrnambool war memorial, warrnambool souvenir, warrnambool

Joshua Black was an Irish Stonemason who came to Portland. He helped to build many significant buildings including what is now the Royal Hotel and Julia Street Creative Space as well as the Scotts Presbyterian Church.Portrait of a man against a blank brown and black background. He is in formal attire, with black jacket, high-collared white shirt and black cravat. His hair (black) is parted on the left and he has side burns descending past his cheekbones. Framed in a black frame with gilding.Front: (no inscriptions) Back: (no inscriptions) Conservation Centre, Melbourne - label.portrait, portraits, male, man, victorian, portland, buildings, builder

Robert Thomas Miller Born in Melbourne in 1916 Studied commercial art at RMIT and for many years worked as graphic designer and design director at ACI Ltd. Member of the Victorian Artists's Society (Council member since 1965), Australian Guild of Realist Artists, Old Water Colour Society Club (past president), Australian Watercolour Institute, Hughesdale Arts Group (past president), Burnie (Tas.) Coastal Art Group. His watercolours have won over 40 major awards, including Victorian Artists' Society, 1973 Artist of the Year Award, and the Rotary Club of Camberwell Watercolour Prize (twice). Represented in many Australian collections both public and private.Maritime artRobert T. Miller, Mission to Seafarers Victoria CollectionA framed and glazed mat mounted watercolour painting by award winning artist Robert T Miller in ''landscape" format showing moored, masted ships; The modern frame is of moulded or carved wood with appearance of brushed gilt type gilding; image is mounted with pale grey window mount; Backing sealed with paper wire strand hanging system;Artist signed front lower right corner of painting in black ink; no date; sepia label adhered on top centre Verso with artist bio and brief CV ; Other exhibition labels adhered ; inscription describing acquisition and title of work; ( details TBA) M3 in black markerharbour, dockside, artwork, marine art, robert thomas miller, robert t. miller, watercolour, artwork-paintings

Keith Rash was a Ballarat signwriter. He learnt the trade at the Ballarat School of Mines. signwriting, rash signs, celluloid tickets, gilding, advertising, keith rash, business card

Photograph of members of the Iredale family - George Iredale and Anna Marie [nee Gilding]. In 1858, James Iredale owned the General Store in Main Street Greensborough, when it became the Town’s Post Office. The Farmers Arms Hotel was built on the corner of Main and Hailes Street in 1864 by George Iredale to cater for the ever increasing number of wood carters and other hauliers carting their wares between Melbourne, timber mills and the gold fields. The Farmers Arms Hotel is currently the site of the Greensborough Hotel. Digital copy of black and white studio photograph.james iredale, george iredale, farmers arms hotel

Item used to repair books after their dust jackets, covers, flyleaves or pages had been damaged. These damaged items on a book were replaced and glued. The press allowed the glue to set under pressure until the repair was complete a press is also used for the gilding of books. The first book press has been documented in India around 100 BCE with various types and designs being used though the ages and are still in use today by craftsman to repair antique books.Over the centuries many materials from ivory to glass, have been used to bind books. Gilding has also long been a popular decorative treatment for book bindings and a book press is used in this operation. Since the 1800s, rare book conservationists have worked to perfect the methods used by their predecessors, and modern book binders are true craftsman with this press as an example of the equipment used in their trade. This item is significant as it is an early example of items used in book gilding and binding.Book binding press metal with square pressing surface driven by worm wheel thread and turning handle in working order. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Sent to Mrs Garnet O'Neill from her brother Bill Beaty, Light Horseman, sent c1915Black and white postcard with verse.|'Sweet Thoughts'|While slowly sinks the sun from view,|Gilding the west with rosy light,|Come fond memories, dear, of you,|To brighten my deepest thoughts to-night.|Richer than golden clouds above,|Pictures of ne'er forgotten hours,|Visions of our unchanging love,|Thoughts of each promise dear, of ours.|WillmerDear Gar........From Billdocuments, postcards

Photograph: group of seven young men seated or standing dressed in suits waitcoats , ties and hats. Shown in background a bicycle, beer bottles and 2 outbuildings. One decorated with scotch thistle, Irish shamrock, english rose and a flag of unknown origins. Photo under glass, mounted on grey card and framed with a very ornate wood and plaster moulded frame cream in colour with some gilding.W.H. Grose, Photographerperson, group, male group

Honi soit qui mal y pense is a maxim in the Anglo-Norman language, a dialect of Old Norman French spoken by the medieval ruling class in England, meaning "shamed be whoever thinks ill of it", usually translated as "shame on anyone who thinks evil of it". Wikipedia. Dieu et mon droit, which means 'God and my right', is the motto of the monarch of the United Kingdom. It appears on a scroll beneath the shield of the version of the coat of arms of the United Kingdom. WikipediaCoffee Mug with portrait of Queen Elizabeth II in center framed in blue with Honi- Soit- Qui -Mal -Y -Pense in border and crown on top. Thistle, clover and red flower either side. Dieu - Et - Mon -Droit in garland along bottom. On Back E II R with Crown in Centre- The Coronation of Queen Elizabeth II - June 2nd 1953. Gold gilding on rim of mug Empire England 1 53 coronation queen elizabeth ii, june 2nd 1953, queen elizabeth ii

'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author. The Drawing Room, Tara Hall, circa 1957. A reception room in Tara Hall (previously named Byram, Goathland and Lowan). The room is presumed to be the original drawing room. In the La Trobe collection, there is a drawing by Charlie Hammond, depicting a group of painters who are gilding the elaborate stucco ceiling of this room. The drawing is dated 16 September 1889. The elaborate stucco decoration is characteristic of E. G. Kilburn’s late style. Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "A sitting room, one of many handsomely decorated rooms at Tara Hall.( Royal Women's Hospital, Melbourne)."byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew)

Commemorative medal made for the 1897 Diamond Jubilee of Queen Victoria. Two portraits of Queen Victoria on the face, one as a young girl, the other an older, veiled woman. The medal originally had the words "Queen Victoria's 60th Year of Reign 1837 to 1897" around the perimeter of the face, however the medallion is so worn that the words are barely visible. The reverse has the Australian Coat of Arms, within a diamond shape. The words "Diamond Jubilee / Australia's Celebration" are around the perimeter (barely readable due to wear). A small crown is above the Coat of Arms and the date "1897" is below it, these are also barely visible due to wear. The medallion appears to have been of gilt plate, however only small areas of gilding are left on the reverse side. Found in the ground by Geelong Bottle Club Prospectors.Round bronze coin, small hole at top, with two faces of Queen Victoria on obverse, and the Australian coat of arms on reverse.On face: "Victoria - 1837-1897". Reverse: "1897-Diamond Jubilee Celebration Australia".queen victoria, diamond jubilee celebrations, medals

Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton which dates from the 1850s. There are several works of art and photographs depicting Clifton Banks which date from the 19th and early 20th centuries. This oil painting is believed to be the work of Emma McGeorge, the wife of Canon Samuel McGeorge, the Vicar of Christ Church, Warrnambool form 1899 to 1905. It is surmised that Emma McGeorge was encouraged by the artist Mary Norman to take up painting as a pastime or to continue with her art interests. Emma McGeorge may have been a pupil of Samuel Pearce Fuller and Mary Norman. She was successful as an exhibitor and entrant in art exhibitions in Warrnambool in the early 1900s. She died in Warrnambool in 1933. This is a highly significant art work as it has artistic merit and is one of the depictions of Clifton Banks on the Hopkins River and so has historical value. It is an example of the high standard of art work that was being produced, especially by women, in the late 19th and early 20th centuries in Warrnambool. It was bought at an auction sale in Camperdown by Les O’Callaghan in 1997. This is an oil painting, probably by Emma McGeorge, on art board of Clifton Banks on the Hopkins River. It has a gilt wooden frame with multi-tiered highly-ornamented outer frames in a gold colouring. The lower frame is discoloured (perhaps by smoke from a fire place) and there is a small piece of wood missing on the lower frame. All the gilding is slightly discoloured. The back has been sealed with pasted paper and there are old tacks and old wire for hanging the picture. There is a label on the back from W. Hickford, the Warrnambool picture framer and handwritten information on the artist and the artwork by Les O’Callaghan.Front: ‘E.Mc.G.’ Back: ‘W. J. Hickford, Picture Dealer, Framer and Gilder, Liebig Street, Warrnambool, Mounting and Repairing, Old Frames Re-gilt, Oakley Printer’ ‘603’ clifton banks, emma mcgeorge, warrnambool, hopkins river estuary

Marine art, Maritime artLarge framed glazed landscape format painting depicting in foreground a rusty hull of a ship against a deep aqua blue sky. The hull appears to be in a dry dock with a stylized figure with a red top and blue pants looks down from the prow at the set of low buildings and yard in the foreground. Another ship appears to be moored behind the rusty hull but only the bridge of the ship is visible. At near right in foreground there appear to be two rounded graves or headstones.The frame is sharply beaded and with gilding. The painting has a window mount and is glazed with glass. Paint surface is thinly but intensley painted and seems to be gouache or watercolour on paper. Sealed at back with brown paper mostly intact and a corded hanging system.at lower right corner quadrant there seems to be a mainly rectangular ciphertankers, marine painting, artwork-paintings