This section of aluminium sheet with Swastika is from a German ME 109 fighter that was shot down by RAAF pilot Brian Eaton over Libya in Nov 1942. This section of the plane was bought back to Australia by Alex ARCHER No 40637 who was a despatch rider with No 3 Sqd RAAF. Refer Cat No 2597 for Alex Archers service details. Brian Eaton. Brian Alexander EATON, CB, CBE, DSO. & Bar, DFC. CO of No 3 SQD RAAF April 1943 to Feb 1944, EATON joined the RAAF in 1936 and retired in 1973 with the rank of Air Vice Marshall. At one point he was shot down 3 times.Swastika symbol painted on aluminium aircraft skin. Symbol is black with cream edging on a grey-green background.On back "Mantuba/Nov 1942/ N.A"military history, army, souvenirs, germany

At this point the person is not known.Coloured head & shoulders portrait of an Australian soldier, name unknown. Shown are a green, orange service ribbon WW2, Two colour patches shown white/blue with grey backing.portraits, photography ww2

Original owner: William John GARLAND, 5th Army Troop. Milne Bay 1942 - The Story of Milne - Force. From book cover: The 1942 battle for Milne Bay was a turning point in the Pacific War, when a garrison of predominantly Australian Infantry and RAAF Fighter Squadrons turned back a Japanese invasion force.Hard cover, cardboard, glossy finish, colour background blue to green with yellow layer. Blue / orange print front, white print spine, black print back. Front cover has black / white photo of bogged Japanese tanks. 496 cut, plain, white, pages. Black & white illustrations, photos, maps.book, milne bay, 1942

Ceremonial Captains Rank Epaulettes. .1) & .2) Base is gold braided cord, 8 mm dia. 3 gold 'PIPs' are mounted on base. The PIPs have 4 spikes pointing outwards. In centre of PIPs green enamel leaves circular red enamel ring, Latin inscription: TRIA JUNCTA IN UNO, centre has 3 small gold crowns. The back has a red cotton strap. .3) & .4) As above except a) Aust Mil Forces gold button at one end on top; and b) The spikes are silvered.numismatics - badges (cloth) - army, passchendaele barracks trust, rank

Items in the collection re Ian McLeod RWAFF, refer Cat No 2262.2 for service details.1 Badge silver inscription and crowned eagle. gold anchor and chain in centre. 2 Badge silver bottom half is a shield top half is a crowned eagle with wings outstretched. 3 Badge gold square on a gold square off set 45 degrees in centre is a lion the rear surrounds are two crossed swords. 4 Copper badge of an eagle with large crown there is an enamel white cross in centre of a red enamelled oval the birds claws are holding a lanyard. 5 Copper shield with cross rifles in it there is numbers 64 in red enamel circle in centre a crown is between. 6 Plain star 5 point 3 cm wide 7 grey cloth silver engine the bottom has British coat of arms. 10 cm x 5 cm. 8 Uniform. Black cloth rad binding has gold 3 pips, crown with red cross. crown gold thread. copper button. 9 Cloth rosette green centre white red surrounds 5 pointed brass star number 9 in centre surmounted with a crown.badges, collection, foreign

The Service Ribbons relate to Benjamin Thomas Roy Chadd 1st and 2nd AIF. Enlisted on 27.1.1916 No 10594 in Div Signal Company 3 age 20 years. Embarked for overseas 27.5.1916. As a driver in Signals he was WIA on 4.6.1918 GSW to right thigh. Discharged from the AIF on 14.6.1919. At some point he enlisted in the Peace time Army and was promoted to Lieut 3rd Div Signals on 1.7.1921, promoted Major 19.2.1929, to Command 2nd Div Sigs 9.9.1936, 3rd Div Sigs 5.5.1939 then to 7th Div Sigs as Lt Col and transfers to the AIF as VX20311, serves in the Middle East, Syria and Pacific. Discharged from the Army on 9.1.1946 with the rank of Colonel. Refer 2034P.Service Ribbons set WWI & WWII mounted on green cardboard backing re BTR CHADD Top row: 1. War Medal 1914-19. 2. Victory Medal 3. 1939-45 Star 4. Africa Star Bottom Row: 1. Pacific Star 2. War Medal 1939-45 with oak leaf clasp 'MID' 3. Australian Service Medal 4. Efficiency Decorationmanchester-trimmings, military history

Single person water filter bag used by World War 2 service personnel to obtain clear water when in the field. This filter type is known as a "Millbank Filter". The filter is in the form of a light green canvas bag shaped like a sock and is designed to collect and filter particles and parasites from groundwater, etc. The canvas is of a fine weave which allows the water to filter slowly from inside the bag. The top of the filter bag has brass eyelets set on opposite sides for hanging from a tree or other point during water filtering. On one side of the bag has been stamped in permanent black ink 'CAT No A.F.0005' and 'M&Co.(N) BROAD ARROW 1945'. A cotton label has been sewn near the bag top with a printed six step instruction list for use of the filter bag. Below this is a line marked in permanent black marker to let the user know when to start collecting the water draining from the bag.The bag is imprinted with the following: 'CAT No A.F.005' and has a square box imprint with 'M&Co.(N) ^ 1945'.

Artist StatementGeneral ALL BlurbMEDIUM: Oil on kiln dried redgum. DESCRIPTION: Black, blue and white, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky, the crane is set in the lower centre of the canvas, almost becoming secondary to the sky and cloud which dominate the canvas. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives the crane a strong focal point. art, de, fcac, all, emma de clario, clario, marios cafe, marios

MEDIUM: Oil on kiln dried red gum (wood block) DESCRIPTION: Black figure och blue and white background, wood block, no frame. A realistic depiction of an industrial crane against a predominantly cloud covered sky. The crane set in the lower centre of the canvas almost becomes secondary to the sky and cloud which dominate the wood block. The sky set in bright and vibrant blues contrast the darkness of the clouds, ominous and heavy in shades of grey and green, the colours seem to reflect the relentless clock of industry. A patch of light behind the crane gives it a strong focal point. Signed and titled on reverse of imageoil, de, hope, clario, industrial, photograp

Worn by Swinfield in IraqWorn by Swinfield in IraqBlack edge trimmed green fibreglass Army vehicle intercom helmet. Adjustable head straps inside helmet, Adjustment strap for right earphone located on ouside of right ear. Earphones mounted inside helmet at each ear side. Voice microphone located at mounting on outside of the left ear connected by black cable to mounting on outside of left ear. Cable connection with clip for helemt connection to vehicle located at outside of left ear. Switch located on mounting on outside of left ear. Plastic mounting box located on ouside of the left ear. Brown leather sweat band on helmet straps on inside front of the helmet. Male and female connections on end of vehicle connection point.Swinfield marked on outside front of helmet. 34B marked on outside of helmet at rear. Roamwell Corp. with number SA-1552,6 marked on plastic mounting on outside of right ear. Front and back markings on microphone. M138/6 marked on back of microphone. ID label on connection point end of vehicle connection cable.

This item and it’s associated canister (Cat.No. 0096.2) are of a style typical of German WW2 gas masks but the use of vinyl instead of rubber and the Spanish manufacture suggests post WW2 manufacture. German WW2-style full-face mask with single attached filter. Seven point harness. Separate lens. Olive green. Metal, vinyl, glass, leather, cotton webbing. “DAGSA” and DAGSA logo on top surface of filter canister. On white tape around filter canister - “Dreager - Blanco” plus 20630 (ink stamp), “DAGSA. SEGOVIA” “Filtro. polivalente para mascara de guerra” (transl: Multipurpose filter for war mask) “No arrancad la tapa protectora haste el instance de su utilizacion” (transl: do not tear off the protective cap until the moment of use) gas mask

Manufactured during World War II Manufactured during WWIIWWII 3 inch Mortar sight, Mk1, Lensatic. Dark green coloured brass metal body with brass fittings. Aluminium coloured circular dial with black painted numeric (zero to 180 degrees) and alphabetic (left and right) markings. Silver coloured butterfly nut fitting on lower body for sliding clamp adjustment. Steel screws and nut fittings. Two clear glass levelling bubbles are provided. Left and right adjustment dials, locking clamp provided for fitting of sight to a circular post fitting.SAR 1941 24-36 DD02124-3 TO LOCK (with direction arrow) L R (with arrow point marking) 0 to 9 R 0 to 9 L 0 to 180 R 0 to 180 L 210 GRS SEC CHARGE II I MR 2454 graticule markings 1400 to 600 Graticule markings 2700 to 10003 inch, mortor, sight, australian defence forces, ww ii

Medals described from left to right: The 1939-45 Star Designed by the Royal Mint Engravers The star has a ring suspender which passes through an eyelet formed above the uppermost part of the star. A six -pointed star, in yellow copper zinc alloyto fit in a 44mm diameter circle. Maximum width of 38mm and 50mm high from the bottom point of the star to the top of the eyelet. Obverse side has a central design of the Royal Cypher "GRI VI" surmounted by a crown. A circlet, the top of which is covered by the crown, surrounds of the cypher and is inscribed "The 1939-1945 Star". The reverse is plain. The ribbon (devised by King George VI) is 32mm wide with equal bands of Navy blue, Army red and Air Force blue. The Italy Star Designed by the Royal Mint Engravers The star has a ring suspender which passes through an eyelet formed above the uppermost part of the star. A six -pointed star, in yellow copper zinc alloy to fit in a 44mm diameter circle. Maximum width of 38mm and 50mm high from the bottom point of the star to the top of the eyelet. Obverse side has a central design of the Royal Cypher "GRI VI" surmounted by a crown. A circlet, the top of which is covered by the crown, surrounds of the cypher and is inscribed "The Italy Star." The reverse is plain. The ribbon (devised by King George VI) is 32mm wide with 7mm red and 6mm white band repeated in reverse and separated by 6mm wide green band. Colours of the Italian flag. The Defence Medal The medal is cupro -nickel. It has an uncrowned effigy of King George vi on the obverse. The reverse has a conventional oak tree centrally placed with a crown above with two lions as supporters. Between the supporters are the dates 1939 - 1945. The base of the medal has the words "The Defence Medal". The ribbon (devised by King George VI) is orange with green outer stripes. Each green stripe has a black pin stripe running down the centre. The green represents the islands of the United Kingdom, the orange represents the enemy attacks and the black represents the black outs. The War Medal The war medal is cupro-nickel with the crowned effigy of King George VI on the observe. The reverse has a lion standing on the double-headed dragon. The top of the ribbon shows the date 1939-1945. The ribbon colours of red, white and blue represent the colours of the union flag. Australian Service Medal 1939-1945 The Australian Service Medal is nickel silver with the crowned effigy of king George VI on the obverse. The reverse has the Australian coat of arms, placed centrally surrounded by the words 'the Australian service medal 1939-1945. The ribbon has a wide khaki central stripe, flanked by two narrow red striped which are in turn flanked by two outer stripes, one of dark blue and the other light blue. The khaki represents the Australian Army, and the red, dark blue and light blue represent the Merchant Navy, RAN, and RAAF respectively.The 1939-45 Star Orlowski E.T. etched on the back of the medal. The Italy Star Orlowski E.T. etched on the back of the medal. The Defence Medal 56380 Orlowski E.T. etched on the rim of the medal. War Medal 1939-45 56380 Orlowski E.T. etched on the rim of the medal. Australian Service medal 1939-1945 Orlowski E. T. etched on the rim of the medal.ww2, medals

SEAMEN'S INSTITUTE FOR THE VICTORIA MISSIONS TO SEAMEN In architectural style, the new Seamen's Institute for the Victorian Missions to Seamen, in Flinders street Extension which is to be opened early in September by Sir Ronald Munro Ferguson, the Governor-General, may be said to resemble the type adopted by the early settlers in California, and known in recent years by the name of Spanish Mission architecture. This character is particularly sympathetic with the object for which the building has been erected, and is exemplified in a marked degree in the unique chapel tower of oblong shape with its four pinnacles and open bell turret, with an almost rustic cross as terminal point: also in the arcaded Eastern Court cloisters, with simple round arch arcading, and in the chapel roof, which is framed of heavy rough-hewn hardwood timber work left as it came from the saw, and erected green from the forest. but so well framed and bolted that no harm can result from shrinkage. The foundations are constructed of reinforced concrete, and in some places are nine feet wide. The ground is very treacherous, and considering the irregular weights of the one story, two-story, and three-story parts of the building, the result achieved in sta bility is eminently satisfactory. The main hall has a vaulted ceiling of reinforced concrete construction, and, spanning 35f., is the widest span of any floor in Melbourne of similar construction. The chaplain's residence is built above the lecture hall, and consists of a most complete, up-to-date dwelling-house of eight rooms. It is fitted with every modern convenience and labor-saving device. The cupboard in the pantry, for instance, has two faces — one in the diningroom and the other in the pantry. Dishes are washed in the pantry, put into the cupboard, and taken out in the diningroom, ready for the next meal. Special rooms are designed for the many and various works carried out for the sailors by the industrious workers of the mission. One room is shelved and fitted for the reception, sorting, and distribution of books, periodicals, and other reading matter that is parcelled up by willing hands and given to sailors as ships leave port, to beguile the weary hours of leisure on the sea. Any old books or magazines, illustrated papers, and the like are always welcome at the insti tute. Reading matter of this kind can easily be saved and sent along in bundles. The gymnasium is not yet built. This is the only part of the building required to complete the block; and when its concrete dome, with open eye at summit like the Pantheon at Rome is erected, the whole effect of the groups of buildings will be most striking. In the entrance hall is a floor of marble mosaic, with a central feature of a mariner's compass seven foot in diameter, well executed by the Adamant Pavement Company, and the gift of Mr George Russell. The architect has designed a copper ship as a finial for the main gable of the building, and it, like the gymnasium, is awaiting the collection of more funds or the generosity of a special donor. The whole of the woodwork of the in terior of the building, including high dados round the walls of halls, stair cases, billiard and other rooms is car ried out in Tasmanian hardwood, fin ished in a dull beeswax polish, and the floors of the entire building, except the lavatories, which are tiled, are also executed in Tasmanian hardwood. Mr Walter R. Butler, F.R.I.B.A., was the architect, and the work was carried out by Mr A. B. Robertson, builder. PICTURESQUE BUILDING AMID SOMBRE SURROUNDINGSThe article gives a valuable description of the Mission at the end of its construction and before its opening.4 columns article with photograph of the front of the Missionlady fraser, walter richmond butler (1864–1949), architecture, spanish mission, california, reinforced concrete, tasmanian hardwood, gymnasium, norla dome, pantheon, adamant pavement company, george russell, compass, finail, weathervane, chaplain's residence, manse, chapel, courtyard, cloisters, main hall, spannig

Melbourne and Metropolitan Board of Works. Yarra 2500 [base map] 12-23, Municipalities of Whittlesea 239 and Diamond Valley 257. No streets marked on this map. Includes Plenty River, Kangaroo Point, Janefield Colony and Janefield Reserve.MMBW Map in 1:2500 [scale] series. Cream parchment with green tape reinforcing on edges and punched holes on left edge.mmbw, melbourne and metropolitan board of works, shire of diamond valley, plenty - maps

Details the history of the current Greensborough township. It also mentions the early settlement of Kangaroo Point.Mentions early settlers such as William Poulter, James Chapman, James Mann and Edwin Willis Magger (Maygar).2 page printed document outlining the activities and motives of Edward Bernard Green, an early owner of the area of land that became Greensborough.Pencilled words on front page. greensborough, kangaroo point, edward green, poulter, mann, chapman, magger, mayger, melbourne to sydney mail contract

Ernest migrated from Hungary in January 1951 and helped bring commercial development to Australia's fledgling snowfields. He was keen to find Alpine employment, eventually importing ski and sports gear. This book covers his time in Hungary and his visits to the Alpine Ski Resorts - an insight into the early years of skiing in Australia.Ernest visited Falls Creek on the Bogong High Plains in 1951 and describes the area on pages 66 to76 from the point of view of an Hungarian migrant. He visited Falls Creek because his brother had got work on Kiewa Hydro Electric Ssheme.Hard dark brown cover book with dust cover coloured in red, white and green with title in black and a photo of Ernest Forras below. It consists of 190 pages. After page 54 and between Part one and Two, there are 18 pages of photos on photographic paper.Written in shaky writing on inside first page "To Debbie / From Hungary With Love / Ernest Forras 2002 / Mt Beautyernest forras, australian ski resorts from 1951, hungary pre 1951

Yearly publication showing predicted heights in metres for Port Phillip Heads, Williamstown, Portland and Stony Point (Westernport) and tidal differences for other Ports.This booklet provides tide and port information for the coastline of Victoria for the year 1976. It also has information on other aspects of weather such as wind, cloud and sea descriptions. These booklets were a useful reference for fishermen and those involved in boating along the coast of Victoria. They are published in digital form today.Sold at Stan McPhee Sports store Liebig St Warrnambool Vic showing local tides. Red card wrap around cover. 92 cream coloured pages held with 2 staples. Black print. Ports and harbour seal on the frontBooksellers stamp: ink. blue Stan McPhee Sports, green Liebig St Vic. red ...2953. 6717/75. C.H. Rixon, Government Printer, Melbourne. 51st Edition. Recommended price $3.00. Tables for Sunrise, Sunset/moonrise, moonset and transits at Port Phillip Heads & differences for other Victorian and Tasmanian Lighthouse stations.tide table, warrnambool tide table 1976, southern victorian tides

Isabella Mary Beeton (née Mayson; 14 March 1836 – 6 February 1865), also known as Mrs Beeton, was an English journalist, editor and writer.In the 19th century, the craft of embroidery became a pastime for women. Needlework creations were crafted to be displayed in the home.This book is an example of a popular book of ithat time.A hard back book with a dark green fabric cover. The title is in gold print -"Beeton's Book of Needlework" inside an ornate gold border. It contains descriptions and instructions for tatting patterns, crochet patterns, knitting patterns, netting patterns, embroidery patterns and point lace patterns. There are six hundred illustrations / engravings. some of the patterns are fold-out.inside cover - "Special first prize to Catherine J. Horne by Mrs William for Needlework" Tarang State Schoolbeeton-isabella needlework-knitting-lacework

In 1912 the school at Pumpkin Point opened to serve the children of farmers living in the Bete Bolong district. This meant a big change in their way of life because in the past the children had been rowed across the Snowy River each day to attend school at Jarrahmond. Myrtle Bunting was the first HT of the school which had been erected on a block of land purchased from H. Richardson. The school functioned until 1952 when a shortage of pupils caused its closure. As a bus service to Orbost now operated, the school at Pumpkin Point faced permanent closure. J. McKeown bought the building. Students attending the school at this time included Russells, Johnstones, Reeves, Healeys, Kavanaghs, Phillips, Rodwells, Mills, Baileys, Gilberts and Masons. Mr. Oswald S. Green taught at Bete Bolong State School until he was appointed to Rokewood Junction in August 1937. This photograph is associated with the history of education in the Orbost district. There is no longer a school at Bete Bolong.A small black / white photograph of students and teachers standing outside a school.on back - " Bete Bolong School , 1937"bete-bolong-state-school education-orbost

Mrs. E.V. Pullin, Chairman Library Promotion Committee pointing to library site - 1967 - opposite Eastland and the bowling green, Warrandyte Road. House on the library site was demolished at the end of 1968 and the library opened on 2nd May 1970.

By the late 1800s increasing numbers of Australian working men had at least one good suit as a sign of respectability. Suits could be purchased ready-made, made to measure from a local tailor. The introduction of electric irons meant that the old flat irons and gas stove no longer had to be used. This electric iron would have been used to flatten seams during the tailoring process. This item is representative of a now rare craft that has diminished in the contemporary world.An electric tailor's iron. It has a green base and a black handle. The body of the iron has a flat back and curves to a point at its front. Its handle is metal and is attached with large screws at the top and back side of the base. The top of the handle is covered in black plastic that has finger grooves. there is a black iron resting stand.

Twin fin surfboard manufactured at Piping Hot Boston Road Torquay. Manufactured from polyurethane foam core and laminated fibreglass with fixed fibreglass fins. Shaped by Mike Patterson. This board is has channels running almost full length on the bottom of the board, the wide point forward of centre, swallow tail with flyer. Custom graphics in red, yellow and green top and bottom; from 1979High performance twin fin designs were pioneered by 4 time Professional World Surfing Champion Mark Richards (Newcastle). In this period 1978 -1981 these surfboards represented the pinnacle of surfboard design progression and high performance. This surfboard also represents Piping Hot which was one of Australia's leading surf 'brands' at that time. Piping Hot was a Torquay based company that produced surfboards,wetsuits and surf clothing. Piping Hot Twin Fin surfboard. Manufactured from polyurethane foam core and laminated fibreglass with fixed fibreglass fins. Full plan shape with channels running almost full length on the bottom of the board, the wide point forward of centre, swallow tail with flyer. Legrope plug fitted. Custom graphics in red, yellow and green top and bottom.20cm x 16cm Black red yellow green Piping Hot logo on deck and bottom 60cm down from nose. Hand written makers mark "Shaped by Mike Patterson Custom" in pencil on blank beside stringer forward of the fins on the bottom. "1459" in pencil on bottom near tail. surfboard, fibreglass, twin fin, piping hot, mike patterson, torquay, channel bottom, fred pyke, rod brooks

Print of a picture of the S.S. Casino, This print is from an original painting by the Australian marine artist A V Gregory (1867-1957), also known as Arthur Victor Gregory. Gregory lived and worked in South Melbourne. He took over the Gregory Studio owned by his father, George Frederick Gregory, painting actively between 1899 and 1932. He usually signed his works as ‘A V Gregory’. Some of his original works have been sold for thousands of dollars. The S.S. Casino was a passenger and freight steamer built in Dundee, Scotland, in 1882 for the Newcastle and Hunter River Steam Navigation Company of N.S.W. She weighed 425 tons gross with a length of 160.4 feet, beam of 24.1 feet and a depth of 10.2 feet. She had saloon accommodation for 35 people, a fore cabin for 25 more people, and she carried 300 tons of cargo. While on her delivery journey on May 30th 1882 the S.S. Casino called in at the Port of Warrnambool for coal ., narrowly escaping going ashore in gale force winds due to the quick action of the pilot. At that time, still at anchor, she impressed the directors of the Belfast and Koroit Steam Navigation Company so much that they bought her immediately; she was ideal for trade along the West Coast of Victoria. (The Belfast and Koroit Steam Navigation Company was first managed by Messers. Saltau and Osburne and after the passing of Mr. Osburne, by produce merchants Messers H. Sautau and Sons, who had a hay and corn store and shipping agency on the corner of Liebig and Koroit Streets in Warrnambool. ) The S.S. Casino became “the most famous steamer to operate in Victorian waters along the West Coast” by author Jack Loney. Captain Boyd was her first Master, followed by Captain Chapman, who stayed with her from 1890 until 1924. Captain W. Robertson followed for a short term, and then Captain Middleton then took command from 1925 - 1932. The S.S. Casino had several mishaps during her life. One was on 3rd January 1898 when she collided with the S.S. Flinders in Apollo Bay with minor damage. Another was on 24th October 1924 when she grounded on a reef at Point Hawdon near Grey River and most of her cargo (of Christmas goods) had to be dumped into the sea. Then in February 1929 she was ‘holed’ when she struck a submerged object as she entered Lady Bay, Warrnambool. On the morning of 10th July 1932, after attempting to berth at Apollo Bay jetty in heavy seas, Captain Middleton decided to take her out into the bay and wait until the seas abated. It was not realised that the anchor used to steady her as she manoeuvred to her berth had pierced her hull. She put about and headed for the beach but sank. Captain Middleton and nine others lost their lives; nine people were rescued including the two female passengers. Captain Middleton had been in charge of the S.S. Casino for seven years. He was the first ship’s Master to lose his life in a shipwreck in the West Coast trade. In the years following the turn of the century, the S.S. Casino remained the only regular trader with normal passenger accommodation along the West Coast. From 1882 she had made at least 2,500 voyages on the one run. Flagstaff Hill’s collection has a photograph of a portrait of Captain Chapman, , a ship model of the S.S. Casino that shows both forms of power under which she sailed, steam and sail. The ship is painted green and flies three flags. The inscription across the case of the ship model, incorrectly dated, tells the sad story of the wreck of the ship and the loss of lives on July 10th 1932 at Apollo Bay. A print in the Collection shows S.S. Casino underway in the heavy sea off Point Lonsdale, another two photographs show her at the Port of Warrnambool, leaving from the Breakwater in Lady Bay and another identifies the S.S. Casino as a ship from the Belfast and Koroit Steam Navigation Company. (Belfast is the original name for the township of Port Fairy).This print of the S.S. Casino is of significance for its association with the coastal trader S.S. Casino. The wreck of the S.S. Casino is considered an important part of Victorian and Australian cultural heritage and as such has been declared and protected as an Historic Shipwreck under State and Commonwealth Law in the Commonwealth Historic Shipwrecks Act (1976). The detailed image of the vessel depicted in this print shows one of the many sail and steam vessels painted by the renowned Victorian marine artist A V Gregory, whose original works are highly valued today by marine collectors.Print with hand-painted watercolour highlights depicting the port side steamship SS Casinounderway in a heavy sea, merchant flag flying at the stern. Mounted in a decorative wooden frame behind glass. The original painting was by A V Gregory. The title of the picture is repeated in handwritten words on the matte below the artist's signature on the print.Signed "A V Gregory" Hand painted title "SS Casino off Point Lonsdale"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, newcastle and hunter river steam navigation company, belfast and koroit steam navigation company, h. sautau and sons, s.s. casino, west coast trader s.s. casino, victorian coastal trader, captain boyd, captain w. robertson, captain chapman, captain middleton, apollo bay shipwreck, s.s. casino at lady bay warrnambool, saltau and osburne, a v gregory, arthur victor gregory, melbourne artist

Phenyle has been used for decades as a cleaner and disinfectant. It is well know for its use for cleaning outdoor toilets and easily identified by its strong odour. The brown glass bottle is immediately recognised as containing a poison. We've all seen them in a hundred different mystery movie scenes. The medicine cabinet opens and there, sitting on a shelf, is the incriminating object -- the ominous dark bottle with the skull and crossbones on the label. In off-screen reality, however, poison bottles have quite a different identity -- they are distinctive, varied, colorful -- and definitely collectible. Obviously, the one thing that sets the poison bottle apart from all other bottles is the need for prominent and immediate identification as a receptacle for toxic material, and this was achieved in a number of ways, including shape, color, embossing and labeling. Poisons were commonly found in the home for the purpose of controlling rodents and other pests, and were sold by grocers and druggists. For consumer protection, as far back as 1829, New York State made mandatory the marking of the bottles with the word "poison" in large letters. Then, in the middle of the 19th century, the American Pharmaceutical Association recommended legislation regarding identification of all poison bottles. In 1872 the American Medical Association also made recommendations -- namely that poison bottles be made of colored glass, and also have a rough surface on one side -- making them identifiable even in the dark -- and the word "poison" visible on the other (the skull and crossbones wasn't quite as ubiquitous as those movies led us to believe). However, passing these laws was not easy, and the manufacturers were essentially left to do as they wished. For collectors, the high point of poison bottle manufacturing was the period ranging roughly from the 1870s to the 1930s. At that time some, of the bottles were distinguished by particularly bright colors, such as cobalt blue (the most common) and emerald green. Others, particularly rare and collectible, had unusual -- and appropriate -- shapes, including skulls, leg bones and coffins. In order to better identify these lethal vessels by feel (not forgetting that there were many people in this period who could not read) when groping for them in the dark, they had such elaborate tactile patterns as quilted diamonds, lattices, hobnails and prominent vertical or horizontal ribbing, as well as spiky knobs and ridges. In addition, many had sharp points on top for the same precautionary purpose. Further efforts to distinguish poison bottles from others included uncommon multisided and triangular shapes, and unusual, hard-to-open tops, the predecessors of the modern child-proof openings. https://www.southcoasttoday.com/story/lifestyle/2001/08/19/poison-bottles-steeped-in-history/50352280007/The recognition and awareness of bottles containing poisonpous substances is extremely important for safety reasons.Bottle, brown glass, diamond shaped. "Bright Star" phenyle. Paper label attached, but peeling off and badly damaged. Corked with contents. Text moulded into glass, some with a border of stars. Poisonous contents, not to be taken. Registered Number 2140. Volume is 20 fluid ounces. Printed label "Bright Star". Text is moulded in the glass in raised lettering: "PHENYLE" outlined and decorated with star border. "POISONOUS", "NOT TO BE TAKEN" "V / DM / A" within oval, "REGD NO. 2140" (D and O are smaller and underlined) . Base is marked "F190".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bright star, phenyl, cleaning and disinfecting chemical, poison, bottles