William Raitt beside his horse and dog in rural scene. They are standing in front of what looks to be a bridge on the left and a house to the right in background. Possible taken in the Grampians. William Raitt is Thelma Phillips nee Raitt grandfather.Sepia photograph of William Raitt standing beside his horse and dog. Young William Raitt Grand father to Thelma'sstawell portrait

Original negative and photograph held by The Age, before by Orm Cook, Echuca. Photo is of a drawing of Bridge work taking place in 1877, across Murray River at Echuca. Orm Cook gave The Age the photograph in 1981 as the round arches on the bridge were about to be removed.A bridge crossing of the Murray River was needed by 1877. It linked Echuca and Moama in a more tangible way. The bridge was funded privately and public use of it was discussed for the next several years.A black and white photograph of a drawing, depicting the construction of the iron Murray Bridge at Echuca, showing the Surveyor, the bridge workers, hoists , a crane, and much activity.Written in pen on the back, "Murray Bridge at Echuca under construction. Original to 'Age' came from Orm Cook. Also the numbers 6530 written in pen. Also on the back is a rectangular stamp with these words inside the rectangle. "COPYRIGHT. This photograph may not be reproduced without permission in writing from the Editor of "The Age" 250 Spencer Street, Melbourne, and 39/41 York St, Sydney.murray river, bridge work, bridge construction, bridge workers., the age newspaper., orm cook.

William Digges Latouche Balden was an 18 year-old cadet on the Samarkund. He and three other crew members: William Archibald Jones, 35 (ship mate), Christopher Ewbank, 19 (third officer) and George P. Worsp, 45 (chief steward) died of oxygen starvation in the ballast tank of the ship on 20 August 1945 while in Geelong. Padre Oliver delivered a service in the St Peter chapel, on the 26th of August 1945, in the 4 men's memory. The window commissionned by his parents, was made by William Aikman (1868-1959), a reknown scottish stained-glass artist, and sent from England. Padre Oliver had met them during a voyage to England. It was unveiled on the 10 April 1949. This is the only imported window and according to Brownwyn Hughes the best quality one from all the opter windows.Arched windows depicting St Nicholas, patron Saint of Ships and Sailors, floating on the sea with a gallon shilling in the background. The small portrait of William Digges La Touche Balden, set within a laurel wreath in the window’s lower section.st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, ww2, samarkand, william digges latouche balden, cadets, officers, geelong, deaths, victory ship, merchant navy, st nicholas, galleon, william aikman (1868-1959), christopher ewbank, george p. worsp, william archibald jones

Black and white copy of original photograph of two ladies standing in a gateway in front of a stone cottage."Mary Hunter & Margaret Hollins, grand daughter of Jean Hunter - Cook's Cottage 1948. born Linton".mary hunter, margaret hollins, cooks cottage

Soft card, cover, illustrated sepia photographs, white print on front and spine. HUNTER A History of the District to Mark the 75th Anniversary of The Hunter Hall. 171 pages, illustrated, black & white photographs, diagrams, maps.Handwritten in black ink on flyleaf - This Book contains sections on "Soldier Settlement - The War Years & VDC Units. Handwritten in blue ink on 2nd page: Norma Lovelace 26-10-2002.books - military history / local history, civic mementoes

Black and white copy of original portrait of a young lady wearing a white lace high collared dress with gloves and a very large hat. She is standing with her hands resting on a decorative tall table."Elizabeth Hunter born Linton 1.1.1910".elizabeth hunter

Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.Lightly coloured pencil portrait sketch of Miss Tup Hunter, Tatura, by Kurt Winkler. Kurt Winkler, Tatura, October 41kurt winkler, tup hunter, ww2 camp artists, kurwin

The Chick brothers, Alf, Les and Allan, plus friends, began trout fishing and camping in the Kiewa Valley before the early 1930s. Les continued his connection with the Kiewa River until his death in 1972. Fingerlings were placed in the Kiewa River from the early 1880s. Keegan's Bridge is a crossing near Upper Gundowring and about 4 km south east of Dederang. References to the crossing were made in the early 1900s and a petition presented to Council in 1904 calling for a bridge.The bridge was built and opened in 1907. The photos are of the release of fingerling trout in the Kiewa River, thought to be at Keegan's Bridge. The fingerlings were transported in drums on the back of trucks. The photos are c1940s.The Kiewa Valley has been a popular spot for fishermen, tourists and campers from the 1880s. One of the many attractions has been the excellent fishing along the Kiewa River due to the regular release of fish especially brown trout. This continues to the present day (2020) when a few fish were marked with $$ signs for the lucky fisherman who caught them. This attracts visitors, their families and boosts the economy and dates back to visits at the Tawonga Pub prior to the Kiewa Hydro Electric Scheme.19 page book with black plastic spine and clear plastic cover over the beige paper cover with title , author and black & white photo. Note: In KVHS photo collection there are 4 good quality reproduction photos on photographic paper. These have been produced professionally. These photos of Jan Hunter's are featured on the second page of her book. These also have a letter attached. The book is a pre-research paper & is No 33 of the Albury and District Historical Society Papers. The sub-title is "Trout releases and Keegan's Bridge / from the newpapers, 1882-1935"None on the book but a letter is attached from Jan Hunter, the author as a follow up to the photos she donated. On the photos - On the back: Fujifilm / Fujicolor Crystal Archive / Paper / Production - run codekiewa river; trout; fish; keegan's crossing; keegan's bridge; fingerlings; chick family; camping; tourism

Black and white copy of original portrait of a lady with her hair up in a bun. She is wearing a light coloured pleated shirt with a brooch at the neck."Margaret Hunter born Linton May 1917".margaret hunter

A Flower-Hunter in Queensland and New Zealand Author: Mrs Rowan Publisher: John Murray Date: 1898Label on spine cover with typed text RA 925.8 ROW Front loose endpaper has a stamp from Warrnambool Public Library Front loose endpaper has hand written "Father with Best Wishes from Frank and Lilian" 29th May 1912warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, great ocean road, book, warrnambool library, warrnambool mechanics’ institute, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, warrnambool public library, a flower-hunter in queensland and new zealand, mrs rowan

John William Henry Austin who emigrated with his brother Lindsay James to Australia in 1852, eventually settled in Durham Lead. He was a well known local photographer and also catered for local sporting functions including the Lal Lal races.John William Henry Austin was a well known local identity and photographer in the latter half of the 19th centuryCopy of photographed portrait of John William Henry AustinJohn William Henry Austin, Photographer, Durham Lead, 1870-1909.john william henry austin, austin family, photographer, local identity

Two handwritten pages by William Robertson on the Shearer's Union, later the Australian Workers' Union. william robertson, shearer's union, awu, australian workers' union, squatters, woolsheds, shearers, union

The author, William Morgans, was a lecturer on mining at the Bristol School of Mines. The owner of the book, William Baragwanath, was a former student of the Ballarat School of Mines who held the following positions: Department of Mines (1897-1922); director of the geological survey (1922-24); chief mining surveyor (1924-32); secretary for mines (1932-34); chief mining surveyor (1934-43); consultant to the Department of Mines (1943-50); President, Royal Society of Victoria (1943-44), councillor of the Ballarat School of Mines (1916-50).Hard cover book of 207 pages with buff cloth cover. The books covers materials andf processes used in the manufacture of tools, special uses, qualities and efficiciency. It includes 235 wood engravings of mining tools drawn to scale. Tools include borers, hammers, sledges, picks, shovels, spades, saws, helves and handles.Title page handwritten in ink 'W.B.' [William Baragwanath]mining, tools, ballarat school of mines, geology, bristol school of mines, government geologist, william baragwanath

William Rain was Auditor of Ballarat Shire and Road Board, during the period 1873-1890.He was also a teacher in Sunday School at Learmonth Uniting Church 1884-1887,and Superintendent 1887-1930. Original Historic PhotoPhoto of William Rain,is Sepia in colour and set In dark Brown frame (moulded),with gold trim on inner edge and dark brown mount with "wood grain " effect.Name plate is gold metal set at bottom of mount.William Rain.ballarat shire council, rain william, auditor 1873 1890, learmonth uniting church sunday school teacher 1884 1887

Thomas Mitchell, surveyor in Sydney from 1827 at the time when Squatters were extending their runs with huge detriment to the Aboriginal population. Mitchell and his men were ambiguous in their treatment of the people. His conviction was in the superiority of the British civilisation.Maps, b&w illustrationsthomas mitchell, new south wales history, race relations, racism, colonisation

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.26 HUNTER ST, HAWTHORN Margaret Picken ~92 WOODARDS artist - margaret picken 1950-

The building surveyor responsible for Diamond Creek’s plagued Rangeview Estate is being investigated by the Victorian Building AuthorityNews article 1 page, black text.diamond creek, building surveyor, investigation

McFee family were pioneers on Phillip island. William married Annie Aspinall in 1874.B & W photo of William and Annie McFee standing outside behind a 2 tier decorated cake.William and Annie McFee Diamond wedding H W Hanton Chemist Coweswilliam mcfee, annie mcfee, photograph, annie aspinall

Construction date of house depicted1845-1855 for Stonemason Benjamin Bowyer. Style Colonial Georgian. Representative of workman's cottage of the 1850'sOil painting by Jean WilsonPainting signed by Jean Wilson 1 William Street Port Fairy on reverse To the Port Fairy History Group from Phillip Ritchie, past owner of 1 William Streetdwelling, housing

Queenscliffe fishermanWilliam Ferrier portraitBlack & white photograph of William Ferrier.Reverse - " William Ferrier ".historical references

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.10 HUNTER ST, HAW Margaret Picken ~95 WOODARDS - HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.18 HUNTER ST, HAWTHORN Margaret Picken ~90 WOODARDS - KEWartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.24 HUNTER ST, HAWTHORN Margaret Picken ~93 WOODARDS - HAWTHORNartist - margaret picken 1950-