The Kiwanis Club of Nunawading are seeking new members, current major emphasis of the club is young children, addressing the needs of children under five years. Club President Alan Gordon.The Kiwanis Club of Nunawading are seeking new members, current major emphasis of the club is young children, addressing the needs of children under five years. Club President Alan Gordon.service clubs, nunawading kiwanis club, armstrong, raleigh edward, leishman, john, cooke, ted, gordon, alan

I Gordon John Tigg P.M. Nominate myself for the position of Master of this Lodge Southern Cross No. 24 U.G.L.V. For the period 2010-2011

The first school of Mines in Australia was established at Ballarat in 1870. At the time of its jubilee (1930) the following people were members of the School Council: W.H. Middleton (President), W.T. Humphreys (VP), J.S. Vickery (VP), F. Barrow, Col. W.K. Bolton, William Baragwanath, A.E. Cutter, J.N. Dunn, G. Fitches, W.H. Fleay, F. Herman. W.D. Hill, T. Hurley, K. Kean. J. Kelly, L. Lederman, Mayor of Ballarat, Mayour of Ballarat East, D. Maxwell, M. Martin, R. Maddern, D. Ronaldson, F. Saunders, R. Stephenson, A.O. Stubbs, R.E. Tunbridge. The School Staff in 1920 comprised: Herbert H. Smith, Walter Rowbotham, Reginald L. Cutter, M.C. Young, Hilda Wardle, M. Wiliamson, P.S. Richards, L.H. Archibald, J. Woods, Ken Moss, W. Kenneth, Mrs McIlvena. B. Robinson, S. Rowe, E. Hope-Jones, Miss Abrams, L.St.G.P. Austin, Alfred Mica Smith, J.R. Pound, Herbert R. Murphy, N.H. Junner, Maurice Copland, L.H. Archibald, E.J.A. McConnon, Newton King, D.m. Hull, T.R. Gordon, John M. Sutherland, T.K. Jebb, Dick Richards, C. Tonkin, A.W. Steane, J. Paterson, H.W. Malin, R.V. Maddison, S.M. Mayo, F.A. King, W.H. Steane, T.R. Gordon, T.A. Williams, H. Waldron, G. Black, E.J. McConnon, R.V. Duncan. R. Cutter, E.G. Vawdrey, Hilda WardleWhite stapled booklet - landscape format - 20pp + soft covers with blue writing. Includes an historical sketch of the Ballarat School of Mines. Contains images of the school from around 1920. The history outlined in the booklet follows: 'Ballarat has helped to influence the life and destinies of Australia in many ways, the recital of which would perhaps prove tedious to the citizens of less favoured localities! However, it can be said, without much fear of contradiction, that only less known thought Australia than its fame as a gold field is the reputation won for it by its school of Mines, ... Ballarat was still quite a new place when the School was founded, but a very propserous and popular place all the same, with a go-ahead lot of citizens brim full of the spirit of enterprise which seemsto animate mining populations generally. Money was plentiful, and they launched out into ventures, which later, were to develop and take the place of the gold mines, while what is more to the point, they understood the value of education. the old digging days were passing away. So far as Ballarat itself was concerned the day of the cradle and tin dish had already passed into an antiquity "as dead and distant as the age of the Tubal Caon," said dir redmond Barry on declaring the School open. Mining had become a serious business, and the mining engineer, the metallurgist, and the geologist had become a power in the land. In these circumstances the suggestions to found a School of Mines met with ready acceptance. The late Mr James M. Bickett had the honor of bringing forward the proposition at a meeting of the Ballarat Mining Board in October, 1869. it was agreed to, and the Government, having been approached for assistance, granted a lease of the old Supreme Court buildings at a nominal reantal. A modest sum, including 100 pounds from the Borough Council of Ballarat West, was subscribed by a number of sympathisers, and on the 26th October, 1870, the inaugural address was delivered by Sir Redmond Barry, the first President of the School. Classes were commenced on the 23rd January, 1871. The students at first were mostly adults. They were chiefly men emloyed at the mines, who had the wisdom and energy to devote their spare time to study, and, though their attendance was somewhat irregular, they made very good progress. Old prints which have been preserved show them at work at furnaces, big bearded men of the old-fashioned type of miner. It is interesting to note that among those who gave evidence and encouragement was Sir Roderick Murchison, who many years before had advised Cornish miners to emigrate to Australia to search for gold, and who in 1848 was in possession of gold ore sent from this country. Sir Roderick sent a parcel of books for the library, and gave useful advice as to the curriculum which should be adopted. The Museum, which now contains a most valuable collection of minerals, was one of the first things attended to, and the reports presented to the Council from time to time speak of additions being made from all parts of the world. New equipment was constantly being added to the School, a good deal of assay work was done, and some specimens were sent from the East Indies for examination as far back as 1873. By this time there was a difficulty in providing accomodation for the students who wished to enrol, and the number of instructors had grown from two to four. In 1882 the first building was being erected on what was then part of the gaol reserve. A little more than ten years afterwards a buildnig formerly serving as a Methodist Church was absorbed, while later on, the demand for accomodation increasing, the attack upon the gaol was renewed. The School continued to grow in reputation and size, and became the science centre of the district, and in 1889 a learge new building was opened by Sir Alexander Peacock. Students came from over seas as well as from all the States of Australia, and after going through their courses they took with them the name and fame of the old School to all parts of the globe. School of Mines boys have played a great part in developing the mining fields of Western Australia, South Australia, and africa, while old students who have made a name in their profession are constantly dropping in to see how the old place is getting along. It was not to be expected, however, that the Ballarat School would be left without rivals, its very success inspiring competition. Mining Schools were started in other parts of Australia, and, at the same time, Victoria ceased to hold first place as a mining state. On the other hand there was a great advance in manufacturing, and the demand for technicaly trained men became a great and as insistent as ever it had been for trained mining men. The Council was quick to adapt the school to the new conditions, and the result is seen in the institution, which is one of Ballarat's proudest possession. Instruction is given in all branches of technical work, and the classes are filled with students who are building up for Ballarat a reputation as an industrial centre, which promises to equal that which it formerly held as a mining town. Owing to its bracing climate, its abundant opportunities for recreations, and its accessibilty, Ballarat as a city is an ideal place for educational purposed, and is yearly becoming more and more appreciated throughout the State. The chairman of one of Ballarat's biggests industries claims that the workman can do twice the day's work here that he can do in Melbourne. he was a little enthusiastic over it, perhaps, but it is a well-known fact that the healthy and invigourating Ballarat climate is conducive to both physical and mental activity, and the records of the School provide ample proof of it. One of the most interesting and successful branches of the School of Mines and Industries - if the name be enlarged with the enlargement of its scope - is the Technical Art School. "The City of Statues" has from its earliest days been a stronghold of art. Art schools have flourised here, and in 1905 the Education Department came to the conclusion that the best thing to do with them was to place them under the management of the School of Mines Council. A magnificent new Technical Art School was built at a cost of some 12,000 pounds on the site of the old Supreme Court building, and was formally opened on the 23rd July, 1915. The results have not only been justified but surpassed all anticipations. The most comprehensive list of subjects is taught, and this list is constantly added to. Students have flocked to the art School, which may be said to occupy a unique position in Australia, and its record of success is really astonishing. Its students supply art teachers for the newer schools that are being built, and many occupy leading positinos in important business houses. So well is its reputation known that orders are constantly being received, not only from Victoria, but from other States, for honor boards and challenge shields to be designed and made. The most recent addition to the School of Mines and Industries is the Junior Technical School, for which a new building is now being erected on a portion of the gaol site, transferred to the School of Mines Counci by the Government. At the present moment temporary quarters are being occupied. Some students after passing through the Junior School go straight to employment, continuing perhaps to attend the evening trade classes, while others move on to the senior School. In a review of the work of the School of Mines mention must be made of a series of industrial research carried out under supervision of the Principal. One in particular, regarding the suitability of the local ores for the manufacture of pigments attracted much attention, while the experiemtns on the manufacture of white potery from Victorian clayes were considered of sufficient importance by the Federal Advisory Council of Science and Industry to warrant the appointment of a special investigator. The results of these have been most encouraging, and may have far-reaching consequences. The vocational training of returned soldiers also should not be overlooked. The work was taken in hand from the first, before the Repatriation Department gave assistance, and now with the help of the department of the School has become one of the largest vocational training centres in Victoria outside of Melbourne. The soldiers, trained in a variety of occupations, have made remarkable progress, and already considerable numbers have found employment in local workshops and factories. To sum up, the School is divided into the following departments, each well staffed and equipped: - The School of Mines, science, and Engineering; the Techncial Art School, the Boys' Junior Technical School, the Girl's Preparatory Technical Classes, Trade Classes, and the Commercial School. The school of Mines, science and Engineering, comprises the following branches: - Mining, Metallurgy, Geology, Electrical Engineering, Civil Engineering, Mechanical Engineering, Applied Chemistry, and Pharmacy. Battery treatments, Cyanide Testing, Smelting, Assays, and Clay Testing from a regular part of the School's work. Students gaining qualifications obtain concession in their courses at the university, should they proceed there to continue their studies. The technical Art school curriculum includes training in all branches of pictorial and applied art, an Architectural Diploma Course, a Draughtman's Course, technical Art teachers' Course, Photography,Ticket Writing, Art Metal Work, Woodcarving, Needlework, and Leather work. The Trade Classes give instruction in Telephone Mechanics, telegraphy, Carpentry, Cabinet Making, Plumbing, Blacksmithing, Fitting, Electric Wiring, and Printing. Numerous Scholarships are offered every year, and altogether students will find few places to equal the Ballarat School of Mines and Industries as a training place for their life's work. One of the first in the continent to be established, its Jubilee finds it still in the front rank, keeping pace with the times, and offering to the youths of this country the means of taking advantage of Australia's teeming opportunities. william, battery, smith, herbert, drawing from the antique, ballarat school of mines botanical gardens, ballarat school of mines, redmond barry, alfred mica smith, james bickett, museum, dick richards, ballarat junior technical school, s m b, ballarat school of mines and industries, ballarat technical art school, model mine, james m bickett, j m bickett, roderick murchison, vocational training rooms, wesley church, methodist church, alexander peacock, lathes, repatriation, repatriatin department, war service, school council, baragwanath, gold mining, mining laboratory, plaster cast, r.w. richards, anniversary, jubilee

Various partiesReference, Research, InformationKHS OrderThe second of two reference files on artists in Kew, this file including research and printed copies of a publication by Elizabeth Mackie, ‘The Artists of Kew’ (self-published 1981 - ISBN 0 9594081 0 X). The publication is attached to this record as a PDF file, but it should be noted that copyright is still held by the descendants of the author, but may be used and quoted for research purposes. One of the copies in the file of the publication is an ex-library copy and includes an index. The other unpublished material/research is held in copyright by the Kew Historical Society Inc. The files include descriptions, addresses and or dates relating to artists mentioned in the file. Within the file, there is also detailed correspondence and notes from and relating to Gwen Walker, Marguerete Mahood, Stanley Ballard, and Kathlyn Margaret Ballard. Index - ‘The Artists of Kew’ (Mackie E, 1981): Louis Abrahams, Edith Alsop, William Nichols Anderson, Louis Anquetin, Dorothy Baker, Alice [Marion Emily] Bale, Kaye Ballard, Stan Ballard, George Bell, Leila Bell, Charles Bennett, A Bolam, Shirley Bourne, Arthur Boyd, John Brack, Louis Buvelot, Donald Cameron, Robert Camm, Sir Hugh Casson, S Cochrane, Alexander Colquhoun, Amalie Colquhoun, Archibald D Colquhoun, Beatrice Colquhoun, Elizabeth Colquhoun, George Colville, Charles Conder, Colin Coulihan, Noel Counihan, David Cox, Sir William Dargie, Isobel Davies, Miss De Mole, L Dunn, Frank Emery, Albert Enes, Alma Figuerola, W H Fitchett, Paul Fitzgerald, George Frederick Folingsby, E Phillips Fox, William Frater, John Frith, Miss Fullwood, Alistair Cameron Gray, Harley Griffiths, Gilda Gude, Nornie Gude, Dora Hake, Elsie Bernard Hall, Robert Hannaford, John Hassell, Carl Hempel, Harold Herbert, June Hobart, Kenneth Jack, Jean Jeffery, Cliff Judge, Lois Kahan, William Kearney, Percy Leason, Bastien Le Page, J Lewis, Norman Lindsay, Percy Lindsay, Sir John Longstaff, John Loxton, Arthur Loureiro, Gordon McCrae, Frederick McCubbin, Herchfield Mack, Alan Martin, Karlis Mednis, Max Meldrum, Bertha Merfield, Anne Montgomery, David Moore, Lillian Morrison, Carl Nelson, Sydney Nolan, Ambrose Patterson, Lawrence Scott Pendelbury, John Percival, John Perry, W Pinderson, Marie Pinschoff, John Piper, J Reverdy, Tom Roberts, James Robertson, John Russell, Jan Hendrik Scheltema, Arnold Shore, Joseph Simpson, Joy Stewart, Sir Arthur Streeton, Jane Sutherland, Ruth Sutherland, Evelyn Syme, Eric Thake, Isobel Thorn, Albert Tucker, Tudor St George Tucker, Isobel Tweddle. Other artists noted in file include: Marguerete Mahood, Leopoldine Mimovich, Julius Wentscher, Tina Wentscher, Sigismonde Zacutti, Napier Waller, Percy Gair, Stuart Warmington, Len Annois, Margaret Baskerville, Clara Southern, Andre Maszaros, Michael Maszaros, Walter Withers, Edith Ussher, Arthur Wills, Douglas Annand, and Gwen Walker.artists - kew (vic)artists - kew (vic)

Victorian Symphony Orchestra, Capital Theatre, Bendigo. Thursday, 10th November, 8pm. This series of Concerts is arranged by the Australian Broadcasting Commission. Conductor and Soloist: Walter Susskind. Walter Susskind (with photo), During his two years as resident conductor of the Victorian Symphony Orchestra, Walter Susskind has left an indelible impression on music lovers by his conducting and his personality, both of which have endured him to concert audiences everywhere. Walter Susskind is now relinquishing his appointment of the permanent conductorship for the A.B.C. in Victoria to return overseas, and this final tour by the Victorian Symphony Orchestra for the 1955 season is also Mr Susskind's finale in Australia. An appealing future of these concerts to be presented over several provincial centres in turn will be the . . . Analytical Notes. Bendigo Concert Series Discontinued. The Australian Broadcasting Commission announces with regret that it has been found necessary to restrict the nimber of concerts presented in Bendigo each year pwing to the lack of sufficient support of these activities. Since 1947 the A.B.C. has presented a series of rour concerts each year in Bendigo. During these years artists who have appeared in the series include Ginette Neveu, Gyorgy Sandor, Erna Berger, the Robert Masters Quartet, Sydney MacEwan, Elena Nikolaidi, Michael Rabin, William kapell, Leon Goosens, Max Rosral, Sulvia Fisher, and many others of world standing. In addition, the Victorian Symphony Orchestra has given performances each year under such eminent conductor as Alceo Galliera, Juan Jose Castro and Walter Sisskind, while last year the seies included a visit by the Sydney Orchestra under Sir Eugene Goossens. While the A.B.C. in anxious to continue its policy of brining artists of world standing to provincial centres, includeing Bendigo, the quire considerable costs incurred. The Highesdt number of subscribers to a series in Bendigo was attained in 1951, when 350 season tickets were purchased. In all other uears, including 1955, the number has fallen below the required minimum, and ir has been decided not to proceed with plans for the 1956 season, although . . . Victorian Symphony Orchestra, season of 1955. Conductor: Walter Susskind. Associate Conductor: Clive Douglas. First Violins: Bertha Jorgensen (Leader), Harry Hutchins (Assistant Leader), Frank Schieblich, Norman Deerson, William Glassford, Paul McDermott, Herbert Pettifer, Alex Burlakov. Second Violins: Human Lenzer (Principal), Reginald Bradley, Robert Pattison, Harvey Davis, Ivan Pietruschhka, Reginald Larner. Violas: Paul O'Brien (Principal), Colin Kerr, Mischa Kogan, Winifred Roberts. Cellos: Don Howley (Principle), Peers Coetmore, Marston Bate, Henri Touzeau. Basses: Guill Fraillon (Principal), Thomas Howley, John Wood. Flutes: Richard Chugg, Leslie Barklamb. Oboes: Jiri Tancibudeck, Tamara Coates. Cor Anglais: Tamara Coates. Clarinets: Thomas White, Charles Crowley. Bassoons: Thomas Wightman, Noel Hunt. Contra Bassoons: Thomas Wightman, Noel Hunt. Horns: Roy White, Graham Bickford, Gordon Grieve, John Raines. Trumpets: Mervyn Simpson, Standish Roberts. Trombones: Stanley Code, John McGlade. Bass Trombone: Harold Willis. Tuba: Ian King. Harp: Adrian Bendall. Tympani: Gordon Craig. Percussion: Ernest Lighton, Bert Crawford. Music Writer and Arranger: Robert Hughes. Librarian: Geofrey Valentine. Orchestral Manager: Ross Carter. Photo: Walter Susskind, Miklos Gafni. Advertising: Walter Susskind recordings. James Firley, Shepparton. Bel-Air. The Estate Wines of S. Wynn & Co. Pty Ltd., Melbourne. Georges. Railway. A.B.C. Internationsl Celebrtity Concerts Committee Bendigo, 1955. President: Mrs. Maude Hall. Vice-President: Mr. E G Jarrett. Honorary Secretary: Mr L W Allen. Committee: Miss W Batterham, Miss C Cox, Miss J d'Helin, Miss J Ferguson, Miss H M Flanagan, Mr C F Houston, Mrs W Muir.cottage, miners