This photo was taken from above White Flat, Ballarat Central.Colour photographs of a moon rising over Ballarat East. The photograph is looking towards the East.ballarat east, moon, mount warrenheip, townscape

World War 1 Service with 4th Light Horse Regiment and 58th Australian Infantry BattalionFramed Portrait and Service History of LT Rupert Vance Moon VC with replica medalsService History on brass plaqueworld war 1 service with 4th light horse regiment and 58th australian infantry battalion, awarded victoria cross during may 1917 in france

Man on the Moon is a newspaper supplement published by The Age in 1969 to celebrate the Moon landing on July 16, 1969.Newspaper supplement, 9 pages with stories and photos.moon landing, astronauts

Used by donor in 'Blackburn - a picturesque history'Black & white photo of team of packers inside Blue Moon Packing Shed, 1960. Note Pat Brice facing camera,brice, pat, blue moon fruit co-operative ltd

Overshoes of this type were used by women to protect their shoes in wet or muddy conditions.Pair of Ansell 'Rain-ees" Ladies overshoes in their original pouch / containerAnsell 'Rain-ees" Ladies overshoesfootwear, rubber products, overshoes, ansell

Used by donor in 'Blackburn - a Picturesque history'Black & white photo of Blue Moon Co-operative, Railway Road Blackburn in Blackburn 1977 Page 118 of Da Costa book.blue moon fruit co-operative ltd, blackburn

Postcards began to be produced in Victoria from 1876. Between 1900 and 1920, picture postcards in Australia became an incredibly popular phenomenon. People could cheaply and easily send messages, without the formality of a letter, and they provided a cheap form of souvenir. Eventually, every event of significance was commemorated in some way with a postcard, and this led to the development of a ‘picture on one side and a message/stamp on the other’ postcard we are familiar with today. They were also a popular form of advertising. This postcard appears to be one in a set of postcards promoting the Black Rock area.Colour postcard with a handtinted photograhic image of the cliffs at Black Rock beach, known as Half Moon Bay. People can be seen picnicing on the sand with tide out and a portion of seawall is visible.beach, holiday, black rock, photography, hand tintin

EtchingSigned and dated 'Jennifer Mullett, 003' lower right under printed image. Edition 2/10, and title "Bird II and Moon" lower left corner under printed image.

PrintTitled and edition 'Between Sun and Moon 2/25' lower left corner under printed image. Signed and dated 'Kees Hos '63' lower right corner under printed image.

EtchingSigned and dated 'Jennifer Mullett, 003' lower right corner under printed image. Edition 2/10, and title "Bird I and Moon" lower left corner under printed image.

A black and white photograph of Legatees Donovan Joynt (seated) and Legatee Kemsley with Captain Mick Moon. Photo was taken at the opening of the Puckapunyal Sportsman's Club which had been named after Legatee Donovan Joynt (see also item 01352). Lieutenant Colonel Donovan Joynt VC and Captain Mick Moon VC as 'the only surviving VC winners from World War 1 in Victoria.' The photo was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.Part of the collection of material held by Melbourne Legacy on Legatee Donovan Joynt, a prominent Australian.Black and white group photograph of three men.Attached to paper with their names.donovan joynt, kem kemsley, mick moon

Colour lithographSigned 'Leonard French 78' lower right corner under printed image. Titled 'Moon Turtle' centred under printed image Edition A/P, lower left corner under printed image.

Word of mouth (Half Moon Bay) 2018 is a two-panel work which is the largest painting the artist has made to date. It is a colourful and fun, light-hearted scene of an imaginative party that the artist would love to attend at Half Moon Bay in Black Rock. Depicted in the work are over 30 figures, including international tourists, family and friends of McHaffie as well as famous identities such as musicians David Bowie and Solange Knowles, and fashion designer Karl Lagerfeld. McHaffie’s DJ friend Lucreccia Quintanilla has set up a DJ deck and speakers on the beach while the party goers are wading in the shallow waters, dancing on the cliff and mingling on the beach in what appears to be an idyllic summer’s day in Bayside.oil on linen (diptych)painting, beach, half moon bay, black rock, bayside, coast, party, rob mchaffie, dj, dance, musician, karl lagerfeld, david bowie, solange knowles, lucreccia quintanilla, port phillip bay, word of mouth, mooji, jon campbell, tourists, family, friends, cliff, rocks, water

The research for this book was undertaken by the author when he was a member of an academic team engaged on a theatre history project in 2023 entitled "The Victoria Theatre, Newcastle: a 3D visualisation of the 1891 Stagehouse".Monograph. Digital copy donated to BHS by the Author. sandhurst, bendigo, theatre, macmahon, evangeline

Imprisioned and tortured by the South Vietnamese soldiers, sentenced to death by the Viet Cong, Le Ly Hayslip quickly learnt how to survive in wartorn Vietnam. Escaping to the United States, she thought whe was swapping hell for heaven.south vietnamese soldier, viet cong, le ly hayslip, tortured, rescued prisoners

Postcards began to be produced in Victoria from 1876. Between 1900 and 1920, picture postcards in Australia became an incredibly popular phenomenon. People could cheaply and easily send messages, without the formality of a letter, and they provided a cheap form of souvenir. Eventually, every event of significance was commemorated in some way with a postcard, and this led to the development of a ‘picture on one side and a message/stamp on the other’ postcard we are familiar with today. They were also a popular form of advertising. This postcard appears to be one in a set of postcards promoting the Black Rock area.Colour postcard from a hand tinted photographic image depicting the foreshore at Half Moon Bay, Black Rock. There are people in the foreground wading in the sea, a man sitting in a small boat near the shore, several other boats around, people deeper in the water in the background, and a range of beach shacks/bathing boxes in the far background.beach, holiday, leisure, boating, bathing boxes, recreation, foreshore, seaside

A 47 pp book containing anecdotes of frontier life around Buchan, stories and line drawings. It has a dark red cover with the title in white print. In a frame is a painting of a stockman adjusting the saddle on a brown horse with white horse standing next to it. There are two black and white dogs lying nearby. The setting is the alpine region of Victoria. the book was authored by Mick and Vere Moon.snowy-river moon-mick buchan

Stella Dunn played Nanny, a senile old woman, in 'Gamma Rays' in April 1976 when she was a sprightly 82 year old.1. - Program - Jade coloured card with dark blue typeface, 2. - Photos -photographic paper. 3. - Review - photocopy paper. 4. - Roneod duplicate on foolscap paper.2. - Typed information on Stella Dunn glued onto the back of the photo, reverse side of photo has typed paper glued on as well as remnants of masking tape 3. - Photocopy of a review of The Effects of Gamma Rays on Man-in-the-Moon Marigolds on page 6 of the VDL (Victorian Drama League) newsletter 'Theatrecraft' April 1976. Includes photo of Sue Lukis as Tillie. 4. - Prompts Newsletter No 2 19th March, 1976. – Typed. Includes information on next production, reminders of happenings and forthcoming events and the Moomba Drama Festival results 1976, 170, bill cherrey - director, fred merryweather - set construction, michael bond - lighting, george bugge - sound, max brooks - photography, cast - stella dunn

Mrs Mether is in the front row.Group of people, sign saying "Coo-ee's Social Club Chelsea 1914" included in the photo. Taken by C Harmley, Camberwell. Miss Smith later Mrs Mether R/H first row"Coo-ee's Social Club Notices Chelsea 1914"social event, coo-ee social club

Sanders was a well-known local potter who worked for a time with David Boyd at the Martin Boyd Pottery, before returning to Melbourne where he had some association with Arthur Boyd, at the pottery in Murrumbeena. Sanders set up a studio in Eltham in the early 1950s and made the first of a series of architectural ceramic murals with painter and print maker Lawrence Daws in 1956. In 1957 he left for Europe and while there was inspired by the Spanish artist Joan Miro’s unconventional painting style and large scale murals, in particular Wall of the Moon (1957). After returning from his travels in Europe to Australia in 1964, he began to work solely on creating ceramic murals, some of which were commissioned for Southland Shopping Centre in Cheltenham, Melbourne, 1968 (now demolished), the National Mutual Centre, Melbourne,1964-5 (now demolished), Dee Why Library, Sydney 1966, Woden Valley High School, ACT, 1967, Tullamarine Airport Melbourne, 1969-70 (now demolished), Perth Concert Hall, 1971 and The University of Melbourne,1975 (with John Olsen). This mural is one of only three remaining in the public realm by Tom Sanders (the others are at the Perth Concert Hall (1971) and at the University of Melbourne (1975). Ceramic mural (earthenware tiles) consisting of a playful/organic abstract design similar in style to the Spanish artist Joan Miro. Shades of blue, yellow and black glazes are layered onto matte black and shiny bronze tiles. N/Amural, public art, earthernware, pottery, ceramics, glaze, eltham, ekphrasis2017, eltham town square, joan miro