The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Brown paper mache head and arms, no body. Long dark blue material trousers under the dress. At end of material legs are small paper wooden legs and black shoes intact. Judy has a colourful dress with yellow apron. Dress has many different pieces of material of various patterns.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 internment camp puppet theatre, murchison internment camp

The diorama of mounted specimens of seaweed was framed by Richard Foster Norton for Thomas Watson and is dated 1860. Watson was the Warrnambool District Surveyor at the time (1860). The inscription on the back of the frame links the artwork to the Pigeon Hill property, which was located on Allansford Road (corner of Staffords Road – north side of the Princes Highway-A1). In the 1860s, the property known as Pigeon Hill was owned by William Wall who was a publican who ran several hotels in Warrnambool and district. In 1860 Wall, was running a hotel in Wangoom, near Pigeon Hill. Further research is required to determine the exact location, but Pigeon Hill could also have been the name for that area and may have had other people living there. Thomas Watson was a member of the local horticultural society. Another possible creator of the artwork is Samuel Hannaford, a biologist with a particular interest in collecting marine flora. Hannaford left Warrnambool in 1857 and went to Geelong, so it is possible he collected the specimens had them framed in Geelong, and then arranged for their return to Watson. The other known seaweed collector was Henry Watts, who lived in Warrnambool in the mid-19th century. The seaweed collection in this box was possibly one of Watts' and could have been prepared for the Victorian Exhibition of 1861, Richard Foster Norton, also known as R.F Norton, was one of only a handful of picture framers in 1850s Melbourne. Norton was born on the 24th of July 1822 in Yelvertoft, Northamptonshire and prior to his arrival in Australia, Norton is listed in England as having the occupation of a painter. It appears that he established his business in Melbourne in 1854 or 1855. Between 1855 and 1865 he operated from 87, then 83, and later 80 Collins Street. In the Argus newspaper, Norton advertised his business as a Print seller, Carver, Gilder and Picture Frame manufacturer, supplying the growing demand for artworks and decorative furnishings in the colony during the Gold Rush. Norton also had a Geelong branch in Market Square, where this work was produced. This framed work is highly significant. Previous research has found that only six frames are in existence that can be attributed to be made Norton, dating from the late 1850’s to the mid 1860’s. Moreover, Thomas Watson the owner of the artwork, is one of the government surveyors of the region during the mid-19th century.Diorama in deep wooden frame, behind glass. Seaweed specimens have been mounted within the frame. The back of the frame has handwritten inscriptions including the framer's label (portions missing). The diorama was framed by Richard Fraser Norton. Printed label; "RICHARD FOS --- Picture Framer and -- MANUF -- CARVER, GILDER, ---- PAINTINGS CLEANED, LINED AND --- GLASSES RESILVERED, FRAMES --- Architectual Decorations created to any design in Paper Mache, Carlton Pierre, or Composition, Country Orders promptly attended to, The Order Suppl ---, BRANCH ESTABLISHMENT, MARKET SQUARE, GEELONG" flagstaff hill, warrnambool, maritime museum, richard foster norton, r.f norton, picture framers, melbourne, geelong, artwork and decorative furnishings, gold rush, seaweed, botanical specimens, 1860, pigeon hill, district surveyor, thomas watson, william wall, wangoom, samuel hannaford, henry watts, victorian exhibition, 1861, yelvertoft, northamptonshire, market square

) fox: hand crocheted cotton, lamb�s wool synthetic yarns and reflective tape over high density foam, papier mache, wire, mirrored acrylic, cotton fabric and synthetic fabrics, synthetic polymer emulsion and glass beads; 2 5) various fibres; 6) base: enamel gloss paint on fibreglass

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted fawn brown paper mache head with red lips and open mouth, green protruding eyes with red outline and big eye sockets. He is wearing a red pointed hat and matching red and gold and fur trimmed coat. There are no body parts. His legs are material with wooden fur boots and stubs for arms.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted orange paper mache head with goatie beard, blue eyes and white eyebrows. Wearing a long black and white dress with a grey collar and cuffs over a cream with little red flower skirt which is trimmed in grey. Legs are cream material with wooden feet. Hands are wood. Hair is white with bald head.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head of man with large nose, pointed chin and moustache. Hand painted blue eyes. Moustache and eye brows made with cotton thread. Magenta tie stitched to neck. Bottle green felt jacket with magenta trim. Leather hands attached to sleeves. Light brown skirt attached to jacket. leather ears on head. pow puppets, pow handcrafts, hand puppets

Cow mounted on wooden base. Iron wheels fitted to each corner of base; pulling ring fixed to front of base. Cow: Chamois leather covered, perhaps metal and a type of paper mache. The head pivots and has a collar and bell around the neck. The hooves are attached to the base by wire. Has internal tin compartment with top-opening and metal teats (two).

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time. Paper mache head & arms hand painted pink. Small paper crown on top of white painted hair. White fabric dress with metallic gold trim in front on sleeves. A high collar attached to dress made of white fabric covering leather for stiffness. Blue cotton coat with gold trim. Wooden legs covered in calico with blue painted high heel shoes, with white heels.pow puppets, pow handcrafts, hand puppets, sharron lohe, ww2 internment camp puppet theatre, puppet theatre

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted brown paper mache head with red lips, blue eyes and black eyebrows. Wearing a blue and white check hat and matching top over a green and red top, skirt and trousers. Long sleeves have a white trim. He has a white frilled neck ruff. The legs are only material at top with wooden boots painted black. There is no body parts. He is wearing a loose leather belt.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre, puppetry

When celluloid was invented and first came to prominence in the 1870s, dolls were nearly all breakable and fragile--bisque and china dolls were easily shattered and papier mache and wax easily ruined. So doll companies started experimenting with celluloid to mould dolls. By the early 1900s, celluloid dolls were plentiful, since celluloid was easily moulded and generally inexpensive. Celluloid is one of the first synthetic plastics. It is a plastic created from wood products that includes cellulose nitrate and camphor. However Celluloid is flammable and deteriorates easily if exposed to moisture, and can be prone to cracking and yellowing with certain formulations. Celluloid dolls were produced as late as the 1950s, but the vast majority were produced from 1900 through the 1940s. This doll is dressed in baby clothes.A celluloid doll dressed in baby clothes.celluloid, dolls, cotton, moorabbin, ormond, cheltenham, clothing

When celluloid was invented and first came to prominence in the 1870s, dolls were nearly all breakable and fragile--bisque and china dolls were easily shattered and papier mache and wax easily ruined. So doll companies started experimenting with celluloid to mould dolls. By the early 1900s, celluloid dolls were plentiful, since celluloid was easily moulded and generally inexpensive. Celluloid is one of the first synthetic plastics. It is a plastic created from wood products that includes cellulose nitrate and camphor. However Celluloid is flammable and deteriorates easily if exposed to moisture, and can be prone to cracking and yellowing with certain formulations. Celluloid dolls were produced as late as the 1950s, but the vast majority were produced from 1900 through the 1940s. The knitted outfit was made by an unrecorded home knitter probably as a present for a child. A very small celluloid doll dressed as a boy in fine hand -knitted hat, vest, jacket and pants.celluloid, dolls, knitting, wool, craftwork, moorabbin, bentleigh, cheltenham, toys

Copy of a newspaper article accessed from Trove 22/2/2019 from The Argus newspaper 1/4/1924 - titled "Tram Tokens / Fallen into Disfavour - New Ticket System Suggested". Notes issues with the Paper Mache token, problems with change for the 1.5d fares, conductor's unwillingness to handle them, very light weight items. Sourced following a query from a coin collection 22/2/2019 by Twitter and printed on an A4 sheet of paper. See Reg items 1635 and 1660 for samples.trams, tramways, tickets, tokens, mmtb, melbourne

Used for storing various threads for mending in the home - cotton, silk, wool nylon.A decorated brown lidded round container coated inside with black and brown type lacquer. The outside of the container and lid has patterns painted by hand in yellow and red of a bird, ying and yang symbols and oriental script all surrounded in black lined sections. It appears to be made from papier-mache which is layers of cardboard glued together and tightly compressed. This can be seen by the damage sections which grey cardboard shows though. It would have been lacquered over and painted. The container has a variety of sewing items and mending threads for stockings, socks and other work. Some pearl buttons included.As mentioned above, the container has various patterns painted on it. The sewing items include brands of threads for sewing work - Darneezi, Eagley, Rite Tone, Clark's Filosheen,Chadwick's Wool and Nylon, Nylusta.sewingcontainer, threads, containers, sewing equipment, gibson collection

Set of two fare tokens - 1 1/2d - 22mm diameter - dark brown celluloid - with words "Melbourne & Metropolitan" on circumference and "Tramways Board" in centre of token. On reverse in large font "1 1/2" and a small font "D" at to the right - indicating token had a value of one and a half pence. Both sides have a edge lining border about 1mm from the outer edge. Record updated following a query and being advised of an article in The Argus 1-4-1924 - see Reg Item 3359 for a copy. Item probably dates from c1920, phased out 1924. News item says made from "Paper Mache". See also Reg Item 1635 and 4666 for another example.trams, tramways, tickets, tokens, mmtb, melbourne

Fare tokens - 1 1/2d - 22mm diameter - dark brown celluloid - with words "Melbourne & Metropolitan" on circumference and "Tramways Board" in centre of token. On reverse in large font "1 1/2" and a small font "D" at to the right - indicating token had a value of one and a half pence. Both sides have a edge lining border about 1mm from the outer edge. Record updated following a query and being advised of an article in The Argus 1-4-1924 - see Reg Item 3359 for a copy. Item probably dates from c1920, phased out 1924. News item says made from "Paper Mache". See also Reg Item 1635 and 1660 for another example.trams, tramways, tickets, tokens, mmtb, melbourne

Fare tokens - 1 1/2d - 22mm diameter - dark brown celluloid - with words "Melbourne & Metropolitan" on circumference and "Tramways Board" in centre of token. On reverse in large font "1 1/2" and a small font "D" at to the right - indicating token had a value of one and a half pence. Both sides have a edge lining border about 1mm from the outer edge. Has been mounted or enclosed within a coin collectors/sale cardboard folder with an embossed crown on the front. See Inscriptions. Record updated following a query and being advised of an article in The Argus 1-4-1924 - see Reg Item 3359 for a copy. Item probably dates from c1920, phased out 1924. News item says made from "Paper Mache". See also Reg Item 1660 for another two examples and 4666.In ink on the front - "Melbourne + Metro Tramways Board token 1 1/2d" and in bottom left hand corner "aVF" and on rear in bottom right hand corner "R".trams, tramways, tickets, tokens, mmtb, melbourne

Owned by Jean Young - born Falkirk, Scotland, 1811. Believed to be listed in Falkirk Census in 1851. Married William Hill. Possibly sailed in 'Tempest'. Died at Dunolly, Victoria.Black paper mache sewing work box. Lid inlaid with abalone. General design has been highlighted in gold paint. The box is lined with pale lilac and white satin, lid unlined. Top panel and bottom edge decoratively shaped - slightly domed lid and front panel decorated in a similar manner to lid. Box contains needles, threads, buttons, thimbles and a pin cushion as follows:- Peri-Lusta .03 Crystal Rayon Spun Mending Thread .04 Flora McDonald Needle Packet .0 |Packet of Needles W.Woodfield & Sons .06 Mauve satin needle case .07 Tortice tatting schuttle .08 Round wooden box with 5 pearl buttons and 2 cloth covered buttons .09 Square wooden needle case with red velvet lining and leather strip and brass clip .10 Round lace pin-cushion with very fine ecru crochet dark green lining .11 Unknown handle of black composition with bone end and four inlaid lines with dot at end ,12 Ivory stiletto with screw top. Total of 13 parts to the object.domestic items, sewing, handcrafts, equipment

Jessie the horse was handmade by Geoffrey Borrack, a Ziebell family decendantDisplay board with model of 'Jessie' the workhorse's head sticking through square stable window. Model is wearing original head harness. Board describes the role of workhorses on the farm.As per photosigns, information, workhorses, jessie, board, paper mache, harness

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. If you can provide information on this artist or artwork please use the comment link below.art, artwork, laurena richards, sculpture, masks, wimmera campus, horsham campus art collection, papier mache, horsham available