Purchased, 1976Pencil on papergippsland, artwork, permanent collection

The Australian magpie is a passerine native to Australia and southern New Guinea. Renowned for its black and white plumage and distinctive song, the Australian magpie has also established populations in New Zealand and on the Fijian island of Taveuni, where it was introduced during the 19th century. Previously classified as three distinct species, it is now recognized as a single species comprising nine subspecies. Belonging to the family Artamidae, the Australian magpie is the sole member of the genus Gymnorhina and shares its closest relation with the black butcherbird (Melloria quoyi). Unlike the Eurasian magpie, it is not part of the Corvidae family. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen an Australian Magpie with black and white plumage over the body, mounted on a cedar stand. The specimen has a large straight beak and is in an unusual pose for a magpie, compressing the white patch on the back of the neck. The beak has turned yellow where originally grey, potentially leading to a previous misidentification as a white-winged chough.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian magpie, ornithological, ornithology

This patch was created to celebrate the repatriation to Australia of the bodies of airmen Robert Carver and Michael Herbert whose Canberra bomber, callsign 'Magpie 91" crashed in Vietnam in 1970.Round white fabric patch with black border. Magpie emblem of 2 Squadron in middle with red stylised 91 beneath. Text around edge.M.I.A. SVN 3rd November 1970. Home Aust August 2009. 2 SQN. emblem in black on white cloth. MIA SVN 3rd November 1979. Home Aus 31 August 2009. R. Carver & M. Herbert.missing in action, michael herbert mia, robert carver mia, 2 sqn, vietnam, raaf

The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark

A copy of a white piece of paper with creases photocopiedThis meeting was held at Winters' Flat below Magpie List of subscriptions and donations towards the purchase of a Tent to be erected on the Balaarat [sic] diggings, for the purposes of public worship in connexion with the Wesleyan Methodist Church. Also for the establishment of a Sunday School and of a Day School if found practicable. March 1853 Mr James Jones, Mr Joseph Wearne, Mr Thomas Wearne, Mr McCulchan, Mr Mathews and family, Mr & Mrs Harding, Mr Rees, Mr Charles Axborough, Mr John Henderson, Mr Alexander Ross, Mr Roger Parsons, Mr Baker, Mr Isaac Cooper, Mr Hill & family, Mr & Mrs Douglass, Mr & Mrs Reynolds, Mr Benjamin Sargent, Mr Thompson, Mr Dunstan, Mr Moyle, Mr Fletcher, Mr & Mrs Odie [sic], Mr William Wearne, Mr Brady, Mr Carter, Mr Moulton, Mr James, Mrs Crowfield, Mr Smith, Mr Crombie, Mr John Day, or Davy, Mr Adams, Buninyong, Mr Joseph Wearne, ?, A friendjames jones, mr joseph wearne, mr thomas wearne, mr mcculchan, mr mathews and family, mr & mrs harding, mr rees, mr charles axborough, mr john henderson, mr alexander ross, mr roger parsons, mr baker, mr isaac cooper, mr hill & family, mr & mrs douglass, mr & mrs reynolds, mr benjamin sargent, mr thompson, mr dunstan, mr moyle, mr fletcher, mr william wearne, mr brady, mr carter, mr moulton, mr james, mrs crowfield, mr smith, mr crombie, mr john day, or davy, mr adams, buninyong, oddie, mr and mrs oddie

These Miner's Rights may refer to the Ballarat Observatory in Magpie Street (to be confirmed), and were possibly handed over when James Oddie gifted the Observatory to the Ballarat School of Mines. Seven Miners Rights made out to James Oddie between September 1900 and February 1909. No of Registration in 19578 for 209 feet x 52 feet at Magpie Street, Ballarat East james oddie, miners right, ballarat observatory, d.p. mannix, f. bell, miner's right, magpie street ballarat east, ballarat east

This medal was presented to 'C.T.S. Teams Race 1939 A.Winn' by Collingwood Harriers. Arthur Winn was a student at Collingwood Technical School in 1939. He may have entered singularly or there may have been a Collingwood Technical School team or teams participating.When he won the medal, it was displayed at the school for a short time as an acknowledgement of his participation. When he took the medal home, his mother pinned it into the little Dunklings box, and it was kept in the box.This medal has social and historical significance. It is significant because it documents the participation of a Collingwood Technical School student in a Collingwood Harriers Teams Race in 1939. He may have entered singularly or there may have been a Collingwood Technical School team or teams participating. The box from Dunklings may also have some historical significance too.Sterling silver medal, circle within a Maltese cross. Centre of circle has a black and white magpie perched on a twig. This is surrounded by a black circle with insciption 'Collingwood Harriers' in gold lettering. There is an insciption on the back of the medal.On the front of the medal is a central white circle with a black and white magpie perched on a twig. This is surrounded by a black circle with insciption 'Collingwood Harriers' in gold lettering. There is an insciption on the back of the medal. The inscription reads 'C.T.S. / Teams Race /1939 / A. Winn'.collingwood technical school, collingwood harriers, student records, medal, award, arthur winn, nmit,

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Colour postcard featuring a poem, a map of Australia, a currawong or magpie, a swastika, an aboriginal man holding a boomerang or throwing stick. Handwritten message on back.Front: "A message to the absent one"album, photo album, newspaper clippings, postcard, wwi, australian flag, boomerang, throwing stick, magpie, currawong, swastika

In 1885, at the instigation of James Oddie, the Government reserved three acres (about 1.2 hectares) for an observatory in Cobden Street, Mount Pleasant, originally known as the Ballarat School of Mines Observatory. In March 1886 a committee was appointed for the care, protection and management of the reserve. Captain Baker, a retired sea captain, was invited to become the first Superintendent of the Ballarat Observatory. Six colour photographs of the stained glass windows in the Ballarat Observatory. The first stained glass window was installed from around 1915-16, and were probably associated with John Brittain. By 1929 sixteen stained glass windows had been installed. most the work of Ballarat craftsman W.J. Robson.stained glass windows, sebastopol cambrian society, welsh, ballarat city council, ballarat teachers' college, ballarat local preachers methodist centenary, independent order of ordfellows ballarat, ballarat freemasons, freemasons, masonic, architecture, mount pleasant, john brittain

This photograph was taken on Friday the 27th of August 2004 as part of an event called 'Direct Seeding Expo'. This event was one of many held by the Wooragee Landcare Group in the early 2000s which aimed to educate the local community on certain agricultural and biodiversity conservative techniques. This particular event took place across three different locations - Wooragee Hall, and direct seeded sites at the properties of Marcus and Lisa O'Connor, and Neil and Anne Nankervis - and, therefore, the exact location where this photograph was taken is unknown. Three different direct seeding techniques were demonstrated during the day by several experts in the field. Direct seeding involves the sowing of seeds directly into the soil to achieve germination and establishment. It is an alternative to planting seedlings in a contained nursery plot. This direct method is intended to mimic a more natural process of growth, revegetating larger areas in a more efficient manner. This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group in the early 2000s to educate members of the public on alternative and potentially more efficient methods of planting seedlings. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders.Landscape coloured photograph printed on gloss paperReverse: WAN NA EOWA2N2 ANN- 1 4240 /

This singlet has been made as a swimming singlet or top for a man to wear loosely over swimming trunks. It dates from about the 1920s. Both men and women in the 19th and early 20th centuries wore swimming costumes that modestly covered most of the body and for public bathing they usually bathed separately.This item has no known local provenance but is of interest as a vintage piece of men's clothing.This is a navy cotton singlet with a rounded neckline and beige-coloured cotton edging around the neck, sleeve holes and bottom end. There is a printed label at the inside top of the neck. Made In Australia Magpievintage swimming costumes, warrnambool sea baths

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Postcard with a colour design including two sailors holding flags, an outline of Australia with two magpies within, a ship at sea and two hands clasping.Front "hands across the sea"album, photo album, newspaper clippings, postcard, wwi, ship, sea, hands across the sea, holding hands, hand, magpie, currawong, sailor, ocean

Official War Photographs series published by Magpie Cigarettes.magpie cigarettes, official war photograph, war memorial funds, ypres, bangalore, menin road, armentieres, howitzer, kandahar, 4th division, camel corps, bois de crepy, villers brettoneux, albert cathedral, hellfire corner, flanders, messines, pozieres

First visual record of blazer worn by committee member in the 1940's Black woolen blazer with magpie embroidery on front pocketInsigna: Merbeinmerbein, sports, football

Greetings card - small card, 'To gran'pa from Jocelyn X' hand printed on front in blue ink. With Greetings and Best Wishes. A picture of a magpie is to the left with 'The Magpie' printed underneath.document, memo, railway

Forty four boxed "Magpie" cigarette cards of WW1 scenes.

All pictured were residents of Rutherglen; in 1885 only Nell Burch is alive. Ella Thompson was mother-in-law to Aileen Terrill, member of Rutherglen Historical Society and Museum Cataloguing Committee.Black and white photograph of eight young people in stage costume in line under a small banner, mounted on stiff cardboard, unframedUnder photo, typewritten and on reverse hand written: "L to R, Billy Cottingham, Doris Judd, Syd Gregory, Elsie Scott, Cliff Thompson, Nell Burch, George Judd, Ella Thompson". On Banner in photo "Magpie".billy cottingham, doris judd, syd gregory, elsie scott, cliff thompson, nell burch, george judd, ella thompson, magpie

From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Colour postcard, blue / green colour scheme. Map of Australia in central frame surrounded by native Australian animals in a bush setting: kangaroo, emu, currawong / magpie, kookaburra. Above them is a rising sun. The central frame is actually a flap but whatever it may have concealed beneath is now lost. Handwritten message on back.album, photo album, newspaper clippings, postcard, wwi, magpie, currawong, kookaburra, emu, kangaroo, australia

Mark Reid began potting in the early 1980s, working for a time in North Queensland. In 1985, he and his wife Robyn set up the Torvil Pottery at Buninyong near Ballarat in Victoria. In 1991, they relocated to a 10 acre property in nearby Magpie and set up the Ballarat Clayfire Gallery with a working studio, gallery and residence. In 2005, he Clayfire Gallery was located to Daylesford. Mark Reid signs his work with an incised 'Mark Reid' or 'MR'.mark reid, australia studio pottery, ceramics, torvil pottery, buninyong, magpie, clayfire gallery, ballarat clayfire gallery, daylesford

Rectangular; coloured; white paper. Printed: 'The Argus Camera Supplement', 'For the sharp ones', 'Certificate to', 'from Old Nancy'. Illustration of a Magpie, "10" beneath.Daphne Lawson Treasure Hunt 16/12/33daphe lawson; the argus camera supplement;

A series of nine black and white photographs of scenic attractions taken in and around Marysville in Victoria that was published by the Barton Bros, Marysville and printed by Valentines Publishing Co as a souvenir of Marysville.A series of black and white photographs of scenic attractions taken in and around Marysville in Victoria that was published by the Barton Bros, Marysville and printed by Valentines Publishing Co as a souvenir of Marysville. Thomas Barton was one of the earliest settlers in Marysville and with 16 children and numerous descendants, the name of Barton is synonymous with Marysville. Thomas John Barton, along with his business partner, Ewen Hugh Cameron, opened a butcher/abattoirs in Marysville in 1864. This was the first shop in Marysville. They supplied meat and other items to the miners along the Woods Point road. Thomas Barton was an active community member and was a key organiser in setting up the school in Marysville in 1870. After Thomas' death in 1911, his sons Fred and Frank took over the family business and renamed it Barton Bros. To From Published by BARTON BROS., Marysvillemarysville, victoria, barton bros, acheron way (image 1), keppel's falls (image 2), cumberland falls (image 3), stevenson falls (image 4), taggerty river (image 5), mount margaret (image 6), mount gordan (image 7), nicholl's lookout (image 8), the old ford (image 9), postcard, valentine publishing co, souvenir, thomas barton, francis adam barton, frederick barton, ewen hugh cameron

A book with a dust cover covered in plastic. On the cover is the title and coloured drawings of a butterfly, penguin, seahorses, magpie and dog. Kangaroos on the back cover. Written by J.A. Leach D.ScOn the fly leaf in pen - Sandra Holmes in pencil - 5.60 (cost)australian-nature-studies leach-dr-john-albert science ornithology