B&W photograph. This item and all other Darebin Parklands Association archival material is now held by State Library Victoria (Accession No: YMS 13746). Please contact State Library Victoria if access is required.Annotated on back with [May 1979. Planting near mound adjacent to Separation st. Yarana rd. former tip site area}].

Railway Step Bridge StawellTwo (2) Colour Photgraphs of a Pedestrian Bridge across Railway Tracks. One showing the bridge in the mid distance, with a mound of soil in front. The Second looking across the bridge, with houses in the distancestawell, railway

Royal Doulton as part of the Minton Miniature series produced this stork model in 2001. A limited edition of 1,793 pieces were made, and this stork is number 118. The stork is a scaled down model of the original life-size piece first produced by John Henk, c. 1870, as a walking stick and umbrella stand. A rare miniature stork demonstrates the artistry and skill required to produce Majolica ware during the 19th century and the present.A miniature white stork standing on one leg atop a rocky mound, an eel clasped in its beak, a frog beneath its foot, the stand formed by tall bullrushes & water-lily pads.Inscribed at the base Minton founded 1793, artist mark: 6, made in Englandminton & co., majolica, miniature model, flagstaff hill maritime museum, stoke upon trent, john henk, staffordshire

Black and white photographWritten on back of photograph- "Ringwood Rifle Range after the bushfires of January 1962. Scene looking towards the hut at 300 yard mound."

Coloured photograph of a tailings dump, there is a collapsed wooden structure to the left, a wooden stairway and part of another structure visible behind the mound and several small peppercorn trees growing. On the back is written 'Remains of the Clarence'place, mining site, clarence united mine bendigo, clarence mine

3 of the guards at the opening ceremony for Camp 2.Black and white photograph of 3 guards standing at ease, with a mound behind the centre man and trees in back ground. Foreground shows a sign "17th Garrison Battalion". In stones in front of that is some words and dates.camp 2 rushworth, rushworth camp, camp opening ceremony, garrison guards, 17th battalion, norm whitford

This photograph shows the Orbost Butter factory, which in 1917, installed a very successful electric light. the dark heap to the left of the road is Supposedly the grave of "Dan the Cook" who was speared by Aborigines in 1857. Dan Moylan, known as "Dan the Cook"was speared to death in 1851 at Orbost Station, Snowy River as punishment for kidnapping a young Aboriginal girl and holding her for three days, refusing to release her. The men of the tribe congregated at Dan's hut. When Dan came outside, a volley of spears was launched at him, killing him. In the tragic aftermath, the camp at Milly Creek was attacked in retribution and a number of Gunai/Kurnai people were killed. The Orbost Butter and Produce Co. Ltd was registered on June 1st 1893 and was an important source of income to the Orbost district. These photos are pictorial records of the Orbsot Butter Factory.A black / white photograph showing a large white building and factory beside it. on the verandah are about thirty milk churns. There are three men standing astride bicycles in front of the verandah. On the left hand side is a mound of dark soil??

Black and white photo: poppet head, corrugated iron and weatherboard buildings, brick chimney, large boiler, large waste mound at bottom right and centre left. On back purple rubber stamp ' North Deborah Mining Company/No liability.'mining, surface equipment, north deborah mine, bendigo, mines and mining, mines, mining, poppet head, buildings, sheds, mine

Black and white photographTyped on back of photograph- "Ringwood Rifle Range after the bushfires of January 1962. Remains of 20 x 12 hut between the 5 and 600 yard mounds. Value £256 ."

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of rocks at Avebury World Heritage Site avebury world heritage site, prehistoric monuments, rocks

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of Avebury World Heritage Stte.avebury world heritage site, prehistoric monuments, rocks

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of Avebury World Heritage Site. avebury world heritage site, prehistoric monuments, rocks

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of Avebury World Heritage Site. avebury world heritage site, prehistoric monuments, rocks

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of Avebury World Heritage Site.avebury world heritage site, rocks, prehistoric monuments

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of the Avebury World Heritage Site.prehistoric monuments, avebury world heritage site, rocks

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.Colour photograph of Avebury World Heritage Site. avebury world heritage site, prehistoric monuments, rocks

First to the right Australian service awarded for full time duty let then 18 month 2 from the rightwar medal 1939-45 awarded for full time duty in the armed forces for not less then 18 days in continuous service 3 from the right defence metal awored six months in non operation to or closely threatened by air tack 4 from the right pacific star Africa star 1939-45 star Replica set of Court mounded medal bar containing 6 medals, Australian Service Medal; 1939/45 Medal, Australian Defence Medal; Pacific Star, Africa Star with Eight Army Clasp and 1939/45 Star. with broach clasp on the reverse side for wearing.wwii war medals, court mounted medals, australian service medal

The Royal Warrant assigning the Armorial Bearings to Victoria was signed on the 6th June, 1910 by King George V. The motto Peace and Prosperity was the first to be in English among the Arms of any Public Authority in Australia. In 1958 the Pink Heath was proclaimed as the floral emblem of Victoria. This led to a request to have it included somewhere in the Armorial Ensigns of the State. The solution was to have the plant shown growing from a grassy mound. On the 28 March 1973 Queen Elizabeth II signed a further Royal Warrant which added the mound. This shield is the official emblem of the State of Victoria. It can only be displayed in limited place such as Law Courts and Victorian Government offices with permission of the Victorian Government.2 Victorian Coat of Arms from the Victorian State Government offices in Wodonga. The kangaroo at the top holds a crown. The shield also features the Southern Cross. Two female figures represent Peace and Prosperity. The figure on the left wears a laurel wreath crown and carries a sprig of olive in her hand, representing Peace. The other figure wears a crown of golden cereal and holds the horn of cornucopia, representing abundance or Prosperity. The first one is mounted on a wooden, varnished board.At the bottom of each shield "'PEACE AND PROSPERITY"shield, heraldry, victorian state government

WW1, B&W photo of trenches, location presumably Ovilliers Post. Written on the back in pencil 'Heap of Empties at Ovilliers Post' and '33'. Mounds of white stone at lower left and right background. Figure with wheelbarrow at mid left. Several other figures in the background. Desolate landscape.postcard, photo, ww1, france, trenches, ovillers post

Norfolk Pine (near bandstand) - Gardens 1926black and white Photograph with a family groupgardens, norfolk pine, botanical, family, people, children, mound

Summerlands Estate was created in the 1920s by A.K. T. Sampbell. It consisted of a housing estate, guest house and golf course. This area was acquired and all buildings, roads etc removed by the Victorian Government in the 1980s for a nature reserve for the penguins. This is believed to be the only time in the world when humans have been removed to benefit nature. HistoricalPurple leather covered fold out linen map with hand drawn diagram of the topography, layout of golf holes and club house Broken sand dunes, rough sandy hills, grassy hills and mounds, Swan Lake, Par for nine holes 34, Scratch score for nine holes 36, Drawn by A. Russell 12/12/1927summerland estate, summerlands golf course, a.k. t. sampbell, map, penguin reserve

The great mill mound is reported to be the burial ground of Amergin, and early Celtic poet. It was used as a fortified motte and bailey by the Normans during the 12th century. It later offered resistance to Cromwell in 1649. the present tower was built in 1808 but was damaged in 1922 during the Civil War in Ireland.drogheda, ireland

The P.S Adelaide was launched on 21st July 1866. It was owned by J.G.Grassie from Poon Boon Station and the Officer Family of Murray Downs Station Swan Hill. The Adelaide was named after the niece of the Officer Bros, Adelaide Blackwood. The shipwright who built her was George Linklater. The Adelaide brought wool and passengers from the wool stations on the Murray and Darling Rivers down to the Echuca Wharf. In 1872 she was sold to David Blair & Sons. She was used to bring timber from the Barmah Forest to the Echuca Wharf. She did this work for the next 80 years. In 1953 she was tied up near the Mill and left. In 1958 she went to Paringa South Australia to work in the sawmill industry again. In 1960 the Echuca Apex Club and The Echuca Historical Society raised enough funds to buy the P.S. Adelaide and return her to Echuca. In November 1963 she was lifted out of the water and placed in Hopwood Gardens as this was thought to be a way of preserving her. In 1984 it was decided to return her to the water to resume work as a passenger vessel. In that time the Port of Echuca and the Echuca Wharf had been restored as a Tourist Precinct. This photograph shows the beginning of the task to return her to the river. It took several weeks in March 1984.The P.S Adelaide is extremely significant as it it the oldest known wooden hulled paddle steamers in the world. She was built in Echuca in 1866 and still operates on the Murray River today. She has worked in the Wool Industry, the Timber Industry and the Tourist Industry.This is a coloured square photograph of an orange front end loader clearing a track from Hopwood Gardens down to the river. The track was used to bring the P.S Adelaide from the gardens back into the river. The P.S Adelaide is in the background. The paddle steamer appears to be up on a trailer of some sort and is surrounded but plastic orange temporary fencing. There are small mounds of soil in the foreground.On the orange front end loader are the numbers "5900" and the word "case." p.s. adelaide, grassie, j.g, port of echuca, linklater, george, poon boon station, blair, david, murray river, darling river, logging industry, officer brothers., barmah forest, fulton & shaw, hutchinson, kevin, murray downs station, blackwood, adelaide

Black and white photo: mine site with poppet head, mine buildings at rear right . Trestles and cables carrying rectangular bins across open land. Large mound of material behind main building. Trees and weatherboard building in foreground. On back written in ball point pen and underlined ' flying Fox' Central Blue Mine to Crushing Battery 1912 'mine, gold, central blue, bendigo, mines and mining, surface equipment, place, mining, surface equipment, flying fox, poppet head

Postcard, WW1, B&W image of the grave of German airman, Baron von Richthofen, shot down in the Somme area. He was buried at Bertangles by members of the Australian Flying Corps. The grave is mounded with earth with flowers on top. At the head of the grave is one propeller stuck in the ground. Richthofen's body was moved a couple of times before his final resting place in Germany.postcard, postcard, ww1, baron von richthofen, grave, somme, bertangles

Mounted black and white photograph of the Carlton Tramway Cricket Club, Premiers 1899-1900 - has 15 men in the photos, most wearing the cricket clothes along with a set of stumps. Mounded on a grey embossed card with the image glued to the card. Each person named along the bottom edge. See Key Associations Image by E. Strawbridge of 129 Park St Parkville.trams, tramways, carlton depot, cable trams, sports, cricket

CEMA Art Collection Winner of 1968 Portland Art Society Prize for the category of other media.The painting is an abstract depiction of a field which is predominantly yellow with patches of red. The largest red patches are in the lower right corner and centre left side. Another focus point of the work is a large yellow mound slightly off centre which may represent a haystack. The background is a light blue sky. The work has a painted wooden frame with material mount and glass covering only the paint surface.Front: Huntington (signature, lower left) Back: ISABEL HUNTINGTON "POPPIES IN FLANDERS FIELD" (1968) (typed label) Yellow Sticker: 1968-cema, portland artists society, wwi

NoneAbstract image. Centre image is a human (shown without skin) climbing a narrow mound/hill form. At the top is a screen supported by three poles. The screen reproduces a photograph of what appears to be a classical narrative bas-relief sculpture. On each side of the hill are Celtic and Norse carvings/gilded artefacts/metalworks mounted on long poles. Abstract could patterns are at the top of the print. No matt. Silver metal frame.Front: 1/10 (lower left) Ikon to a Fossil King (lower centre) Allan Mann (lower right) (pencil) Back: (no inscriptions)