The words for this song come from a Christmas song by Christina Rossetti. The poem was first published in 1885. The words have been set to music many times but the composer of this piece is James A. Steele, a well-known Australian music teacher and composer in the mid 20th century. This sheet music is retained as an interesting piece of music from the mid 20th century. As well, the owner of the music appears to have been Shirley Goldstraw, a descendant of the Goldstraw family that settled in the Naringal/Nullawarre area in the mid 19th century. This is a sheet of paper folded in two to make four pages. The pages contain the music for a song called ‘Love Came Down at Christmas’. The pages are torn at the edges with some small sections missing. The front page is stained. The inscription is handwritten in black ink. ‘S. Goldstraw’ christina rossetti, james a. steele, history of warrnambool

A recording of St John's Music Hall performed by Diamond Valley Choral Society at St John's Church of England Heidelberg on 27/10/1984. 1 audio cassette in clear plastic caseHandwritten on cassette: "St John's Music Hall 1984"diamond valley choral society, st john's church of england heidelberg, music halls

Past teacher at Deep Lead School 1945 / 46Colour Photgraph: Portrait of a lady, blue patterned top and open brown cardiganOn Reverse: Joan Gardy Teacher 1945 /46deep lead school, education

Handwritten sheet music played in Changi Prison. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music was written on the reverse of a letter dated 29 January 1940, on the letterhead of 'The Batavia Sea and Fire Insurance Co Ltd'.A record of life in a POW camp and that paper was so scarce they used whatever they could find to write on.Handwritten sheet music on the reverse of a letter dated 29 January 1940.changi prison, pow, music

Handwritten sheet music played in Changi Prison. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music was written on the reverse of a letter dated 20 March 1941, on the letterhead of 'The Batavia Sea and Fire Insurance Co Ltd'.A record of life in a POW camp and that paper was so scarce they used whatever they could find to write on.Handwritten sheet music on the reverse of a letter dated 20 March 1941.changi prison, pow, music

Handwritten sheet music played in Changi Prison. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music was written on the reverse of a letter dated 4 January 1941, on the letterhead of 'The Batavia Sea and Fire Insurance Co Ltd'.A record of life in a POW camp and that paper was so scarce they used whatever they could find to write on.Handwritten sheet music on the reverse of a letter dated 4 January 1941.changi prison, pow, music

The author, Wal Wall, attended Ballarat Teachers' College in 1949. Frank Lord was principal of Ballarat Teachers' College from 1946-1950.A biography of Frank Lord, Principal of the Ballarat Teachers' College from 1946 to 1950.frank lord, ballarat teachers' college, world war one, f.w. lord, world war two, principal, wal wall, family history, genealogy

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.White paper with black printed header and typed letter addressed to Mr Frank Wright from the Associated Board of the Royal Academy of Music and Royal College of Music of London, England for Local Examinations in Music, telling him that he had won a prise for obtaining the highest marks in the Licentiate Examinations in Victoria for 1931. It was signed be Arthur Hull.The paper is watermarked "Original Turkey Mill Kent"watermark, original turkey mill kent, frank wright, arthur hull, royal academy of music and royal college of music

A collection of music used by the Diamond Valley Choral Society for performances.1 red folder containing 43 music scores of various sizes.diamond valley choral society, scores, scores(music)

Handwritten sheet music played in Changi Prison. In pencil is a list of song names that were played. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music and song playlist were on the reverse of the cover of a Prison Annual Report from 1931.A record of life in a POW camp.Handwritten sheet music on the reverse of the cover of an Annual Report on the Prisons of the Colony for the year 1931.Handwritten in pencil, bottom left 'End of a perfect day G D Slumber Song (Roy Arnell) request (inserted) Piano solo : Net St___ (inserted) O__a__ds 1st Waltz Annie Laurie C - E1 Vienna, City of Dreams G - D Let me call you sweetheart - G B Till we meet again G - Bchangi prison, pow, music

This is the original manuscript for the song ‘Back to Warrnambool’, composed for the ‘Back To’ celebrations in Warrnambool in 1930 and reprinted for the ‘Back To’ celebrations in 1934. The song, described as a ‘souvenir foxtrot’ was written by Reginald Stoneham, a professional musician who was engaged to write the song. Reginald Stoneham (1879-1942) was a composer who was Australia’s leading exponent of jazz and ragtime piano styles in the first decades of the 20th century. He composed many tunes for anniversaries and celebrations in country towns and cities in Victoria. The original ‘Back to Warrnambool’ music was given to Henri Worland, the Town Clerk of Warrnambool in 1930 and handed over to the Warrnambool and District Historical Society by Keith Arnel, the Town Clerk in 1973. Note that the original song was ‘Respectfully dedicated to the Pioneers of Warrnambool’. This dedication, for some reason, was not printed on the music issued in the ‘Back To’ programs of either 1930 or 1934. This is a significant item as the song ‘Back to Warrnambool’ has great historical significance as it was popular in Warrnambool in the 1930s and 40s and is still played and sung occasionally today. It is one of the two local songs about Warrnambool composed by Reginald Stoneham. The other is the Warrnambool Waltz Song. It is of interest to historians and researchers to have the original music.This is the original handwritten manuscript of the song, ‘Back to Warrnambool’. There are two pages of pre-ruled music score papers, filled in on both sides of the paper. The paper is marked ‘Boomerang Brand No2’. The musical notes and the words of the song are in black ink. The name of the song is outlined in red ink. The first page has the heading ‘Souvenir Foxtrot Song, Back to Warrnambool, Words and Music composed by Reginald Stoneham, 1930, Respectfully dedicated to the Pioneers of Warrnambool’. The last page has the signature of Reginald Stoneham. The first page has the signature of Henri Worland. warrnambool, reginald stoneham, back to warrnambool

An older female and male sit either side of a desk. The lady holds a pen and a sheet of large print music in front of her, with a small pile of similar sheets to her right. The man holds a pen and looks at sheets of paper (presumably music) whilst sitting next to a box with the title 'Family Fun Box Organ course' to his left. In the background are filing racks, The Australian Hymn book and Braille volumes in various bindings. Over time, the RBS built up a considerable music collection thanks to the work of its dedicated supporters such as Dulcie Magnus.Digital image of two people working together to produce braille music Second century 24royal blind society of new south wales, braille music

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was appointed in 1934 as the Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and Conducting and was a Fellow of the Guildhall School of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. Frank was awarded an M.B.E. in 1967. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Printed 64 page booklet with the front cover printed in navy blue and black. The rest is printed in black. The booklet is the Draft Report of the National Music Conference of November 18-21 1960, entitled 'Music in Britain - Today and Tomorrow'. It was sponsored by the National Music Council of Great Britain. In Commission 5, Frank Wright is the Rapporteur for the session entitled 'Music for Amateurs'. Inside the front cover is a newspaper article from The Guardian, Monday 21 November 1960, in which Frank Wright is quoted when speaking at the conference.Written in pencil on front cover - 49 F.W.; pencil markings on pages 50 & 51.frank wright, national music conference, national music council of great britain, music in britain today and tomorrow draft report

A copy of Watsonia High School 1965 Teacher Duties list, including positions of responsibility and extra curricular activities.A digital copy of Watsonia High School 1965 Teacher Duties listwatsonia high school

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Correspondence from the Royal Schools of Music, London, 1932 2). Cheque from the Associated Board of the Royal Academy of Music and Royal College of Music, London, England, 1932 1). Printed letterhead and typed letter - Dear Mr Wright, Herewith I have the pleasure cheque for 25 pounds being the Board's Prize for the Highest Marks gained in the Licentiate Examination in Victoria 1931. Will you kindly sign and return the attached receipt. Yours very truly, Arthur C Hull, Resident Secretary for Australia. 2). Printed cheque with hand written componentsfrank wright, royal schools of music, licentiate examination, cheque

A recording of Negro spirituals by the girls' music deartment at Preston Technical School.There are few existing vinyl recordings of school choirs from this era.45 RPM black vinyl record (sound recording). Red label with both printed and handwritten inscriptions.Same inscriptions on both sides of recording. Typed: "Preston Technical School / Girls Music Dept." Handwritten : "Negro spirituals"preston technical school. pts, music, negro spirituals, sound recording, nmit,

Photograph of children in classroom. State School 502 3rd. Babies 1930 Teacher Miss Matheson. Joan Vagg 1930 3rd Babies written on back. Listed Students Front Row R/L - Norma Chapman, George Holloway, Jock Hill, Unknown, Unknown. Second Row - Miriam Colquhoun, Betty Wells, Venus Floyd, Audrey Roeby, Unknown, Allan Bell?, Gray?, Unknown, Unknown. Third Row - Ron? Byron, Alan Storer, Betty Chapman, Nina Lea, Dorothy Whiteside, Mavis Darker, Smith?, Unknown, Unknown. Fourth Row - Judy Campbell, Lesley Dalkin, Unknown, Shuttleworth?, Unknown, Valda Evers, Joyce Miller, Unknown. Fifth Row - Pauline Datson?, Dorothy Kingston, Smith?, Stan Anyon, Unknown, Paisley Bradley, Unknown, Unknown, Unknown, Unknown. TEACHER Miss Matheson This photograph came from the Vagg family. Joan Vagg Died October 1932 - 7 years. Presumed she must be one of the girls. Students seated behind benches in Classroom with teacher.Joan Vagg 1930 3rd Babiesstawell education students

Switch-foot is a classic publication out of Australia 2005. This 210 page hardcover book has many of the immortal surfing images from the golden era in surfing from photographers such as Albe Falzon, George Greenough and Jack Eden. Stories from: George Greenough looking at his simple genius and his movie magic with ‘Dolphin Glide’ and ‘Behind the Scenes.’ The unmasking of the truth behind Peter Drouyn, 12 legends of the Lens (images from the golden era) The telling of Dick Van Straalen’s story and his current relationship with Dave Rastovich The art of Harry Daily Global surf travel with Colas Thomas Campbell drops by Rasta and friends music with the exploration into the mystery of the art of jamming Discussions about sustainable surfcraft production with Tom Wegener, the unveiling of new school talent within music and photography and also talking to important leaders in the field of classic surfing to gather information on surfboard design, single fin surfing and fin dynamics. Music from low pressure sound systems in the story titled ‘the art of jamming’ A significant publication that explores art, photography and music in surfing culture.Switch-foot (surfing art music) is a hard copybook of surfing photography with a black cover featuring 5 art panels and one panel with text. 'Switch-foot surfing art music'.ISBN 0-646-45057art, surfing, jack eden, switchfoot, music, surf photography, alby falzon, george greenough, peter drouyn, dolphin glide, dick van straaleen, jim banks, peter crawford, mark richards

John McNaughton attended the Ballarat Teachers' College in 1929. He was an official with the Gapsted Football Team in 1932.Mounted photograph showing 25 Victorian school children with teacher John McNaughton. The school is probably Gapsted Primary School. ballarat teachers' college, john mcnaughton, mcnaughton, education, school, teacher

The music was supplied for this dance by the Bushwhackers.A group at the Kew Festival Music Hall. From left to right: ? , Jack Joseph, ? , Kathleen Gervasoni (City of Kew Mayoress), Cr Jack Gervasoni (Mayor)city of kew, kew festival, colonial dance, kew town hall, bushwhackers, martin o'toole, lawrence o'toole

A collection of music and songs, many labelled Colonial Music Cabinet. Thomas Smith, operated gas printing works in Koroit St Warrnambool opposite the Baptist Church in the latter part of the 19th Century. The business did a number of printing related tasks including lithographic printing, engraving and bookbinding. A collection of musical scores which were popular at the time with links to a well regarded business in Warrnambool.Brown cloth over hard card cover with black leather spine and corners. Contains 12 music folios of various length Bound by Smith Printers Warrnambool. 2nd Edition.warrnambool, thomas smith printers and bookbinders w. h glen & co. colonial musical cabinet

Celebrates the 27 year teaching career of Watsonia Heights Primary School teacher Les Oliver.Written by Jasmin Burge, Greensborough Historical Society memberNewspaper article, text and coloured photo.Photo caption: Watsonia Heights Primary School teacher Les Oliver during his retirement celebration.les oliver, watsonia heights primary school, jasmin burge

Music and Song for the Centenary of Stawell 1953white Paper with Town of Stawell Logo and TitleTown of Stawell Logo, below which is Title: Stawell Prize Winning Song in the Centenary Celebrations Words and Music by Jessica Dalkin D VE copyrightstawell, music

This teacher's aid publication was used by the teachers in the The Bogong Primary School from 1941 and also the Mount Beauty Primary School from its establishment in 1947. Both had most of their pupils recruited from SEC(Victoria) Hydro Electricity Scheme employees working for a limited time scale. Rural based children benefited greatly by the decision by the SEC to provide these facilities for their worker's families. This bypass of the "typical rural provisions" offered to other schools, by the Victorian Department of Education was a bonus to the Kiewa Valley educational community. These schools had a higher level of facilities available to them than other "typical" rural schools. Treasured facilities such as a comprehensive library, movie projector, tape recorder and public address system placed these two schools at the level of the Greater Public School of city or the larger towns rather than the small rural schools in Victoria.This item was used in Mount Beauty Primary School as part of a teacher's curriculum. The fact that it is in a rural area, in an enclosed SEC construction worker's village in the Kiewa Valley did present a slightly different learning atmosphere than in the larger towns and cities. The majority of parents within the Kiewa Valley, had a slight resentment of the "high and mighty" attitude of city dwellers with a "plum in their mouths" and the effectiveness that city bred teachers had to achieve was to overcome these ingrained mores. The majority of students at this primary school had parents who were working for (the closed "village" of the SEC Hydro Electricity Scheme. In the 1940s this school would have children from multi-cultural backgrounds as many of the parents were recruited as labourers or with European technical backgrounds. In the book,the black and white photographs detailing the classroom sizes and configurations point to larger classes and slightly different teaching methods than that which existed in Australia. This teacher's aid book presents the Australian rural teachers with an advanced American approach to teaching methods. These methods were based on the then modern "group" psychological teachings and were a good guide in the development of a more effective and progressive teaching platform. The one thing that it did not address was the easy going Australian psyche of "she'll be right mate" of the Australia rural community. The socio-economic identity of the Kiewa Valley rural community was not that of the typical city community (American) and this was a challenge for city based and trained teachers. The principles that the book presents is not constrained by the date of publication or its time of use (1954).This hard cardboard covered book is sleeveless but bound by a red cloth glued onto a thick cardboard base. It has the title printed in gold script on the spine with horizontal and fifteen black horizontal lines at the top and bottom. The front cover has the title printed in gold coloured letters (the first and last words are in freehand script style)On the spine and front cover is printed "The TEACHER IN THE MODERN ELEMENTARY School" school organisation, developmental stages of children, subliminal classroom mental and physical stimulation, usa 1940s teacher aids.

Part of Old Lintonian collection ; No. 66. Robert Cochrane taught at Linton State School and was Head Teacher between 1891 and 1895.Sepia portrait of a young man with beard and moustache, wearing suit coat and wide tie."Robert Cochrane, on teaching staff of Linton State school No. 880 when opened in 1873, Head teacher 1891-1895"robert cochrane, linton state school, old lintonian collection

This is the music used at St Patrick's Cathedral Ballarat in 1874 the year Ballarat's first bishop was installed and the church became a cathedral. Signed and dated by J. Wrigley who was Director of Music. The bookbinder's ticket for W. Paul 77 Lydiard St, Ballarat gives further background to the document.Signed and initialled by J. Wrigley music director St Patrick's Cathedral Ballarat 1874. Also has bookbinder's ticket for W. Paul 77 Lydiard St Ballarat.music, wrigley, paul, bookbinder, ballarat, beethoven, mass, 1874.