The jug cover has beads on the border, which are used to weigh the cover down and keep it on the jug. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” It was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. Many of the items were made by Daisy, a skilled dressmaker. Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is significant for its association with a ‘glory box’ or hope chest’, a tradition of single ladies making and collecting a range of linen and other domestic items in preparation for their future marriage. The item is a fine example of early 20th-century needlework and handmade domestic items.Jug Cover, crocheted square shape, diamond pattern in the centre, with alternate blue, green and clear beads on the edge. From the Chamberlain Dale Lees Collection'. flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, handmade, craft, manchester, linen, haberdashery, miss a.e. emery dressmaker, needlework, crochet, jug cover

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily, square shape, crocheted with diamond design incorporated in pattern, points around edged, Rectangle of cotton fabric inserted in the centre with cross stitch pattern. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen, haberdashery, cross stitch

Used at the Ballarat School of Mines and the Ballarat Technical Art SchoolThis collection of examinations is significant because of its completeness with the full range of examinations between 1914 and 1950.Large leather bound books, with leather spine, containing all examinations held at the Ballarat School of Mines (including the Ballarat Technical Art School and Ballarat Junior Technical School). The examination papers were supplied and printed by the Education Department, Victoria. Examinations include: Agriculture, Algebra, Architecture, Arithmetic, Applied Mechanics, Assaying, Biology, Botany, Boilermaking, Building Design, Blacksmithing, Bricklaying, Carpentry and Joinery, Coachbuilding, Cabinet Making, Civil Engineering, Cabinet Making, Commercial, Chemistry, Engineering Drawing, Economics, English, Electrical technology, Electricity and Magnetism, Electric Wiring, Electric Welding, Electrical Fitting, Electrical Trades, Food Analysis, Geology, Geological Mapping, Graphics, Geometry, Heat Engines, Heat Treatment, Hydraulics, Hand Railing, Instrument Making, Millinery, Milling and Gearouting, Machine Shop Practice. Metal Founding, Mining, Metallurgy, Mineralogy, Mathematics, Motor Mechanics, Mine Surveying, Mining Mechanics, Petrology, Physics, Painting and Decorating, Pattern Making, Plastering, Plumbing and Gasfitting, Printing, Refrigeration, Spelling, Science , Shorthand, Surveying. Signwriting. Sheet Metalwork, Toolmaking, Ladies Tailoring, Trigonometry, Typewriting, Welding, Commercial Geography. Millinery, Dressmaking, Needlework, Decorative Needlework, Architecture, Building Design and Construction, Art (Composition in Form and Colour), Art (Casting Clay MOdels) Art (Drapery), Art (Drawing the Human Figure From Casts), Art (Drawing the Antique from Memory), Art (Drawing from Memory); Art (Drawing Plant Forms from Nature, Art (Drawing Plant Forms From Memory), Art (Drawing from Models and Objects), (Drawing From a Flat Example). Art (Drawing in Light and Shade from a Cast of Ornament or Lower Nature), Art (Drawing Ornament from the Cast), Art (Drawing from Models or Objects), Art (Drawing fro Dressmakers' and Milliners' Fashions), Art (Drawing With the Brush), Art (Drawing from a Flat Example); Art (Modelled Design), Art (General Design), Art (Embossed Leatherwork), Art (Practical Plane Geometry), Art (Practical Solid Geometry), Art (Geometrical Drawing), Carpentry and Joinery, Art (Human Anatomy), Art (Historic Ornament), Art (House Decoration), Art (LEttering), Signwriting, Art (Light Metalwork), Art (Modelling), Art (Modelling the Human Figure from a Life), Art (Stencilling); Art (Wood Carving) Refrigeration, Teaching, Boilermaking, Blacksmithing, Carpentry and Joinery, Coachbuilding and Carriage Drafting, Electric Wiring, Electrical Fitting, Graining and Marbling, Instrument Making , Machine Shop Practice, Metal Founding, Milling and Gear Cutting, Motor Mechanics, Painting and Decorating, Sheet Metalwork, Toolmaking, Printing, Pattern Making, Plumbing and gasfitting, examinations, ballarat school of mines, ballarat technical art school, trades, education department victoria, agriculture, algebra, architecture, arithmetic, applied mechanics, assaying, biology, botany, boilermaking, building design, blacksmithing, bricklaying, carpentry and joinery, coachbuilding, cabinet making, civil engineering, commercial, chemistry, engineering drawing, economics, english, electrical technology, electricity and magnetism, electric wiring, electric welding, electrical fitting, electrical trades, food analysis, geology, geological mapping, graphics, geometry, heat engines, heat treatment, hydraulics, hand railing, instrument making, millinery, milling and gearouting, machine shop practice, metal founding, mining, metallurgy, mineralogy, mathematics, motor mechanics, mine surveying, mining mechanics, petrology, physics, painting and decorating, pattern making, plastering, plumbing and gasfitting, printing, refrigeration, spelling, science, shorthand, surveying, signwriting, sheet metalwork, toolmaking, ladies tailoring, trigonometry, typewriting, welding., dressmaking, needlework, decorative needlework, architecture, building design and construction, art (composition in form and colour), art (casting clay models), art (drapery), art (drawing the human figure from casts), art (drawing the antique from memory), art (drawing from memory), art (drawing plant forms from nature, art (drawing plant forms from memory), art (drawing from models and objects), (drawing from a flat example), art (drawing in light and shade from a cast of ornament or lower nature), art (drawing ornament from the cast), art (drawing from models or objects), art (drawing for dressmakers' and milliners' fashions), art (drawing with the brush), art (drawing from a flat example), art (modelled design), art (general design), art (embossed leatherwork), art (practical plane geometry), art (practical solid geometry), art (geometrical drawing), art (human anatomy), art (historic ornament), art (house decoration), art (lettering), art (light metalwork), art (modelling), art (modelling the human figure from a life, art (stencilling), art (wood carving), teaching, coachbuilding and carriage drafting, graining and marbling, milling and gear cutting, commercial geography, exams, examination book

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she used these patterns to make clothes etc.for her family and the Choral Society. Madame Weigel who migrated to Melbourne in1877 with her husband Oscar; began publishing in 1878 and distributed paper patterns of the latest fashions, throughout Australia and New Zealand, She and Oscar became the first commercial manufacturers of paper patterns in Australasia, and to publish Weigel's Journal of Fashion (1880-1915) and Madame Weigel's Journal of Fashion (1915-1950). Madame Weigel had an enormous following of women who used her patterns across the generations, and across the life cycle from babies to 'matrons'. Madame Weigel died in 1940 aged 92 years. Finally, after 91 years of business and millions of patterns sold, Madame Weigel's paper pattern business closed in 1969.Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and used these patterns for clothes etc for members of her family and the Choral Society. Madame Weigel was one of the most remarkable of early Australasian business women.A black and white booklet of 37 pages with advertisements, sketches, articles, photographs, knitting,crochet and tapestry instructions, dressmaking patterns and recipes. Volume LV111 pages 122 - 159 completeFront Cover ; Registered at the General Post Office Melbourne for transmission by post as a Newspaper / 4d / Published Monthly / MADAME / WEIGEL'S / JOURNAL OF FASHION / Vol LV111 No. 688 / A Delightful Home Journal / JUNE 1, 1937 / 58th YEAR OF PUBLICATION / Illustrated at Right - / Crocheted Cushion of / Unusual Design./popular Bed-Jacket. / ( Daisy Wheel Design) /Illustrated at Left - FREE Pattern ; / Lady's Costume Coat. / 34 Inches Bust Meas. Back Cover : Advertisement for Bushells Blue Label Tea / Printed and Published by Geo. Humphries for Madame Weigel Pty Ltd , Lennox and Rowena Sts., Richmond. Vic.haberdashery, cotton, lace, pillow cases, sheets, clothing, dressmaking, needlework, market gardens, dairy farms, lacework, craftwork, moorabbin shire, bentleigh, moorabbin, cheltenham,reed gladys, clark judy

Pin Cushion: Hand crafted in Silk material with Lace edge. Flower design in blue, yellow, red, white beads and green stitching. Red stains on the item. Box 625handcrafts, needlework, pin cushion. flower pattern

Beaded Needle holder: Container with blue and white pattern in beads on outside. Thin broken bone case inside to hold needles. Box 625handcrafts, needlework containers, beaded needle holder.

Handwork for Schools by W.R.Dean and H. Jolly. 1953 Reprint. Book has light blue cloth cover with black printing. Back cover has part of the jacket which is light brown with dark red and blue printing and decoration pasted on it. Subjects covered are: Modelling and Carving; Pattern and Decoration; paper and Cardboard Handwork; Printed Decorations; Weaving; Handwork in Wood; Other Crafts; Decorative Needlework and PuppetryGeoffrey Cumberlege, Oxford University Press, Melbourne. Wellington. Brown, Prior, Anderson Pty Ltd., 430 Little Bourke Street., Melbourne, C.1.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - handwork for schools, w r dean, h jolly, geoffrey cumberlege, oxford university press, j mcrae, g s browne, a h ramsay

The book was published in the UK. This book was purchased with the help of Mrs E. C. Baker, c/o John Pook and Co, 68 Fenchurch St, London EC3 - from The Needlewoman Shop, Specialists in Needlework, 146 Regent Street London W.1. Then posted to Mrs G R (Joan) Horridge at ICI in Hong Kong. Book was owned and used by Joan Francis Horridge.Paper booklet bound with two rusted metal staples on spine. Cover is in colour and depicts a woman knitting. Prominent colours are black, green, blue and cream. Inside covers contains pages which are smaller than the covers. Pages contain printed black text detailing various knitting patterns and knitting information. Back cover has a ruler graphic for measuring.knitting, pattern, joan francis horridge, the needlewoman shop, london, honk kong, g r (joan) horridge, mrs e. c. baker, penelope

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Paragon and contains patterns for crocheted gloves.Paragon / Crochet / Gloves / BOOK NO 5 / NEEDLEWORK SPECIALISTS / PRICE 1/.crochet handicrafts - history, paragon art needlecraft, crochet, handicrafts - history

One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book is part of an English series titled "Weldons Practical Needlework" and it contains knitting patterns for childrens jumpers.WELDONS / PRACTICAL / NEEDLEWORK / No. 284 / JUNIOR JERSEYS / BOYS and GIRLS / 6 to 14 years / 9D / 7 / NEW DESIGNS / INSIDEhandicrafts - history knitting, weldons ltd, handicrafts - history, knitting

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by Weldons and contains knitting patterns for vests.FREE INSIDE:- 3 EASY-to-FOLLOW CHARTS for VEST-TOPS / NEW / SERIES / No. 11 / WELDON'S PRACTICAL NEEDLEWORK / 4D. / KNITTED VESTS / for Ladies and Men / FULL DIRECTIONS for making 13 UP-to-DATE VESTSknitting handicrafts - history, weldons ltd, knitting, handicrafts - history

This pattern book was published by Patons and Baldwins, UK and contains needlework and craft projects, as well as knitting patterns for womens garments.No. 157 / STITCHCRAFT / PRICE IN / AUSTRALIA / 1'-knitting handicrafts - history embroidery, patons and baldwins limited stitchcraft ltd, knitting, handicrafts - history, embroidery

This pattern book was published by Patons and Baldwins, UK and contains needlework and craft projects, as well as knitting patterns for womens garments.No. 164 / STITCHCRAFT / PRICE IN / AUSTRALIA / 1'-knitting handicrafts - history embroidery, patons and baldwins limited stitchcraft ltd, knitting, handicrafts - history, embroidery

From the collection of Bette JonesCream linen antimacassar with mixed needlework - hardanger embroidery, drawn thread. Star pattern main design curved edging with four tassels.handcrafts, needlework

Part of a collection of handcraft and needlework donated by Anne BarryCross stitch embroidery was popular and widely practised during the periods of the 1920's, 1930's and 1940's. It became an art formGreen and white gingham apron, cross stitched in black, yellow, red and orange diamond pattern, with a line of cross stitch at border. One pocket of white with ric-rac edgingcostume, female working

The doiley was worked by Betty Harrison, wife of Don Harrison. It is a sample of cutwork embroidery. The doiley was worked and when finished the pattern was cut out, leaving the centre uncutThe doiley is a part of a handcraft kit sold by Fautleys fancy work shops, and Needlework shops. Needle work such as embroidery was a very popular social activity during that era.Unfinished piece of cutwork in shape of oblong doiley. Brown cotton thread has been worked to shape star-shaped flowers at each end as well as the bordersFautley's Linen-Weft 5 x 11 No. 1863handcrafts, embroidery

Pink patchwork pincushion with darker pink pattern and sides.handcrafts, needlework

Large rectangular linen tray cloth. Drawn thread work and hem stitching. Drawn thread in two patterns, both with woven patterns at each corner. All needlework hand done.manchester, table linen

Tea pot would have been covered with a thick tea cosy and this cover placed over the top as decoration.White teapot cover- semi-circle in shape and doubled. Hand made tatting edging and drawthread. Cut out embroidery of flowers in a basket on one side and diamond cutout pattern on the other.handcrafts, needlework, manchester, table linen

Tea pot would have had a thick tea cosy and this piece over the top as decoration.White tea pot cover - semi-circle in shape. hand made tatting and drawthread edging. Three cut out embroidery patterns with leaves embroidered around them on one side and one example of the sam pattern enlarged on the other side.handcrafts, needlework, manchester, table linen

White cotton cloth - a semi-circle with 9 patterns of embroidered butterflies around edge. Butterfly wings are made of mesh- possibly machine made, but embroidered edging around wings is hand made. It is likely that piece is one side of the tea pot cover.handcrafts, needlework, manchester, table linen

White cotton supper cloth with white embroidered with a wide band of drawthread with needle embroidery at corners. Embroidery has raise pattern,handcrafts, needlework, manchester, table linen

White supper cloth with draw thread work at each corner. Drawn thread inner border in a different pattern.handcrafts, needlework, manchester, table linen

White cotton doyley with drawn thread needlework consisting of thirteen medallions around the edge and centre pattern of sixteen squares.handcrafts, needlework, manchester, table linen

Calico sheet with stencil for making apron. Shape of apron in broken line with stencil pattern for embroidery of mexican donkey pulling flower cart. Attached is a sheet with colour references for embroidery.Semco Fashion Pattern Semco Design K912handcrafts, needlework

Calico sheet with stencil for apron indicated by broken line. Stencil pattern for embroidery of door and two windows, shutters steps and two dogs.Semco Fashion apron Semco design K897handcrafts, needlework

White cotton piece with stencil for Nightdress back, front and cape sleeves. Embroidery stencil of butterflies and flowers. Partially embroidered in pink.Leedon&Bock 845-851 Sydney Road Brunswick 31 bust 36 inshandcrafts, needlework

White linen supper cloth with deep edging of fine cotton crochet lace. White mount mellick embroidery in flower and leaf pattern with lover's knot pattern in corner.manchester, table linen, handcrafts, needlework

White cotton serviette/napkin ring embroidered in blue in flower pattern and blue scalloped edging.|One of a pair - see NA2089 in box 10.manchester, table linen, handcrafts, needlework