These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico bag with yellow and blue graphic text on front.Front: COOK-WELL \ SELF- \ RAISING \ FLOUR \ PREPARED WITH \ PHOSHATE AERATOR \ HENRY BERRY & Co (A/S??Ltd) \ 568 580 COLLINS STREET \ MELBOURNE \ NET 7 LBSwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and red, white and black text. Back of bag shows red and white graphic image of a woman wearing a dress and heeled shoes holding a coffee cup, with red and white text.Front: THREE BEARS \ PORRIDGE \ FLAKED \ OATMEAL \ SOMEBODYS BEEN TASTIN' MY PORRIDGE \ AN' THEY'VE EATEN IT ALL UP \ Jas. F. McKenzie & Co. Pty. Ltd. \ AUSTRALIA \ 7 LBS. NET. Back: MCKENZIES \ EXCELSIOR \ COFFEE \ ESSENCEwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico flour bag with red, blue, white and yellow graphic image and text. Image shows head and shoulders of a woman wearing a bakers hat. Reverse side shows same image with slightly different text.Front: O*SO*LITE \ SELF-RAISING \ FLOUR \ 25lb \ NET \ THE \ FINEST \ FLOUR \ O-SO-LITE \ PRODUCTS PTY. LTD. \ LENNON STREET, SOUTH KENSINGTON \ VICTORIA 13 0261 \ SELF RAISING \ SELF RAISING \ SELF RAISING Back: O*SO*LITE \ SELF-RAISING \ FLOUR \ PREPARED WITH PROSPHATE AERATOR \ 25lb \ NET \ THE \ FINEST \ FLOUR \ O-SO-LITE \ PRODUCTS PTY. LTD. \ LENNON STREET, SOUTH KENSINGTON \ VICTORIA 13 0261wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

Blue and gold tobacco tin which originally contained "Capstan" ready-rubbed tobacco. Inside the tin are pieces of a stamp-making set. Some pieces depict animals, others are letters which can be combined on a plastic backing piece to form a custom-made stamp. One stamp reads "Historical Exhibition Linton Park", another "Easter 1983".On tin: "Medium "Capstan" ready rubbed fine cut tobacco, 2oz. net weight when packed. W. D. and H. O. Wills (Australia) Ltd. Sydney".tobacco tins, capstan tobacco, rubber stamp making set, linton park historical exhibition 1983

Miss Bostock, Foundation member of the EGV, travelled to England and met with The Hon. Rachel Kay-Shuttleworth of Gawthorpe Hall. Rachel "cut" off many pieces from her extensive lace collection which were gifted to the EGV. A Brief History (Information from the work of the late Jean Dudding) About 1812 a French émigré, M. Drago and his two daughters settled in Coggeshall, Essex. Here they hired a room and began to teach the women and small children a method of decorating this net by using a tambour hook. Thus began the making of Coggeshall Lace (sometimes called tambour lace). Tambouring produces a line of chain stitches and originated in the Far East, where the workers used a round frame resembling a tambourine or drum. This they could grip between the knees, thereby releasing both hands for tambouring. Coggeshall workers used a rectangular frame and this type is still used today. Throughout the 19th century this tamboured net lace was made in the tambour rooms and cottages of Coggeshall, and also in the homes of surrounding villages. Lace manufacturers and lace dealers co-ordinated these workers by obtaining orders from London and elsewhere. Sometimes more sophisticated designs were introduced and these would be tamboured by the more proficient workers. Besides the designs, all the necessary net and threads would also be distributed to the lace workers. Liberty & Co., amongst others, were supplied with Coggeshall Lace. The fluctuations in prosperity of the tambour lacemakers were governed by many factors. Fashion requiring flounces and frills gave great encouragement but the invention of chain stitch sewing machines and of machine made laces imitating the hand made article, together with a deterioration in the quality of design meant hard times for the laceworkers. Just after 1900 there was a great improvement in the quality of Coggeshall Lace. This was due largely to the activities of two ladies, the Misses Spurge, who were the chief employers in the district. Their brother William was an art teacher who improved the general standard of design and also introduced some old Italian designs. The First World War resulted in a decline in the making of Coggeshall Lace. The workers found it more profitable to do tambour beading. In the 1930's a determined effort was made to revive the making of Coggeshall Lace, and three handkerchiefs were given to Princess Marina on her marriage (See below). Coggeshall Lace was made into dresses for the Queen, Princess Margaret and Princess Alexandra. This work was undertaken by three very proficient workers in Great Tey. Queen Mary also chose two lace dresses and a teacloth in Coggeshall Lace. It was hoped that this Royal Patronage would encourage a revival of the craft. However the financial return was too meagre and after the Second World War both net and threads disappeared. Today Coggeshall lace is made by some members of the Lacemakers Guild and is taught as part of the City and Guilds course. https://coggeshallmuseum.org.uk/lace1.htm White muslin, with sprays of roses in white satin stitch, surrounded by delicate tambour embroidery known as Coggeshall embroidery. Coggeshall being a town in Essex.embroidery, garments, whitework, england, tambour work, early 18th century

Lambert Ormsby was a New Zealand surgeon who migrated to Ireland. He described his inhaler in a letter to the Lancet in 1877.Ormsby listed the advantages of his inhaler as simple, inexpensive, small quantity required to produce sleep, prevents evaporation of ether, portable and small (can be carried in pocket), short time to complete anaesthesia (two minutes) and safe. Disadvantages of this apparatus were that it had to be removed in order to recharge the sponge with ether or when anaesthesia becomes too deep. Considerable carbon dioxide accumulation developed and there would also be some oxygen lack. In thirty years of use, Ormsby's Inhaler underwent certain modifications, an exhalation valve was fitted to the mask and device for recharging the sponge with ether was later added. The Ormsby inhaler was modified by Carter Braine in 1898 with the aim of making it easier to clean. Essentially it is very similar except there is no net around the bag.The inhaler consists of an india-rubber flexible bag enclosed within a net bag to limit expansion. There is a soft metallic mouthpiece with india-rubber tubing around the edge. The tubing had to be purchased separately from the manufacturer. The body contains a wire cage with a similarly shaped hollow sponge into which ether was poured.Maker's details inscribed into metal ring around the bore: Barth Co. London.ormsby, new zealand, carbon dioxide, carbon accumulation, carter braine, portable

Sepia small format photograph showing fisherman in fishing boat half full of salmon. He appears to be making the boat fast to the jetty. Fishing net piled on stern and four oars in boat. Lakes Entrance VictoriaR Glearn (on reverse)fishing industry, boats and boating, fish, jetties