Black and white bound photocopy of the 1955 yearbook. Has a wavy stripe across the lower section of the cover page with a WHS logo overlayed over the top under 1955, with KORRUMBEIA written vertically along the left side of the page.

Stawell Shire Hall built 1866. In this black & white photograph of the Shire Hall a white panel can be seen over the top section of the doorway to the building. Stawell Shire Hall built in c 1866. This black and white photograph shows just the front of the building with a white panel over the doorway. A small shrub on the left of the pathway behind the decorative fence.c 1937.stawell

A lace head dress belonging to the women of the family of George Ward Cole’s in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn cream lace cap from late 1800s. A silk satin ribbon that encircles the back of the crown of the head, creates the structure of this cap. Towards the front it also has a net and wire-reinforced peak. Over the top of this support is a central diamond shaped lace piece of seven and a half centimeters diameter to which is attached a fine lace net that is gathered and stitched around the edge of the central lace. Two decorative bows of the same silk satin fabric are positioned on the support over the top of the lace at either temple of the wearer. "W-COLE" hand stitched on inside of band. It is unknown when and by whom this inscription was made.st ninians, george ward cole, headwear, late 1800s, brighton, margaret morrison ward cole, agnes bruce ward cole, thomas anne ward cole

Hat, yellow coloured with brim, cotton & polyester fabric with black / blue / white / green emblem printed on front. Emblem has black print, white dove over the top of a green island shape and has a blue round background. Handwritten black felt tip pen: “TJM” Printed label inside brim: “The Hat Belongs To ...... Phone No ...... 65% Polyester 35% Cotton” Size L Made in China Washing Instructions Gentle Hand Wash in Luke Warm Water Air Dry Lying Flat on a Toweluniforms - military - army, costume - male, headwear, passchendaele barracks trust, peace monitoring

The card is significant because it demonstrates linkages between the families of the Lara RSL (the McIntyre's and the Lang's). A small envelope addressed to Mrs J McIntyre with a card from Mr and Mrs Alex Lang and family. On the envelope is a red 1 penny postage stamp, and over the top of this is a blue ink stamp that has worn away (it looks as though it says Cororooke). On the envelope, hand written: Mrs J. McIntyre 'Elcho', Lara On the card, typed: Mr and Mrs Alex Lang and Family desire to return sincere thanks for your kind expressions of sympathy in their recent sad bereavement. 'Montrose' Cororooke. letter, condolences, first world war, wwi, ww1, world war one

A cream, padded and quilted, satin cushion cover. The front is hand-painted with pink, red, purple and yellow flowers and green leaves, with a blue and green bird in flight over the top. It has cream braid edging and a cream satin bow at the open side.covers, cushion covers

Harriett Wilson was the wife of William Wilson, an active member of and preacher with the Linton Methodist congregation. This is one of two photographs of Mrs Wilson in the collection. This one appears to have been taken earlier than the other. The other photograph is Registration no. 480 (Box 14, also Mounted photograph 21), and shows a somewhat older Mrs Wilson, although Mrs Wilson is wearing the same dress in both photographs. An inscription on the back of the photograph says that this photograph was given by Mrs Wilson to F. Bryant on December 16, 1890. Mrs Wilson died in a fire in 1900 and is buried in Linton cemetery. See notes in Wilson family file.Small sepia photograph of a woman with hair drawn back from face, wearing a long-sleeved, full-skirted gown with beaded detail on bodice and white collar, seated with left hand resting on lap, right arm crooked on back of a chair, holding a book in her hand.In faded pencil on reverse of photograph: "James / Wilson / Linton / Given by Mrs Wilson / to F Bryant Dec. 16, 1890". Written in darker pencil over the top of this: "Mrs Wilson / (Granny)".mrs w. wilson, harriett wilson ("granny" wilson), old lintonian collection

items issued to John Raymond Bruns VX88627, refer Cat No 5592 for his service history. The RSL badge has a clip over a top crown with the numbers "88" meaning a financial member for 1998.1) Badge, Returned from Active Service, brass depicts a Rising Sun, crown, wings, anchor and boomerang, rear has two lugs and stamped. .2) Badge RSL Membership, shows three central figures on a plaque style shape, white, gold, red & blue colours, rear has one lug with a pin through, rear is stamped..1) On rear, "A 32763" .2) On rear, "48617", "Badge remains property of the league"badges, rsl, ras, 2nd 38th

Badge issued to Murray Stanley Metherall AATTV. Refer 590.2.Badge, brass, boomerand over top, crossbow under with scroll at base. Pins and clips for clothing attachment.“AATTV-Persevere”badges, aattv, vietnam

Two stickers from 86 TPT with blue and yellow diagonal background and 86 in white over top8686 transport platoon, stickers

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Freeform, heavily-potted earthenware vase, initially covered with a semi-transparent maroon glaze with a secondary green glaze applied over the top and allowed to drip over parts of the ground colour. The interior and foot of the vase are glazed in cream. The artist has signed her name to the base.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola annie ayling, viola annie mcvicars

Belonged to the donors grest grest aunties ( there were four who lived together in Brighton, Sutherlands). One of them accompanied Melba on Cello. The program has since been passed down through the family..1 Grey booklet with circle cut out of the centre of the frontcover, an image of Melba printed on the first page is placed underneath the circle. The first page and last page contain advertising, the main pages detail the operas Melba performs in. .2 Cut out newspaper article placed between first two pages entitled 'Melba Leads Off' .1 Printed in Navy blue ink front page 'STORIES / OF THE OPERAS/ MELBA/ OPERA SEASON/ PRICE, SIXPENCE' .2 Inscribed u.r. corner in pencil, then blue ink over the top: 'april / 1927'melba, nellie (dame), peforming arts, opera, otello, la boheme, la traviata, samson and delilah, faust, aida, rigoletto, lucia di lammermoor, carmen, madame butterfly, la tosca

A wooden coaster with the Carols by Candlelight logo of two candle adult shaped figures stand beside a smaller candle child shaped figure, with the words 'RVIB Carols by Candlelight' arching over the top of the figures and 'Qantas presents' above this.1 round wooden coaster with inscriptionQantas presents RVIB Carols by Candelightcarols by candlelight, royal victorian institute for the blind, fundraising

Images collected by donor for Williamstown High School archives and scanned by Lindy Wallace for Botanic Gardens archiveThe images demonstrate the social value of the Gardens to the local community and how they used as a place for meeting, playing and celebrating with friends and family. Image 2014.007c also demonstrates the changes over time to the Gardens structures: for example when the gates and fence was painted white. Colour image of approximately 18 children sitting in front of and drawing dates of the Gardens. Most have blue jumpers on over the top of their light blue school uniforms. The gates, posts and picket fence are painted white. They are students of Williamstown High School Art Class. The name of the teacher is unknown. williamstown botanic gardens, hobsons bay city council, williamstown high school

The Kangaroo Hoppet is Australia’s premier long distance cross country ski race, and a member of the Worldloppet series of international cross country ski events. The first race at Falls Creek was held in 1979 under the name of “Australian Birkebeiner”. It was a 21km race with about 80 participants organised by the Birkebeiner Nordic Ski Club of Mount Beauty. The course started and finished at Falls Creek Alpine Resort and took participants out into the Bogong High Plains. After running the event for 10 years, it was decided they should become part of the Worldloppet series of marathon ski races. Representatives from the Birkebeiner Nordic Ski Club and the Australian Ski Federation attended the Worldloppet Annual Meeting in Finland in June 1990 to put the case for the acceptance of an Australian event into the Worldloppet series. Before being admitted, they had to demonstrate that the Birkebeiner Club could run a world class event, so three months later in August 1990 a 42km event named the Australian International Ski Marathon was held at Falls Creek together with a 21km Birkebeiner race and a 7km event called the Birkebeiner Lite. The event was approved by delegates from USA, Norway and Austria, in 1991 Australia became the 12th member of Worldloppet, with the condition that there had to be a name change. After some late night discussion allegedly involving red wine from North East Victoria the main event became the 42km Kangaroo Hoppet, with the minor events being the 21km Australian Birkebeiner, and 7km Joey Hoppet. In the winter of 1991, the first Kangaroo Hoppet was held. It was a great success and has been a regular fixture on the international ski calendar ever since. It features the main 42km event as well as a 21km event and a 7km event. The Hoppet brings the Australian snowfields to an international audience. In 1996 the Men's Winner was Johann Muhlegg from Germany in a time of 1:28:00. The winner of the Women's event was Hanne Lahtinen of Finland in a time of 1:46:50.This poster is significant because it documents an event which brings international attention to Falls Creek and the surrounding region.A large poster with an image of Kangaroo Hoppet competitors with a cauldron of flames superimposed over the top. A title is written in the top half of the poster. The logos of QANTAS, Southern Hydro, Holden Jackaroo, Worldloppet, Holden Fontera, Alpine Resorts Commission Victoria and the Birkebeiner Nordic Ski Club are across the bottom. In top half: AUSTRALIA'S WORLDLOPPET SKI RACE/ KANGAROO HOPPET 31st AUGUST 1996, FALLS CREEK, VIC / 42KM, 21KM, 7KM. At the bottom beneath logos: Phone: (057) 54 3103 Fax: (057) 54 4475 P.O. Box 400 Mt. Beauty 3699 Australia Photograph by Nick Ivancokangaroo hoppet, worldloppet events, falls creek, mt. beauty

Item in the collection relating to Edward Judd, refer Cat No 7410 for his service details.1.& 2. Chrome plated, moulded iron stirrup. It has the arch over the top and twin base 'rails' for under foot. On top of arch is a slot of 3.5 cm wide, this is for the belt. Leather belt and buckle for the stirrup. The belt is 2.5 cm wide and 5mm thick. The buckle is chrome plated iron.horse equipment, saddlery, stirrups

This hat was sent home to Laanecoorie, from Malaya, in 1941 by Driver Cyril John Johnson VX36298, 1 Coy A.A.S.C whilst a POW. Cyril enlisted in the 2nd AIF on 17.6.1940 age 22 years 2 months. Posted to 8th Div Petrol Coy Seymour 25.7.1940, hospital 12.8.1940 with Mumps, rejoin unit 31.8.1940, embark for overseas 2.2.1941, disembark Singapore 19.2.1941. He is listed as missing on 16.2.1942 and later listed as POW in a Thai Camp no date. (He was on the Burma Railway) Last entry on his records states Presumed to be dead 12.9.1944 SWPA. (South West Pacific Area) He with hundreds of others were on the Japanese prison ship Rakuyo Maru to Japan when it was sunk by an American submarine. The hand written signatures on the hat include high ranking AIF Officers, major local Officials and dozens of 8th Division AIF soldiers. British pattern Pith Helmet, khaki coloured cotton cloth with brown leather strap over the top. Large quantity of hand written names on top. Inside rim has green felt lining. Dome section is plaited red silk with manufacturer's label at crest. Hat band is brown leather.On top written in pen & ink: Many army numbers & names of soldiers and some dignitaries.. On top written in ink: To Dad etc from Cyril.military equipment - army, costume - male headwear

Black painted tin rectangular in shape with two hinged coloured filters at the front (red and yellow). Also a hinged piece of tin at the top which can be lowered over the top of the front filters. Small cylindrical chimney on the top. Regulator dial on the side. Round metal area inside to place candle inrailways, signal lamp, lantern

This dress and bag belonged to Mrs Edith "Dot" Paroissien (nee Jackson, born 1916), who lived in Brighton with her husband David William Paroissien. The dress was purchased from Croyde, a Melbourne designer who had a small boutique shop in Collins Street near the Block Arcade, and the bag was bought for her in London by David. Dot recalled wearing the dress in the 1950s, in particular to a ball at the Royal Exhibition Buildings for Wesley College. She wore it with suede shoes with a medium heel with straps across the instep and long white kid gloves, and accessorised with a baguette choker and drop earrings.Black silk satin sleeveless full-length evening dress. The attached bodice floats over the top of the under-dress. Asymmetrical opening on bodice which features five large flat self-covered buttons. The black suede bag has chrome fittings and buttery cream coloured satin interior. .1 dress - Label, woven black on white acetate centre back: CROYDE / MELBOURNE .2 - bag - Label, printed, black on cream acetate, interior pocket: Susan / HANDBAGS / LONDON; Label, printed, copper on black metal, interior pocket: MADE IN ITALY / FOR SUSANevening dress, croyde, melbourne fashion, melbourne designers, handbag, royal exhibition building, 1950s, edith violetta paroissien, edith violetta jackson

Worn by Elizabeth Goodwin of Liverpool, England, who married Horace Book at St Andrew's Church, Brighton in 1921. The fabric was purchased by her father, a ship's captain, when he was in China. The bride had her dress made in Liverpool and made to a Butterick's pattern. Elizabeth was very active in public life and a well-known member of the Book family. Wedding dress made from cream silk purchased in China. The bodice is made of fine silk embroidered tulle with a vest of cream silk that floats over the top. The skirt has been permanently pleated, has has floating side panels of tulle and features a large butterfly-shaped bow at the back.wedding dress, silk, 1920s, elizabeth goodwin, horace book, st andrew's church brighton, brighton

Set of two black and white photographs - .1 - showing a PCC truck or bogie at Preston Workshops, possibly at the time that 1041 was being prepared for service, as it used the trucks or bogies from tram 1980. .2 - showing the PCC Truck or bogie with a MMTB No. 15, suspended over the top of the PCC truck as a comparison.trams, tramways, preston workshops, minister for transport, bogies, trucks, tram 1041, st. louis b3, 15 trucks, mmtb, pcc class

NoneDiptych prints of a nude woman reclining on her right side. Her right hand is curving up to wrap over the top of her head. Her left arm is behind her body, out of sight. A darker area at the base of image indicates a blanket on which she is reclining. Background is featureless.Front: Artists proof E.D.6 (lower left) "Reclining nude" (centre) B. Oag (lower right) (pencil) Back: (no inscriptions)nude, female artist, women, women artist

This dress belonged to Nola Jennings, a long-time Brighton resident. Bindi of Melbourne was the youth label of Australian commercial fashion house Len Vogue.Long-sleeved crimplene dress (.1) with white bodice and short purple skirt. High collar, cuffs and waist have a purple and yellow checkerboard-patterned trim. Four self-covered buttons down the centre front of skirt. Zip at back. Long purple tunic vest (.2) worn over the top.Label in both dress and vest, white with black text: "Fashioned for / Bindi / of MELBOURNE" Two smaller labels at bottom: "SIZE 10 / TO FIT / BUST 32" / HIP 34"" and "CRIMP TERY. / C 145 4".nola jennings, 1960s, bindi of melbourne, len vogue

Item relates to Gilbert Turner MM, No 1410 45th Batt AIF. Refer Cat No 1038 for his service details.Lapel badge, Rising Sun depiction, crown over top, scroll under, pressed blackened brass, 2 lugs on rear."Australian Commonwealth Military Forces"numismatics - badges, miltary, rising sun, turner

Item relates to Gilbert Turner MM, No 1410 45th Batt AIF. Refer Cat No 1038 for his service details.Lapel badge, Rising Sun depiction, crown over top, scroll underneath, pressed blackened brass, 2 lugs on rear" Australian Commonwealth military forces."numismatics - badges, military, rising sun, lapel, turner

Gannet in flight over seascape. Blue and white checks form an abstract background in a little over half the top area of image.Front: 7/25 (lower left, pencil) Lawrence Rocks and Point Danger from Crumpets (lower centre, pencil) Mayor of Portland (lower left, blue stamp) Back: Portland Proclaimed a City October 28th 1985 (lower centre, blue stamp) Minister for Local Government (lower right, blue stamp)

Garden Hill burnt following bush fires - most likely the 15-16 Jan 1962 fire A helicopter can be seen flying over the top of the hill Eltham Shire Council purchased this property in the early 1970s and it has now been incorpoarted within the Shire of Eltham Memorial ParkRecord of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.1962, garden hill, kangaroo ground, shire of eltham memorial park, victorian bushfires - 1962

This container is one of high quality and would have been found either in a bedroom containing small articles belonging to a woman or in an office or parlour containing small items used by the householder. The container would have been a relatively expensive item to purchase. This container has no known local provenance but it is a very attractive item from times past and one not common even when first purchased. It will be useful for displayThis is a round silver container with a plain base and the sides heavily-impressed with patterns of flowers, fronds and tendrils. There is an oval blank space on one side to insert a name or inscription. The lid is a detached one that fits over the top of the container. The lid has a curved top with the same impressed floral patterns. The name of the maker is on the base but it is difficult to decipher.‘quadruple plate’ Torun (?) …Company household items, history of warrnambool

Candles were the main source of lighting during the Colonial era. The candles were made at home from tallow, or animal fat, which was readily available and inexpensive. The tallow was soft, often had an unpleasant smell, band burned with a low, quickly fading light. Beeswax candles could be bought ready-made and lasted longer when lit. Bayberry wax could also be made into candles but was the process was labour intensive and time consuming. Spermaceti was from whale oil, a growing industry in the late 1800's, made firmer candles. Around this time wooden candle moulds were invented and uniform size and shape candles could be produced using the spermaceti wax. The candle mould is significant in the evolution of household lighting. It was an asset to the 19th century homemakers, allowing the production of their own candles in a uniform size. Candlelight allowed for the extension of time available for duties.Candle mould of tinplate for one dozen (12) candles. The tubular moulds stand upright, three rows of four, in a fitted tray. Another concave tray fits over the top ends of the moulds and has a hole above each of the candles, which is used for filling the moulds with melted wax. Ends have wire-reinforced edges.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, candle mould, candle making, lighting, candles, tallow, beeswax, bayberry wax, spermaceti was, whale oil, candlelight