Negative of a man beside a building, standing beside heaped drums of a chip like material. Also in the picture are heaps of wood.sciences, bill ashman collection - correspondence, negative of a man at a building

Two identical photos of Stawell Baptist Church 1870. Examples of Baume's Photographic work. One photo is more faded and has names Davies and Wm Anthony on the back. One of the two people standing outside the picket fence in front of the Church has a top hat on. Two identical photos of the front view of Baptist Church. There is a tall picket fence in front of the church with two men standing beside the fence. Photo taken by J Baume Portrait Rooms, Reefs Pleasant Creek c. 1871J. BAUME, Portrait Rooms, Reefs Pleasant Creek. No... Copies can be had by sending Names and Numbers. Davies & Wm Anthonystawell

Slide. Bendigo Views. Mullock heap and shrubs.slide, bendigo, bendigo views, bendigo views

Three colour images of Hancock's Heap, Moonta.moonta, hancock's heap

Three colour images of Hancock's Heap, Moonta.moonta, hughes engine house

The Skylark 4, the final in the Slingsby Skylark series, dates from 1961. The design heralded a trend towards the use of plastics in the construction of gliders. Slingsby incorporated GRP (glass reinforced plastic) panels to achieve a streamlined fuselage nose and cockpit area while retaining the more traditional wood techniques for the rest of the aircraft. Another notable feature was the smooth wing surface that was obtained using a Gaboon ply skin across the ribs. Best glide performance of 1:33 was found to be comparable with the early full GRP glider designs. The Museum’s example (VH-GTB – C/N 1382) was built in 1963 and originally owned by Chuck Bentson of the UK. It was brought to Australia in 1967 by Jeremy Picket-Heaps and flown at various places including Benalla, Cooma and Gundaroo. In 1970 the glider was transferred to the New England Soaring Club. Many flights were made from Armidale and Bellata in Northern New South Wales. On one occasion, the glider was kept aloft for 8 hours 45 minutes and on another the pilot took it around a 500 kilometre triangle in nearly 8 hours. In 1980 it was sold to Ralph (“Feathers”) Crompton and was flown extensively in South Australia until 1988. The final owner before the glider was given to the Museum in 2004 was Ross Dutton of Melbourne. The last recorded flight occurred in 1992. The glider at that point had logged over 2000 hours flying time from about 2000 launches. The airframe is currently being restored to flying condition. Technically this aircraft represents the state of the art at the stage that sailplane design was changing from traditional wood construction to composites (GRP) The Slingsby Skylark 4 is high wing single seat sailplane of mainly wooden construction with plywood and fabric covering. However, the cockpit and forward part of the fuselage consists of glass reinforced plastic which was innovative at the time that the type was designed. The cockpit provides for a semi reclining position for the pilot protected with a full Perspex canopy. The wings are made up of a centre section with constant chord and tapered wing tips. The aircraft has a conventional arrangement for the tail stabiliser / control surfaces. The sailplane bears construction number 1382 and is registered in Australia as VH-GTBaustralian gliding, glider, sailplane, skylark, slingsby, bentson, picket-heaps, crompton, new england soaring club, dutton

Robson & Gray Monumental Yard, Lower Main Street Stawell. Photo shows monuments, cranes and nine employees behind wooden picket fence and gate. Timber weather board buildings either side of photograph. Note Grampian Freestone and Granite gutter at front. Notes: Francis Watkins started the business which was later, during 1897 sold to two employees, George Henry Robson and George Gray. Robson & Gray carried on the business until 1923 when their partnership was dissolved. Since then the business has traded as G.H. Robson (1923 - 46) G.H. Robson and Sons (1946 - 58) and G.H. Robson and Sons, Pty Ltd. since 1958. Later to trade as Waites. Robson.Black and white photograph of a monumental mason's yard. Nine employees behind a wooden picket fence and gate. Footpath and gutter in foreground.Robsonstawell industry

A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State Of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of an original plan by George Watson and John Henry Harvey, architects of the Department of Public Works (Victoria), in 1887 for New Public Offices at Kew. This plan was copied by the donor from an original held at the Commonwealth Archives in Brighton (Vic). The copy was made to illustrate a report that the donor made on ‘The functional planning design, building materials and construction methods of the Kew Post Office’ as part of course work at RMIT.PICKET FENCE & GATES / SCALE 4 FEET TO ONE INCHkew court house, kew police station, kew post office, architectural drawings, khs - slides, new public offices -- kew (vic.), architecture — queen anne style

Slide. Bendigo Views. Heap of stone for the additions to the Cathedral.slide, bendigo, bendigo views, bendigo views

Brick Anglican Vicarage in Main Street purchased 1923 surrounded by trees and with picket fence and gate. In 1923 the house on the west side of the Church was purchased to be the Vicarage, the former Vicarage in Stawell West being sold. In this same year electricity was connected to the Church, the Hall and the Vicarage. The organ which had been hand pumped till then was fitted with and electric blower. This photo is a copy off a loaned postcard. The dwelling was purchased by the Anglican Church 1923, the former vicarage in Seaby Street being sold. The Spire in the background is St. Matthews Presbyterian Church. The vicarage is now demolished and replaced by a new building.Black & White photograph of a scene depicting a brick dwelling with veranda right hand side and a church spire in the background. Trees surrounding the building. A picket fence with gate and footpath in foreground.stawell religion church

Sloane's & Scotchman Mining Co remains with collapsed Poppet Head and Engine Mounts.Derelict mine site with engine housing brickwork and Mullock heap. mining

Postcard original Congregational Church Scallan St. Stawell with picket fence and double gateway. Postcard No 21. The church in this photograph was built in 1874 and opened on Sunday September 13th. The Rev. S.C. Kent, of Melbourne was the Preacher. The building was intended to accommodate 250 people. The cost, exclusive of the land was 800 pounds. The building was designed and supervised by Rev J.G. Wilson. The Church was the first to be lit with gas in Stawell. Note gas light on the porch. This building is now used by the Lutheran Church.One post card of a church with 3 enlarged photos of the post card. The image is the Congregational Church in Stawell. The church is brick with a picket fence and double gateway with a black dog lying beside the gateway. Enlargements donated by Congregational Church.Congregational Church Stawell 21. (On the back) Empire post card real photograph by T. R. G. Williams Araratstawell

The lake was built in 1904, during the curatorship of Mr Thake. Lee Heap Furniture Warehouse of Williamstown used the postcards to advertise. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.Sepia image of the ornamental lake and part of the Curator’s Lodge in the background on the left side of card. The small island with a succulent is in the centre of the image with a similar plant on the right side of it. The water is edged with rocks. Reflections of the plantings and lodge can be seen.Front: ‘The Artificial Lake, Williamstown Gardens. Vic.’ ‘0457/3’ ‘THE CROWN STUDIOS, SYDNEY’. Reverse: Centre top ‘POST CARD’ with a logo in the middle of the words. Left top corner a drawing of an artist’s board and brushes with a camera in the centre. Left side ‘MESSAGE ONLY.’ Right side ‘ADDRESS ONLY.’ Top right corner inside a dotted rectangle ‘STAMP HERE’. Bottom on card ‘BY THE CROWN STUDIOS, SYNDEY.’ Under the vertical line down the middle line ‘Neither the Address not the Message must cross this line’. In ink ‘With Compliments from’. An oval stamp with scalloped rim ‘LEE HEAP FURNITURE MANUFACTURER’ inside inner oval ‘FURNITURE WAREHOUSE, / WILLIAMSTOWN’.postcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, ornamental lake, crown studios, lee heap furniture warehouse

Salvation Army Barracks Main Street Stawell. Weatherboard building part roof corrugated iron - remainder wooden shingles. Picket fence in foreground. Large group of people standing and seated on the footpath. The original Salvation Army Barracks is now at the rear of the present Citadel a red brick building. Stawell Corps was opened in the year 1884 in the month of May. The first meeting was conducted in a Church but afterwards the old market (area present Library) was secured for meetings. Captain Furbur and Lieutenant Quick were the first officers appointed. Photograph of a weatherboard building with a group of people standing and sitting in front of a picket fence. Part of the roof of the building is corrugated iron - remainder wooden shingles. The group of people standing and seated on the footpath, are a mixture of adults and children, some in uniforms, women in long dresses. Salvation army Barracks above the building door. Written in handwriting Stawell Barracks Mrs. R.J. Reeve.stawell religion

Black and white photograph. Poppet head, trestleway in background. Small mullock heaps in foreground.place, mining site, nell gwynne mine

THIS PHOTOGRAPH WAS TAKEN AT EASTER CENTENARY CELEBRATION 1939ORIGINAL PHOTOGRAPH, STATION FLAT CLUNES, INCLUDING PORT PHILIP MINE WITH SAND HEAPS.STATION FLAT CLUNES 1939local history, photography, photographs, clunes township

These 2 photos are of Orbost men who were part of the 13th Light Horse volunteer regiment. This military training activity continued on after W W I. These photos were taken at the training camp at Seymour, Victoria. The Orbost troop would journey to other areas for training, sometimes to Bombala, and also practice on the Orbost Rifle Range. Although not identified in these photos, George William Wraight was a leader of the Light Horse Troop in Orbost and it is his daughter Dorothy Hepburn who has donated these photos. George W Wraight was the railway-station master at Orbost from 1935. The Troop often met at the Wraight house in Tarra Street, Orbost for training. George had been in W W I in the Middle East with the Light Horse. While at the railway station at Orbost, George had an accident and suffered 2 broken legs which meant that he could no longer work there. During W W II, he worked as a recruiting officer at Sale and Warrnambool. The Troop was disbanded in the c. late 1930s.Shows evidence of military training activities, Orbost district Two sepia photographs onto grey card. Both photos show a line-up of 20 soldiers standing at attention. Size is H-22cm W-34cmIn Line Picket 2 Troop C Squad 13 LH - written on to both photos13th light horse brigade, c squad 2 troop, military training, george w wraight

Part of a collection relating to the Parkin family. Slum dam is the same as slime dam or tailings dam.Black and white photograph of an area of disturbed ground with buildings, horses and a large mullock heap in the backgroundOn back of photo: "Slum Dam 1937" "Great Southern where tip is now 1986"slum dam, gold mining, tailings dam, mining industry, great southern

One of two sepia coloured photographs, photocopied on A4 paper. Photographs copied either way up. Each has a typed caption.Caption: "Gravel heaps at grid 575-602 of Chiltern Valley No. 2, Gold-Mine"chiltern valley, mining industry, gold mines, gold mining

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Representation of trees behind a picket fence.Signature bottom right hand cornerbookplate, keith wingrove memorial trust

This postcard was possible one that was sent to Florence Iggsten by her father when she was quite young and visiting Melbourne (judging from the comment about her ride on 'Jumbo')Black and white postcard showing a photograph of the buildings, structures and mullock heap at the Great Southern Gold Mine.Written in ink at the bottom of the photo: "Great Southern Gold Mine -- Rutherglen" On back of card is written a message to "My darling daughter" from "Daddy" In top right corner where stamp would usually go is an oval rubber stamp: "District Agent, Rutherglen. G.A. Iggsten"great southern, gold mines, gold mining, iggsten family

Colour photographs of the mullock heap associated with the Defiance Company Gold Mine near the bank of Lake Daylesford. lake daylesford, defiance mine, mullock heap

Black and white photo of car in front of sand heap. Possibly New Monument Gold Mine battery sands.photograph, landscape, mullock and sandy heap

Slide. Bendigo Views. Additions to the Cathedral. Picture of partly constructed walls, scaffolding, a crane and some heaps of bricks.slide, bendigo, bendigo views, bendigo views

The Sunbury bakery which was in O'Shanassy Street was demolished in the 1970s to make way for newer retail development. Bakery Walk off O'Shanassy Street defines the vicinity of the former bakery site.A black and white photograph of a demolished bakery. Two men standing above the oven on the RHS with a heap of rubble in the foreground.bakeries, bread making, bakery walk, george evans collection

Colour photograph of the interior of the Common School after floor was removed. Heaps of debris and large white ant nest.On back of photo: "White ant infestation, Common School"common school museum, renovation, buildings, termites, white ants

Colour photograph of interior of the Common School after floor was removed. Heaps of debris and large white ant nest.On back of photo: "White ant infestation, Common School" At bottom right of photo: "21 3 '03"common school museum, renovation, buildings, termites, white ants

Murray Comrie Collection. This photograph is a reasonable copy created from an older original. A black and white negative image depicting workers at a mine at or near Tarnagulla. Mullock/tailings heap behind group.tarnagulla, workers, mining