A tourist brochure showing information for travel to Marysville from Melbourne and accommodation venues in Marysville. This brochure was published by the Victorian Railways Public Relations and Betterment Board in November, 1958.A tourist brochure showing information for travel to Marysville from Melbourne and accommodation venues in Marysville.marysville, victoria, australia, marysville hotel, the cumberland, kerami guest house, kooringa guest house, marylands guest house, mary-lyn guest house, marysville chalet guest house, marysville house guest house, mt kitchener guest house, lake mountain, mckenzie tourist services, melbourne, great dividing range, cumberland valley, white mountain ash, eildon weir, alexandra, acheron way, warburton, victorian government tourist bureau, victorian railways

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Letterhead for GO THERE, Public Relations in a Newspaper. The address is 112A Armstrong Street South, Ballarat 3350. This is the same address for Zilles Printers.White page with red printGO THERE - Address and postal informationzilles printers, ballarat, go there

Victorian Railways Centenary 1854-1954 100 years of service booklet. Printed in glossy paper, page 1 contains article of 'condensed from a history of the Victorian Railways' which compiled by L.F. Harrigan. The contents include topics of Early private railways (1846-1878), The Melbourne and Hobsons Bay Railway Company - Gala opening, The Victorian government railways four periods of time (during 1856-1864, 1865-1911, 1883-1954, 1950 -1960). Photos inside include the seal of the Melbourne and Hobson's Bay Railway Company, South Yarra station 1874, opening of the Geelong and Melbourne railway June 25 1857, a hotel advertisement of 1857 featuring the Geelong and Melbourne railway - showing 'the British hotel Corio St Geelong, Spencer St station in 1872, the Taradale viaduct, on the Bendigo line in 1864, Harcourt station in 1865, Spirit of Progress, train on the Gembrook line. 1908 steam trains between Flinders St and Richmond the first electric train in Australia on a test run 6.10.1918, moving wheat by train 1901. The aircraft fuselages at Newport workshops during WWII, Bren gun carrier. Newport workshops at Queen Elizabeth Spencer St station 1954. The newsletter published by the Victorian Railways Public Relations and Betterment Board by the direction of the Commissioner.book, magazine, victorian railways, victorian railways / compiled by l.f. harrigan / -the melbourne and hobsons bay railway company - gala opening / south yarra station 1874 / published by the victorian railways public relations and betterment board by the direction of the commissioner

A green and white magazine titled ' Your Railways Today and Tomorrow.' Based on an address at a symposium 'Linking the Horizons' by E. H. Brownbill, Chairman of Commissioners, Victorian Railways. Published September 1961 by the Victorian Railways. 12 pgs. photos. Inserted within the magazine is a brief historical survey on ' How Victoria's Railways began and developed.' Significant dates from 1852 to 1962 from the Public Relations and Betterment Board Railways Administration Offices, Spencer Street, Melbourne, C.1.transport, railways, history, lydia chancellor collection, collection, trains, australian railways, victorian railways

Index, bibliography, notes, ill, p.271.non-fictionIn 1941 in the midst of the British military defeats in Greece and the Middle East, a bitter conflict was taking place between two of the most charismatic leaders of the time. Robert Menzies and Winston Churchill were engaged in a war of polite public faces and behind the scenes lobbying and manipulationaustralia - foreign relations - great britain - 1939-1945, world war 1939-1945 - diplomatic history

p.390.fictionDonkey Simpson, a typically naive young Australian, thrust into uniform by his country, sets out on the adventure of a lifetime -- or so he thinks. But Vietnam is not what he expected. It's a horror story. It's a story over which he has no control, at first a 'typical Army stuff-up' which wrenches him this way and that, like a puppet soldier on a string, and then something far more dangerous and sinister threatens to destroy him -- but who's pulling the strings? This is the story of Simpson and his mates, caught in a war between powerful ideologies which none of them understood. They walk the fine line of sanity, swinging wildly between love and hate, pathos and humour, patriotism and treason, life and pointless death. Donkey Simpson's story is centred around the Public Relations Office of the Australian contingent, and a spy in the nearby Intelligence Office -- a spy of unclear loyalties, working for the South Vietnamese allies, working for the enemy, or working only for survival? The novel has its ugly aspects -- most soldiers' lack of respect for the Vietnamese, whether ally or enemy, the callous disregard for human life, and the treachery practised on both sides. Collapse summary vietnam war 1961-1975 - fiction, vietnam war 1961-1975 – personal recollections – australia

The Victorian School for Deaf Children continued an interest in the latest research and information on the education of deaf children. Various reports from the 1969 to 1974 relating to the education of deaf children. Black hard cover magazine cover containing various reports separately bound. 1. Reynolds report 1969 - Observations of Educational programs for hearing impaired children in the U.S.A., England & Russia. 2. Houston report 1970 - Report on Review of Fundraising and Public Relations Activities by Henry Houston, Fund raising consultant. 3. Dawson report 1972 - 'Let the Accent be on Ability' by Shirley Dawson. 4. Rawlings report 1974 - 'The Decade in Review' - the VSDC and the PEKD by Brenda W. Rawlings. Inside front cover: "REYNOLDS REPORT…1969/HOUSTON REPORT…1970/DAWSON REPORT…1972/RAWLINGS REPORT…1974" deaf children australia, dca, victorian school for deaf children, vsdc, deaf education, henry houston, shirley dawson, brenda w. rawlings

These copies acquired August 1999 from Public Relations.b/w x 56 photos used in Emma Russell's book "Bricks or Spirit? The Queen Victoria Hospital Melbourne", Australian Scholarly Publishing, Melbourne 1997

On 13/4/1954 Prime Minister Menzies told parliament of the detection of Vladimir Petrov and his wife Evdokia to Australia from the Soviet Embassy. Menzies established a Royal Commission on Espionage (RCE) to enquire into and report on Soviet espionage in Australia. This item is a "Press Pass" held by Gavin K Cook and issued by M. Brne (Gov.t Public Relatons Officer).ROYAL COMMISSIUON ON ESPIONAGE / No. 111 / 1954 /The bearer 'Mr G Cook" / of "The Sun-Pictorial, Melbourne, / whose signature appears below, is an ac- / credited press representative. / (Signed: M.W. Byrne / Government Public Relations Officer.royal commission on espionage, 1954, gavin cook, sun-pictorial, melbourne, press pass

Reverend Tom Houston Executive Director of the British and Foreign Bible Society was in Australia to conduct seminars for the Society and the Evangelical Alliance.B & W head & shoulders gloss photograph of Rev. Tom Houston.C&N 30/11/1977, p. 16. The Reverend Tom Houston The Bible Society in Australia National Public Relations Department PO Box 507 Canberra City ACT 2601tom houston, executive director, british and foreign bible society, evangelical alliance

"A landmark history of Indigenous Australia which accompanies a major nine part Australian television series. It combines the most rigorous academic research with capitvating contemporary story-telling. Richly illustrated book that includes images of the landscape, evocative ninteenth-century photography and Aboriginal art. Written by Australia's leading Indigenous historian and public intellectuals"--Provided by publisher.maps, document reproductions, b&w illustrations, colour illustrations, colour photographs, b&w photographscolonisation, race relations, australian aboriginal history, pictorial histories

John Ward was a Senior Journalist with Church and Nation. Educated at Scotch College he joined the Sun News Pictorial as a cadet and graduated to senior rounds work. After ten years he joined industry as a public relations practitioner and advertising photographer eventually moving to freelance marketing consultancy. He holds an Associate Fellowship with the Australian Institute of Marketing.B & W waist length photograph of John Ward"c&n 28/5 p 24 S/S J Ward"ward, john

Brian James Dixon (born 20/05/1936) is a former Australian rules footballer and Victorian politician. Dixon played 252 VFL games for Melbourne between 1954 and 1968, playing mostly on the wing. He had a stellar football career, playing in five premierships, winning Melbourne's best and fairest in 1960, while in 1961 he was selected in the All-Australian team and he also won the Tassie Medal for his performances at the 1961 Brisbane Carnival. In 2000 he was named in Melbourne's Team of the Century. Despite still playing football for Melbourne, he entered parliament in 1964, as the member for the now abolished seat of St Kilda, representing the Liberal Party. Being from the moderate wing of the party he clashed with then Premier Henry Bolte, especially over the hanging of Ronald Ryan which Dixon strongly opposed.[1] After Rupert Hamer took over as Liberal Party leader and Premier, Dixon was promoted to the ministry. He variously served in several portfolios including youth, sport and recreation, housing and Aboriginal affairs. His most remembered achievement was introducing the iconic Life. Be in it. program.[2] In 1979 Dixon won St Kilda by an extremely narrow margin, which crucially gave the Hamer Liberal government a majority of one seat in the Legislative Assembly and meant that the Liberal Party did not need to form a Coalition with the National Party with whom relations were traditionally poor in Victoria. However, in 1982 Dixon was defeated as the Liberals lost government after 27 years in office. After his defeat, Dixon has worked predominantly in sports administration and he currently runs public speaking seminars. Brian currently travels the world representing TAFISA and ASFAA. He is also president of AFL South Africa and takes a keen interest in other countries playing Australian rules football.[3]B & W photograph of Brian Dixon in profile.dixon, brian, football, victorian parliament

John Ward was a Senior Journalist with Church and Nation. Educated at Scotch College he joined the Sun News Pictorial as a cadet and graduated to senior rounds work. After ten years he joined industry as a public relations practitioner and advertising photographer eventually moving to freelance marketing consultancy. He holds an Associate Fellowship with the Australian Institute of Marketing.B & W head and shoulders photograph of John Ward "John Ward C&N 22/7/1987 page 3."ward, john

Weekly magazine produced for Staff of Australian Red Cross, Victoria.Staff magazine of Australian Red Cross outlining activities and dates of events happening with Red Cross"Weekly (cross symbol) Update/Staff publication.../Red Cross through the years at Sunbury..."red cross, george evans collection

On the 1984 Los Angeles Olympic Uniforms donator Doug wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. When the forthcoming Los Angeles Olympic Games was announced, the Product Marketing Group seized upon the chance to show the world that we could make top fashion garments and display them on our elite athletes on the world stage. A concept was launched using a contemporary top designer, Adel Weiss, with the most exclusive fabrics and knits available, and all with a lot of hype. This launch failed dismally for the following reasons- - The designer did a wonderful job presenting an excellent fashion range on perfect skinny models. The AOC however wanted a uniform which had an obvious Australian appearance when fitted to elite, and frequently muscular, athletes. - The fabrics chosen did not reflect the performance required by travelling athletes, there was no recognition of the need for ‘easy care.’ - There was no recognition given to the problem of measuring, manufacturing and distribution of a range of articles when the selected athlete could be domiciled anywhere in Australia. - There was no appreciation of such historical facts as Fletcher Jones, who had been unofficial suppliers dating back to the 1954 Olympics in Melbourne, and the Fletcher Jones board member, who was also an AWC board member, and was not in favour of the change. The project passed from Product Marketing to Public Relations, a big spending off-shoot of the AWC Chairman David Asimus, and due to the day to day operations of the project was passed to me and PR took care of the financial matters. The first task was to meet with the AOC and find out exactly their requirements. This lead to the production of a design and manufacturing brief, cointaining exact time lines for each event required to ensure an appropriate uniform on every athlete chosen to represent his/her country on the date given for the Opening Ceremony in Los Angeles. Working backwards the timeline becomes- 1. Noted the exact date of the Opening Ceremony. 2. Estimated the date for distributing completed garments to each athlete. 3. Estimated the time span available for measuring each athlete and commence making each component of the ensemble to the individual measurements of each athlete. 4. Decided the date for making the final choice of uniform design concept. 5. Decided the date for distribution of the design brief to selected designers. These five steps were spread out over a two year period. The Commonwealth Games occur midway between each Olympic Games, work on the Olympic uniform commences the week after the Commonwealth Games closing ceremony and MUST be ready by the prescribed day two years hence. The project also had to remain cognisant of trade politics existing within the span of the task, as well as the temperament of designers in general. It is no overstatement to say that in the past every designer in Australia believed they could, and should, be chosen to design the Australian Uniform. The final choice of designer almost always faced criticism from the fashion press and any designer who had been overlooked. However, with the contenders receiving an exacting brief the numbers of serious contenders greatly reduced. The Los Angeles Olympic Uniforms. A further reason for the AWC bid failure to design the LA uniform was that the AOC had already chosen Prue Acton to design it. This was based on her proven performance during previous games as she had a talent for creating good taste Australiana. Her design concepts also considered the effect when they were viewed on a single athlete as well as the impact when viewed on a 400 strong team coming on to the arena. A blazer trouser/skirt uniform in bright gold was chosen for the formal uniform. It was my task to select a pure wool faille fabric from Foster Valley weaving mill and have sufficient woven and ready within the prescribed timeline. The trouser/skirt fabric selected was a 60/40 wool polyester plain weave fabric from Macquarie Worsted. This fabric had a small effect thread of linen that was most attractive when dyed to match some eucalyptus bark Prue had brought back from central Australia. For the Opening Ceremony uniform, Prue designed a series of native fauna, a kookaburra for the men’s shirt and a pleated skirt with a rural scene of kangaroos, hills and plants. This presented an insurmountable printing challenge to the local printing industry as it had an unacceptably large repeat size and the number required (50) was also commercially unacceptable. The solution was a DIY mock up at RMIT and the employment of four student designers. The fabric selected for this garment was a light weight 19 micron, pure wool with a very high twist yarn in alternating S and Z twist, warp and weft. This fabric proved to be the solution to a very difficult problem, finding a wool product which is universally acceptable when worn next to the sin by young athletes competing in the heat of a Los Angeles summer. Modifications to this fabric were developed to exploit its success when facing the same problem in future games. Garment Making- The most exacting garment in the ensemble is the tailored blazer, plus the related trouser/skirt. Unfortunately tailoring athletes that come in various shapes and sizes such as; - Weight lifters develop an enormous chest, arms and neck size. A shirt made to a neck size of 52 would produce a shirt with cuffs extending well beyond the wearer’s hands. - Basketball players are up to 7 feet tall and garments relying ona chest measurement grading would produce a shirt with cuffs extending only to elbow length. - Swimmers develop enormous shoulders and slim hips, cyclists by contrast develop thighs I liken to tree trunks and a uniform featuring tight trousers must be avoided at all cost. Suffice to say many ensembles require specialist ‘one off’ treatment for many athletes. Meanwhile there is a comfortable in between group who can accept regular sizes so you can cater for these by having back up stock with plenty of built in contingencies. Athletes may be domiciled anywhere in Australia, this creates a fundamental problem of taking their measurements. The Fletcher Jones organisation was key to answering this problem due to their presence in every capital city, as well as many provincial towns around Australia. Each athlete on being selected for the Olympic Team was simultaneously requested to visit their nearest Fletcher Jones shop. The standardised measurement data collected was shared with the other manufacturers, e.g. Pelaco Shirts, Holeproof Socks and Knitwear, Maddison Belts, and even Hush Puppy Shoes. As the time for the Games approached the AOC made arrangements for combining meeting of all. Selected available athletes at the Australian Institute of Sport, Canberra, where, among other things, they were fitted and supplied with their uniform. The method evolved as follows.Men’s cream coloured button up, collared shirt. Images of a kookaburra have been printed onto the shirt, a single kookaburra on the left breast and a pair of kookaburras on the reverse of the shirt. The kookaburras are printed in a brown tone to complement the cream colour of the fabric.On tag - FMaustralian wool corporation, 1984 los angeles olympics, olympic uniforms, men's uniforms, sport, athletes

Prepared by the RAAF Directorate of the Public Relations. Published b y the Australian War MemorialForeword by Air Vice-Marshal, Chief of Staffhard cover non-fiction book

President's overview of the year including: despite obstacles 10 people graduated with seeing eye dogs this year including some who had suffered health issues and required re-training or delayed training, this was a good achievement given the departure of 2 senior trainers and the lack of suitable puppies, the onslaught of unjustified media attacks has wrecked public relations work, the distinction that the Guide Dog Owners and Friends Association conducts the Seeing Eye Dog School (and not the other way around) as well as other activities which take time and money, hostel continues to provide accommodation, case against The Herald newspaper for defamation for it's very damaging article in 'The Herald and Weekly Times newspaper', litigation with Government due to biased investigation, disbanding of two auxiliaries due to age of members and adverse publicity about the school, thanks to Barbara Peach and her husband for their support during difficult times, Faye Rea for her devotion to the work in Queensland, and various other individuals. Annual Report for Guide Dog Owners and Friends Association is also included with list of committee members, net surplus, auditor's report, biographical notes of Executive Director and Facts about Lady Nell Seeing Eye Dog School and Rehabilitation Centre.1 volume with text and illustrationsannual reports, lady nell seeing eye dog school, phyllis gration

2 photographs of residents (one unknown with a volunteer and the other of Evelyn Grace Bryant and Terry Fraser, and 1 photograph of Terry Fraser and Carole O'Reilly at the launch of the Australian Large Print cookbook. Terry Fraser was the manager of Baringa and Carole O'Reilly a public relations officer with the AFB.3 black and white images of various sizesnon-fictionelizabeth maxwell, neil maxwell, association for the blind, terry fraser, carole o'reilly, evelyn grace bryant

Alex Mamot was a White Russian immigrant from China, sponsored by the Association of the Blind. Despite initial language barriers, his determination to succeed was an inspiration to those around him, who developed new ways of teaching which took into account his growing knowledge of English. In these images Alex Momot is showing with a Russian typewriter, being shown how to make stools by Mollie McDowell, feeling texture of a new suit held up by Matron Agar, being taught English by Carole Laird, learning the alphabet with H. Mackenzie and greeted at Brighton reception by Ms A. Mann. In addition, there are two typed notes without images: - The ship Tjiluwak, carrying Alexander Momot and other White Russian refugees approaching the wharf in Melbourne. - On the wharf, Alex 2nd from left, is greeted by Mrs W Christian (left) a blind Committee member of the Association for the Blind and Miss Constance Duncan of the Australian Council of Churches. At the right is Sergie Bankovski, also a blind White Russian who acted as interpreter. Miss Duncan also initiated the move which resulted in the Association for the Blind giving refuge to Sergie and his mother. Standing at the rear is Major General S.F. Legge, Director of Public Relations for the Association of the Blind.12 b/w photographs of Alex Mamot1 - No 4, 3" wide all in full depth, Hayer top + Bottom, #85, 3178 3 - P14. Reduce to 3" wide. Hayer top + Bottom, #85. 3178 4 - Volunteer Carole Opperman teaches English to White Russian refugee Alex Momot, who has been sponsored by the Association for the Blind. 2/8 9 - Celine Mann & Alex Mamot at point of arrival. No 1. 3" wide all in, full depth, Hayer top + Bottom, 3178, 45, 16B. 12 - 3181association for the blind, elanora home (brighton), alex mamot

Business card used by Ron Black in his role as a Public Relations officer. It was found inside an album of images that he used when speaking about the Royal Blind Society of New South Wales and it's programs.1 white with burgundy print and RBS logoroyal blind society of nsw, ron black