Showing 75 items
matching shelf wooden
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Numurkah & District Historical Society
Equipment - Sewing Machine - Jones - Treadle
Black painted metal Jones treadle sewing machine. Decoratively painted in gold. Sits in a wooden cabinet with a door at the front and shelf insidesee photossewing, sewing machine, jones, treadle -
Friends of Westgarthtown
Table
... Small wooden table with bottom shelf. Mahogany frame... melbourne Table Small wooden table with bottom shelf. Mahogany frame ...Small wooden table with bottom shelf. Mahogany frame and legs. Baltic/ European pine top. Decorative turned legs.No visible markingsfurniture, domestic, original furniture, wooden table, side table -
Friends of Westgarthtown
Table
Small wooden table or trolley with bottom shelf on 75cm wheels. Made mostly of mahogany. Turned legs. Rectangular cutouts on inside top length, circular cutout on opposite side. Glass sheet cutout for protecting top surface.No visible markingsfurniture, domestic, trolley, mahogany, side table -
Friends of Westgarthtown
Safe, meat, Carl Ziebell, direct descendant, Early 1900s
Handmade food safe with white painted wooden frame and perforated zinc screen panels. Galvanised sheet roof. Raised four beveled legs. Two rectangular doors, bottom door large, opens to main area with one shelf. top door small, opens to triangular roof section. Movable latches of wood on both doors.No visible markingsdomestic items, food storage and preservation, food, safe, storage, pantry, carl ziebell -
Tatura Irrigation & Wartime Camps Museum
Box - Tool
Made by Ernst Sawatsky in Camp 3. Delivered to the museum by Karl Hornung at the request of his Uncle, Peter HornungLarge wooden box with hinged lid. A separate shelf fits inside and is divided into 9 sections which could hold tools and equipment for carpentry. The sections are made from 3 ply wood and held in poisition with a picece of lightweight wire. The corners of the box have been mitredtool box, wooden, sawatsky e, hornung p, hornung k, camp 3, tatura, ww2 camp 3, trades, carpentry -
Tatura Irrigation & Wartime Camps Museum
Decorative object - Wooden Parrot, Rosella, 1940's
Made in Camp 1 by Hans Beck for his little daughter.Toy wooden Rosella parrot, painted red, green blue, yellow and black. On a long stick and made to sit on the edge of a shelf. Counter balanced. Homemade.beck h, haynes b, toy rosella parrot, toys, wooden parrot, internment camp handcraft -
Maldon Vintage Machinery Museum Inc
Furniture Storage Shelf
... Wooden furniture storage shelf with sloping front. Seven... goldfields Furniture Storage Shelf Wooden furniture storage shelf ...Wooden furniture storage shelf with sloping front. Seven wooden shelves, each divided vertically into compartments of various widths, 6 to a shelf. "Furniture" is used to set spaces between sections of print. -
Puffing Billy Railway
Equipment - Refreshments services Trolley, 1990s
The Refreshment Services Branch was established in 1920, and initially focused on providing station-based refreshment rooms and the dining car service. Its scope expanded to include diverse activities such as stall rental; sales of advertising space on railways infrastructure; laundry services; operation of a hair-dressing salon, a bakery, a butchery and a poultry farm; and the management of the chalet guesthouse at Mt Buffalo. The majority of staff worked in refreshment rooms and dining cars, both of which were a popular feature of the railway service. Previous to 1920 refreshment services had been provided by contractors, but after many complaints the Department decided to provide a standardised service across the system. It grew quickly: five years after it was established the Branch employed approximately 500 staff. Station refreshment facilities ranged from elaborate dining rooms to decorated push-carts. They were staffed predominately by women, who provided everything from a cup of tea to a three course meal. Most refreshment room services were closed in the 1970s. Reference from : Fielding, K. (2012) Victorian Railways - Refreshment Services Branch in Museums Victoria Collections http://collections.museumvictoria.com.au/articles/11470Historic - Replica of a a Victorian Railways Refreshment Services Serving Trolley used on Puffing Billy Railway Replica large wooden serving cart with fitted wooden cabinet featuring sliding glass doors and one glass shelf. Cart has chrome handles, two wooden shelves, a wooden drawer with chrome handle and a small chalkboard adhered to end. Cart has four small black rubber and metal wheels and a metal foot brake.puffing billy, serving trolley, replica, dining cart, refreshment services, victorian railways -
Flagstaff Hill Maritime Museum and Village
Furniture - Cupboard
Wooden two door cupboard with a keylock. Shelf inside is not original. Wood has tongue and groove joins.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Stationery stand
Stationary stand wooden for with two slots in centre with a niche on each carved on the centre, top and an open shelf area on either side of these. There is also a varnished and painted design on the back board.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Clock, 1867-1870
Chauncey Jerome (1793–1868) was an American clock maker in the early to mid 19th century. He made a fortune selling his clocks, and his business grew quickly. Jerome was born in Canaan USA in 1793 son of a blacksmith and nail-maker. He began his career in Plymouth, making dials for long-case clocks where he learned all he could about clocks, particularly clock cases, and then went to New Jersey to make seven-foot cases for clocks mechanisms. In 1816 he went to work for Eli Terry making "Patent Shelf Clocks," learning how to make previously handmade cases using machinery. Deciding to go into business for himself, Jerome began to make cases, trading them to Terry for wooden movements. In 1822 Jerome moved his business to Bristol New Haven, opening a small shop with his brother Noble and began to produce a 30-hour and eight-day wooden clocks. By 1837 Jerome's company was selling more clocks than any of his competitors. A one-day wood-cased clock, which sold for six dollars had helped put the company on the map. A year later his company was selling that same clock for four dollars. The company also sold one line of clocks at a wholesale price of 75 cents and by 1841 the company was showing an annual profit of a whopping $35,000, primarily from the sale of its brass movements. In 1842 Jerome moved his clock-case manufacturing operation to St. John Street in New Haven. Three years later, following a fire that destroyed the Bristol plant, Jerome relocated the entire operation to Elm City factory. Enlarging the plant, the company soon became the largest industrial employer in the city, producing 150,000 clocks annually. In 1850 Jerome formed the Jerome Manufacturing Co. as a joint-stock company with Benedict & Burnham, brass manufacturers of Waterbury. In 1853 the company then became known as the New Haven Clock Co, producing 444,000 clocks and timepieces annually, then the largest clock maker in the world. Jerome's future should have been secure but in 1855 he bought out a failed Bridgeport clock company controlled by P.T. Barnum, which wiped him out financially, leaving the Jerome Manufacturing Co. bankrupt. Jerome never recovered from the loss. By his admission, he was a better inventor than a businessman. When Jerome went bankrupt in 1856 the New Haven Clock Company purchased the company. One of the primary benefits of Jerome purchasing New Haven in the first place was the good reputation of the Jerome brand and the network of companies that remained interested in selling its clocks. In England, Jerome & Co. Ltd. sold Jerome clocks for the New Haven company until 1904, when New Haven purchased the English firm outright. After his involvement with the New Haven Company in 1856, Jerome traveled from town to town, taking jobs where he could, often working for clock companies that had learned the business of clock making using Jerome's inventions. On returning to New Haven near the end of his life, he died, penniless, in 1868 at the age of 74. The company struggled on after Jerome's bankruptcy until after World War II, when the company endeavored to continue through disruptions caused by a takeover along with poor sales, finally having to fold its operations in 1960 a little more than 100 years after it had been founded. The item is significant as it is associated with Chauncey Jerome who had made a historic contribution to the clock making industry during the 19th century when he began to substitute brass mechanisms for wooden mechanisms in his clocks. This was said to be the greatest and most far-reaching contribution to the clock industry. Because of his discovery of stamping out clockwork gears rather than using castings, Jerome was producing the lowest-priced clocks in the world. That can only add to his significance as the major clock manufacture of the 19th century. Jerome may have made and lost, a fortune selling his clocks but was perhaps the most influential and creative person associated with the American clock business during the mid-19th century. Also, he had served his community as a legislator in 1834, a Presidential elector in 1852 and mayor of New Haven, Connecticut from 1854 to 1855.Clock, marine, in octagonal rosewood veneer case. Roman numerals to dial, has a seconds dial. 2 key-winding holes slow-to-Fast adjustment pin through dial. Small lever in lower edge of case activates a chime. "8 day, 8 inch, Lever Striking escarpment " Paper label on the back of the clock "Jerome & Co, New Haven, Conn" "Manufacturers of every variety of Office and Home Clocks and Time Pieces".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, clock, jerome & co, new haven, clock maker, chauncey jerome -
Flagstaff Hill Maritime Museum and Village
Furniture - Pew, Circa 1944
This pew is one of a set of seventeen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of seventeen varnished wooden church pews. The pew has a shelf fitted behind the backrest. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews -
Flagstaff Hill Maritime Museum and Village
Furniture - Pew, Circa 1944
This pew is one of a set of fifteen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of fifteen varnished wooden church pews. The pews have a shelf fitted at the behind the backrest. Ten pews also have hinged kneeling stands attached to them underneath the seats. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews -
Flagstaff Hill Maritime Museum and Village
Furniture - Pew, Circa 1944
This pew is one of a set of fifteen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of fifteen varnished wooden church pews. The pews have a shelf fitted at the behind the backrest. Ten pews also have hinged kneeling stands attached to them underneath the seats. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews -
Flagstaff Hill Maritime Museum and Village
Furniture - Pew, Circa 1944
This pew is one of a set of fifteen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of fifteen varnished wooden church pews. The pews have a shelf fitted at the behind the backrest. Ten pews also have hinged kneeling stands attached to them underneath the seats. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews -
Flagstaff Hill Maritime Museum and Village
Furniture - Pew, Circa 1944
This pew is one of a set of fifteen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of fifteen varnished wooden church pews. The pews have a shelf fitted at the behind the backrest. Ten pews also have hinged kneeling stands attached to them underneath the seats. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews -
Flagstaff Hill Maritime Museum and Village
Furniture - Pew, Circa 1944
This pew is one of a set of fifteen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of fifteen varnished wooden church pews. The pews have a shelf fitted at the behind the backrest. Ten pews also have hinged kneeling stands attached to them underneath the seats. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews -
Flagstaff Hill Maritime Museum and Village
Furniture - Pew, Circa 1944
This pew is one of a set of fifteen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of fifteen varnished wooden church pews. The pews have a shelf fitted at the behind the backrest. Ten pews also have hinged kneeling stands attached to them underneath the seats. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews -
Flagstaff Hill Maritime Museum and Village
Furniture - Pew, Circa 1944
This pew is one of a set of fifteen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of fifteen varnished wooden church pews. The pews have a shelf fitted at the behind the backrest. Ten pews also have hinged kneeling stands attached to them underneath the seats. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews -
Flagstaff Hill Maritime Museum and Village
Clock, 1867-1870
Chauncey Jerome (1793–1868) was an American clock maker in the early to mid 19th century. He made a fortune selling his clocks, and his business grew quickly. Jerome was born in Canaan USA in 1793 son of a blacksmith and nail-maker. He began his career in Plymouth, making dials for long-case clocks where he learned all he could about clocks, particularly clock cases, and then went to New Jersey to make seven-foot cases for clocks mechanisms. In 1816 he went to work for Eli Terry making "Patent Shelf Clocks," learning how to make previously handmade cases using machinery. Deciding to go into business for himself, Jerome began to make cases, trading them to Terry for wooden movements. In 1822 Jerome moved his business to Bristol New Haven, opening a small shop with his brother Noble and began to produce a 30-hour and eight-day wooden clocks. By 1837 Jerome's company was selling more clocks than any of his competitors. A one-day wood-cased clock, which sold for six dollars had helped put the company on the map. A year later his company was selling that same clock for four dollars. The company also sold one line of clocks at a wholesale price of 75 cents and by 1841 the company was showing an annual profit of a whopping $35,000, primarily from the sale of its brass movements. In 1842 Jerome moved his clock-case manufacturing operation to St. John Street in New Haven. Three years later, following a fire that destroyed the Bristol plant, Jerome relocated the entire operation to Elm City factory. Enlarging the plant, the company soon became the largest industrial employer in the city, producing 150,000 clocks annually. In 1850 Jerome formed the Jerome Manufacturing Co. as a joint-stock company with Benedict & Burnham, brass manufacturers of Waterbury. In 1853 the company then became known as the New Haven Clock Co, producing 444,000 clocks and timepieces annually, then the largest clock maker in the world. Jerome's future should have been secure but in 1855 he bought out a failed Bridgeport clock company controlled by P.T. Barnum, which wiped him out financially, leaving the Jerome Manufacturing Co. bankrupt. Jerome never recovered from the loss. By his admission, he was a better inventor than a businessman. When Jerome went bankrupt in 1856 the New Haven Clock Company purchased the company. One of the primary benefits of Jerome purchasing New Haven in the first place was the good reputation of the Jerome brand and the network of companies that remained interested in selling its clocks. In England, Jerome & Co. Ltd. sold Jerome clocks for the New Haven company until 1904, when New Haven purchased the English firm outright. After his involvement with the New Haven Company in 1856, Jerome traveled from town to town, taking jobs where he could, often working for clock companies that had learned the business of clock making using Jerome's inventions. On returning to New Haven near the end of his life, he died, penniless, in 1868 at the age of 74. The company struggled on after Jerome's bankruptcy until after World War II, when the company endeavored to continue through disruptions caused by a takeover along with poor sales, finally having to fold its operations in 1960 a little more than 100 years after it had been founded. The item is significant as it is associated with Chauncey Jerome who had made a historic contribution to the clock making industry during the 19th century when he began to substitute brass mechanisms for wooden mechanisms in his clocks. This was said to be the greatest and most far-reaching contribution to the clock industry. Because of his discovery of stamping out clockwork gears rather than using castings, Jerome was producing the lowest-priced clocks in the world. That can only add to his significance as the major clock manufacture of the 19th century. Jerome may have made and lost, a fortune selling his clocks but was perhaps the most influential and creative person associated with the American clock business during the mid-19th century. Also, he had served his community as a legislator in 1834, a Presidential elector in 1852 and mayor of New Haven, Connecticut from 1854 to 1855.Eight day movement wall clock with Roman numerals, octagonal shaped rosewood veneered casing, hinged face with locking clip. Wound from front. Face has adjustment for Fast-to-Slow.Part paper label on back of case can just make out "Jerome" and "ight and One" probable meaning is "Eight and One Day" describing the movements operational time between winding the mechanism.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, clock maker, jerome & co, new haven, chauncey jerome, canaan -
Flagstaff Hill Maritime Museum and Village
Bench
... Bench wooden with internal shelf and 2 knobs on panelled... Warrnambool great-ocean-road Bench Bench wooden with internal shelf ...Bench wooden with internal shelf and 2 knobs on panelled faceflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bench, wooden bench -
Flagstaff Hill Maritime Museum and Village
Suitcase
Suitcase wooden cloth covered suitcase with curved edges. Has 4 wooden ribs around outside of body and leather handles initials J H written in black at end of lid. Has separate shelf inside. 1 lock on front 2 key locks & 1 clipclock. J Harwood on inside & on top. Has inner shelfflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Functional object - Suitcase, 1920-1950
The suitcase didn't catch on until the end of the 19th century, it was quite literally as a case for suits. A typical suitcase came equipped with an inner sleeve for storing shirts, and sometimes a little hat box on the side. But even in the early 20th century, the "dress-suit case" was only one of countless styles of container travellers could buy, from steamer trunks to club bags. By the late 19th century a significant point was reached in the history of transportation, it was the beginning of mass tourism, rather than travel for travels sake made use of by the wealthy in society. Travel wasn't just for the wealthy any more but everyone. Suitcases began as an afterthought in the luggage and leather goods business, but they soon became the very symbol of travel. An 1897 wholesale price list included the words "suitcase" only twice in a 20-page list of luggage types. In America a 1907 T. Eaton & Co. Catalogue, trunks took up a full page while suitcases share a page with club bags and valises. In a 1911 a United Company catalogue, now displayed around 40 per cent of the advertisements were for suitcases. Early suitcases were lighter and more portable than trunks, but they were still bulky by today's standards. Leather, canvas, wicker or thick rubbery cloth was stretched over a rigid wood or steel frame. Corners were rounded out using brass or leather caps and some had wooden rails running around the case. Until steamship travel declined during the mid-20th century, many of these types of the case were advertised as waterproof with some lightweight models marketed specifically to women. The item gives us a snap-shot as to how people undertook travelling during a time when undertaking a journey for pleasure at the end of the 19th century was mainly only for the wealthy. This time saw the beginnings of change from the wealthy in society being able to travel, to the onset of mass tourism. Along with this change in societal norms saw many innervations to the design of luggage as it became a fashionable item.Suitcase wooden with four wood reinforcing ribs, 2 leather straps with buckles & leather handles each end. Has inner shelf.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, suitcase, -
Flagstaff Hill Maritime Museum and Village
Furniture - Pew, Circa 1944
This pew is one of a set of seventeen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of seventeen varnished wooden church pews. The pews have a shelf fitted behind the backrest. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews -
Flagstaff Hill Maritime Museum and Village
Furniture - Pew, Circa 1944
This pew is one of a set of seventeen church pews originally used in St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. The pews were donated to the St Nicholas Seamen’s Church by the Williamstown Lightkeepers’ Auxiliary, founded by Ethel Margaret Musther, M.B.E. * for more detailed history please see our Registration Number 611, Set of Pews The set of pews is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of pews id historically significant for their connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of these pews to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Church pew, one of a set of seventeen varnished wooden church pews. The pews have a shelf fitted behind the backrest. This is one of a set of original items in our ‘St Nicholas Seamen's Church Williamstown Collection’. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, lightkeepers’ auxiliary, mrs musther, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, church seats, church pew, religious furniture, religious worship, anglican church, set of pews -
Coal Creek Community Park & Museum
Box, pill, 1930-1940 ref: Museum of Applied Arts and Sciences
As per another example in better condition displayed on shelf above Drawers 1+2 in Chemist ' Beechams Pills as sold by the proprietors St.Helens, Lancashire England. Beechams Pills Ltd. Melbourne VIC'. Earliest mention in Victorian Newspapers TROVE : Argus (Melbourne, Vic. : 1848 - 1957), Friday 19 December 1884, page 7 'A WONDERFUL MEDICINE BEECHAMS PILLS Are admitted by thousands to be worth above a guinea a box for bilious and nervous disorders such as wind and pain in tho stomach, sick headache, giddiness, fulness and swelling after meals dizziness and drowsiness, cold chills, flushings of heat, loss of appetite, shortness of breath costiveness, scurvy, blotches on the skin, disturbed sleep, frightful dreams, and all nervous and trembling sensations, &c The first dose will give relief in 20 minutes This is no fiction, for they have done it in thousands of cases. Every sufferer Is earnestly invited to try one box of these pills, and they will be acknowledged to be WORTH A GUINEA A BOX. For females of all ages these pills are invaluable as a few doses of them carry off all humours and bring about all that is required No female should be with-out them There is no medicine to be found to equal Beecham's Pills for removing any obstruction or Irregularity of the system. If taken according to the directions given with each box they will soon restore females of all ages to sound and robust health For a weak stomach, impaired digestion, and all disorders of the liver they act like "Magic, and a few doses will be found to work wonders upon the most important organs of the human machine They strengthen tho whole muscular system, restore the long lost complexion bring back the keen edge of appetite, and arouse into action with the rosebud of health, the whole physical energy of the human frame These are ' facts ' admitted by thousands embracing all classes of society, and one of the best guarantees to the nervous and debilitated Is Beechams Pills have the largest sale of any patent medicine in the world Full directions are given with each box Sold by all druggists and patent medicine dealers throughout the colonies'. Most recent article in Victorian newspapers : TROVE : Wodonga and Towong Sentinel (Vic. : 1885 - 1954), Friday 24 December 1954, page 1. 'MUM KNOWS BEST SHE KEEPS THE FAMILY FIT WITH BEECHAM'S PILLS SAFE because Beecham's Pills contain no harmful habit-forming drugs-they are a purely vegetable laxative. Pills balanced formula gives natural laxative action without harsh purgative effects banishes constipation. MOTHERS know how to keep growing children in their teens fit and happy-with Beecham' s Pill, the family laxative. TAKE Beecham's Pills WORTH A GUINEA A BOX'. Relevant local newspaper article reference : TROVE : Gippsland Times (Vic. : 1861 - 1954), Thursday 29 October 1942, page 1 'ln times like these old friends are best You will not have to go far before finding a friend who can tell you by personal experience how gentle and reliable Beecham's Pills are--and how effectively they banish head aches. digestive upsets and liverish ness. Purely vegetable....1/-....2/...per box Worth a guinea a box' Cylindrical wooden box with the remains of an orange, red and white printed label on top, containing small orb shaped pills.Label on lid : Beecham's pills...............Beecham's Pills Ltd., Melbourne, Vic.laxitive, pills -
Mont De Lancey
Furniture - Cocktail Cabinet, Mr Franz Striezel, Unknown
This cocktail cabinet is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A beautifully hand carved ornate wooden cocktail cabinet featuring two female carved busts, carved mythical beasts on the front, sides and two doors of the cabinet underneath the drop down mirrored shelf. The shelf is attached by two gold linked chains screwed onto the sides. Two drawers at the top are elaborately decorated. The cupboard doors at the bottom open to show a shelf inside. This cabinet is part of a special bequest to the Mont De Lancey Museum of handcarved items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection.On the top shelf, carved into the relief panels at the back is 'WELL BEFALL' and 'HEARTH HALL'bar equipment, cocktail cabinets, cabinets, furniture -
Mont De Lancey
Furniture - Organ, Wilcox and White, 1885
There is a brass plaque that states: THIS PLAQUE IS IN MEMORY OF DORA CHAPMAN daughter of William and Estelle Chapman CALLED HOME WHILE PLAYING THE ORGAN ON THE OCCASION OF THE 30TH ANNIVERSARY OF THE SILVAN CHURCH. SEPTEMBER, 27TH 1936 DORA WAS A SISTER TO MR ERNEST CHAPMAN On another plaque it states: THIS ORGAN WAS A WEDDING PRESENT TO ERN AND BERYL CHAPMAN AND WAS DONATED TO MONT DE LANCEY IN THE YEAR 1994 BY MAVIS, BOB, LES AND ALBERT CHAPMAN The organ was a present from Mr Ernest Chapman and his bride on the occasion of their wedding on October 26th 1927. The organ was made in Meriden Connecticut USA by Wilcox and White in 1885. A date inside the organ indicates that it was last tuned June 16th 1900. A highly decorated, delicate ornate carved wooden pump organ with a round mirror set back into the front panel. It has a sheet music rest or shelf with an opening lid to store sheet music inside the cupboard. There are two side shelves with five knobs on each at the front. It has a keyboard with thirteen stops below. Next to the key stops above the keyboard is gold lettering with 'Wilcox & White Meriden. Connecticut. USA.There are two brass patterned pump foot pedals below: the left one has 'WILCOX' stamped on it, the right pedal has '& WHITE' stamped on it and the metal is damaged from use. There are two carved levers underneath the keyboard: the left one has a sticker saying "Grand Organ", the right one's sticker says, "Knee Swell". There is no stool.The brass covered left foot pump pedal has 'WHITE' stamped on it, the right pedal has '......' stamped on it. There are two carved levers underneath the keyboard: the left one has a sticker saying 'Grand Organ', the right one's sticker says, 'Knee Swell'. The manufacturer : WILCOX AND WHITE is printed in gold letters on ......The thirteen 'stops' all have different musical terms printed in a sticker. e.g...............parlour organs, cabinet organs, harmoniums, pump organs -
Mont De Lancey
Furniture - Card Table, Franz Streizel, Unknown
This card table is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A handmade square wooden card table featuring an ornately patterned inlaid top of lighter coloured woods. It has a beautifully carved four legged base with a shelf at the bottom above the four clawed feet. The top lifts up to reveal a storage box below which is attached with screws to the base. The lid is attached with brass hinges and screws.furnitue, tables, card tables -
Mont De Lancey
Functional object - Mirror, Franz Streizel, Unknown
This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.An ornately hand carved rectangular wooden framed mirror with a shelf at the bottom and a carved ancient Egyptian style head in the middle of the frame at the top. There are two carved gargoyles on each top side. The mirror glass is shaped.mirrors, functional objects, wall mirrors, objects