Black and white copy of original photograph of a girl wearing glasses and a dark coloured dress with a white lace collar standing next to a young man in short pants and matching jacket seated on a wooden chair."Vera and Roy Brown"roy brown, vera brown

Appeal poster for people to include a bequest to the RVIB in their wills. It features a kneeling boy, holding flowers, with his eyes partially closed and dressed in a jacket and short pants. At the base of the poster is written: Royal Victorian Institute for the Blind, 557 St Kilda Road, Prahran, Phone 5113811 yellow and grey poster with red, white and black text with grey illustrationWhen you make or amend your Will include a Bequest to HELP the Blind Babies and Children of Victoria ...royal victorian institute for the blind, fundraising

This jacket is part of the dress uniform of a Major in the Army Reserve. Major Bernard Farley who owned this jacket wore it to official functions in the Mess dining room. He served in this capacity from 1998-2001.Bernard also served in the RAAF for a number of years.This jacket has significance as it is typical of dress requirements which were worn to official Army functions.Short white jacket with wide front lapels epaulets at the shoulders and a small V shaped downward peak at the back. The sleeves have a stitched over section at the cuff with a point in line with the shoulder. On each epaulet from the collar edge side there is a brass coloured button with the Rising Sun in low relief and on the lower edge of the epaulet a brass coloured crown with red nsert and a circular shaped badge with the word Australia. There is a badge on each lapel two crossed rifles holding a crown in brass colour over the top of a silver VLabel states ,' Fetcher Jones Victoria 1998 NSN 8405-NIC Name....... Service No......... Polyester / Viscose Dry Cleanable ( A) Warm Gentle Machine Wash Rinse well. Warm iron. ZC785 BR1689 425267911.ZC785 107 R 347 044 05037649 cloth br 1689 17. J10129 OW Wwarrnambool, army reserve, dress jacket

Silver, blue and green knitted lurex evening outfit comprising maxi dress (.1) and short blue lurex jacket (.2) with short sleeves. Sleeveless high-necked dress with bold seaweed design. Fastens centre back with long metal zip. Jacket and dress fully lined with dark blue lining.Label, woven black on white acetate centre back jacket: Tricó / ROMAevening outfit, 1970s, lurex

colour photo of older photograph. Group of boys marching in uniform carrying banner and flag. Car at back right. Uniform consists of dark jacket, short pants, white belt, white helmet, dark shoes and long socks. Typed on back of photo: ' Abattoirs Junior Fire Brigagde, Bendigo Easter Fair. Approx. 1933'unknownorganization, business, abattoirs junior fire brigade

Part of S E Surman collection (album) page 12 top left. Elizabeth (Lizzie) Bennett was the oldest daughter of butcher W. G. Bennett and his wife Susan, nee Williams. She married William Todd in 1881, and they had a large family. Throughout her life she was involved in the community and church life of Linton and district.Sepia photograph of Elizabeth Bennett as a young girl, wearing mid-calf-length dress showing pantaloons underneath, and short long sleeved open jacket, standing with left hand holding onto side of wing chair, right arm by her side."Mrs W Todd nee Bennett Elizabeth Ann Bennett".elizabeth ann bennett, elizabeth (lizzie) todd, mrs william todd, surman collection, lizzie bennett

photograph ( copy ? ) of older photograph. Group of boys in uniform holding banner,flag. Uniform consists of dark jacket, short pants, white belt, white helmets, dark shoes and long socks. Banner reads' Abattoirs Junior Fire Brigade. Typed inscription on back of photo reads' Abattoirs Junior Fire Brigade, Bendigo Easter Fair, Approx. 1933'organization, business, abattoirs junior fire brigade

1980's 'Sportscraft' Brown jacket with white rayon spots. Jacket has short sleeves, round neck, centre closing with four pearl buttons and is lined with brown rayon. Two false slit pockets, above lower edge forming vest shape. Jacket has shoulder pads.'Sportscraft'costume, female

This ensemble would have been worn early in the second half of the 20th century. It would have been worn on special occasions rather than for everyday wear and would perhaps have been worn with a hat, gloves and high heels. This ensemble is retained as an example of a women’s outfit worn in the 1960s and 70s. It will be useful for display. This is a cotton wove dress and jacket in matching material. The pattern has bands width-ways and is in grey, brown and cream colouring. The dress is sleeveless with a rounded neckline and a zip at the back. The skirt section is slightly flared. The jacket has short sleeves and finishes at the waistline. The jacket has four buttons and a small collar.ladies fashions

From Mitcham RSLShort khaki blouse style jacket. Tab belt and metal buckle . Royal Engineers Material badge at top of sleeves. Rats of Tobruk- Lance Corporal chevron on sleeves. Internal label. Battle dress blouse 1940 pattern. Size No 13. Cohen and Co. Stamp 28 Oct 194-.Beige coloured lanyard on right shoulder.uniforms, army

Coloured slide transparency. Image is of a male and a female standing together dressed in costume. She is wearing black pants and a blue and white striped top with a blue belt and sword around her waist and pink neckscarf. Her hat is a black tricorne with a white skull and cross bones insignia and she has a hook on her left hand. She is wearing a black eye patch and black beard and a pink parrot is on her left shoulder. He is dressed in dark pants, longsleeved top and short sleeved jacket. He has a beret with a feather on his head, a glass in his right hand and a stick in his left hand. On the lower edge of the white border the words Fancy Dress Party Mr and Mrs Robin? Physics led have been handwritten.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

This amber satin evening outfit was worn by Mrs. Isabella Mitchell (nee Russell, 1840 – 1929) at the wedding of her brother Alexander (c.1846–1938) and Eliza (nee Moore c.1854–1939). The jacket and skirt attach to each other at the waist by joining the metal rings that are around the base of the jacket and to the metal hooks that are on the waistband of the skirt. The outfit was donated with its own mannequin and fits it perfectly. In the colonial days, outer clothing was rarely, if ever, washed, due to the expense of fabrics and difficulty in careful laundering. Clever methods were employed to reduce the occurrence of soiling. The mannequin included with the donation would also help keep the outfit in good shape as well as being used for ensuring a flattering fit. FAMILIES’ HISTORY The families connected with this wedding for which this outfit was worn are from Warrnambool’s colonial days. Isabella and Alexander’s parents, Robert Russell and Elizabeth (nee Mitchell) were both born in 1808 and married about 1830. They were from farming families in Northern Ireland where they raised their seven children there before migrating to Australia in the early colonial days, around 1857. Their graves are in the Tower Hill cemetery. Alexander’s wife Eliza (nee Moore, born in 1854) was also from Northern Ireland and migrated to Australia in 1858 with her parents, Thomas and Nancy Moore, in the last voyage of the sailing ship “Chance”. Isabella (Bella) talked with her grand-daughter Ruby Akers about her memories of Alexander and Eliza’s wedding and other events in her life. Ruby recorded these memories in a letter. She says “They were married in the Warrnambool Congregational Church by a pioneer minister, the Reverend Uriah Coombs. The bride wore a pale blue silk wedding gown which was made by herself. Bella was Matron of Honora and Ian McCasker was best man. In those days the transport to the church was usually a carriage – similar to a cab – and a pair of white ponies. They would have the reception at home and then go for a drive afterwards and at night there would be a dance. They did all the catering themselves … Eliza carried on farming in the Dennington, Yarpturk and Purnim districts until they moved to Camperdown around 1905…” Ruby’s letter later mentions “[Isabella] could recall seeing a blackfellows’ corroboree being performed near where the Dennington Bridge now stands. It was rather a terrifying experience, they seemed in a warlike mood and one never knew what they would do next. One lubra came running to granny crying, Hide me, bad man kill me. She was bleeding from a wound in the head. Probably the result of a blow from a waddy. My mother [Margaret Jane McLaughlan nee Mitchell], coming home from school, often met blackfellows walking ahead with spears and boomerang, the two lubras – he usually had two – following in the rear, carrying the children or any burdens they had.“ Margaret would probably have been in primary school in the 1800s when she saw these things. Alexander and Eliza had ten children. One of their daughters, Margaret Jane, was born in Warrnambool in 1879. She married William McCullagh and they had eleven children. Margaret made headlines in the Warrnambool newspapers for celebrating her 100th birthday. She had lived in the district for 60 years before moving to Melbourne. Alexander passed away at the age of 92, and Eliza passed away six months later aged 85. Their graves are in the Colac cemetery. Isabella married Ralph Mitchell and their daughter Margaret Jane married John McLauchlan in 1891. Margaret and John’s daughter, Ruby Elizabeth, Jane married Fredrick Akers in 1938. Fredrick was born in England and was a Boer War veteran and served in the British Army. He migrated to Queensland, Australia, in 1913 and he joined the Australian Army to fight in World War I. In 1935 he moved to Warrnambool where he served in the Volunteer Defence Corps 1938-1945. Both Ruby and Fredrick are buried in the Tower Hill Cemetery.Together, the evening outfit and the mannequin are examples of female fashion of the mid to late 1900s. They are also significant for their association with the colonial pioneer families of Australia, Victoria and Warrnambool. The outfit and mannequin are significant for their connection with a wedding uniting two colonial families from Northern Ireland who immigrated to Australia in the mid-1850s. The families had a significant role in the history of Warrnambool and district. The evening outfit and its mannequin are significant for its connection with colonial families and their contact with the indigenous culture of the district and the contact between the native and European people. This ladies’ evening outfit is made from amber coloured satin fabric. It comprises a short-waisted, long-sleeved jacket and long skirt and it has its own neck-to-floor wooden mannequin on a pedestal. The outfit was worn by Mrs. Isabella Mitchell (nee Russell) as the Matron of Honour at the wedding of her brother Alexander Russell and his fiancé Eliza Moore in Warrnambool, 29th April 1874. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, evening outfit, wedding outfit, bridesmaid’ outfit, matron of honour outfit, clothing female, clothing late 19th century, clothing wedding late 19th century, clothing bridesmaid late 19th century, clothing antique, clothing ladies, women’s clothing, women’s fashion, alexander russell, eliza russell, eliza moore, isabella mitchell, bella mitchell, bella russell, isabella russell, ralph russell, ian mccusker, ruby akers, fredrick william akers, ruby mclauchlan, margaret jane mclaughlan nee mitchell, margaret jane mclaughlan centenarian, william mclaughlan, robert russell, elizabeth russell nee mitchell, irish immigrants, warrnambool volunteer defence corps 1938-1945, antique satin outfit, warrnambool wedding 1874, congregational church warrnambool, reverend uriah coombs, dennington farmer, yarpturk farmer, purnim district farmer, camperdown resident 1905, dennington bridge, indigenous corroboree in dennington, corroboree in warrnambool, 1880s corroboree in warrnambool, lubra and baby, indigenous corroboree in warrnambool

Example of Australian military battledress Jacket - Battledress of olive drab fabric. Jacket is short, and designed to be buttoned to the outside of high-waisted wool serge trousers. An olive green band with two button holes is attached to the inner lower band. The jacket has a fabric belt across the front, with a buckle. Two rectangular pockets extend beneath the lapels. Inside of jacket has a sewn on, rectangular identification label, and size label. Jacket has four buttons down side front, and one near lapel. Each cuff has a button.Identification label on inside of jacket (black ink): REGIMENTAL No NAME Size label (red ink): M. TX SIZE 17 Faint mark on inner neck lining in red marker, possibly Kbattledress, jacket, military, uniform, outfit, fashion, world, war, australian.

This item of military uniform was worn by Squadron Leader (SQNLDR) Bernard Farley during his period of Full Time service in the Royal Australian Air Force (RAAF) between 27 January 1976 and 02 March 1997. Bernard joined the RAAF as an Airmen was trained and employed as a Clerk Supply (CLKSPL) between 1996 - 1977. He undertook officer cadet training at the Army Officer Cadet School in 1978 and was commissioned into the Ground Defence Category on the 09 December 1978, where he served for 18 years and rose to the rank of SQNLDR. Royal Australian Air Force (RAAF) Working Dress (Jacket - Blue Grey). This uniform was in the period 1966 - 2001 as the primary daily uniform in the office environment. Polyester working dress is approved for wear employed in office or business type environments. The short waist length jacket consists of a jacket has a lapel collar and zip front, with two external chest pockets and exposed pocket flaps, There are portlets on each shoulder that are fastened with a black plastic button. This button has a crown over eagle in flight on the front. Rank slides are slid onto these portlets and this jacket has Squadron Leader rank slides on the portlets. is closed with four gold buttons down the front. Each button is inserted through a small round hole sewn into the right side of the tunic front and held in place at the rear with a safety pin. There are four corresponding button holes sewn into the left front of the tunic to fasten the jacket in the normal closed position when worn. The waist belt is part knitted on the sides and cloth on the front and rear. There is also one interior pocket on the right side below the exterior breast pocket. Maker: Australian Defence Industries The Tunic has two military decorations attached above the exterior left chest pocket. The decoration are: 1. Conspicuous Service Medal - Yellow and Green right sloping diagonal strips 2.. Defence Service Medal (with one clasp) - Blue and Gold upright stripes and round metal clasp positioned centrally. The DSM is awarded for 15 years service and a clasp is awarded for each additional 5 years service.

Jacket, khaki colour, wool/polyester fabric. Service dress style. No belt or buttons. Collar, shoulder epaulettes, four front pockets - top two with buttonhole and two metal press studs on flap, lower with flap. Rank Insignia on top sleeve - crown and stripes for Staff Sergeant. Lining - khaki polyester fabric with manufacturers label inside left. Label white cotton fabric.Manufacturers information on label - black ink print. "E.W. P/LTD/ SOUTH AUSTRALIA/ 1971/ ^/ SIZE 39 SHORT/ CLASS 8405/ 66-019-8482/ ARMY NO./ NAME/.DRY CLEAN ONLY/.REPRESS USING IRON AND DAMP/ CLOTH OR MEDIUM TO HOT/ STEAM IRON/. CREASE UPPER HALF OF/ LAPELS ONLY"uniform, army, service dress

This is the peaked cap and uniform of 36898 Warrant Officer Thomas William Pattison, Royal Australian Survey Corps, Army Survey Regiment who served from 21 Mar 1960 until 16 Jan 1993 and died whilst in service.1. Cap - Polyester, Khaki, small peak, leather band, metal Insignia. 2. Jacket - polyester, khaki, yellow metal buttons, Insignia badges, purple lanyard, embroidered Insignia lower sleeves. 3, Shirt - polyester, short sleeves, embroidered insignia on sleeves. 4. Pants - Polyester, Khaki.Jacket - embroidered Insignia on lower sleeves - Crown.uniform, army, royal australian survey corps, rasvy, army survey regiment, army svy regt, asr

Uniform issued to John Michael Giffard No 0327699 RAAF, served EOD Aust Army Training Team Iraq Rotation 8..1) jacket, navy blue wool/polyester yellow metal buttons, light blue and black stripes on lower sleeves. .2) Trousers wool/polyester navy blue colour. .3) Shirt, cotton light blue short sleeves RAAF insignia on upper left sleeve.. .4) Belt webbing style navy blue with yellow metal buckle.uniforms, raaf

Items relate to Cat No 2861.2.1) Navy Air Force jacket, 4 front pockets with belt, 4 button front, black nylon lining. Eagle & Crown badge & blue band on each sleeve. .2) Shirt, size 38, short sleeves, 2 pockets, blue cotton. .3) Tie, fellini, navy..1) "AG, Air Gunner Air Crew Badge, 1939 - 1945 Star" above left breast pocket. .2) "AGCF 1986 Size 38 cms & care instructions" on label sewn under back collar.uniforms - air force, ag, passchendaele barracks trust

This book, in short, is our tribute to the Pioneers of the Wycheproof Shire. Their struggle to establish communities against the backdrop of an immense landscape reflects the confidence and hopes placed in the Mallee but times were not always prosperous.The many,many changes in our communities in Mallee life over the past years to 1994 have been drawn together in a competent manner by historian Jennifer McLennan.This book at State level is socially, historically and architectually important.Time,Tide and the Tyrrell has 314 pages; first published in 1994. Its golden jacket pictures 3 wheat lumpers unloading a wagon load of wheat. In the top right hand corner is a sketch of Lake Tyrrell.wycheproof - shire, wycheproof - pioneers, wycheproof shire - early- schools, second world-war.

Fancy dress.The photo shows three people in fancy dress, standing in a clearing with branches overhead and a building in the background. The girl on the left is wearing a short skirt and long sleeved blouse, a dark, frilly apron and a frilly hat and holds a long stick. The man in the middle has baggy, knee length breeches and a dark, loose jacket. he appears to be holding a gun. The woman on the right wears a long, light coloured kimono with a darker sash and carries a large asian style parasol over her shoulder.recreation, entertainment

Long khaki coloured heavy coat. Thick, sharp angled collars. Each collar has a split half way down and a small metallic hoop attached to the lower middle section of the high parts of the collars. Each shoulder has a lapel that is fastened with a plastic button. The coat is double breasted. There are three grey buttons for use on the right and three grey buttons for show on the left. There is also a spare button on the inside left front section near the breast area. There are two pockets on the front that are angled with the highest point near the centre and the lowest point near the hips. There is a small section of spare fabric attached with two small plastic buttons to the inner left of the jacket near the breast. The arms, underarm and upper back section contains an inside khaki coloured lining of thinner, most likely cotton fabric. Attached to this at the base of the neck is a satin or synthetic fabric label with inscriptions in black ink. Above this there is a thin strip of fabric attached at either short end to use for hanging the coat on a hook. At the back of the coat there is a single pleat stretching from the base of the neck to the base of the coat. Approximately half way down the pleat there is a split in the fabric that is fastened with two plastic buttons. At the waist there are two fabric flaps that fasten together at the back with three buttons.The label attached on the inside at the base of the neck reads: “KINDRED MANUFACTURING / PTY LTD. / QLD / 1083” There is then a broad arrow followed by: “B406-66-093-1812 / SIZE 109 / TO FIT CHEST 100cm / NAME.................../ SERVICE No......................”

Long khaki coloured heavy coat. Thick, sharp angled collars. Right collar has a hook and eye attached in the lapel split. Collar has zig zag stitching and two plastic buttons on each the left and right sides. Each shoulder has a lapel that is fastened with a plastic button. The coat is double breasted. Three buttons on the right side, held in place by metal loops on the interior rather than stiches; mirrored on the left side. Left interior has oval shaped fabric buttoned to the interior with two brown (possibly bakelite) buttons. A larger brown button sits atop the smaller as a means of closing the jacket from the inside. There are two pockets on the front that are angled with the highest point near the centre and the lowest point near the hips. The arms, underarm and upper back section contains an inside khaki coloured lining of thinner, most likely cotton fabric. Above this there is a thin strip of fabric attached at either short end to use for hanging the coat on a hook. At the back of the coat there is a single pleat stretching from the base of the neck to the base of the coat. Approximately half way down the pleat there is a split in the fabric that is fastened with two plastic buttons. At the waist there are two fabric flaps that fasten together at the back with three buttons, also held in place with metal loops on the reverse.Label on interior back lining reads "REGIMENTAL No./NAME" Label on interior of the right "GREATCOATS. G.S. 1946 Patt/SIZE 1/HEIGHT 5'3"/CHEST 34"-36"/BRADLEY'S INDUSTRIES N.S.W./1951" Handwritten on label, "M J Davis"post war, army uniform, great coat, inter war, uniform, military uniform, wool, greatcoats, bradley's industries

Black and white photograph of John (Jack) McMonigal a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a short bearded man wearing a jacket, white shirt and black tie facing left.john mcmonigal, kelly sympathiser, kelly gang, edward kelly, ned kelly

Black and white photograph of Henry Perkins a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows head and shoulders of a bearded man wearing a jacket , white shirt and short black neck tie facing left. Nose is very long and pointy.henry perkins, kelly sympathiser, kelly gang, edward kelly, ned kelly

The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Uebergang catalogue No.A220 Four generations of the Faragher family -great grandmother Jane Trigg (seated right), grandmother Sarah Wright (seated left), mother Elsie Faragher (standing at back) and baby Stan Faragher (seated centre front). Elsie Wright is Myrtle Uebergang's sister. There are two copies of the photograph -one a loose mounted copy (pictured), the other was framed. The wooden frame cost 3/9. A duplicate copy in the frame is on display. Black and white photograph of three women and a child. The old lady seated on the right is wearing a long sleeved dress/jacket with beaded bodice and a brooch at the neck. She has a white lace cap and net mittens. The woman on the right is wearing a tailored suit. The jacket has four buttons closure and two buttons on the turned back cuffs. A white blouse with wide pointed collar completes the outfit. The young woman at the back has her hair parted in the centre with plaited buns over the ears. Her frock has a self-fabric sash at the waist, six covered buttons down the front and decorative panels at each shoulder edged with beads. The wide white pointed collar sits on the shoulders. A white insert at the neck has a brooch attached. the child has long hair and wears a one piece outfit with short legs and buttons at the shoulder. His long sleeved shirt has a wide collar. He wears dark socks and button-up shoes.allansford, koroit, four generations, photographs, jane trigg, elsie faragher, stan faragher, sarah wright, myrtle uebergang

This Edwardian-era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death often occurred to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. Ladies’ Edwardian mourning outfit; three-piece tailored suit comprising of a black silk long sleeve, short-waist fitted and lined Jacket, a long sunray pleated skirt and long, lined petticoat. Items have been machine-sown and hand-sewn by a dressmaker. The skirt has handmade buttons of the same fabric.Handwritten in ballpoint pen “Jenny” and “Mrs Sheila Handscombe, Wallaura, Jenny”flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, western district victoria

The bed jacket, a woman's garment, is a waist-length robe worn to cover the chest, shoulders and arms while sitting up in bed. Its short length and cape-like cut allowed it to be put on (or removed) while in bed. Often made of sheer or lacy fabrics and displaying very feminine trimmings and details, it was often used more for seduction, rather than warmth or modesty. It was popularized in 1930s Hollywood films featuring glamorous settings and glamorous stars lounging languorously in their silken bedrooms. Ostrich feather tips, swan’s down, pleated tulle and shirred lace were just a few examples of the extravagant materials that could be used in creating these confections. These garments are currently very popular with people who have been hospitalized or recommended bed rest. (Source: http://www.wikipedia.com) Pale lemon coloured ladies silk bed jacket with silk lace edging. Figured silk bow tie at front neck.home, lace, female, ladies, silk, bed, jacket, bow, made