Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Genoese 4225weaving, carpet

Rough sketch for the new Flinders Street building designed by Walter Richmond Butler. The copy was published in the 2002 conservation plan without mentionne the source. The original has not been located.The drawing shows the first design of the chapel, the intented position of the weathervane, the absence of chaplain's residence and dome.2 A3 photocopies glued in black and white of an architectural drawing depicting the facade.walter richmond butler (1864–1949), flinders street, building, sketch, built heritage

Early settlement of the Mitcham area is detailed in the farm outline sketched by Arthur Schwerkolt between 1936 and 1959.,Schwerkolt original cottage site included on the sketch.A sketch of the Schwerkolt property drawn from memory by Arthur Schwerkolt who lived on the property from 1936. It includes a photo of his mother sitting in front of the ruins of the original stone cottage.schwerkolt arthur, schwerkolt cottage original, map

This oil sketch by Donald Laycock is for "Terra Australis", a large (20' X 8') outback desert scene commissioned by Robin Boyd for the Australian Pavilion at Expo 1970. Robin Boyd was the Exhibit Architect of the Australian Pavilions at Expo '70 in Osaka and Expo '67 in Montreal. It is not known what happened to "Terra Australis" after Expo '70.Red toned abstract composition."DL 69" in bottom right corner. Sketch for Terra Australis Exhibition '70" written on canvas around the frame on the rear.donald laycock, expo 70, osaka, robin boyd, walsh st artwork, ohm2022, ohm2022_32

Plan based on the field notes of Captain David John Ham, V.B.C. For article written by Ham on the event, see http://trove.nla.gov.au/ndp/del/article/9542500 For obituary of Ham, see http://trove.nla.gov.au/ndp/del/article/11023251Sketched paper map of forces' distribution at the Elands River siege. Map details surrounding hills, roads, rivers, and names all soldiers involved in siege. boer war, map, sketch, victorian's bushmen contingent, hocking, fowles, methuens, david john ham

Sketch of a man with a fishing pole standing on a bridge over a creek, stream or river in a bush setting. Unidentified artist and location.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, fishing, creek, sketch, tranquil, unidentified, other areas, bush, outdoors, country life

The sketch was made by A.C. MacDonald, F.R.G.S. and presented to James Oddie, who was one of the earliest gold diggers at Ballarat..1) Reproduction of a line sketch plan of the Ballarat goldfield as it was on 11 October 1851 as drawn by A.C. MacDonald, and recopied by C.M. Yelland. The dots indicate appoximate extent of the Ballarat Goldfield in 1851. The dot and dash line indicates approximate area covered with tents. .2) Includes an indication of the locality of the Township of Baallarat West in 1867. Verso of cat. No. 4296.2, and written by Keith Rash - "On 10th October 1851, 1,300 licenses had been issued. 30th October 1851 2246 licenses. Lieut. Gov. LaTobe letter to Earl Grey." james oddie, a c macdonald, gold commissioner, mcleod, alfred clark, kavanagh, willis, highett, yarrowee river, a.c. macdonald, ballarat goldfield, ballaarat goldfield, lamda, c.m. yelland

Watercolour sketch of leaf pattern from which carpet manufacturing pattern is graphed out.Watercolour sketch of leaf pattern from which carpet manufacturing pattern is graphed out. Watercolour sketch of leaf pattern from which carpet manufacturing pattern is graphed out.weaving, carpet

Black ink printed on beige coloured paper depicting a soldier in full Military uniform "walking" on patrol holding a rifleSketch done by Andy C Neilsondrawing, soldier

Artist's watercolour sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4102.Artist's watercolour sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4102. Artist's watercolour sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4102.4/4102 Roll 4 M6weaving, carpet

Birthday present to Paul Schlesinger. Black ink sketch by Meilich, of four poker players, a gift to Paul Schlesinger in Camp 3, on the occasion of his birthday. Tatura, 18th. Jan. 1941. An ink sketch on thicker paper of four men playing poker.Happy Birthday Paul Scheslinger from his poker fellows; Tatura 18 Feb 1941 signatures of other players on left hand side drawers signature in bottom right. Mielichludwig meilich, paul schlesinger, tatura internment camp art

Sketch from which carpet manufacturing pattern is graphed out, prior to preparation of Jacquard card. Genoese (Axminster) 4/4226. Three sketches, gouache, two long and one short designs. The two long sketches are pasted at one end onto backing paper, which contain inscriptions. Floral design in blues, pink, mauves, white, grey and greens.Genoese 4/4226 AL Ingramweaving, carpet, ingram, a l

Ink sketcheltham community centre

The original sketch was photographed in 1970 for reproduction in the Shire history publication Pioneers & Painters (1971). The very fragile original was kept in the Council stoungroom and suffered significant damage to its edges over the years, no doubt it has also yellowed. A comparison of the original as digitised (2022) with the negative taken 50 years earlier also reveals that the left 20% of the sketch has been cut off, probably due to damage. In June 1842 Thomas Sweeney applied to the Superintendent, C.J. La Trobe, asking permission to purchase a portion of the recently surveyed ‘Parish of Nillumbik'. His request was allowed and handed to the sub-treasurer and Land Board. He paid £110 for 110 acres and called the land 'Culla Hill'. He first built a temporary house, a slab hut 12 feet by 10 feet, in which he lived with his wife, an Irish girl whom he had married in 1838. (His first wife had been drowned at Port Jackson.) Some time later he built a permanent residence on the model of a Tipperary farmhouse. It was a rectangular building of hand-made bricks and stone quarried from the Western Hill with a recessed verandah in front, and bore a slate roof. The out-buildings consisted of a detached kitchen, stable and a barn. It was in this house that succeeding generations of Sweeneys were reared. The original slab hut became a washhouse and survived till recent years. 'Culla Hill' became a social centre for the district, church services being held there on various occasions. The first wheat crop in the district was planted by Sweeney who also supplied the first grain for a mill that later was built at Eltham. He took an active interest in the development of the district. At this time travelling people--many of them runaway sailors or convicts--often passed the settlement, and some of them stayed and worked with Sweeney. A tribe of aborigines living on the river below 'Culla Hill' were apparently on good terms with Sweeney, for it is said that they helped him with the building of his house. Very little is known about the aborigines who originally lived in the Eltham district. There must have been many of them; their stone axes, grinding stones, and anvil stones have been found in the gullies around Research and canoe trees and artifacts were found on the Kangaroo Ground hills. Early settlers remembered a tribe that camped on the site of the present railway bridge at Eltham. They held corroborees there and visited settlers for hand-outs of 'flour and bacca’. There was an aboriginal reserve on the Yarra, upstream from Eltham, but most of those who had collected there later went to live on the Pound Reserve at Warrandyte, where the last aborigines in the area finally ended their days. The Pound Reserve, of 1,103 acres, was established at Pound Bend in 1841. The chief protector, George Robinson, and his four assistants, were given instructions to care for the aged and sick, to provide blankets and rations for all who lived there, to train the able-bodied men in agriculture and other trades and to find them jobs. The Yarra blacks, who later came under the protection of William Thomas, have been described as a 'fine race, well made and above the average height'. Thomas Sweeney died on 6 September 1867 and was buried in the Eltham Cemetery. To his wife Margaret and his son John, he left the entire property of 'Culla Hill'. To his other son Patrick, he left 150 acres, including a small two-roomed wooden cottage. He had five daughters: Kate and Margaret (twins) who were born in 1842, Ellen 1846, Annie 1848 and Johanna 1851. John Sweeney farmed 'Culla Hill' until his death in 1909. He had ten children; one of them, Mary, became Mrs M. Carrucan whose son, Mr John Carrucan, still lives at Eltham. 'Culla Hill' passed out of the Sweeneys possession in 1939 and was renamed by its new owners, 'Sweeneys', in memory of its pioneers. - Pioneers & Painters: One Hundred Years of Eltham and its Shire, Alan Marshall 1971, pp10-12 4 x 5 inch black and white negative of original colour sketchculla hill, sweeey's cottage

Copy of original sketchNil

A photograph taken of a sketch of Ricardo Marsella, whose parents were internees in Camp 3 during WW2. Sketch was done by Mr Martelli, also in Camp 3.Black and white photograph of a sketch of a dark haired boy front on but looking to pictures left. He is wearing a collared shirt which is decorated around the edge. Is on a foam backing.ricardo marsella, mr martelli, camp 3 rushworth

Black ink sketch on beige coloured paper depicting three soldiers: Two soldiers holding up an injured comrade. One soldier with rifle over his right arm. All soldiers in full military uniform.Sketch by Andy C. Neilson.sketch

One of a collection of over 400 sketches & photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandSketch Map of Westernport region and environs showing physiographical faults and warps. Drawn by Dr G Bakerlocal history, illustrations, pen & ink, westernport region, black & white sketch, physiography, dr g baker, e s hill d.sc, john jenner, bryant west

Black and white photograph of a sketch of Port Campbell SS with children lining up outside. Sketch done by Miss Kitchen who was a teacher at the schoolBlack and white photograph of sketchMiss Kitchen sketch of first Port Campbell schoolport campbell, schools, education, miss kitchen

One of a collection of over 400 sketches & photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandSketch of Mornington Peninsular, Port Phillip and Westernport Bays with Phillip Island showing Isoseismals of the earth tremor 1932.Isoseismals of the Mornington earth tremor 1932local history, illustrations, pen & ink, isoseismals mornington earth tremor, black & white sketch, physiography, e s hills, john jenner, bryant west

Water colour sketch by internee Klober at Camp13. Depicts tents used early 1941 before the galvanised iron huts were constructed on site.Laminated watercolour sketch of many tents with huts and large gum trees in the background. Brown frame with gold edgecamp art work, camp water colours, klober, camp 13, internment camp tents

One of a collection of over 400 sketches & photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandSketch of the leaves and buds of the Manna Gum and favourite food of the Koala - drawn by Dr R T Patton - University of Melbourne.Manna Gumlocal history, illustrations, pen & ink, leaves and buds of manna gum, black & white sketch, phillip island flora, koalas, john jenner, bryant west, dr r t patton