This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Acrylic on canvas. Stylistic depiction of mountains in blue tones, set under a golden sky.amy mills, 69 smith street gallery, artist-run initiative, artist-run space, melbourne art galleries, painting, www.amymills.com.au

Sepia photo with approx 50 workmen outside Horwood's Foundry, on window 'Horwood and Son, Engineers, Millwrights, Iron and Brass Founders. Vine Street sign on building. Blue line drawn around image.R. Dermer Smith, Bull street, Sandhurstorganization, business, horwood and sons engineers, horwood and son, engineers, millwrights, iron and brass founders at the corner of vine and mackenzie streets. began as the bendigo iron works in 1856. this photograph of some of the staff was taken by r. dermer smith of bull street, sandhurst abo

B&W photograph of large community group, mixed age group, circa 1890sSepia photograph of a family group at a picnic, circa 1910. four men, nine women, two girls and a baby Photographer's sepia photograph - R. Dormer Smith, Bull Street, Bendigo (gold impressed into mount).Photograph - R. Dormer Smith, Bull Street, Bendigocirca 1890s mixed ages community group photo

Black and white photograph. 'Hibernian Picnic at Axedale on Nov. 10'. (photos. By P Dermer Smith, Bull-street, Bendigo.) On the River Side. Men and women sitting in and on fallen tree branches. Ladies in hats and long dresses. Men wearing suits and hats.P Dermer Smith, Bull-street, Bendigophoto, group, mixed group

The photograph shows the demolition or removal of the cable tram track at an un-identified location, showing the removal of the yokes and track where two cable lines crossed over each other. Shows the former cable tram yokes that supported the slot rails and some details of the cable tunnels and pits. The man in the bottom left could be cutting the yokes with an oxy-acetylene cutting torch. In the view are at the top of the photo some rails can be seen. There were a number of points where the cable tram crossed other electric or cable tram lines. Given the small work site and men involved the location could potentially be either Johnston Street and Smith Street or Johnston St and Nicholson Street. The 1955 Annual Report notes that work commenced following the completion of the Queen's visit in March 1954 and that all work was done by day-labour. Photographer is possibly Keith Kings.Yields information about the extent of work need to convert the former Bourke St group of Cable tram lines to Electric trams, the people, the extent of the original construction and the methods used to undertake the work.Photograph - Black and White - demolishing cable tram trackwork where two cables crossed over each other, 1954/55.trams, tramways, cable trams, workmen, mmtb, demolition, track work, conversion, smith street, fitzroy, johnston street, nicholson street

sepia photo on cream board. Lady in long, light coloured gown. Corsage on bodice. Deep frill to bodice and to edge of sleeves. Holding book on lap. Seated on bamboo chair. Table and greenery in background against brick wall. R DERMER SMITH BULL STREET BENDIGOR. Dermer Smith, Bull Street, Bendigoperson, individual, female portrait

Plate 153i & 153g Chuck Photo seriese. & b. smith, architecture, building, private dwelling

RICHARD FORD WAS A LOCAL ARTIST, WHO PAINTED THE STAGE BACK DROP AND THE WORLD WAR 1 MEMORIAL IN THE CLUNES TOWN HALL. HE WAS A COUNCIL FOREMAN, HORTICULTURALIST AND PARK CURATOR, AND LATER TAUGHT WOODWORK AT THE CLUNES HIGHER ELEMENTARY SCHOOL.PHOTOGRAPH OF RICHARD FORD IN HIS GARDEN IN SMITH STREET, CLUNESlocal history, photography, photographs, ford, richard

RICHARD FORD WS A LOCAL ARTIST WHO PAINTED THE STAGE BACK DROP AND THE WORLD WAR 1 MEMORIAL IN THE CLUNES TOWN HALL. HE WAS A COUNCIL FOREMAN, HORTICULTURIST AND PARK CURATOR AND LATER TAUGHT WOODWORK AT THE CLUNES HIGHER ELEMENTARY SCHOOLPHOTOGRAPH OF RICHARD FORD IN HIS GARDEN IN SMITH STREET, CLUNESlocal history, photography, photographs, ford, richard

A bandage is a piece of material used either to support a medical device such as a dressing or splint, or on its own to provide support to the body; it can also be used to restrict a part of the body. G. J. Coles opened the 'Coles Variety Store' on 9 April 1914 on Smith Street in the Melbourne, Victoria suburb of Collingwood. Further expansion occurred and Coles' interest in food retailing was spurred in 1958 when it acquired 54 John Connell Dickins grocery stores. It then acquired the Beilby's chain in South Australia in 1959 and 265 Matthews Thompson grocery stores in New South Wales in 1960 .In 1960, the first supermarket was opened in the Melbourne suburb Balwyn North, at the corner of Burke and Doncaster Roads where a modernised version continues to operate. By 1973, Coles had established stores in all Australian capital cities. From 1962, its supermarkets were branded Coles New World with accompanying rocket imagery. In 1991, the stores were re-branded Coles Supermarkets and from 1998, simply as Coles. George James (G. J.) Coles learned the retail trade working for his father's 'Coles Store' business from 1910 to 1913. The store continued operating as "The Original Coles" at Wilmot, Tasmania until it was destroyed by a fire on 24 January 2014. An unused, 1 inch ( 2.5cm ) x 6 yards ( 2metres) cotton, ‘open wove’ bandage in a cellophane wrapper sold by G.J. Coles Pty Ltd Variety StoresCellophane wrapper top: WHITE OPEN WOVE / BANDAGE / 1 X 6 YDS. / SPECIAL QUALITY / G.J.COLES * pharmacy, medicines, bandages, wounds, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, cotton, gauze, coles g j pty ltd., variety stores, supermarkets, smith street collingwood, retailers, shops

Caption: Greensborough Premiership Team 1931. Front row (L-R) Lyal Clayton, Andy Ferrari, Percy Jurss, Les Collard, Fred King. 2nd row (L-R): Horrie Burkett, Jack Carlon, Joe Brownhill, Tony Crees, Bill McDowell, Bob Bennett, Les Iredale, Vin Broderick, Jeff Collard. 3rd row (L-R): Oliver Ely, Ted Godwill, Chas Aller, ?Nelson, Alf Purcell, Alan Partington, Wal Reid, Alan Splatt, Dave Barber. Back row: Bill Horn, Joe Stock, Rupert Jessop, Mr Holahahn, Norm Poulter, Dolf Purcell, Bill Mills.Records the team - players and support staff - of Greensborough's 1931 Premiership side.Team photograph mounted on board. Accompanied by typed caption.On mount: 'Allan Studios 318 Smith Street Collingwood'greensborough football club, diamond valley football association, premiers 1931

Sepia photograph, outside. Large trees in b/ground. 5 covered horses. Drawn wagons with curtains. At centre, 4 females, one holding a child, dressed in white, 3 men standing by horses heads, 2 figures are seated in centre wagon. Wagons at centre + R marked 'C.Button, Bendigo' (C maybe Chas). Inscription: On Front Bottom, 'R.Dermer Smith. Photo. Bull Street/Bendigo'R.Dermer Smith. Bull Street Bendigocottage, miners

Small snapshot of Margaret Smith c1948 on bicycle in Princes Street in front of Crichton Reserve, with houses in Stokes Street in the background.built environment - domestic, children, margaret smith

RICHARD FORD WAS AN ARTISTPHOTOGRAPH OF FOUR CHURCHES TAKEN FROM RICHARD FORD'S GARDEN IN SMITH STREET, CLUNES.AS ABOVEchurches, st-pauls anglican

Francesca Both married Louis Schwerkolt in 1890. They had five children: Louisa; 1890 Alice: 1891 Frances: 1893 Violet: 1897 Ernest: 1902. They also adopted a boy, Leslie Hogan who married their daughter Frances. Frances Schwerkolt standing in white outfit, large white hat and black belt.George Janes Photoman Model Studios. 350 Smith Street Collingwood.frances schwerkolt, frances hogan

Sepia photograph, on fawn board. Four-wheeled horse-drawn covered wagon, with curtains front and side, rolled up or pulled aside. Within wagon, two people seated behind driver. Four horses in harness pulling wagon. Two men on R. entering picture. Heads of two horses on R. Tree in R. Back. Inscriptions: on wagon 'Chas Button - Bendigo'. On board - 'R Dermer Smith, Photo, Bull Street, Bendigo'. History: Also enclosed, photocopy of original.R Dermer Smith, Bull Street, Bendigoperson, group, males

The design of this small disc is from the Australian Colonial period. The cedar wood desk was made in Australian by Foy & Gibson in the 1880s, most probably in the business’s works in Collingwood, Victoria. The heavy brass locks fitted into the desk drawers were made by the famous Hobbs & Co of London, mid-late 19th century. In 1860 the business changed hands but the locks were still branded Hobbs & Co. The desk is branded with the symbol of Victoria’s Public Works Department. There is currently no information on when, where and by whom this desk was used. However, a very similar desk with Hobbs & Co. locks is on site at the Point Hicks Lightstation in Victoria and was formerly used by the Point Hicks head light keeper there. Other light stations also have similar desks from the P.W.D. (see also ‘Desk, Parks Victoria – Point Hicks Lightstation, Victorian Collections’.) HOBBS & CO., LONDON Alfred Charles Hobbs, 1812-1891, was American born. He became an executive salesman in 1840 for renowned lock manufacturer Day & Newell. His technique of exposing the weaknesses of people’s current locks was very successful in generating sales. He represented Day & Newell at London’s Great Exhibition of 1851, competing with other lock makers. Through the Exhibition he became famous for picking the best trusted Bramah and Chubb locks. Hobbs’ fame led him to found his own company in 1851 then register it in 1852 as Hobbs & Co., London. Hobbs was awarded the Telford Medal by the British Institution of Civil Engineers in 1854 for his paper 'On the Principles and Construction of Locks'. In 1855 the very successful company added partners and became Hobbs, Ashley and Co. In 1860, it traded under the name of Hobbs, Hart & Co. and was based in Cheapside London, where the business remained. Hobbs then returned to America, having sold the complete company to John Mathias Hart. He briefly returned to attend the 21st anniversary celebrations of the successful business in 1872. Hobbs kept himself busy in America, inventing and manufacturing firearm ammunition, for which he held several patents. He passed away there in 1891, a month after his 70th birthday. FOY & GIBSON Mark Foy wan an Irish draper who migrated to Bendigo, Victoria in 1858, attracted by the gold rush. He lived and worked in the area, establishing a drapery business. In the 1870s he moved to Melbourne where there were better prospects for expansion. He chose a place in Smith Street, Collingwood, a suburb of Melbourne, and started his business at the rear. In 1883 Foy retired, bringing in William Gibson as a partner, and then transferred his own share of the company to his son Francis Foy. Not long afterwards Francis sold his half share to Gibson, and the business continued under the name of Foy & Gibson. Francis Foy and he and his brother Mark Foy (junior) moved to Sydney. They established a business there in 1885, named after their father, Mark Foy. Gibson added to his business by starting his own manufacturing works from 1887, producing clothing, millinery, furniture, bedding and hardware for his stores. The factories, warehouses and stores complex became one of Victoria’s largest employers. He set up branches of his stores in Perth, Brisbane and Adelaide and two more branches in Melbourne. Foy & Gibson (usually referred to as Foys) became one of Australia’s largest retail department stores. In 1931 Foy’s little house in Collingwood was still part of the entrance to Foy & Gibson Emporium. In 1955 the company was bought out by Cox Brothers. Later on the stores were sold to various businesses such as David Jones, Woolworths and Harris Scarfe. In 1968 Cox Brothers went into receivership, ending almost 100 years of the business known as Foy’s. The former Foy & Gibson Complex is registered by Heritage Council Victoria. “Designed by William Pitt, this magnificent 19th and early 20th century complex of factories, warehouses and showrooms saw the production of a remarkable range of goods for Foy & Gibson, Melbourne’s earliest department store chain”. (Quoted from the Plaque erected by the Collingwood Historical Society 2007) P.W.D. – Public Works Department, Victoria The desk is stamped “P.W.D,” signifying that it is from the Public Works Department in Victoria, which operated from 1855-1987. The department was responsible for, among other things, the design and supply of office furniture and equipment for public buildings and organisations. This desk is significant historically as it originated from Foy & Gibson, a colonial Australian company that had a positive and strong impact on employment, manufacturing and retailing in Melbourne, Victoria and Australia. The significance of Foy & Gibson to Victoria’s and Australia’s history is marked by the Collingwood Complex being registered in both Heritage Victoria Register (H0755, H0897 and H0896) and National Trust Register (B2668). This locks on this desk are significant for their connection with their manufacturer, Hobbs & Co, who invented a lock that surpassed the security of any other locks produced in the mid-19th century. Desk; Australian Colonial cedar desk, honey coloured. Desktop has a wooden border with a rolled edge and a fitted timber centrepiece. The four tapered legs are tulip turned. Two half-width drawers fit side by side and extend the full depth of the desk. The drawers have dovetail joints. Each drawer has two round wooden knob handles, a keyhole and a fitted, heavy brass lever lock. Inscriptions are on the desktop, drawers, desk leg and lock. Made in Australia circa 1880 by Foy & Gibson, lock made by Hobbs & Co, London.Impressed into timber frame of one drawer “FOY & GIBSON” Impressed into lock “HOBBS & CO / LONDON”, “MACHINE MADE”, “LEVER” Impressed along the front edge of the desktop [indecipherable] text. Impressed into the timber of right front leg “P. W. D.” below a ‘crown’ symbol Handwritten in white chalk under a drawer “206” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, desk, cedar desk, colonial desk, 1880s desk, australian colonial furniture, furniture, office furniture, office equipment, australian made furniture, colonial furniture, colonial hardware, foy & gibson, alfred charles hobbs, hobbs & co london, hobs & co lever lock, cabinetry lock, machine made lever lock, p.w.d., public works department victoria, day & newell, great exhibition of 1851, bramah lock, chubb lock, telford medal 1854, cheapside london, mark foy, mark foy – bendigo draper, smith street collingwood, william gibson, foy & gibson emporium, foy & gibson complex, cox brothers

Huttley - MartinB/W. Oval Portrait Young Boy in suit.Wm B Latimer 145 Smith Street Fitzroy On Reverse: ? Specialite Instantaneous Portraiture of young children. Enlargements Miniatures (on diagonal reading Upwards) Wm B Latimer Photo Art Studio 145 Smith Street Victoria.martin, huttley

Hand coloured photo of two young ladies. 1. Lady standing in long brown dress, white lace collar, pink bow, gold broch, blue eyes, fair hair clipped up in bun with red leaf in hair. 2. Lady sitting, in long brown dress, white lace collar, orange neck band, orange broach, blue bow. Green bush and ferns in background.Alans Studio. 318 Smith street. Collingwood. All kinds of photography excuted in best style.person, group, portrait

At the end of World War One, there was a renewed interest in residential land and a number of estates opened up in the Municipality of Moorabbin.Example of the progress of the Municipality of MoorabbinAdvertising flyer for auction of real estate sales - plan of building blocks for saleWard's Estate Bentleigh Auction Saturday 14 February 1920centre road, smith street, ross street, jasper road, bentleigh, real estate, auction

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Colourful painting of chromosome figures playing on a beach.merle parker, 69 smith street gallery, artist-run initiative, artist-run space, painting, chromosome, melbourne galleries

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Blurred vision of a tree against brown landscape and blue/grey sky.jenny gibson, 69 smith street gallery, artist-run initiative, artist-run space, photography, landscape, melbourne art galleries, colour photography, digital photography

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Oil painting and gold leaf on a birch panelnikki d'emden, 69 smith street gallery, artist-run initiative, painting, artist-run space, melbourne art galleries, nikkidemden.com

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Bronze sculpture on a polished granite circular base. Female subject is wearing a long flowing dressclodagh holahan, 69 smith street gallery, artist-run space, artist-run initiative, sculpture, melbourne galleries, clodagh-holahan.com

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Image of two birds sitting on a tree branch with flowers. The background is light blue, the branch is dark blue and the birds and flowers are made from cut-out pieces of metal.e justine cromb, 69 smith street gallery, artist-run initiative, artist-run space, mixed media, birdlife in art, melbourne art galleries

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.This artwork shows a wooden type sculpture depicting an ant. A blue spotlight on the ant is casting a shadow on a floor.louis balis, 69 smith street gallery, artist-run initiative, artist-run space, melbourne art galleries, maquette, shadow, sculpture, photograph, ant, [email protected]

The photograph shows the demolition or removal of the cable tram track at the intersection of Smith St Gertrude St. Fitzroy. The workmen are excavating the former cable tram track The inbound cable tram track remains in position. The 1955 Annual Report notes that work commenced following the completion of the Queen's visit in March 1954 and that all work was done by day-labour. The track was opened to service in late June 1955. The second image is from a Melbourne and Metropolitan Board of Works plan (part) No. 1217 - Collingwood for the intersection, obtained for reference from the State Library of Victoria Collection of MMBW Plans. It shows the layout of the cables and the large sheave pit that the cable itself passed around. The trams were required to drop the cable from the grip prior to the entry to the curve and then coast around. Photographer is possibly Keith Kings.Yields information about the extent of work need to convert the former Northcote Cable tram route to Electric trams, the people and the methods used to undertake the work.Photograph - Black and White of the demolition of the cable tram track at the corner of Queens Parade - Smith St Clifton Hill.trams, tramways, cable trams, workmen, mmtb, demolition, track work, conversion, smith street, queens parade, clifton hill

Reproduction slide of a coloured postcard showing a cable tram in Smith St Collingwood, south of Johnston St. Has a Clifton Hill bound cable tram in view. The conductor with trip slips appears to be walking forward to check for cable trams in Johnston St as required by the rules. Passengers are alighting from the tram. Shops are E Wardrop, W Luge, Booth Chemist and Dentist, and in the far distance is a Moran and Cato store. Many of the shop awnings have been lowered. Yields information about Smith St Collingwood and cable tram operations.Kodachrome cardboard duplicate slide - Colour slide - reproduction - Smith St Collingwood from Johnston St - c1900 "CB20" in penciltrams, tramways, cable cars, cable trams, collingwood, smith street