Michael Leunig is an Australian cartoonist, poet and cultural commentator. His best known works include The Adventures of Vasco Pyjama and the Curly Flats series. Leunig was declared one of Australian Living Treasures by the National Trust of Australia in 1999. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.one colour (yellow) etching on Somerset paper. Thick lines weave in and out to produce a figure reminiscent of his 'curly flat' characters holding a long stem flower/vine. ekphrasis2018, pilgrim, baldessin, leunig

Background to the Mayger family in EnglandMayger family were a pioneer family in the Greensborough area3 x A4 pages. Citation from the 1841 England Census for Alfred Mayger, accessed via Ancestry.co. Also pages from National Burial Index detailing Mayger burials in Somerset.mayger family, alfred mayger

Postcards were a common form of souvenirs for soldiers who were travelling either during World War 1, or just after, or while returning to Australia. This postcard with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920.Postcards were a very common form of communication during the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1.Standard size postcard with image depicting Lac Leman (or Lake Geneva). The image in its current condition shows a pastel coloured sky and a small island within the lake.Front - “Lac Leman/ 6211/CHARNAUX FRERES & CO., GENEVH” Back - “CARTE POSTALE/ Mrs Mercer? / The Nook / Combe Down / Somerset”souvenir, war correspondence

In 2010 performers who had been involved in unofficial tours during the Vietnam War were awarded the Logistic And Support Medal Vietnam. Daryl Fedden is puctured with Lenore Somerset at Tan Son Nhut Air Base, SaigonDonated by Mrs D. Feddenframed certificate, daryl fedden, lenore somerset, tan son nhut, saigon

South Parade in Bath, Somerset, England is a historic terrace built around 1743 by John Wood, the Elder.Black and white postcard showing South Parade Bath lined with triple storey buildings and trees. A lady posts a letter in the foreground of the image.chatham-holmes family collection, bath, south parade

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

Bold Bendigo A romance of the open road. A story of a boxer named Bendigo (Abednego) 314 pages printed in Great Britain by Purnell and Sons Paulton Somerset England. Published by Sampson Low Marston & Co Ltd London Dark green hard cover. Possibly origial publicationPaul Herringbendigo, history, book, bendigo-history-naming of bendigo-boxing

The Maygar family came to Greensborough circa 1841 from Somerset England. They were of Hungarian descent. They farmed along the Plenty River. This photo was taken at their Peak Hills Mine in Western Australia.Digital copy of black and white photograph.maygar family, g e w maygar, emily maygar

Artist: Samuel Thomas Gill Born 21 May 1818 Perriton, Minehead, Somerset Died 27 October 1880 Melbourne Father: Samuel Gill Mother: Winifred Gill nee Oke Engraved and relief print of Drawing of Port Fairy Bay with small boat near Griffith islandengraving, australian art

Book. ALEC H CHISHOLM COLLECTION. 306 page hard cover collection of selected verse of Rudyard Kipling. Compiled by T. S. Eliot with an essay on Rudyard Kipling. Published in 1941 by Faber & Faber, London and printed by Purnell & Sons Ltd, Somerset & London. Catalogue sticker ''2125 KIP'' on spine.Rudyard Kiplingbooks, collections, poetry, alec h chisholm collection, t.s.eliot, rudyard kipling, poetry

George Edwin Willis Grimshaw Maygar [1858-1915] was the son of Edwin and Helen. The Maygar family came to Greensborough circa 1841 from Somerset England. They were of Hungarian descent. They farmed along the Plenty River. Digital copy of black and white studio photograph.maygar family, g e w maygar

BESSIE WAS A DAUGHTER OF HARRY AND ELIZABETH ROBBINS. ELIZABETH (NEE McINTOSH) EMIGRATED FROM INVERNESS, SCOTLAND IN 1849 WITH HER BROTHER THOMAS AND THEIR COUSIN DONALD CAMERON. HARRY ROBBINS EMIGRATED FROM SOMERSET, ENGLAND IN LATE 1840'SBLACK AND WHITE COPY OF A PHOTOGRAPH OF BESSIE PICKFORD NEE ROBBINSlocal history, photography, photographs, mcintosh, robbins, pickford, donald cameron

Joseph Gundry was born at Lopen ,Somerset England circa 1810.He arrived in Van Dieman's Land 1832from England ,followed by his brothers,William 1837,and Charles later .Joseph died a Jan Juc in 1878 and is buried it the Bellbrae Cemetery .Black and white photograph of Joseph Gundry

Whitish card with cut out window and an embossed border around the window. The window has fine net material which has ribbon embroidery on it. There are pale blue flowers, a green bow and two pink buds at the top joined by a piece of blue cord in a circle. Card & insert held together by a pink cord. Card is from May Somerset.person, greeting cards, malone collection, malone collection, greeting cards, may somerset

A member of the Maygar family who came to Greensborough circa 1841 from Somerset England. They were of Hungarian descent. The family farmed along the Plenty River. [In The Melbourne Punch of 27/05/1897 the Vanderwyde Photo Studio Bourke Street featured and promoted their 'Head Study' photography.]Digital copy of black and white studio photograph.maygar family, emily maygar

The Argus on 15 September 1923 reported: COOK—CARRUCAN.—On the 11th August, at the Sacred Heart Church, Kew, bv the Rev. Father Manley, Reginald Walter, son of Mrs. and the late Charles Cook, of Wellington, Somerset, England, to Kathleen, eldest daughter of Mr. and Mrs. J. Carrucan, Derby street, Kew.The Carrucan family were a notable family in Kew.Oval photograph of a bride in an oval frame with curved glass. The bride is Kathleen Carrucan at her marriage to Reginald Cook in 1923.Inscription on reverse: "Kathleen Cook [nee Carrucan] lived at 129 Derby Street Kew. Jack Carrucan family home. Married 1923 to Reginald Cook". kathleen cook, kathleen carrucan, reginald cook, wedding photograph

The Maygar family came to Greensborough circa 1841 from Somerset England. They were of Hungarian descent. They farmed along the Plenty River. Leslie Cecil Maygar VC, DSO, VD was an Australian recipient of the Victoria Cross. In 1901 Lieutenant Maygar was awarded the Victoria Cross for rescuing a fellow Victorian whose horse had been shot. He died at Beersheeba in Palestine in 1917.Digital copy of black and white studio photograph.leslie cecil maygar, maygar family, victoria cross

The Maygar family came to Greensborough circa 1841 from Somerset England. They were of Hungarian descent. They farmed along the Plenty River. Leslie Cecil Maygar VC, DSO, VD was an Australian recipient of the Victoria Cross. In 1901 Lieutenant Maygar was awarded the Victoria Cross for rescuing a fellow Victorian whose horse had been shot. He died at Beersheeba in Palestine in 1917.Digital copy of black and white photograph.leslie cecil maygar, maygar family

The Maygar family came to Greensborough circa 1841 from Somerset England. They were of Hungarian descent. They farmed along the Plenty River. Leslie Cecil Maygar VC, DSO, VD was an Australian recipient of the Victoria Cross. In 1901 Lieutenant Maygar was awarded the Victoria Cross for rescuing a fellow Victorian whose horse had been shot. He died at Beersheeba in Palestine in 1917.Digital copy of black and white photograph.leslie cecil maygar, maygar family, victoria cross

Thomas Langdon (1832-1914) was born in Somerset, England and came to Australia in 1853. He started in Bendigo as a miner and carter before beginning farming at Laanacoorie. He married twice; Esther Temlett in 1855 and Sarah Coventry in 1862. He was elected to the Marong Shire Council in 1871 and went on to become a member of the Victorian parliament. He was the Member for Avoca and later Korong. In 1907 he was the Minister for Labour.Black leather folder, 5 pages inside. On front of folder in gold print ' In Memoriam. The Honorable Thomas Langdon, Chairman of Committees of the Legislative Assembly' Inside, first page: In Memoriam, The Honorable Thomas Langdon, M.L.A., member of the Legislative Assembly for - The Avoca District from 1880 - 1889; The Korong District from 1892 - 1914. Died 27th May, 1914. Following pages cite extracts from the minutes of the Lagislative Council that discuss Thomas Langdon's passion and significance in representing his constituents in Parliament. His passing is noted. 'Wednesday June 24 1914' The One. W.L. Baiullieu ' it is with much regret that I have to propose the following motion 'that this House desires to place on record its deep regret at the death of the Honorable Thomas Langdon .....'person, government, thomas langdon

Margaret Ellen Holloway married William Hugh Hooke in 1892. Margaret is the daughter of James Charles Holloway and Mary Bennett. She was born in 1864 in Indigo,via Rutherglen at the gold lead. Her father James came out from Somerset England with a large family group to settle in the North East of Victoria and to try their fortune at gold mining. The Holloway’s and their descendants then went on to farm in the district including Rutherglen, Chiltern, Springhurst, Barnawartha and Browns Plains. Black and white portrait photograph of Mrs Hooke nee Margaret Ellen Hollowayhooke family, holloway family, margaret holloway

This ring belonged to Captain William Henry Bacchus who was one of the first British colonists to establish a farming property on Wurundjeri and Wadawurrung First Nations people lands 55 kilometers west of Melbourne. The land occupied by Bacchus in 1838 came to be known by the early colonists as Bacchus’s Marsh before later changing officially to Bacchus Marsh. The ring is believed to have been made to commemorate the death of Captain Bacchus’s father Wm (William) Bacchus in Somerset, England in 1788.This ring has significance because it is an object associated with a significant historical person in the history of the region of Bacchus Marsh. It is a rare, probably unique example of an 18th century mourning ring connected to the local community. It also has aesthetic value as an object and is in excellent condition.Gold ring with blue and black coloured inlay. Contains writing on the outsideWM Bacchus Esq OB: 10th JUNE 1788 Æ: 38 bacchus family, rings, william henry bacchus 1782-1849

'Skin, Surfaces and Shadows' was created by Tommaso Durante in 2004 during his stay in Bundanon (gifted to the Australian people by Arthur & Yvonne Boyd - South East Australia) as international artist in residence and it was enriched during the artist’s stay in Broome (Western Australia) in 2005. On that occasion he collected the raw materials that were subsequently wrought to develop the actual bookwork.On the edge of artistic practice and philosophical inspiration, 'Skin, Surfaces and Shadows' pushes the boundaries of art, craft and design by combining digital technologies with traditional techniques and materials. Durante visually explores the surfaces of organic things (trees, surface textures, etc.) and the figurative dividing line of the shadow. The poet Wallace-Crabbe responds to these images in words. The poet and the artist flit in and out of shadows, skin and the surfaces of paper and life.(a) prints, artist's book (80 pages), ink; Somerset Book White paper (175gsm), digital images, printed in eight inkjet colour pigments, from digital files. Set in digital typefaces Utopia STD Display, Italic and Bold, Frutiger 57 Condensed, 67 Bold Condensed, and 56 Italic. Section sewn around 3 tapes. Full paper binding with blind blocking on front cover handmade head and tail bands. (b) CD of slide presentation to accompany bookwork on display Primary Insc: In black biro, signed and editioned by Tommaso Durante and Chris Wallace-Crabbe (last page '8/25 T DURANTE CWallace-Crabbe')prints, artist book, skin, surface, shadow, poetry, durante, wallace-crabbe

This is one in a series of letters written by various seafarers to Lillie Duncan. Lillie was a member of the Ladies' Harbour Lights Guild during the 1920s. She seems to have struck up a number of friendships with seafarers who used the facility. The Ladies' Harbour Lights Guild was responsible for much of the fundraising that constructed and maintained the organisation from its inception in 1902. They were also responsible for arranging dances and other social activities designed to make seafarers welcome in a strange environment.The purpose of the Mission to Seafarers is, as it always was, to provide comfort and welfare services to visiting seafarers. This letter, and the series of which it is a part, underscores the importance of making relationships abroad for those who earned their living on the seas.Handwritten letter in four parts consisting of an envelope with three pages of handwritten text in black ink using only the face of each page.Postmark in top right hand corner of envelope is indecipherable. Postmark in bottom left hand corner of envelope: PORT SAID/indecipherable/12JA.28.8-9A/indecipherablemelbourne, ted, letters, somerset, lillie duncan, lillian duncan, ladies harbour lights guild, lhlg, port said, mission to seafarers, stamp, africa, seamen's mission, ss mandasor

Military officer Henry Christopher Wise was killed during the Eureka Stockade. The church in his home town of Leek Wooton has a memorial to him.Colour photograph of the Leek Wooton Church and the memorial to Henry Christopher Wise found inside the church.Sacred to the Memory of Henry Christopher Wise Esq Captain in H.M. 40th 2nd Somerset Regiment, eldest son of Henry Christopher and Harriett Wise of Woodcote, who died on the 21st of Dec, 1854 aged 25 at Ballarat, Victoria, South Australia of wounds received of the 3rd of the same month while gallantly leading his company to the assault of the rebel stockade at Eureka, Ballarat. This tablet erected by the officers of the 40th regiment. eureka stockade, military, memorial, church, leek wooton, henry wise, henry christopher wise, 40th regiment

James Robbins and Mary Jane Ellery were married on 23 April, 1829, in Stoke Lane, St Michael, Somerset, and had six children. James died aged 51 on 7 December, 1845. Mary married again to John Boyce less than twelve months later, and they had a further three children. John and Mary Boyce (Robbins nee Ellery) came to Port Adelaide, South Australia, on the "Flora Kerr" on the 4 March, 1855, with eight of their nine children. Hannah Robbins stayed in England, probably married. On the same ship another daughter, Ann Robbins, came out with her husband, John Treasure, who had already been to Australia searching for gold. From these unions, several generations of children were recorded, the book exploring their lives. James Robbins, 26 November 1794-7 December 1845, and Mary Jane Ellery, 1810-5 September 1889. Doris Robbins. Self published; Colac (Vic); February 1998. 560 p.; illus. Soft cover.stoke lane; st michael; somerset; port adelaide; victoria; tatura; castlemaine;

The patches and insignia belonged to Arthur COWLEY RAAF. He enlisted on 22.1.1942 age 18 years 6 months as No 50704 which was a ground staff No. From 12.2.1942 to 12.9.43 he went through various courses at Sale, Lake Boga, Somerset, Richmond and Adelaide. Finally accepted into Aircrew he embarked from Melbourne for Canada for training as a Bomb Aimer on 27.9.1943, arriving Canada via San Francisco 19.10.1943. He then attended Bomb Aimers Courses at Mossbank and Edmonton. Granted a Commission as a Flying Officer on 24.3.1943, embark for England 10.4.1944 and posted to various bases for advanced training. Finally on 7.3.1945 he is posted to No 462 Sqd RAAF flying Halifax Bombers in Bomber Command and begins operations from Foulsham. Arthur completes 8 missions before the war is over with Germany. Departs England 28.11.1945 for Australia and is discharged on 11.1.1946. .1) Bomb Aimers Wings, Cloth, dark blue background with White "B" and Wing. .2) Shoulder Badge, cloth, dark blue with light blue "Australia"& Eagle. .3) Rank Badge, light blue propellor on dark blue background. .4) Badge Shoulder, cloth, Australia light blue on a dark background. .5) Badge Shoulder, cloth, light blue eagle on a dark blue background.air force, raaf, badges uniform

Alfred Armstrong Armstrong, Alfred, Eltham is a native of Somerset, England, born in 1825, and was employed under Mr. Mark Isambard Kingdom Brunel as a civil engineer prior to his coming out to Melbourne in 1852. He first visited Beechworth, but returning to Melbourne took contacts at Essendon and Gisbourne for forming and metalling the road. He afterwards purchased property at Eltham, where is at present mining, surveyor, inspector of mines, and mining registrar for the St Andrew’s division of the Castlemaine mining district. Mrs Armstrong, to whom he was married in 1854, at St Paul’s Church, Melbourne, died on 27th March, 1887. from "Victoria and its Metropolis: Past and Present" written in 1888 by Alexander Sutherland. Chapter 19, "The Upper Yarra District" pages [402] - 415. Includes descriptions of some townships and short biographies of local residents. Page 405 Folder of information on Alfred Armstrong, Eltham and Kangaroo Groundalfred armstrong, ada gertrude armstrong, arthur reynolds stockwood armstrong, arthur vivian harrison, eltham cemetery, gravestones, laura augusta harrison (nee armstrong), margaret armstrong, mary armstrong, thomas armstrong

Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp

Collection of Personal Papers regarding the sale and recovery of tram bodies 12 Kilara Road Mentone in 1982. Comprises: 1 - letter to the TMSV dated 28/4/1982, to the TMSV from Duncan & Weller for auction on 29/5/1982. 2 - Newspaper from The Age, 12/5/1982 regarding the forthcoming article 3 - Photocopy of an article from March 1, 1930 The Australian Home Beautiful titled "A House Built from tram cars, by W. A. Somerset 4 - Set of five photographs and negative of the above article, possibly by the State Library. In an orange folder addressed to Mr. Kings. 5 - Newspaper item the Herald, Sat 28/8/1982, "House of the rising tram" reporting on the removal of the tram bodies from this house by the TMSV. Has a photo of the TMSV Chairman, Hamish Haugh removing a shower fitting. Item folded.trams, tramways, mmtb, pmtt, mentone, tramcars, melbourne, houses, sale of land