Boyd questions the public's and architect's architectural taste - especially developing a style that would define Australian Architecture. He addresses the lack of commissioning of Modern Architects while Modern Architecture became the main preference in architecture 30 years prior to the written text. Frustrations towards people selecting styles that are 'familiar' rather than trying to be 'avant-garde'. Otherwise, Boyd challenges architects looking towards American Architecture as precedents.This appears to be a unpublished lecture. It is marked up for presentation with slides (indicates LIGHTS) when delivering a speech.Handwritten (pencil), quarto, 15 (page numbers on centre top up to 16, page 10 missing) pagesSpots of coffee stainsaustralian school, architecture, american embassy in new delhi, walter richmond butler, robin boyd, manuscript

On the 14th May 1927 his Excellency Lord Somers, in the presence of a large assemblage opened Braille Hall at the Braille Library (now Vision Australia Library) in Commercial Road, South Yarra. To mark appreciation of the gift of the hall by the two benefactors Edward Wilson and Richard Gibson, the committee placed two of the stained glass windows on each side of the hall’s fireplace. Commissioned by Librarian Miss Millicent Ritchie, the windows depict four British authors - Scott, Milton, Shakespeare and Dickens. They were removed from South Yarra in 1999 for conservation work and cleaning prior to their relocation to Kooyong in 2001. In 2017 refurbishment works made the windows redundant however they were reinstalled either side of the main entranceway in 2018. 4 x stained glass windows depicting famous writersbraille and talking book library, millicent ritchie

This patch is one of two patches attached to the interior underarm seams of jacket 0033.1, as a means of reducing staining from sweat of the wearer.Oval shaped patch formed from four pieces of material (four semicircles), overlocked around the circumference in cream stiching. Patches are cream in colour with brown staining throughout. Patches are cotton on one side and a resistant/treated fabric on the reverse. summer uniform, sweat pad, military uniform

This patch is one of two patches attached to the interior underarm seams of jacket 0033.1, as a means of reducing staining from sweat of the wearer.Oval shaped patch formed from four pieces of material (four semicircles), overlocked around the circumference in cream stiching. Patches are cream in colour with brown staining throughout. Patches are cotton on one side and a resistant/treated fabric on the reverse. summer uniform, sweat pad, military uniform

Posters associated with opening of miners cottage museum, May 1983.Two cardboard backed display posters featuring architectural ink drawing of cottage in treed setting and side elevation views.(backing glue seepage stains)

From information Book "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/Centenary Commemorative Prints". Collection of 20 Prints' Refer Cat No. 7300. "John Hugh Allen died on 6th June 1915 at Gallipoli, a Lieutenant in the Worcester Regiment." Framed print. Print - colour print on paper. Colour photograph of a stained glass window. Depicts - top - a knight and an angel with the words "War" and "Peace" below figures. Below - battle scene of soldiers on left, on right, university buildings and quadrangle with figure in an academic gown in foreground. Words below - "In Memoriam John Hugh Allen/ Gallipoli 6th June 1915". Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print'- "STAINED GLASS WINDOW War and Peace, All Saint's Anglican Church, Dunedin, New Zealand."framed accessories, prints, ww1, galli[poli, centenary

The World War One Memorial Stained glass windows in the Barkly Street Uniting Church resulted from a request made in 1919 by the Barkly Street Young Men's Club to be given permission to raise money to pay for the project. The window was designed by Fisher Co. Pty Ltd, and was unveiled by a former army chaplain - either Rev. J.A. Gaunt or Rev. Bladen on the 14th March 1920. The total cost of the windows was 171 pounds 10 shillings. The window cost 150pounds, the window was fixed into position for 15 pounds, and three wire screens cost 6 pounds 10 shillings.Digital Photographs of the World War One memorial stained glass windows in the Barkly Street Uniting Church, Ballarat East.Repousse World War One tablet: 1914-1919 For God, King and Country The windows above have been erected as a memorial to the heroic lads of this school and church who fell in the Great War. Brittain, H.O. Butcher, J.C. Cornish, H. R. MM (Richard) Eady, James Arthur Edmends, William H. Ferguson, F. Farrar, A.Z. Gist, C.H. Gates, Stanley C. Grave, Howard B. Hughes, Arthur W. Hughes, George A.C. Jones, William Stanley (Stan) Marshall, Robert R. McConnell, A.R. (Ralph) Muller, A.V. Polkinghorne, E.C. (Clifford) Ridgwell, Herbert R. Sansum, Arthur H. Smith, Alfred G. Tait, Robert E. Tait, Lawrence (Laurie) Veal, Thomas P. Vincent, Leslie A.barkly street uniting church, barkly steet methodist church, barkly street weseyan church, j.a. gaunt, bladen, stained glass, soldier, world war, world war one, mmm

A large fabric flag of the Legacy logo. It would be used on many occasions to identify and promote Legacy. It has been stuck to a vertical surface using blutac as it is stained and there are remains of blutac on the fabric. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The flag was used in many events up to at least the late 1990s to promote Legacy. A similar flag is attached to a flagpole in the President's office. Maker was Evans Flags.A record of the former colour scheme used by Legacy.Commercially made Legacy Flag. Legacy symbol appliqued onto yellow background with blu tac stains. Flag rings attached.legacy promotion, logos

"ST. PETER'S CHURCH, DAYLESFORD Last Sunday his Grace the Archbishop confirmed a large number of children at St. Peter's Church, Daylesford. His Grace was assisted by Rev. J. J. Malone, P.P. The congregation included a large number of worshipers from outside districts. A short address delivered by the Archbishop was attentively listened to, and many were the expressions of congratulation extended to his Grace upon his recovery from the indisposition which had incapacitated him from active work recently. At the conclusion of Confirmation the children were treated to refreshments on the lawn in front of the presbytery A large number of parishioners dined with Fr. Malone, and the Archbishop renewed former acquaintanceships. In the evening a mission was opened by the Rev. J. O'Brien and Rev. J. Brown, of the Redemptorist Order. The mission will be concluded on Sunday next. The exercises have been well attended. The interior of this beautiful Gothic church has recently undergone complete decoration, and one of the features that have, received special attention is the stained-glass. The windows consist of eight- two-light with trefoil piece of tracery, and in each is designed one of the following figures:—St, Francis of Assisi, St. Francis Xavier, St. Augustine, St. Monica, St. Stanislaus, St. Aloysius, Our Lady, St. Joseph, St. Patrick, St. Bridget, St. Agnes, 'St. Rose of Lima, St. Ignatius, St. Vincent de Paul, St. Alplionsus Liguori, St. Thomas Aquinas. The figures are set, in medallions formed with richly designed Gothic ornament in the form of crockets surmounted by a cross and crown, while in the tracery immediately above the windows is a monogram of the names of the saints. The figures are richly coloured in glorious antique glass, with the ornamental detail in lovely mellow tones of old gold and pale yellow stains. The whole effect is rich and at the same time restrained in colour. At the base of each window is written the name of the donor. The whole of the work was designed and executed by Messrs. Brooks, Robinson and Co. limited, at their stained-glass studios, Elizabeth-street, Melbourne. The scheme is an original treatment, but at the same time strictly orthodox and Gothic in style. One feature of the work which must be apparent to those who are interested in stained-glass decoration is the maximum effect obtained with a minimum of expenditure." (Melbourne Advocate, 4 December 1909) A number of coloured photographs of the stained glass windows from the interior of St Peter's Catholic Church, Daylesford. The photographs were taken on the day of the 150th anniversary celebrations.brooks, robinson and co, stained glass, st peter's daylesford, church, daylesford, st alplionsus liguori, st thomas aquinas, religion, st agnes, st rose

Depicts a member of the AMF 8th Employment Co. Made by former camp 2 Tatura internee after his release in January 1942. At the 8th employment company at Tocumwal. Kurt Lewinski was a Dunera boy. Formerly a refugee of England 1938, originally from Berlin. Transported to Australia in 1940.Wood carving or sculpture of a man stacking boxes at a railway station.K. Lewinski 1944 Huon Pine (stained)wood sculpture, internee hand craft, dunera boy, kurt lewinski

Poster, promoting Pure New Wool,Wool carpet,/ naturally flame /& stain resistant.wool marketing, laundering

Bromide of surveyor's sketch of the track to Melbourne from Sandridge (Liardet's Beach), 1840. Originals with Lands Department, Melbourne. (possibly the work of William Wedge Darke?)Slight processing stain upper right, '6' on backhotels, piers and wharves, william wedge darke

Sanderson P (1988): '73 Walpole Street (Kew), 'Otira'. Built 1887. Original use - Residence. Architect - Crouch. Henry Berry, a noted philanthropist and salt merchant of Melbourne, was the original owner of this two-storey, boom-period house. Berry occupied the residence until his death in 1923 while in February the following year, the property was auctioned. Subsequently purchased by the Methodist Church for use as a training college for missionaries, a number of additions and alterations were made at that stage including a memorial chapel that was built on the property in 1957.' Otira is now a private residence. Original colour positive photograph (polaroid) of 'Otira', 73 Walpole Street, Kew, taken in 1978 by students in Form 3R at Trinity Grammar School as part of a project. The view is of the painted glass panels surrounding the main door, viewed from the hall."Photo 4 / Stained glass door panels Otira"otira - 73 walpole street, henry berry, historic houses -- kew (vic.), trinity grammar school, melbourne architects -- crouch, interior design -- front doors -- 1880s, interior design -- painted glass -- 1880s

Aussie, a lighthearted account of life in the field for Australian troops during WW1. Featuring stories, cartoons, letters to the editor and much more. Aussie was conceived in November 1914 but it was not until January 18, 1918 that Aussie was first published with a print run of 10,000 copies. The third issue had a print run of 100,000 copies. A couple of single original issues are also in the archive. This was a compilation put together by Phillip Harris from the original editions and printed in Australia in 1920. Funds raised from the sale of the compilation went towards the construction of The Australian War Memorial.Despite the dreadful conditions on the Western Front during the war the Australian troops managed to procure enough rescoures to publish an interesting and humour packed account of life for them as it was. A great morale booster.Cover, cardboard, faded and some stains. Pages, paper, some tears, stains,discolouration.Front cover, "Aussie. A reprint of all the numbers of the Diggers' own paper of the battlefield, wholly written, illustrated and printed in the field by members of the AIF. Produced by the editor, Phillip L. Harris on behalf of the Australian War Museum. 1920. Forward by Major General C.B.B. White, K.C.M.G., C.B., D.S.O."world war one, souvenir, magazine

This helmet was worn by Regt No 529 Trooper Alexander Hay Borthwick 8th Light Horse Regiment in the charge at the Nek, Gallipoli, on 7 August 1915. Borthwick was wounded in the charge but remained on duty. Following Gallipoli, Borthwick went on to serve with the 8th Light Horse in Sinai. He was wounded on a second occasion and lost his right arm.A rare object, well provenance, and of major significance to Australian Armoured Corps in general and 4th/19th Prince of Wales's Light Horse Regiment in particular, being the custodian of the traditions of the 8th Light Horse Regiment through its linking with 8th/13th Victorian Mounted Rifles. The helmet is displayed at the annual Nek Dinner held by the 4th/19 PWLH Regiment.Stiffened khaki coloured cloth helmet with folded puggaree. Stains on brim are purported to be blood stains."529 / Borthwick" written in ink on inside lining of hat.gallipoli, helmet, borthwick alexander hay, 8th light horse regiment, nek

square wooden box with slot 10.5cm x 1.2cm running horizontally in the centre. Brass hinges and lock in older top part - not original, dovetail joints. Cedar replacement base.Ink stained and circular scratches on top and sides 'pock marked'

square wooden box with slot 10.5cm x 1.2cm running horizontally in the centre. Brass hinges and lock in older top part - not original, dovetail joints. Cedar replacement base.Ink stained and circular scratches on top and sides 'pock marked'

Racing green cardboard box with cardboard slide tray holding three needles. There is allocation in the slide tray for twelve (12) needles. There is a white manufacturer's label on the front of the box.Stamped onto the flat of each needle: NON / STAIN / STEELhypodermic, needle, syringe, empire

Red Hardcover book containing fifteen short stories and poems, 288 pages. It contains coloured and black and whi illustrations throughout (Handwritten name written in ink in frontpiece J Handrahan). For authors see photosBook spine is damaged - has brown stains on pages throughout

Ten books containing stubs of Right to Occupy Certificates for 1936. Includes name and address of person receiving the Right to Occupy certificate and the description of the land including allotment, Section, City, Town, Borough or Township and Parish name. Two blue covered books used for Substitute Right to occupy certificates. One book, stubs only, dated 1976 - 1981. One with four stubs dated 1981 - 1983. Four stapled bundles of stubs dated 1937 - 1971 issued for Replacement Rights. Includes names and Receipt numbers. Yellow foolscap sheet Listing reord numbers of Rights issued during 1936 and 1937.Some items have pencil and pen marks and ink stains.right to occupy, central victoria

Twelve books containing stubs of Right to Occupy Certificates for 1936. Includes name and address of person receiving the Right to Occupy certificate and the description of the land including allotment, Section, City, Town, Borough or Township and Parish name. List of record Numbers in Box 906 Some items have pencil and pen marks and ink stains.right to occupy, central victoria

A small paragraph noting that a house in Bayview is up for sale, expected to fetch $1 million was described by Boyd in 'The Australian Ugliness' as the ugliest house in Australia.Page 40. StainedRelevant paragraph marked.walsh st library

This item would probably have been used in the dining room at the Sunbury Asylum (Caloola). The Sunbury Asylum closed in 1992 and is now the Sunbury Campus of Victoria University.A stained metal fork."VICT/GOVT"sunbury, sunbury asylum, george evans collection

Stained glass window

Gold and stained wood