Sections, elevations and floor plan for pavilionPhotocopyplan, drawings, statuary pavilion

Sections, elevations and floor plan for pavilionPhotocopyplan, drawings, statuary pavilion

Thomas Stoddart, bought 12 marble statues during a visit to Carrara in Italy and gave them, together with Sicilian marble pedestals, to the citizens of Ballarat. The statues were unveiled by the Governor of Victoria on Queen Victoria’s birthday, 24 May 1884 and are located throughout the gardens.View of the gardens with the sculpture of Wallace and the statuary pavilion.ballarat botanical gardens, trees, parks, lawns, flowers, pathways, thomas stoddart, marble, statues, carrara, italy, 1884, fernery, statuary pavilion, wallace, james russell thomson, 1889

Inscription on the plaque : "A tree that looks at God all day and lifts her leafy arms to pray." United States Marine Corps 1st Marine Division This tree is to commemorate the friendship established between the United States marines and the citizens of Ballaarat during their sojourn here in early 1943.View of the gardens with the sculpture of Wallace and the statuary pavilion.ballarat botanical gardens, trees, parks, lawns, flowers, pathways, plaque, memorial, united states, navy, marine corps, friendship, 1943, glove, anchor

Inscription on the plaque : "A tree that looks at God all day and lifts her leafy arms to pray." United States Marine Corps 1st Marine Division This tree is to commemorate the friendship established between the United States marines and the citizens of Ballaarat during their sojourn here in early 1943.View of the gardens with the sculpture of Wallace and the statuary pavilion.ballarat botanical gardens, trees, parks, lawns, flowers, pathways, plaque, memorial, united states, navy, marine corps, friendship, 1943, glove, anchor

Thomas Stoddart, bought 12 marble statues during a visit to Carrara in Italy and gave them, together with Sicilian marble pedestals, to the citizens of Ballarat. The statues were unveiled by the Governor of Victoria on Queen Victoria’s birthday, 24 May 1884 and are located throughout the gardens.View of the gardens with the sculpture of Wallace and the statuary pavilion.ballarat botanical gardens, trees, parks, lawns, flowers, pathways, thomas stoddart, marble, statues, carrara, italy, 1884, fernery, 1889, plaque, memorial, mrs w.d. thompson, mbe

A temple tomb in the form of a Greek temple with a triangular pediment. Dark pillars on a flat, paved base support the plinth of the memorial. The memorial is situated on lawn, surrounded by trees and shrubs. Between the pillars, a glass enclosure can be clearly seen. The enclosure was removed at a later date. Harold Desbrowe-Annear designed the Springthorpe Memorial, while Bertram Mackennal sculpted the statuary on the sarcophagus. William Guilfoyle is belived to have advised on the design of the garden.Photographic postcard of the east facing side of the Springthorpe Memorial in the Boroondara General (Kew) Cemetery. The photograph of the tomb record the original glass case surrounding the central group of statuary as well as a man at right contemplating the tomb. An interesting feature is the vine in the foreground covering the chain. There is also a small sundial at lower right.springthope memorial, boroondara (kew) general cemetery - victoria - australia, funerary monuments, postcards -- cemeteries

Bendigo Advertiser ''The way we were'' from 1999. Unveiling: the first statuary in Bendigo near the Town Hall and Law Courts.newspaper, bendigo advertiser, the way we were

Courier, "Inside Out with Kim Quinlan", Wednesday 25th May, 1994, speaking with Bob Whitehead, outgoing Chairman of the Friends of the Botanic Gardens, Ballarat.Bob Whitehead was instrumental in the formation of the Friends of the Ballarat Botanical Gardens. Prior to that, he was Parks and Gardens Director for the City Council. So, he was something of an authority on the Gardens and the Friends' early history. p.4 of the Ballarat Courier, torn down right side, yellow with age. There is a black and white photograph of the Statuary Pavilion in the Gardens, top right hand corner.Blue biro marks in columns 3,4,5.john garner collection, garner, dr, whitehead, courier, chairman, friends of the botanical gardens, city council, ballarat botanical gardens, ballarat, gardens, bob whitehead, jack chisolm, jessie scott, ballarat botanical gardens' design, gardens' history, history of the friends.

Statuary pavilion, William Wallace and lions statues, fernery and garden beds. ballarat botanic gardens, william wallace statue, lion statues, fernery, garden, public

To provide an image of the central marble statue in the Gardens' Statuary Pavilion, '"Flight From Pompeii".Clear image of significant central item in the Statuary Pavilion and Sculptor recorded as Giovanni Maria Benzoni. 1809-1873.Photographed marble statue. Clearly delineated in copy of photograph Heading on Photograph: Giovanni Benzoni, Italian, 1809-1873. Flight From Pompeii, 1873Possibly photocopied on paper already used. Background lettering Art Institute, Chicagojohn garner collection, garner, dr, flight from pompeii, photo, ballarat botanical gardens, ballarat, gardens, benzoni, statuary pavilion, benefactor

Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah

Picture of the water lilies in the lily pond at the Ballarat Botanic Gardens with the Statuary Pavilion and statues in the background. Comes from the Ballarat Homecoming publication.lily pond, statuary pavilion, statues, garden, public, botanic gardens, ballarat homecoming

Harold Desbrowe-Annear designed the Springthorpe Memorial, while Bertram Mackennal sculpted the statuary on the sarcophagus. William Guilfoyle is belived to have advised on the design of the garden.A temple tomb in the form of a Greek temple with a triangular pediment. Dark pillars on a flat, paved base support the plinth of the memorial. The memorial is situated on lawn, surrounded by trees and shrubs. Between the pillars, a glass enclosure can be clearly seen. The enclosure was removed at a later date.springthorpe memorial, boroondara general cemetery, kew cemetery, postcards -- kew (vic.), funerary monumnets

The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers

The pamphlet provides information about the "Ballarat Botanical Gardens" - its history, trees, notable areas and Statuary. Includes a map which has references back to the text. Dated April 1985Yields information about the Ballarat's Botanical Gardens within in which the tramway museum operates.Pamphlet - 4 fold DL printed green ink.city of ballarat, lake wendouree, ballarat botanical gardens, botanical gardens, map

Photograph of the James Russell Thomson memorial in the Ballarat Town Hall.In grateful record of the values bequest by James Russell Thomson of Statuary in the Botani Gardens A.D. 1888 Testator was a native of Airdrie, Scotland, resident 35 years at Ballaarat. Obit May 26, 1886, Aetat 68.statues, ballarat town hall, james russell thomson, botanic garden, memorial

Wall Calendar - heavy card covers, 12 gloss art pages inside, titled "Ballarat", calendar for 2016, featuring various Ballarat photographs. Includes the Gardens, BTM No. 33, Lydiard St and Sturt St, Arch of Victory, Lake Wendouree, Botanical Gardens, Railway Station, Craigs Hotel, Conservatory and Statuary Pavilion. Photo of No. 33 in Wendouree Parade. Produced by Bartell Calendars.tramways, trams, ballarat, btm, botanical gardens, arch of victory, ex australian prisoners of war memorial, craig s hotel

Printed full colour postcard titled "Ballarat Botanical Gardens Victoria Australia". Features photos of BTM No. 26, Lake Wendouree, Statuary, Flight from Pompeii and the Robert Clark Centre. On rear is places for correspondence, stamp, barcode, address and rose image. Has the name of the publisher "Rose Stereograph Co. Glen Waverley Victoria" and name of photographer, Stephen Cutts". Rose Series No. 4070. trams, tramways, btm, wendouree parade, gardens

Black and white photograph. Interior view of lounge / drawing room with bay window, chairs, piano and minor statuary. Inscriptions front - 'MP91', 'Vincent Kelly, Bendigo'. On back - 'RHSV stamp', :TC Watts stamp', 'Knight's showing portion of drawing room. History: Previous Reg. No. MP91. Part of a collection of photographs used by Estate Agent TC Watt & Son, Bendigo to show potential purchasers.Vincent Kelly, Bendigoplace, drawing room, see also 2001.145.01

Ruth was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. the artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Ruth is in a seated position with a loosely draped dress.Ruthruth

Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty

Susannah designed and carved by Charles Francis Summers and accompanies four statues in the Statuary Pavilion in the Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.The artwork is of historic and aesthetic significance to the people of Ballarat White marble statue, female seated with cloth draped over lower body.Susannahsusannah, summers

black and white photo: interior of room in Lancewood House, McLaren St., Bendigo. Home of Ernest Mueller. Room with pictures hanging from the picture rail, drapery around a large trompe de oil ? Upper pelmet has vases and plates displayed. Heavy plaster cornice visible. Many chairs and small occasional tables, whatnot in corner and Edwardian sideboard on right wall. Some statuary. Gladioli in vase on one table. On front BR margin ' UI 589.6 'buildings, fittings & materials, lancewood house

Yields information about the appearance of various Ballarat locations during 2013 for a 2014 calendar.Wall Calendar - heavy card covers, 12 gloss art pages inside, titled "Ballarat Victoria", calendar for 2015, featuring various Ballarat photographs. Includes the Gardens, BTM No. 28, Sovereign Hill, Lydiard St and Sturt St, Arch of Victory, Lake Wendouree, Botanical Gardens, Railway Station, Regent Theatre, Conservatory and Statuary Pavilion. Contained within the original plastic wrapping. Photo of No. 28 in Wendouree Parade. Produced by Brown Trout Publishing Pty ltd.tramways, trams, ballarat, btm, sovereign hill, botanical gardens, railway station, arch of victory

A temple tomb in the form of a Greek temple with a triangular pediment. Dark pillars on a flat, paved base support the plinth of the memorial. The memorial is situated on lawn, surrounded by trees and shrubs. Between the pillars, a glass enclosure can be clearly seen. The enclosure was removed at a later date. Harold Desbrowe-Annear designed the Springthorpe Memorial, while Bertram Mackennal sculpted the statuary on the sarcophagus. William Guilfoyle is belived to have advised on the design of the garden.An early black and white postcard of the Springthorpe Memorial in the Boroondara General Cemetery. There are numerous often undated postcards showing the memorial. This example features two women standing at left and a man at right. Based on the women's costumes, the postcard can be dated to 1900-1910.A Temple Tomb / Boroondara springthorpe memorial, boroondara general (kew) cemetery, postcards -- cemeteries, postcards -- kew (vic.)

Scholarships and Studentships played a very important role in schools of the day. Many families had to make sacrifices to enable their sons to remain at school. The addition of a third year to the junior technical course added to the burden. The main difficulty was the fee of one pound per term for students over the age of 14. There were 4 terms per year making it an expensive undertaking. Many working class boys, and they were in the majority at technical schools, had to seek employment as soon as they reached the age of 14, the statuary leaving age. Because of these financial obstacles, scholarships played an important role in the schools of the day.Black and white studio photograph of 15 boys, sitting or standing.Back of photograph: "Richard & Co Ballarat Photographers" stamped with additional stamp "Proofs not returned charged for" Inpencil; "Jr Tech. School"