A popular hand-craft of the period.Brown, suede table runner with a hand-painted red, green and blue leaf and berry design. Two halvesof the runner are sewn together diagonally with brown leather strap and there is a 20 cm. fringe at both ends.table runners, table linen.

White cotton crochet table runner. Unusual tassels. round tops.|Consist of two rows of medallions (six per side); two rows of diamonds ( 14 each row) one row of medallions (small 14 Medallions). Seven tassels each end.handcrafts, crocheting or crochet work, domestic items, ornaments / decorative

When donated by Mrs Docherty in 1991 it was described as a Scottish sideboard runner dating from the 1860s.Embroidered textile formerly used as a table runner. When donated by Mrs Docherty in 1991 it was described as a Scottish sideboard runner dating from the 1860. The design and construction of the fabric is probably Indian in origin. It includes an extensive use of silver bullion on a cream silk ground to define the areas of abstract floral patterning. The warp or weft of the cream silk ground has disintegrated in sections.textiles - international, embroidery, table runners

This item could have been used by a woman who had reasonably good hand stitching and patchwork skills. The time period would be before the 1950's as post 1950s this item would have been commercially available from any medium populated towns Historically this particular item would have been one before circa 1950s, when haberdashery shops would not have been so readily accessible for those families living in the Kiewa Valley. The protection of side boards indicates that furniture at that time was required to look good and last longer. Pride of the family household furniture was also very highTable or dressing table cover made of calico. Hand stitched into Suffolk puffs, large 12 cm in diameter, small 4.5 cm in diameter. 8 large and 103 small ones. All hand stitched together. Hand madepatchwork, calico, hand stitching, home furnishing, furniture coverings

This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the sameLinen (white) cut work and embroidered central design tatting diamond shape with embroidered scrolls either side cut work leaves top and bottom L shaped tatting inner border with triangular tatting 2cm outer bordered hole patternembroidery, handcrafts, bedroom linen, trimmings, cut work

Large white cotton centrepiece with deep white cotton lace edging. Inset with crochet lace.manchester, table linen, handcrafts, needlework

Hand made by Marjorie McKeown for her home.A long rectangular table cloth or runner made from a bright yellow fabric and with smallish embroideries of small cream flowers and dark green leaves. The cloth has a scalloped edge and a small dark yellow crochet border. tablecloth table-runner hand-embrodery table-linen

These Table Runners were made by women of the early settler families in Moorabbin Shire c1900 and show their needlework skills . Although living conditions were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society These table runners are examples of the dressmaking, crochet and needlework skills of the women of the early settler families in Moorabbin Shire c1900 2 Table Runners c1900 a) cream fine cotton with bands of cut-work and needlework border b) white linen with crochet squirrels at one end clothing, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards

Use: DomesticNeedle weaving lace table runner

Cream cotton table centre. Silk World War 1 embroidered motif in centre. (maybe added later? From old silk postcard) Silk embroidered floral motifs surrounding centre motif. Cotton machine made fringing machine stitched. Motif: British and ?flags. Forget me not. Old Box 85.2 flags - Union Jack and red flag with 'Forget me Not' Union Jack in corner., Blue floral forget-me-not embroidery.manchester, table linen, cotton and silk table runner

Canvas Table Runner, Stencilled in Colour Red Blue Greenstawell clothing material

1 Rectangular Needle Lace Table Runner With Daisy Motifs In The Centre. Constructed In Strips.manchester, table linen, lace tablerunner, https://www.lynxlace.com/needlelaceintroduction.html

The women of the early settler families in Moorabbin Shire c1900 were skilled dressmakers, craft workers and decorated their haberdashery with fine needlework . While the market gardens and farms were established the women made the clothes, haberdashery and napery for their families. The women of the early settler families were skilled dressmakers and craft workers c1900One long and one short white Linen table runners with central hand needlework floral design clothing, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards

Calico embroidery pattern for table runner, intended for Renaissance work, or Point Lace. The blue printed pattern depicts leaves and flowers the whole length of the runner." L.B. Lacet Runner. J.W. with a crown in between the two letters, No. 4322" in top left hand corner of the runner and "Worked with Point Braid No. 261" in the top right hande corner. The same inscriptions are found repeated at the other end of the runner.household textiles., tableware, textileworking patterns

The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. It may have been used to edge curtains, a table runner or a mantlepiece. The Christmas Bells pattern suggests usage as a Christmas decoration.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects around the home such as curtains and mantlepieces.Length of handmade crochet lace. Mercerised white crochet thread has been used to crochet a repeat pattern consisting of three rows: a decorative top row, a middle section of diamond shapes and a bottom row of Christmas bells.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim

The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. It may have been used to edge curtains, a table runner or a mantlepiece. The Christmas Bells pattern suggests usage as a Christmas decoration.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects around the home such as curtains and mantlepieces.Length of handmade crochet lace. Mercerised white crochet thread has been used to crochet a repeat pattern consisting of four rows: a decorative top row, a second row composed of diamond shapes, a repeat of the decorative top row and finally a row of Christmas bells to complete the pattern.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim

The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. It may have been used to edge curtains, a table runner or a mantlepiece. Smaller pieces were used to edge towels. The shape of this piece suggests a possible use as a ladies collar however no tie or buttons have been attached at the ends.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects or create pieces of clothing.A wide length of handmade crochet lace with an open pattern at the top and a pointed edged pattern underneath. For the open pattern mercerised white crochet thread has been used to crochet a double row of a repeat pattern of 'three circles and stems'. Underneath double crochet (US) / treble crochet (UK) is used to create the points which have been edged with the 'three circles and stems' pattern from above.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim, ladies collar, crocheted collar

The photograph is pre 1914-18. It is showing Cheltenham Market Gardeners having a picnic. The Market Gardeners gave Moorabbin it's first industry, which was to prove the most durable and resilient. The ladies and gentlemen are dressed in very fine clothes. All of the men are wearing suits with waistcoats and white shirts with neck ties. One man has a Boater hat , 4 have Bowler hats and 5 have Stetson hats. 5 men are standing and 4 men are kneeling or sitting with the ladies. The ladies are seated on the ground around a table runner on which items of food are seen. Most of the ladies are wearing white dresses, one lady has a dark coloured skirt with a white frilly blouse, and all have large wide brimmed fashionably decorated hats . They all seem to be dressed in their best clothes.The photograph depicts a group of men and women, 16 altogether, having a picnic pre World War 1 1914-1918 . They are surrounded by trees and bushes outside.Front of mount : R. McGeehan Photograph, Beechworth. Back of Mount Address Balaclava / C Whitehead / Gardeners Picnic / Pre World War 11914-18, moorabbin. picnic, market gardeners, early settlers, pioneers, moorabbin shire, cheltenham, fashion, dressmaking, bowler hats, boater hats, stetson hats, bonnets, chapeau, menswear, neckties, beechworth mcgeehan r, photographs,

In the Words of donor, Betty Stone , … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” Baby's Crocheted Bonnet - This finely crocheted bonnet was made by Sarah (nee Chamberlain) Lees and is at least one hundred years old. Due to the condition of the original ribbon ties, they have been replaced with new ribbon. Table Runner with insertions, Tray cover and various Doylies, sauce bottle covers etc. - These articles were made by Sarah Lees or her daughter Ann (nee Lees) Dale. Pair of Embroidered Pillow Shams, and various embroidered mats - These items were made by my mother Daisy (nee Dale) Welsh. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families) This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily; round white cotton fabric centre with wide crocheted border of 15 point star shape. From the Chamberlain Dale Lees Collectionflagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, needlework, crochet, handmade, craft, manchester, linen, haberdashery

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. A folio of thirty three drawings and paintings undertaken by Alice Watson at the Ballarat Technical Art School. The works include including the application of Australian flora to designs, including for pottery, leather and applique. .2) is a design for a table runner to be executed in richelieu work .3) frieze including fish .4) "Design for a border to be executed in stencil". 1932 .12) "Design on the waratah for a bowl to be executed in clay". 1932 .14) "Time test" .12) .17) .15) .18) show the combination of Australian flora with Art Nouveau-inspired designs .9) is a design for a wallet to be executed in raffia showing elevation, side elevation and plan views .11) is a design for a prayer book carrier to be executed in leather work .10) is an example of pencil transfer method of design seen on .11) .18) Design for a fan, image of birds and berries on a blue ground. .25) landscape illustration .27) "development" design based on a correa .29) "Design for a tea cosy based on the Cobia-Scanden to be executed in applique. 1931 (see also .31) .30) "Design for a writing tablet to be executed in embossed leather work and based on the native fuschia" (correa). 1931 .31) a completed doily holder: applique workMost are signed A. Watson 1931 .2) Paper is embossed with stamp of 'Goodall's Bristol Boards' stamp. (Crown depicted in centre) .20 and .22) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)ballarat technical art school, alice watson, flora, design, artwork, folio, art nouveau, alumni, leather work design, richelieu work, applique, doily holder, doyley holder, general design, edith alice watson

Wooden notice board with inscription featuring names of the winners of the annual table tennis competition MHTOSC/ Table Tennis/ Championship/ Year champion/ runner up/ 1952 L. Jamieson W Davies/ 1953 W. Y. Wilson K.R Trueman/ 1954 J. N Hosking K.R Trueman/ 1955 M.J Jewell J.M Alexander/ 1956 W.Y Wilson I/S Gaskell/ 1957 W.Y Wilson R.J Hardy/ 1958 M.J Jewell W.Y Wilson/ 1959 M.J Jewell W.Y Wilson/ 1963 K. Walsh M.J Jewell/ 1964 K Walsh R. J Austin/ 1965 R. J Austin R.S Kirkwen/ 1966 B.J McCarthy M.J Jewell / 1967 M.J Jewell B.J McCarthy / 1968 R.S Kirkwen R. J Austin / 1969 R.S Kirkwen R. J Austin/ 1970 R.S Kirkwen M.J Jewell/ 1971 R.S Kirkwen D.W Fowler/ 1976 D.W Fowler R.S Kirkwen/ 1986 J.D Leahy R. J Austin/ 1987 R.S Kirkwen R. J Austin/ 1988 R.S Kirkwen J.D Leahy " PMA 0363

Mrs Eaton was daughter of George and Granny Thomas. Respected Aboriginal couple at Newmerella.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century when women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes.A canvas runner, unbleached, with two symmetrical designs in thick white thread on front. Fancy borders sewn on edge.cloth handcraft needlework eaton-julia manchester table-linen

This guillotine is a hand operated machine specifically designed to cut through multiple sheets of paper or card. It has a very heavy and sharp single blade knife mounted between vertical guides or runners. The main users of a machine like this is in by the printing and publication binding industry. Book binding companies use a guillotine to evenly trim the pages of a book after it has been bound. The way the guillotine is used is - paper or card is stacked squarely on the flat table and pushed firmly against the back guide - the handle below the table at the front of the machine is wound around, which brings the back guide forward, pushing the paper stack forward and positioning the centre of the stack below the vertical frame - the upper wheel is wound around, which brings the clamp and firmly in position on top of the paper, to hold it very firmly - the large wheel on the side of the machine is turned around to lower the long sharp blade down onto the pages and cut them through. The sharp edge of the blade is protected somewhat from becoming blunt; a block of wood sits in the table under the stack of paper An early model of a guillotine was patented in 1837 by Thirault, who built a model with a fixed blade. Guillotines similar in principal to this one were patented by Guillaume Massiquot in 1844 and 1852. Over the years many improvements have been made and operation has moved from man power to electricity. Oscar Friedheim Ltd. was the importer and wholesaler of a large range of machinery and equipment for the printing and bookbinding industry. He sold most of his equipment under his own name. On this guillotine or paper cutter he refers to the origin of the guillotine’s manufacture only as “German Manufacrure”. A reference book “Commercial Bookbinding: a description of the processes and the various machines used" by Geo. Stephen, 1910, recommends Oscar Friedheim, amongst others, for the supply of “reliable cutting machines for hand or power”. It also recommends Oscar Friedheim’s for a wide range of other printing machinery and processes. OSCAR FRIEDHEIM LIMITED, LONDON Oscar Friedheim Ltd. was established in 1884 and operated from Ludgate in London. The company was an importer and wholesale supplier in the 1880’s, offering machinery and equipment for the printing and packaging industry for the UK and Ireland. The company became incorporated in 1913. An advertisement of 1913 includes a telegraphic code plus two telephone numbers for Oscar Friedheim Ltd and invites readers to call at the Ludgate, London, showrooms to see the machines working. The company later became Friedheim International Ltd. The book titled “Friedheim, A Century of Service 1884-1984 by Roy Brewer, celebrates Oscar Friedheim’s achievements. Friedheim International currently operates from Hemel Hempstead, on the northern outskirts of London UK. It promotes itself as “… the leading supplier of finishing, converting and packaging machinery to the printing, graphic arts, and highly varied packaging industries in the UK and Ireland. The company’s policy is simple – “employ the best people, work with the best equipment manufacturers in the world, and treat our customers as partners!” The company still sells guillotines. The guillotine is significant for its ability to represent aspects of the printing trade in Warrnambool and in a typical port town circa 1850 to 1910. It represents communication methods and processes used in the time before electrically powered equipment became common in industry.Guillotine (or paper cutter), hand operated. Metal framework with vertical guides, stand and metal mechanical parts including wheels and gears. Table with back guide; handle below front of table winds to move the back guide. A wheel at top of machine winds to adjust pressure of the clamp on the work on the table below it. The cutting blade fits between vertical guides; a timber insert in the table below the blade helps minimise the loss of sharpness of the blade. A handle on the side of the machine turns a large spoked wheel, which rotates a large gear, causing the blade to move up and down. Makers details are on a small oval plaque with embossed maker’s details is screwed onto main body. Maker is O Friedheim, London, and the machine is of German manufacture, circa late 1880’s.Maker’s plaque inscribed "O. FRIEDHEIM / London / German Manufacture"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, printing machinery, printer’s guillotine, paper guillotine, paper cutter machine, oscar friedheim ltd london, friedheim international ltd, bookbinding industry, printing industry

All photographs taken at the 1997 presentation dinner at the Wangaratta Rovers football club. Wangaratta Brigade members and partners and guests from other brigades and their partners along with 'guests' were always invited. .1 - Trevor Poulter (Chairman) .2 - L - R - ???, Arthur Haynes (regional officer), Tess Haynes .4 - L-R - ???, Trevor Poulter, David Allen (representing council) .5 - L-R - David Allen (representing council, Allan Mills .6 L-R - Brian Potter, Cyril Davidson .7 L-R - Kevin Howard, Brian Humphries (station officer) .8 L-R - Brian Potter, Cyril Davidson .9 L-R - June Poulter, Trevor Poulter, Jack Prendegast, Heinz Baytala .10 L-R - Brian Potter, Pat Briese .11 L-R - Jack Prendegast, Craig Musselwhite (junior) .12 L-R - Barrie Sanders, Brian Potter (giving award to Barrie) .13 L-R - John Rosser, Brian Potter, (35 yr long service medal to John) (Band members in background) .14 L-R - Peter Bell (when was a volunteer), Brian Potter .15 L-R - Jack Prendegast, Craig Musslewhite .16 L-R - Joan Rosser, Gail Humphries .17 L-R - Barrie Sanders (speaking), Brian Potter .18 L-R - Jack Prendergast, Heinz Baytala (winner of the reserve fireman) .19, .20, .21, Members and guests doing the 'progressive barn dance' .22, .23, .24, .25, .26, .27 Wangaratta running team members (end of competition season) - L-R - Eric Lawn, ???, Ron Webb, To Philp, ??? .28, .29 L-R - Aileen Sanders (12yr badge), Elaine Graham (20yr badge) .30 Jon Briese 35yrs and Cyril Davidson 40 and John Kerr 25yrs - long service awards .31 - S. Poulter + wife posing for the camera whilst on the dance floor, with several other people and part of the band in the background .32 - T.Poulter (brigade chairman) standing at the lecturn/microphone speaking - there are 2 others (1 male, 1 female) seated to the right of him at a table .33 - Front L- R - Dorothy Wise (with her back to us), ?, T Poulter. Back L-R - Fire officer(unknown), Dianne Mills .34 - Alex Carmody and wife Judy Carmody .35 - Front R around table to front L - ? , ? , Dianne Mills, Angie Sheetz, Ron Webb, ? , Maxine Webb, Steve Allan .36 - Chief Officer Brian Potter (speaking at lecturn), Arthur Haynes and wife Tess Haynes (seated in background) .37 - L to R around table - Cyril Davidson, Alec Carmody, Judy Carmody, Margaret Howard, Kevin Howard .38 - L to R Rhonda Allan, Jan Marshall (back to us), Stewart Marshall, Steve Allan .39 - L to R Tess Haynes, Arthur Haynes(standing), (Pat Rooks - a guest from Whitfield??), Trevor Poulter, June Poulter, Val Gleeson, Kevin Gleeson (mayor of Wangaratta at the time), Aileen Sanders, Elaine Graham 40 - a 'head and shoulders' photo of S/O Brian Humpfreys. In the photo is also a lady standing on his right - but her head is cut off so cant be identified .41 - Jan Marshall kissing Stewart Marshall S/O (various other members , guest and band in background) .42 - Back L - R - Trevour Poulter, Craig Mussellwhite, Brian Potter (Chief officer), Middle - Elaine Graham, Aileen Sanders Front L - R- Peter Bell, John Briese, Cyril Davidson .43 - L -R around table - Stewart Marshall S/O, Jan Marshall, Tracey Collier, Dianne Mills, ??? (standing), ???, Brendan Collier??, Gayle Humphreys, Brian Humphreys S/O .44 - L to R S/O Stewart Marshall, S/O Brian Humpreys, Jan Marshall (sitting with her head back laughing) .45 - all 3 standing side by side L to R Craige Musselwhite (reserve fireman of the year), Peter Bell (fireman of the year - holding the perpetual trophy shield), Trevor Poulter (runner up fireman of the year) .46 - Steven Poulter and wife .47- A. Hynes standing at lecturn speaking. 47 various photographs from the 1987 presentation dinner at Rovers.1- Nov 1987 Presentation Dinner Chairman Trevor Poulter .2- Nov 1987 Presentation Dinner .3 - Nov 1987 Presentation Dinner L to R S/O Allan S/O Grenfell Chairman Trevor Poulter .29- Nov 1987 Presentation Dinner .30 - Nov 1987 Presentation Dinner L to R FIREMAN JOHN BREEZE, CIRIL DAVIDSON JOHN KERR .31 - Nov 1987 Presentation Dinner S. Poulter + missus .32 - Nov 1987 Presentation Dinner T. Poulter chairman .33 - Presentation Dinner 1987 .34 - Nov 1987 Presentation Dinner .35 - Nov 1987 Presentation Dinner .36 - Nov 1987 Presentation Dinner .37 - Nov 1987 Presentation Dinner .38 - Nov 1987 Presentation Dinner .39 - Nov 1987 Presentation Dinner .40- Nov 1987 Presentation Dinner .41 - Presentation Dinner 1987 Nov S/O Stewart Marshall .42 - Presentation Dinner 1987 Nov S/O Brian Humpreys .44 - Nov 1987 Presentation dinner L to R S/O Stewart Marshal, " Brian Humpreys Jan Marshal .45 - Nov 1987 Presention dinner L to R Craige Musselwhite (reserve fireman of the year) Peter Bell (fireman of the year) Trevor Poulter (runner up) .46 - 1987 Nov. Presentation Dinner Steven Poulter and wife .47 - Nov 1987 Presentation Dinner A.C.O A. Hynesaileen sanders, elaine graham, eric lawn, ron webb, tom philp, jack prendergast, heinz baytala, barrie sanders, brian potter, joan rosser, gail humphries, craig musselwhite, peter bell, john rosser, pat briese, june poulter, trevor poulter, cyril davidson, kevin howard, brian humphries, david allen, allen mills, arthur haynes, tess haynes, john jerr, stephen poulter, alex carmody, judy carmody, dianne mills, angie sheetz, maxine webb, steve allan, jan marshall, a. hynes, margaret howard, rhonda allan, stewart marshall, val gleeson, kevin gleeson, john briese, tracey collier, brendan collier

Photo of President John Sullivan holding the Legacy Torch with a group of children in yellow Legacy T shirts at the Eternal Flame at the Shrine of Remembrance on 1 September 1991. From an article in Melbourne Legacy Widows' Newsletter in September 1991 it is a photo of a special torch relay. To coincide with the Annual Pilgrimage to the Shrine of Remembrance over 50 runners covered a 25 kilometre distance from War Grave Memorial in Springvale to the Shrine. President John Sullivan accepted the Legacy torch from the young runners before leading the Legacy family into the Shrine. (From the same roll of film as the event in City Square (00491) and a Legacy dinner with President Sullivan at the head table (00492). More photos are at 01612.A record of children participating in a torch relay during Legacy week ending at the Eternal Flame.Colour photo of President Sullivan and children at the Eternal Flame in 1991. junior legatee, pilgrimage, relay

A set of cream linen table linen comprising: one rectangular centro piece or runner, four rectangular place mats and eight square serviettes. All pieces have pulled thread, or drawn fabric, as well as embroidered detailing, patterns and edging.table linen., household textiles.