This fine white unglazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Fine unglazed white porcelain ornament, hollow inside. It is carved to represent a peasant girl and goat with a vase shaped like a tree stump in the background. The ornament has remnants of gold, red, brown and green paint. There is an inscription on the base."3943:warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, ornament, flagstaff hill, flagstaff hill maritime museum and village, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, germany, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, girl and goat, vase

A history of the town of Matlock, VictoriaPaperback. Green cover. Front cover has a drawing depicting two men with packs and walking poles walking through knee deep snow past a wooden hut. In the background are several tree stumps and a small town of wooden buildings.For/ James and Lucienne/ Bailey Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779gold mining, gold mine, matlock, victoria, australia, history, anne bailey, robin bailey

Framed print titled: "Faunal Emblem of the State of Victoria/The Leadbeaters Possum" by Robert Ingpen. One of a set of 5 prints. Feature descriptive text and a coloured image of the Leadbeaters Possum perched on a tree stump. Gold painted wood frame.

Children of Italian internees interned during WW2 at Rushworth Camp 3. Photograph taken 10 March 1945. Left to right standing: Dante D'Elia, Bruno D'Elia, Armando D'Elia, Giuseppe Centonze, Alessandro Giorgi, Pierluigi Giorgi, Cristina Longodorni, Andrea Giorgi (far right at front). Front row sitting: Cesare Paoletti, Remo Paoletti, Vincenzo Reginato, Elena Reginato, Gabriella Giorgi holding Luisa Reginato.Black and white photograph of a group of children, some standing, some sitting. Tree stump on right hand side right next to last child. Huts in background. Tree directly behind tallest child and shrubs behind children on left. On foam backing board.857dante d'elia, bruno d'elia, armando d'elia, giuseppe centonze, alessandro giorgi, pierluigi giorgi, cristina longodorni, andrea giorgi, cesare paoletti, remo paoletti, vincenzo reginato, elana reginato, gabriella giorgi, luisa reginato

Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Untitled Oil painting depicting an old miner's cottage. The cottage has two wooden doors the one on the left is open and a window can be seen at the other end. The second door is closed. On the right hand side there is another building. A large tree and a tree stump on the foreground.The signature of the artist at the bottom right hand side landscape, miner's cottage

CEMA Art Collection Winner of 1965 Portland Art Society Art Prize for category Any other medium.The drawing depicts the burnt remains of a mountain top. In the foreground are two mountain edges which are black with a patch of blue and patch of orange/brown. In the background are remains of several burnt tree stumps on a purple/brown ground. The work has a thin wooden frame, white painted hessian and glass.Front: M Macqueen 64 (signature, lower right, black chalk) Back: MARY MACQUEEN "BURNT MOUNTAIN" (1964) (lower left, typed label) 1964 (upper right, yellow sticker and also pencil)female artist, women, landscape

Emerald Football Club won the district Premiership in 1931, and had this photograph taken by Ferdinand ("Freddy") Woermer, whose stamp is on the reverse of the mounting. Woermer lived in a humpy on the Monbulk-Seville Road, Silvan (then Burleigh), and worked around the district as a professional photographer. He used a hollowed tree stump as a dark room for developing photographs.This photograph has double significance. On the one hand, it depicts the premiership team members in 1931. On the other, it is the work of F Woermer, a figure of some interest in the area.B/W photograph of the 1931 Emerald Football Club Premiers team, 22 people in all. Woodlands in background. Photo is glued to heavy cardboard.Rear: Stamp of manufacturers "F Woermer, Silvan Vic" and handwritten date "1931"emerald football club, woermer

Slide. Bendigo views. Statue of a Lady standing in a rock grotto. Another statue of a lady wearing a blue veil and a brown dress kneeling to the left (possibly in grounds of St Killians Church) . A green fence and two small green gates with white crosses on the tops are in front of the statues. There is a tree stump on each side of the gates.slide, bendigo, bendigo views, bendigo views

Black and white photo : image of young woman standing, leaning on tree stump. Woman is dressed in long dark skirt, buttoned jacket with frills on sleeves. Image is edged in black with gold line. On back of image: 'Bijou Portrait Parlors, View Place, Sandhurst ( negatives kept ).' Below the photo are the words Artist, Atkinson, Photo.Atkinsoncottage, miners, bendigo, sandhurst, atkinson

This photograph shows the islands in the Hopkins River in 1911. This section of the river is in the Allansford area, near Jubilee Park (Hopkins River Caravan Park). It was, and still is, a picnic and fishing spot. On one of the islands is an unmarked grave which may be that of Jemima Christine Allan, the first wife of one of the first European settlers in the Allansford area, William Allan. She died in 1842. The photograph was taken by Jordan Studios so the photographer may be either Joseph Jordan, one of the best-known Warrnambool photographers of the past, or his son Arthur, also a well-credentialled photographer.This photograph is considerable historical importance, showing a section of the Hopkins River in the Warrnambool region in 1911.This is a black and white photograph in a wooden frame with a patterned edging. The photograph is inset with a gilt metal edging and enclosed in glass. The backing is wooden with a wire cord for hanging. The photograph shows the river with islands covered in vegetation. On the river are two boats, one wuih four occupants standing up in the boat and the other with two occupants. In the ccntre of the photograph is a tree stump and a dead tree.The Islands Hopkins River Warrnambool 1911 Jordan Photohopkins river, jemima allan, jordan studios

The landscape painting depicts rolling green hills with a valley through the centre. Scattered throughout the painting are numerous trees and cattle. The foreground is a darker green which creates a shadow effect. Within the foreground are more detailed trees, tree stumps and birds. The background is a cloudy sky in shades of blue, pink, purple and orange. Work has a heavy gilded ornate frame.Front: (No inscriptions) Back: (Not available)

A massive tree stump at the end of the Crowes yard served as a buffer stop for trains. In 1941 it was put to use when locomotive G41 spectacularly collided with it. On a particularly foggy night the driver became disoriented, passing unawares through Crowes station and smashing into the stump. The Garrett came to an ungainly halt, and it was three days before the work gang had the stranded locomotive re-railed. It became known locally as 'Over the Black Stump'.B/W. Locomotive G41 derailed at Crowes in 1941. A man stands where the engine is articulated.crowes; railways; locomotive g41;

Cream coloured folded card. On the front : Royal Historical Society of Victoria Bendigo Branch - Dean Backhaus Centenery Celebrations German Masked Costume Ball. At the centre a drawing of a wooden chair and underneath the words ''Chair used by Dean Backhaus hwen from a tree stump'' Programme, City Hall, Bendigo Saturday, 4th September, 1982. On the inside the programme with listing 16 songs.entertainment, dance, rhsv bendigo victorian ball

Diggers & Mining. Stores at the diggings. STG. From the original in the Mitchell Library. Stores in Iron Bark Gully, Bendigo, 1852. Hand writing on bottom right side of slide reads; Iron Bark Gully, Bendigo. Depicts store in Iron Bark with miners and some horses. There are still a lot of trees standing but some tree stumps can be seen in the picture. Markings: 6 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

BHS CollectionBlack and white pencil sketch signed G. Harris 1942. The sketch is of a typical Australian bush scene, in the background 4 trees, in the middle 3 sheep grazing a tree log and tree stump at the front. On the back the inscription in black pen ''to Phillip Ellison given to him by the artist George Harris Esq. Axedale 1959''. Also on the back along the side 'reframed Hong Kong 1/2013'. The dimension of the sketch is 22x15 cm. without the frame.George Harrisartwork, print, landscape

The Weekly Times was first published on September 11, 1869, by a group of Melbourne businessmen who owned the now-defunct Daily Telegraph, with the stated aim to be a “journal of literature, sport, agriculture, science and politics”. It is Australia’s oldest rural newspaper, and is known far and wide as the Bible of the Bush. (ref Weekly Times web-site)This magazine is a useful reference tool on the history of the Royal Melbourne Show as well as The Weekly Times.A souvenir edition of The Weekly Times dated Wed. Sept 7 1994. Price $1.10. It marks the anniversary of the first Weekly Times, Sept 11 1869. Inside is a special preview of the Royal Melbourne Show, a history of the show and a history of The Weekly Times. It also contains a brief history of 125 years of rural news. On the front cover is a colourful picture of an older man sitting on a tree stump outside a bark hut. He is reading an early edition of The Weekly Times.weekly-times souvenir-newspaper magazine royal-melbourne-show rural-history

Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.A large white tree with bare limbs in centre of picture. There are fallen limbs at the foot of the tree. There are rows of other bare trees and other trees with green foliage as well as several tree stumps scattered among them. The sky and earth are sepia toned with a scattering of white fluffy clouds. Black and white coloured birds are in the sky and a black bird is perched on top of one of the branches of the tree. Walking in a line though the trees are eleven figures with red coats, black pant and white hats. Some are carrying axes on their shoulders. A soldier is on horse back riding beside them.kurwin, woodcutters

Sculptures created from stumps of trees planted around Greensborough War Memorial park.Memorial to past armed services people from Greensborough District.Set of 12 postcards of chainsaw sculptures in Greensborough War Memorial Park.greensborough war memorial park, sculptures, ester street, leigh conkie, chainsaw sculptures, war memorials

This is part of a crosscut saw raker/jointer/guage set used to bend the tip of each cutter tooth for cross cut logging saws. The logging saws used in the early 1900's for the clearing of forests required constant sharpening of their "cutting teeth". The logging of forested areas during these times was very much a "hands on" method of either one or two men by the use of saw or hand axe. This item was used by the surveyors commissioned by The S.E.C. Victoria Kiewa Hydro Electricity Scheme project mapping the relevant Alpine region. Chain saws, chain and ball(clearing) and bulldozing methods came in the mid 1900's.This particular saw sharpening method was used by surveyors laying down boundaries for the S.E.C. Victoria Hydro Electricity Scheme (1920's). This item was given to a local Kiewa Valley lad who accompanied the initial surveyors. The lad was responsible for the tendering and feeding of the surveyors "pack horses". Surveys work during this period and in these dense mountainous terrain of the Victorian Alps was both exhausting and hazardous. Overnight accommodation at various log cabins was not always possible and swag/tent alternative was the "fall back".This cast iron Spring Setting tool has a main body of angle iron contours with one end tappered into a flat circular extension with a slit (3/32" wide) running from the top to nearly the centre(15mm). This slit is to allow the bending of each "cutter tooth" of the cross cut saw. The "bottom of this slit has a semi circular ending. Protruding from one side of the bar body, and close to the "slit" is a tounge like extension (wedge) to fasten the spring set tool into a tree stump. See KVHS 0090 (A) for its Raker/Jointer saw sharpening guage set partner. Also see KVHS 0090 (C) for the associated wrench. On one side of the bar "DISSTON U.S.A."hand tool, saw, sharpening method, tree felling

Sculptures created from stumps of trees planted around Greensborough War Memorial park. This collection is by an unknown photographer.Memorial to past armed services people from Greensborough District.Set of 8 photographs of chainsaw sculptures in Greensborough War Memorial Park.greensborough war memorial park, sculptures, ester street, leigh conkie, chainsaw sculptures, war memorials

Europeans arrived in the Kiewa and Ovens Valleys in the 1830's and 40's. Following the drought of 1838-44, seeking out the rich pastures in the fertile Valleys. It proved to be perfect conditions for dairy farming and the raising of cattle. Miners Cottages and other similar wooden structures were a common sight in the area as they were a modest form of accommodation for their period, were quick to erect and economical as they made use of locally available building materials such as local timbers.These photographs provide a snapshot into the early dwellings and architecture of the Kiewa and Ovens Valley regions, including buildings such as the church, which provided an important gathering place for social interaction, especially in these isolated areas.1-Wooden church building with no identification. Large tree in the foreground in front of church 2&3- Black and white photographs of farmland and assorted dwellings, mostly miners style cottages in a valley with mountains in the background. A bridge with wooden railings is visible over the river in the middle of the photograph, also a more modern dwelling is visible in the north east of the photograph close to the river. 4-Black and white photograph of residential homes and farmland with an unsealed road running through the middle. Foreground shows a field which has been semi cleared of trees (stumps remaining). In the background are larger farming properties with the road disappearing into the distant hills. This might be Old Tallangatta before the town was moved in 1956. 1-3 - No inscriptions 4- Signature written on back in lead pencil - Sandra Templebuildings; church; farmland

A history of the Donnelly's Creek gold mine in VictoriaPaperback. Front cover has a drawing depicting two horses carrying packs followed by a man mounted on a horse. There is also two men on foot following with packs and walking poles. They are walking along a forest track that has some tree stumps alongside it.The back cover has two colour photographs. The top one is of an old wooden building with what appears to be an attached lean to. Both of the buildings have stone chimneys. There is a group of people sitting and standing outside the main building. The bottom photograph appears to be the ruins of a building and a fence. There are three people viewing the ruins.The captions accompanying the photographs are: History revisited - O'Sullivans Old Toombon Hotel Recreated and Remnants of a Bygone Mining Era.Stamp of the Marysville & District Historical Society Inc / P O Box 22 / Marysville 3779gold, gold miner, gold mining, gold field, gippsland, victoria, australia, history, fulton's creek, seaton, walhalla, aberfeldy, jericho, wood's point

These chainsaw sculptures were carved from the stumps of trees originally planted around the park. The carver was Leigh Conkie. The trees had become diseased and were in danger of falling.Memorial to local people who fought in the various wars of the 20th century. 21 pages, colour illustrationsgreensborough war memorial park, sculptures, ester street, leigh conkie, chainsaw sculptures

Three sheets of paper which contain sketch plans of the Avenue of Honour at Bendigo East State School. The first page shows numbered location of trees and tree species. Page two is a coloured diagram showing where trees are on the site as compared to where the trees have been described by Heritage Victoria. Page three shows a plan of where actual trees and stumps are on site at Bendigo East State School.gemma starr collection, bendigo schools, bendigo east state school, school avenue of honour

a/ Royal Historical Society Of Victoria Bendigo Branch The President and Committee Invite With Pleasure to a Costume Ball in conjunction with Dean Henry Backhaus Centenary Celebrations, City Hall Saturday 4th September, 1982 7.30pm-1am. Dress: 1882-1982, with masks (optional) Music: 'Whipstick' Country Band Sherries: 7.30pm - Dinner 9pm. Double: $36.00 Single: $18.00 R.S.V.P 20 August, 1982. Organising Secretary, Felicity Kingerlee, Dudley House, 60 View Street, Bendigo 3550. We will/will not be able . . . . b/ Poster: Dean Henry Backhaus Centenary Celebrations German Masked Costume Ball 4th September, 1982 City Hall - Bendigo. Picture by Dorothy Carroll. The Mass Tent Used by Dean Backhaus on the Bendigo Goldfield. Royal Historical Society Of Victoria Bendigo Branch. c/ Royal Historical Society Of Victoria Bendigo Branch Dean Henry Backhaus Centenary Celebrations German Masked Costume Ball. Picture: Chair used by Dean Backhaus. Hewn from a tree stump. Programme. City Hall, Bendigo, Saturday 4th September,1982. Dance Programme.event, official, historical/educational, royal historical society of victoria bendigo branch dean henry backhaus centenary celebrations a/ the president and committee invite costume ball 4th september, 1982 7.30pm-1am. dress: 1882-1982, with masks music: 'whipstick' country band sherries: 7.30pm - dinner 9pm. double: $36.00 single: $18.00 r.s.v.p 20 august, 1982. organising secretary, felicity kingerlee, dudley house, 60 view street, bendigo 3550. we will/will not be able . . . . b/ poster: german masked costume ball 4th september, 1982 city hall - bendigo. picture by dorothy carroll. the mass tent used by dean backhaus on the bendigo goldfield. c/ german masked costume ball. picture: chair used by dean backhaus. hewn from a tree stump. programme. city hall, bendigo, saturday 4th september, 1982. dance programme.

Murray Comrie Collection. This photograph shows the Treloar Foundry employees (possibly Henry Treloar with hand resting on the stump extractor) conducting a demonstration of their tree and stump extracting device on a farm in Inglewood while a large crowd watches. Information collated by Murray Comrie: H.W. (Henry) Treloar was a native of Redruth in Cornwall, where he was born in 1811. He worked as a blacksmith in his father's Cornwall foundry and then in 1840 went to work in Cuba as a foreman smith to the Royal Santiago Copper Mining Co. Returning to England in 1851 he remained for two years just as the reports of rich Victorian goldfields began to be heard there. He brought his family to Australia in September 1853, arriving in Geelong and then working in Heidelberg for eighteen months. He returned to Geelong to set up a business but after three months was drawn to the Maryborough goldfields, then Dunolly and then Sandy Creek (as Tarnagulla was then known), arriving in March 1855. He remained in Tarnagulla until his death. He established the Foundry in Tarnagulla in 1855 and was known as the best 'mining' smith in the district. After the decline of mining he turned to production of agricultural implements and the firm built a reputation in the field, through devices such as the 'NONPARIEL' tree and stump extractor, double furrow ploughs, seed harrows and scarifiers. On 26th October 1878 the firm won three first prizes for their implements at the North Western Agricultural Show at Inglewood. The business of Treloar & Son was taken over by the James Bros in November 1894. This photograph is a reasonable copy created from an older original, owned by Miss Doris Nicholls. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph of a large crowd of people watching a stump-removal demonstration in a bush setting.tarnagulla, commerce, industry, blacksmithing, smithing, foundry, businesses, treloar, james, buildings, commercial road, main street

The habitat of the Bassian Thrush includes leaf littered and canopied gullies and dense forests. It forages for food on the ground eating small invertebrates and nests in tree stumps and tree forks. Primarily found in Tasmania, South Australia and Queensland, there are three sub-species of thrush, Zoothera lunulata cuneate (Queensland), Zoothera lunulata halmaturina (South Australian and Western Bassian Thrushes) and Zoothera lunulata lunulata/Zoothera lunulata macrorhyncha (South East Australia, Queensland, Victoria and Tasmania). Because this bird is a ground foraging species, the main threat to the Bassian Thrush is the ground clearing of its habitat, and unfortunately, the South Australian Zoothera lunulata halmaturina sub-species is considered vulnerable because of the bush fires that have eliminated much of its habitat, especially on Kangaroo Island. While the overall structure of this particular representation of a Bassian Thrush is relatively accurate, some of the smaller details are lacking. The eyes within this particular specimen are not accurate. Instead of solid black eyes, this specimen has golden/yellow eyes with black pupils. Another inaccuracy is some inappropriate intrusions coming from the beak (most noticeable in the left and right close up images). From the photographs, it is unclear if this is a representative/presentation choice or a condition problem caused overtime. Unfortunately, several aging problems have also occurred over time, with the bird’s feathers fading (Bassian Thrushes have distinct dark brown and black and white scalloped plumage) and the beak which was probably once dark grey has faded to the under colour, a yellowy cream. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Bassian Thrush has white and black scalloped plumage on its underbelly with caramel, soft brown and black tipped scalloped plumage on its back. This soft brown continues onto the bird’s head and neck. The thrush has a white rim around the glass black eyes. When seen in flight, there is also a noticeable wide band across the underside of the wings which is not visible on this specimen due to its particular stance.Swing tag appears to read: ‘46a [the a is superscripted] / Mountain Thrush. / See Catalogue, Page 16. / The number in the top centre of the wooden perch reads '63'taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bassian thrush, zoothera lunulata, white's thrush, ground thrush, scaly thrush

Used by Ettore Alessandri who came to Australia in 1930's. He had land at Marlo and used this jack to clear the property of trees and stumps in 1940's and 1950's. The Trewhella Monkey jack was invented by the Trewhella brothers to help land clearance in Australia during the 1880's. Two jacks were made a 5 ton and a 10 ton. This item is a 10 ton model having two extension bars. The longer spear is used for larger tree work and the smaller spear for general work and small trees. Both models had two lifting claws at different heights. Th lower claw was useful for roots. The top claw was intended for going under loads and the bottom claw used for rolling timber. In 1929 the cost of the 10 ton model was thirteen pounds ten shillings.This item is an example of the machinery used by the early settlers to clear land. A 10 ton monkey jack. It has two extensions (spears) and two lifting claws. It has a detachable handle. 2033.1 is the main jack. 2033.2 is the handle. 2033.3 is the shorter extension and 2033.4 is the longer extension.On extension - BRITISH STEEL On main section - 10 TON MONKEY JACK PATENTED 1411-50 AUGUST 04 1412-50 AUGUST -05 ?????? JUL -06 12104-20 JUL-08 Trewalla Bros Trentham Vicrural monkey-jack trewhella agriculture machinery