"Tarrengower Times" model truck registration plate TLJ 10. Flat tray, spoked wheels with pneumatic tyres, leaf springs front and rear, leather upholstery. "Century" battery behind cabin with" Century" in black on gold. Painted maroon with gold trim, gold painted headlights and radiator frame.On driver's door in gold lettering "The / Tarrengower / Times /High St. / Maldon / Est. 1858" Logo on oval plate at top of radiator.transport commercial model

Chair, bentwood, wooden, dark stain, curved backrest with carved leaf pattern, 6 turned spindles. Fabric padded seat attached with studs, upholstery webbing is visible underneath. Bentwood legs have bracing ring, front legs have truned rings on top. Mark; pressed into wood under seat.Mark pressed into wood "15"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bentwood chair, dining chair, cafe or bistro chair

Robin Boyd designed this three-seater sofa. The sofa was featured in the promotional brochure for Domain Park Flats in 1962. The original sofa was recovered from yellow upholstery to red in 1967 when the painting 'Man on Sofa' by Tony Woods (item A05) was purchased and hung. The original sofa is currently stored offsite. The sofa was reproduced in the 2017 Boyd Collection by K5 (item F004 and F035).Deep red woolen fabric, three loose seat cushions, no arms, 6 timber legs each with a brass foot cover.sofa, domain park, robin boyd

It was owned by Wandin Sebire. It is thought that early rocking chairs were designed as a means of helping busy mothers rock their babies on their laps while keeping their hands free for other household chores such as knitting or sewing chores. They could use their legs and back to create the rocking motion instead o holding them and swaying side to side. An elaborate turned wooden framed rocking chair with spring 'rockers'. It has a brown and cream swirled patterned fabric seat and back panel as well as on the turned arm rests. This is attached with antique upholstery tacks.There is a castor on each of the four legs for manoeuvrability. It is an unusual rocking chair in that the rockers and the seat, sit on top of the wooden frame with the legs on castors below.rocking chairs, chairs, furniture

Vacuum cleaners have been part of the household for many years. Beginning as simple tools blowing the dust to the current sucking up the dust and being powered by electricity. From the shape of a barrel to those that stand upright, from being fitted onto a 'sled' to those with wheels and from heavy to light.Used by a resident in the Kiewa Valley Electrolux cannister steel vacuum with leather handle at the top, the electric socket (and cut power cord attached) at one end and the cloth covered hose at the other end. Two steel extension handles, hose and cord works. Parts with combination dusting and upholstery tool and hardwood floor dust mop and refrigerator crevice tool. The cannister sits on a 'sled' of two long rods on each side.Hand written on the cannister "1932 Model" "Electro / lux / Made in Sweden / Design Nr B156 Registered" on top On bottom "Ser 1234 No. 1456 / Volt Watt" ....(not legible)electrolux, vacuum cleaner 1932

Beryl SebireA dark brown wooden chair with a decorative carved back support at the top with four turned spindles for more support as well as two extra carved rails near the bottom. The seat has a pastel coloured covered embroidered cushion connected to the base of the seat. There is braid around the edge of the cushion attached by upholstery pins or studs. The chair has four decorative legs and no arm rests.chairs, mothering chair, furniture

Note the graffiti. Older 20th.c and earlier railway cars were rolling palaces of the cabinet makers art. Full of polished timber, plated & embossed metal fittings, soft upholstery & beveled glass. In their earliest form, the Tait’s and earlier swing door cars for even modest suburban work, reflected some level of this design approach. Plus of course large sepia toned photographs on dividing walls displaying tourist spots trains could take you to.Digital TIFF file Scan of 35mm Kodak Safety 5062 black and white transparencygraffiti, interior, passenger carriage, red rattler, tait train

223 NQR - Open medium truck with seats & canopy Puffing Billy Service History or Notes In the 1910s some NQRs were provided with removable wood and steel framework with canvas canopies and side curtains, and seating to supplement the rest of the passenger stock during busy holiday periods. Puffing Billy recreated one of these and has built five more similarly equipped NQRs, numbered 219-223, between 1990 and 1992. Nov 2016 - Upholstery fitted Historic - Puffing Billy railway - Narrow Gauge Rolling Stock - NQR Open Medium Truck with seats & canopy223 NQR - Open medium truck with seats & canopy made of steel and metal223 NQRpuffing billy railway, pbr, rolling stock , 223 nqr, nqr open medium truck with seats & canopy

Black and white photograph of the interior a W2 end saloon showing the longitudinal seats upholstered in leather. Photo taken at Preston Workshops, shows interior fit out at the time of construction, with central strap hangers (leather), light fittings. Tram would appear to have been service for some time as it is fitted with advertisements and M&MTB posters. Destination City, 4th Edition page 42 notes that W2 329, 331, 332, 335 were fitted with leather seating in 1929. Keith Kings identified that the tram is 329 in a photo held by the Melbourne Tram Museum. Taken by Sutcliffe Pty Ltd. Photographers. Has "Sutcliffe Pty. Ltd. Photographers Cromwell buildings 366a Bourke St. Melbourne" stamp in purple on back of photo.On rear in pencil "Interior W2 upholstered in leather", "M&MTB" and "40".trams, tramways, mmtb, w2 class, upholstery, interiors, tram 329

Fred Ambler and family at Albert Mills Premier Land Agency building on the corner of Union and Sunbury Roads, c.1910. Fred had his carpenter and upholstery business on the ground level and his home above. (No.1) Premier Land Agency Building, was built in 1886-7 by Albert Mills, builder, at 122 Union Road, on the corner of Sunbury Crescent, opposite the Railway Station. Photo shows his wife and family. Alfred died in 1890 and the family moved. The Boroondara Standard in 1888 reported: "Splendid block of brick buildings reaching completion in Union Road adjacent to railway line – 2 storey. Frontage 120 feet for Premier Land Agency. Shops at Ground Level." A sepia coloured photograph of a two storey terrace building with 3 ladies and 2 children standing on the balcony. Downstairs, a gentleman stands outside the shopfront beside two prams. There is a child in one pram.albert mills premier land agency building, (mr) fred ambler, union road, carpenter, upholsterer, sunbury crescent

Two pieces of heavy brown leather about 4mm thick joined together with a lighter piece of brown leather glued and stitched with heavy thread to form a Trip Way Bill Holder for use on the SEC trams by Conductors. The outside of the folder has been tanned to give a dark brown tan. The inside of the folder has been stained light brown. The outer corners of the folder have been rounded. The folder has been scribed by a tool to give the item some presentation. Not known who made it, could have been SEC Depot Ballarat, upholstery workers.On the inside in the top left hand corner "Trip Way Bill Holder" in blue ink. Also written marks on the leather in the bottom left hand corner - probably from the leather supplier.trams, tramways, conductors, tickets, forms, trip waybills

These theatre chairs had been used in the Mozart Hall in Warrnambool for many years but are now no longer required. They were about to be offered for anyone to take but just by chance Flagstaff Hill’s Manager heard about them from a friend in Melbourne. Our Manager thought it important to keep the chairs in Warrnambool as they were significant to our local history and could be incorporated in our Museum. He made arrangements to collect and install them in Flagstaff Hill’s Theatrette. Originally these theatre chairs belonged to Warrnambool Town Hall. When The Warrnambool Baths (or Swimming Pool) in Gillies Street closed, due to the Health Act of 1958, the changing rooms were taken over by the Mozart Group. The building was modified and set up for musical concerts with the name Mozart Hall. The seats were re-covered by Miss Eva Gaspar, Director of the Warrnambool Music Society, with assistance from group members. The material was order by W.C. James (Treasurer) in 1964, at a cost of 26 pound and 10 shillings (£26-10), and supplied by Jacka-Wortley Fabrics Pty Ltd, Upholstery and Furnishing Supplies, 157-163 Pelham Street, Carlton, Melbourne, Victoria. The supplier’s telephone was “JACKAFAB” (5222 2322). The fabric was delivered to J. Hulin of 116 Belmore Rd, Warrnambool. The manufacturer of the chairs, Riddell & Preece Pty Ltd of Melbourne, also supplied theatre chairs for other public buildings including (1) the Ozone Theatre in Enfield, South Australia, in 1929, (2) the Gallery of the Horsham Town Hall in Victoria (at 26/6 each, that is 26 shillings and sixpence, approximate conversion in 2014 to $100.00au), (3) in 1927 in the Gallery of the Kyenton Mechanics’ Institute (4) in 1926, Horsham Theatre. (In May 2018 a transfer of three banks of chairs was made from Flagstaff Hill to the Australian Centre for the Moving Image in Melbourne.) The chairs are of local historical and social significance. Theatre chairs. The sixteen sets (groups or banks) of complete chairs, four seats per chair, give a total of 64 seats. Each chair has timber framed seats, with arm rests, upholstered in red vinyl. The seats are set into decorative gilt iron frames which incorporate five legs, all set into two timber floor rails. The seats are hinged to fold upwards and rest against the backrests. On ironwork "PTY. LTD"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, theatre chairs, theatre seats 1939, warrnambool town hall seats, mozart hall warrnambool, theatre furniture, mechanics’ institute chairs, j hulin warrnambool, mozart hall choral group, eva gaspar, warrnambool music society, w.c. james, jacka-wortley fabrics pty ltd

The term 'seat squabs' is no longer commonly used, but is sometimes referred to in the upholstery and motor vehicle industries. Squabs are padded cushions frequently added to wooden chairs or benches to add comfort to their hard forms. They have been made to an 18th-to-19th-century pattern using beautiful, richly coloured satin fabric and fancy cord tassels. The weighted flap at the rear of the squabs helps to keep them in place on the chair, and could be used on the top of the backrest instead of on the seat. These days, squabs are attached with fabric ties or hook-and-loop tabs. These seat squabs were once used in the St Nicholas Seamen's Church at 139 Nelson Place, Williamstown, Victoria, which was purchased and furnished around 1943. The furniture and furnishings are now part of the St. Nicholas Seamen's Church collection. DETAILED HISTORY of the Missions to Seamen: - The Missions to Seamen is an Anglican (Church of England) charity that has served the world’s seafarers since 1856. It was inspired by the work of Rev. John Ashley, who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired, others continued the work, founding the Missions to Seamen. It adopted a Flying Angel as its symbol, inspired by a verse from the Bible in Revelation 14. Today, over 200 world ports have Missions to Seamen centres and chaplains. A Missions to Seamen’s club warmly welcomes sailors of all colours, creeds and races and provides a wide range of facilities. The Missions to Seamen organisation changed its name to the Mission to Seafarers in 2000, continuing to include Missions to Seamen clubs in Victoria’s cities of Melbourne, Portland, Geelong and Hastings. Flagstaff Hill’s St Nicholas’ Seamen’s Church is named after its namesake from Williamstown, Victoria, which began in 1857. Bishop Perry opened the first Sailors’ Church, which was known as ‘Bethel’, on an old hulk floating in Hobson’s Bay, Port of Melbourne. In 1860, a Sailors’ Rest started operating from rented premises in Williamstown. In 1878, the Sailors’ Church moved into an old Wesleyan chapel in Ann Street. By the end of that year, they managed to purchase the building, which they had already refurbished. In 1883, they affiliated with the Victorian Seamen’s Mission. A few years later, in 1906, the building had to be demolished because it was no longer safe. While they raised funds for a new building, the Sailors’ Rest temporarily moved to premises in front of Customs House in Nelson Place. Around this time, in 1906, the Ladies Harbour Lights Guild was formed in Australia to support and raise funds for the Mission to Seamen organisation in Melbourne. Two of the most significant ladies of the Guild were founding members Ethel Godfrey and Alice Sibthorpe. During the Mission's time at Siddeley Street, Melbourne, the activities of the Guild raised funds for the Mission to Seamen's Chapel at their new, and still current, premises in Flinders Street, Melbourne, opened in 1917. The Guild continued its important work until the 1960s. In 1908, the Williamstown Mission had enough money to purchase the former Mascotte skating rink on Thompson Street, Williamstown. In August of that year, they were inaugurated into the Victorian Missions to Seamen. They continued at that venue for a few decades. In 1943, the former ES&A Bank building at 139 Nelson Place, Williamstown, was purchased for the new Mission to Seaman’s Club. The official opening was on May 6th, 1944. It was described as a ‘distinctive little building’. Funds had previously been raised for the building and furnishing of the chapel at the rear. The chapel was named St Nicholas’ Seamen’s Church, after St Nicholas, fourth-century bishop and patron saint of sailors. Services were held on Wednesdays and Sundays. The church was supported by the Williamstown Lightkeepers’ Auxiliary, newly founded by Mrs Ethel Margaret Musther in 1943, as well as the Harbour Lights Guild and the League of Soldiers’ and Sailors’ Friends. The Williamstown Mission to Seamen’s Church operated until 1966, when large international ships no longer used the Port of Williamstown. The Commonwealth Government then leased the premises. In the formative years of Flagstaff Hill Maritime Village, the Advisory Board decided to include a Missions to Seamen Chapel and Recreation Room in its village. The Missions organisation was a significant feature of ports during the late 1800s and early 1900s, the period that the Village represents. They often erected Missions to house social and worshipful activities for seamen. Flagstaff Hill’s curator, Mr Ken Marshman, approached the Melbourne Board of Management of Missions to Seamen regarding the Williamstown branch. Consequently, the Board permitted the furnishings of the Williamstown chapel to be transferred to Flagstaff Hill Maritime Village. A provision of the transfer was that the Victoria Missions to Seamen be recognised, that the items would remain as a collection, and that the chapel would be called St Nicholas Seamen’s Church and conduct Divine services. The donation was approved on 21st May 1979. Flagstaff Hill's St. Nicholas Seamen's Church: - The idea behind Flagstaff Hill’s Missions to Seamen’s Church was partly driven by the offer of Stained Glass Memorial Windows that originated from the Warrnambool and District Base Hospital, which was undergoing multi-storey expansion in the late 1960s and early 1970s. The hospital’s Manager/Secretary was eager to see the historic window installed in a suitable place. The church, or chapel, was designed by a local architectural draftsman in collaboration with the Flagstaff Hill Planning Board and was constructed by Mr Leon Habel. The designers hoped the church would be used for formal worship, such as weddings, funerals, and multi-denominational special services like war commemorations. Its design was inspired by the ‘Missions to Seamen’ buildings in Portland and the Port of Melbourne. The furniture and furnishings were placed as accurately as possible according to photographs of the Williamstown St Nicholas Seamen’s Church and with assistance from local clergy. The Recreation Room was furnished and arranged on advice from experienced members of the Missions to Seamen organisation. A framed document in the building recognises the donor of the furnishings, Victoria Missions to Seamen, and includes the names of some original donors and their donated item/s. The building’s design incorporates local features such as Warrnambool sandstone, which was no longer commercially available but was procured from demolished buildings and uniformly cut to use as a veneer over the stronger Mt. Gambier stone. Also, traditional green American roofing slate was used, sourced from the 1908 local shipwreck “Falls of Halladale” by Flagstaff Hill volunteer divers. The bell tower includes a bell believed to be from a local shipwreck. Additional furnishings were acquired locally, and several items were donated by Warrnambool residents. Light fittings in both rooms were assembled to simulate 19th-century gas light fittings. The stained-glass window at the back of the church is a memorial to Dr Connell, a well-respected member of the Warrnambool community. It was originally installed in 1928 in the main building of Warrnambool Hospital. The St Nicholas’ Seamen’s Church at Flagstaff Hill was officially opened by His Worship the Mayor, Cr. John Lindsay, on Sunday, 11th October 1981. The event included a service of thanksgiving conducted by the Warrnambool Ministers Fraternal. Since then, the Chapel has been the historic venue for many weddings. This pair of seat squabs is historically significant for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for seafarers’ physical, social, and spiritual needs. The organisation originated in Bristol, England, when a Seamen's Mission was formed in 1837. The squabs are also significant for their use in the St Nicholas Missions to Seamen's chapel, Williamstown, as the original building is now listed on the Victorian Heritage Register. Squabs or padded seat cushions, a pair of two. These 18th to 19th-century design squabs have crimson and cream satin fabric on top and underneath, and weighted tassels are attached to their rear corners. They can be used for comfort on hard seats and benches. The squabs were furnishings from the Missions to Seamen chapel in Williamstown, and they are now part of the St Nicholas Seamen's Church Collection.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, st nicholas mission to seamen's church williamstown, mission to seamen williamstown, mission to seamen victoria, st nicholas mission to seamen, st nicholas seamen's church, religion, religious service, sailor's rest, ladies harbour light guild, squab, seat covers, cushions, squabs, religious furnishing, padded seats, seating, accessory

Sandhurst Boys Centre residents handling fleeces(?) or other stuffing materials for pouffes or cushions for stoolsbendigo, institutions, sandhurst boys centre, sandhurst boys centre; occupations; furniture making; upholstery