The outrigger gives greater stability and seaworthiness to the canoe. Outrigger canoes were originally developed by the peoples of the islands of Southeast Asia for sea travel, and were used to transport these peoples eastward through to Polynesia and New Zealand more than 2000 Years ago. Today they are still in use. This item possibly came to Orbost with Reverend Alexander Morton . Morton was the minister at the Presbyterian church about 1890. He had spent time in new Hebrides and went on to New Zealand.This item is an example of a handcrafted artefact from the New Hebrides.Detailed model of an outrigger canoe from the Polynesian islands. It isa handmade wooden (possibly breadfruit wood) model of an outrigger canoe - one outrigger attached to the main hull. Bound with string. It has two wooden paddles.handcraft morton-alexander model-outrigger-canoe

Civilian Registration Identity Card issued to Douglas Frederick Orford of Irvines Road, Eltham, a student of Eltham Higher Elementary School, signed by subject and witnessed by E.T. Orford, farmer of Eltham. This type of card was issued to British subjects who were civilians. During World War II everyone in Australia was issued with a personal identity card and was required to report changes of address to the government. These cards were particularly important in the identification and monitoring of Aliens (non-citizen residents) , particularly non-Europeans and Asian residents.civilian registration (british subjects), eltham, ernest thomas orford, identity card, irvines road, second world war, ww2, douglas frederick orford, eltham higher elementary school, 1943

This item was produced by a Melbourne Tea, Coffee and Cocoa Merchant importers(1898-1960). It was a time when local production of, coffee had yet not begun. Imports from India and the Asian region had dominance in the market place. The blending of coffee with chicory was a cheaper method of providing a flavour enriched drink which was marketed as "containing not less than 55 parts per cent by weight of coffee" The coffee weighed heavier than the chicory. This was a time before strict accurate consumer information/content became mandatory and legally enforceable.This empty container of "Sunbeam" Coffee and Chicory finely ground "instant - just add boiling water" beverage was the start of the "fast" breakfast drink. The use of grinding the coffee beans and percolation to obtain the final drink was at the start of the rural sector's decreasing the time for casual drinking. The once casual countryside psyche was now (mid to late 1900's) becoming more "on the go".This cylindrical container (coffee and chicory) is constructed from pressed cardboard with both ends enclosed by tin(pressed) lid and bottom. The outside wrapping is promotional and descriptive in the colours of purple background and information label areas with purple lettering on a white and silver background. The cylinder is made from 2 mm pressed cardboard.Main label " No.1" underneath "Sunbeam" underneath "COFFEE and CHICORY" UNDERNEATH "Containing Not Less than %% Parts Per Cent By Weight of Coffee" underneath in Hand Writing" Griffiths Bros Limited", below this "TEA ,COFFEE & COCOA MERCHANTS" Below this" Mellbourne, Sydney, Adelaide" and lastly "net 1lb weight". Alternate side "The Following Well Known Economical & Flavoury Teas" underneath this "Packed Specially For The Trade" underneath "SUNBEAM & VICTORY SIGNAL COCOA" and in smaller print "Absolutely Pure, Made in Australia" underneath Equal To The Best Imported"breakfast containers, food storage, instant coffee, speed breakfasts, domestic

This bamboo fishing rod was used in the mid to late 1900's and demonstrates that local production of recreational fishing poles was at a high level and their demand was high. Imported recreational sporting goods from either the United Kingdom, the United States of America or Asia countries was due to the larger lead up times from these suppliers and the greater import costs from slower ocean supply ships. It was only after World War II that the trade influx from other countries has supplied cheaper goods. This recreational fishing pole is highly significant to the Kiewa Valley as it demonstrates that recreational fishing has been evolved from the need to supply a balanced diet by the early pioneer families of fish from the major Kiewa rivers. The ability of the Kiewa Valley rivers to provide a good fishing environment (high protein diet) for both early indigenous families and early pioneers was the important food source that provided for a balanced diet and the higher level of nutritious development of both body and mind. This two piece wooden fishing Rod is made from bamboo shafts or poles, one length thicker than the other. The smaller diameter shaft is the top end and fits into the longer thicker shaft at a stainless steel tube end.The smaller shaft has a stainless steel reinforcement ring where both shafts fit together. At the bottom end of the thick shaft is a black rubber "stopper" or "foot". There are two stainless steel rings, each with a reel holding "bulge" which allows for the the reel's "prongs" to be secured. The top ring has a greater diameter allowing it to move up and down the shaft/pole to secure the top "prong" firmly onto the shaft/pole.recreation, river, rod, fishing, industry, fish

Mat making was an essential part of many workshops staffed by blind or vision impaired employees since the 19th century. In Australia, it was a skill taught in along the eastern seaboard until the supply of cheaper mats from Asian sources rendered it financially non-viable as a source of employment. These examples were made in the RVIB workshops and demonstrate the variety that could be made, with a plain mat, one printed 'RVIB' in black on one side and in in reverse in various colours on the other, and the other with 'Welcome' on the front and 'Made by the blind' on the reverse.3 coir mats made by RVIB workersRVIB Made by the blindemployment, royal victorian institute for the blind

The white-throated Needletail is a migratory bird, breeding in Central Asia and southern Siberia, and wintering south in the Indian Subcontinent, Southeast Asia and Australia. This large swift is often mistaken in flight for a small predatory bird, but its long curved wings and white markings help to identify it. Needle-tailed Swifts get their name from the spined end of their tail, which is not forked as it is in the more common Swifts of the genus Apus. They build their nests in rock crevices in cliffs or hollow trees. These birds do not like to sit on the ground, spending spend most of their time in the air. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This white-throated Needletail is predominantly grey-brown in colour. The throat and under tail of he bird are dusky-white. This specimen has a white spot on the lower rim of each of its wings. The eyes are made from glass and the specimen has been styalised standing on a wooden mount.Label: 3a/ Spine-tailed Swift / See catalogue page 7.stormbird, taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, quail, migratory bird, white-throated needletail, needle-tailed swift, spine-tailed swift, hirundapus caudacutus

Thelma Rungkat was Head of the Librarianship Department at Ballarat College of Advanced Education, and by 1990 she was Head of Information Management. Keith Davidson retired from his role as Senior Lecturer in Librarianship at Ballarat College of Advanced Education in 1988..1) Thelma Rungkat with Graduate Diploma of Librarianship students Ninis A. Damataru and Neneng Komareah at the graduates Farewell dinner for Graduate Diploma of Librarianship students, 1987 .2) Thelma Rungkat with Graduate Diploma of Librarianship students Sri Wahyuni Soeriptito and Tetty Sartika at the South East Asian Librarian Congress, Jakarta, Indonesia, 1990 .3) Thelma Rungkat and Graduate Librarianship Graduate Neneng Komarich at Ballarat College of Advanced Education Graduation, 1988 .4) Tim Reddan, lecturer in Information Management receives a farewell gift from Thelma Rungkat at the first annual dinner of Ballarat Librarianship Graduates' Association, 1990 .5) Mrs Shiell, Andrew Shiell and Keith Davison (Senior Lecturer in Librarianship) taken at Tim Reddan's Farewellthelma rungkat, keith davidson, tim reddan, librarianship, library, libriarian, univerrsity women

Mazazine on 21 pages featuring a black and white image of the Ballarat Arch of Victory on the front cover. Contents include: * Making Australia's History (John Campbell Miles and Mount Isa) by S. Warren Shears * Cricket Club Notes by Arthur Smith (Doug Mills, Stan Fraser, Tubby Grundy) * Badminton Notes (W. Shears, I. JOnes, T. Hubble, M. Drabsch, Joan Sutherland) * Combating Asian 'Flu (Photo of June Blundell receiving injection from Dr W. Jenkin) * Greater Love (Original short story by L.W.) * Social Page * What is a Boy by Allen Beck Images include photographs of workers on the job, and the Lucas Past Employees Memorial Cairn on the Learmonth end of the Avenue of Honour. e. lucas and co., s. sarori, f. gillies, john tunbridge, lucas memorial cairn

28 page Magazine photocopy in black and white with following contents where the first figure is the page number and this is followed by the article title then the author. #44 
19 2 Heads are Better than 1 Judy Bourke
 22 A Dark and Merry Dance - Mona Ryder Ingrid Hoffmann Arts Writer
 28 Advertising rates
 17 Artist Statement Dragica Milunovic 
7 Art for Community Enjoyment. -
The Majura Women’s Group Project Kerry-Anne Cousins 
26 Arts Residencies in Asia 2009
 6 From Mao to Now Denise Keele-Bedford
 10 I call myself an artist. Carmel O’Connor
 14 Josie Telfer - Nine Waves Richard Perry
 18 Nature and Change Ev Hales
carmel o'connor, judy bourke, ingrid hoffmann, mona ryder, dragica milunovic, kerry-anne cousins, denise keele-bedford, josie telfer, ev hales, margaret gurney, anna glynn, lea kannar, janet goodchild chuffley, desiree radi-mansbridge, sayraphim lothian, noela stratford, sasha grishin, annette vincent, women's art library london, annette iggledon, gail stiffe, althea greenan

During World War II, over 22,000 Australian became prisoners of war to the Japanese. Most of them were captured at the fall of Singapore in February 1942 and were forced to march to Changi (the major Prisoner of War camp). Later on, the soldiers would be dispersed throughout South East Asia. Upon their return to Australia, very few of them told talked about their experience as prisoners (they often felt ashamed). It took almost 30 years before testimonies, books and documentaries would be published. This ship model was built by Australian prisoners of wars.Model of a Spanish or Portugese 18th Century sailing ship, manufactured from timber, fabric and string. Natural timber colours as well as white, blue, red, green and gold.'To Auntie Helen, many thanks for everything from P.O.W.s Singaporesingapore, war, ships, second world war, model, 1945, models, p o w s, prisoners

A cutting from from a Melbourne Legacy President's report showing a photo of Legatee Ron Foskett (President of Melbourne Legacy in 1972). It was collected to be a record of a photo of past presidents. In World War 2 Legatee Foskett was a pilot in the RAAF and served as a Catalina Flying Boat Skipper in South East Asia and the Pacific. He joined Legacy in 1949. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee Ron Foskett a past president of Legacy. The information was collected to record the lives of prominent legatees in a folder.Article with a black and white photo of Legatee RJA (Ron) Foskett - President 1972past presidents, ron foskett

The Mission accommodated seamen from all nationalities from the earliest days of operation. Asian seafarers are recorded visiting the Mission from the late 19th C. onwards. The first Chinese chaplain to be appointed was Rev Steven Wong who moved to Melbourne in the 1960s. Rev Wong served from 1963-1966 and according to his sons helped design these information brochures. Images of Rev'd Wong are included in the VC Database. The pamphlet gives days and times of activities such as dances and films and chapel services. The Chinese writing was made by Reverend Stephen WongA rare surviving period example of a non-english speaking flyer on information about the Mission to Seafarers Victoria Commercially printed paper single fold flyer providing directions and information to the Central Club, Missions to Seamen at Flinders St extension, in Mandarin. Contains a drawing of the central mission and a map of Docklands.In English: CENTRAL CLUB/THE MISSIONS TO SEAMEN, FLINDERS STREET EXTENSION, MELBOURNE C.3 In Mandarin: Translation (from Google translate): date and time of services / date and time for dances, movie sessions, teareverend stephen wong, mandarin, chinese, asian, reverend perry mitchinson

Refers to the service of Tony Cornelius No. 3176333 South Vietnam. See Cat 1874.21. Australian Passport 1960's version NR G741361. Blue cardboard cover. Printing in gold. Crown at the top. Aust Crest in centre. It has 32 pages. 2. Black & red vinyl cover. It has openings at the front. An inner sleeve show's British Crest. At the bottom is Asian letter characters. 3. Cardboard C of A notice. It is about reporting any diseases on arrival in Australia. It has a rectangular stamp from the Commonwealth Dept of Health Dated 21 Nov 1972 - Airport W.A. 4. Paper receipt from Commonwealth of Aust for Passport fee. Receipt no. C597062 - stamped Sydney Cust $4.00. 5. Hand written recipe on how to make Sata meal. Blue ink on lined paper (looks interesting).passport, vietnam

The Myths and Monsters conference was something of a landmark in Australian mystery animal research. It was the first cryptozoological conference held in Australia, and the first time Australia's leading researchers had been able to present their findings and meet with others working in the same field. 82 page proceedings of the Myths and Monsters Conference printed onto white paper. The following topics were presented: * A brief History of Australian Cryptozoology (Paul Cropper) * Would the Real Orang-Utan Please Stand Up and be Counted? In search of unidentified relic hominoids in Southeast Asia (Helmut Loofs-Wissowa) * Strange Creatures on the Antipodean UFO trail (Bill Chalker) * The Bunyip (Gary Opit) * Sightings of Some Anomolous Sea Creatures (Malcolm Smith) * Investigating Cryptic Hominids (Yowies) in the Blue Mountains of New South Wales (MIchael Hallett & David McBean) * "High Strangeness" in Yowie Reports (Tony Healy) * The Mystery of the Australian Big Cat: A Brief Summary (Peter Chapple) * Quest for the Thylacine (Peter Chapple) [Australian Animal Folklore Collection]Signed on cover "Simon Townsend"australian animal folklore collection, paul cropper, ruby lang, helmut loofs wissowa, bill chalker, gary opit, malcolm smith, michael hallett, david mcbean, tony healy, peter chapple, bunyip, blue montains, yowie, thylacine, big cat, puma, panther, ufo, goolma, woodenbong, narrabeen lakes, cecil mcgann, dorothy middleton, lee kelly, brown bittern, bay monster, simon moir, footprints, blue mountains cryptid, prehistoric bipedal primates, gigantopithecus, meganthropus, homo rudolfensis, homo habilis, homo erectus, homo ergaster, hominid, bigfoot, psychic phenomena, black panther, lake monster, blue labyrinth, australian rare fauna research association, marsupial lion, thylocoleo carnifex, australian big cat, tasmanian devil, sarcophilus harrisi, eric guiler, yellingbo, thylacinus cynocephalus, tantanoola tiger, rilla martin, mundrabilla, predatory animal, mythical, myth, folklore

This "lovers" necklace is made from Sterling Silver and was imported into "the Colony" before the Australian Federation was enacted. This was a time when very close "bondage" between Australia and England was shown by the amount of "quality" products that were purchased, and the motto "Best of British" was truly still entwined in all aspects of rural live, from "British" mores and values "inherited from the "colonial days". It was only after World War II (when Britain could not help to defend Australia from the Japanese) that these long held mores were, through generations and generations, that the USA and Asian markets and goods replaced the "old" ties.This ladies silver necklace is very significant to the Kiewa Valley because it demonstrates the "rural" mores and values at a time(1800's to mid 1900's) when the "gap" between city and rural mores was very pronounced. That gap was maintain only through the degree of "isolation" (communication and physical interactions) between the two major types of "communities" and the evolving mores which each of them were going through. The social structure was just as pronounced in rural areas as it was in the cities. Fine jewelry was a "sparkling" affirmation of status and "wealth". The rural sectors had very wealthy sectors before the World Wars, when "Australia" was riding "on the sheep's back", but the increased mineral wealth exports and "big" industry of the cities started to forge ahead.This necklace is made from sterling silver and has four double bar and six lover's knots coupled to a silver chain. There is one silver double bar missing and may have been removed to reduce the length of the necklace. Sterling silver Hallmarks and Makers marks are stamped on the links and the clasp. The meaning of the horizontal twin bars have not yet been interpreted .Hall marks "PWC" and "AA"necklace, jewellery, sterling silver, lovers knot

Folkart was operated by Pamnela Hipwell and was permanently closed Januray 2020. "Folkart has been central to the Warrandyte streetscape since 1975 when it took over from Les Gilholm’s milk bar (see photo below). John and Betty Hipwell were amongst the first to start importing Asian clothing, jewellery and homewares. It derived from the era of hippies, meditation, flower power and freedom and introduced a whole new look, floaty dresses and skirts with embroidery and sequin decoration, exotic fabrics and colours and exciting possibilities." - Warrandyte Historical Society (Facebook Jan 8, 2020).35mm colour positive transparency (1 of 25) Mount - Kodak EktachromeProcess Date MAY 88Mfolkart, warrandyte

The Soviet Union was one of the first countries to realize the unique potential of parachute forces. As early as 1927 there were reports of parachute troops being used against bandits in Central Asia. Within the next two to three years Leonid G. Minov began to organize the first military parachute units. He traveled to the United States to study parachute strategy and techniques employed in air rescue missions. He returned to his country with a supply of American-made Irvin parachutes. In April 1930, Soviet industry produced its first run of domestic parachutes, not surprisingly patterned on the Irvin style.Red felted wool beret withblack leather hat trimfabric informatiion labelt i.e. dry cleanrussian front 1918-1919, russian paratroopers history of russian paratroopers, history of change in aircraft to cater for paratroopers

Gum Loong is an authentic Chinese fortune dragon who was awakened at Sovereign Hil in Ballarat on 11 March 1995. Gum Loong was created by the Canadian Lead, Mt Blowhard and Sebastopol Primary School Communities with support from the Ballarat Chinese Community Association, the Australia-China Friendship Society in Ballarat, the Asia Education and DEET. A Gum Loong Dragon Team of at least 80 students representing the three schools assist him on his special outings giving him legs. Gum Loong's body is 50 m long. Fifteem wooden barrels make his backbone. Colour photograph of Gum Loong the Golden Dragon of Ballarat, in the foyer of the Ballaarat Mechanics' Institute.chinese dragon, chinese, ballarat chinese community association

Basket weaving and brush making was a source of income for those who worked in the workshops at RVIB and other institutions in New South Wales and Queensland. A diverse range products could be produced with cane, such as cane chairs, cots, washing baskets and trolleys, and the Institution sought to highlight these in the annual report. Over time the demand for, and supply of, cane changed - particularly during World War 2 when Asian sources were under attack or destroyed. At home, other materials such as plastics as well as the ability to import cheaper pre-produced products further reduced the demand for workshop pieces. 1 cane basket with 2 side handlesemployment, royal victorian institution for the blind

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Document outlining the Vision, Mission, Aims, Goals and Principles of VIOSH Australia. The main vision is to provide the best undergraduate, graduate and industry focused OHS program in Australia and Asia - Pacific Region. Improvement in occupational health and safety within workplaces in Australia and overseas and stimulate best practice within the University of Ballarat is the mission. Detailed statements covering Aims, Goals and Principles outline how this will be achieved.Thirteen A4 pages, typed. Coloured sections.Symbols for VIOSH, CSIRO, SafetyLine, Safety Institute of Australia, Worksafe Australia,Canadian Centre for OH&S. Health and Safety Executive (United Kingdom), National Institute for OH&S (United States), Occupational Health and Safety (United States), International Occupational Safety and Health Information (Finland)viosh, victorian institute of occupational safety and health, university of ballarat, vision, mission, aims, goals, principles, research and colsultancy, courses, viosh working papers, noise control in mining, resources, australia, csiro, safetyline, safety institute of australia, worksafe australia, canada, canadian centre for occupational health and safety, united kingdom, health and safety executive, united states, national institute for occupational safety and health, occupational health and safety administration, finland, international occupational safety and health information

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Docket used for the delivery of documents - University of Ballarat. Detailed information of item and declaration by authorised library officer required. White with green writing - sections to complete Signatures required.Docket number in red - 11657viosh, victorian institute of occupational safety and health, docket, delivery services, ballarat, university of ballarat

The Junction Dam and Clover Dam Power Station, stages of the Kiewa Hydro-Electric Scheme, were needed to meet the increased power demands of the wartime industry in Victoria. Clover added 26 megawatts to the grid. Junction Dam was completed and ready to hold water by September 1943, but was emptied in December 1943 and not filled again until May 1944. Construction of Clover Power Station commenced in July 1941 and both turbines were in service by May 1945.Clover Power Station and Junction Dam were part of the Kiewa Hydro Electric Scheme constructed by the State Electricity Commission of Victoria. SECV official photographers took photographs of most stages of construction of the Hydro Electric Scheme and referenced each photo with a number and dating system as an historical record and for reference for other projects. This provided a thorough history of the construction of the Hydro Electric Scheme, some of the workers involved in its construction and the infrastructure supporting its construction, such a Bogong Village.Small light brown cardboard box originally containing sensitized photographic paper, now containing a range of black and white photographs of the Kiewa Hydro Electric System taken by the official SECV photographer Box has some damage – Front panel on lid is missing. Top has a puncture in top right corner and some peeling of paper along sides and at edges. Printed on the top of the box in black ink: OPEN ONLY IN PHOTOGRAPHIC DARK ROOM SENSITIZED PAPER Manufactured by – KODAK (A/asia) PTY. LTD. Melbourne Australia Green and white sticker on right side of lid and bottom right side of box, torn at join 1. 1B1 Single Weight Soft. Available in Soft (1) Medium (2) Contrast (3) Extra Contrast (4) Single and Double Weight Stamped at bottom of sticker in grey ink G8087 CK photographic paper box; state electricity commission of victoria; official photographer; kiewa hydro electric scheme; clover power station; junction dam; bogong village

This insulator disk for the high voltage carrying electrical cables was manufactured in 1964 and used by the SEC Vic (Kiewa Hydro Electricity Scheme) from that date until late 1900's. It was used to connect high voltage cables to their "towers" going from various Hydro Generators to and from power "stations". During this time period, high quality "cable" insulators were manufactured in Japan. In an earlier time they would have been sourced from Europe or England. After the 1950's the sourcing of electrical hardware was being influenced by the lower costs obtainable from Japan. Later on other Asian sources also became available.The need for a mountainous and a large area of operational requirements, such as the SEC Vic Kiewa Hydro Electricity Scheme, to distribute the electricity produced in the Victorian Alps to the major users required power transmission lines to "carry" high above the sometimes inaccessible land mass electricity generated at the power stations to the various sub stations along the valleys and ranges to flatter populated regions. The significance of this insulation "high voltage" disk to the Kiewa Valley region relates to the impact of modern technology (at that time) upon a mainly rural environment. These power lines are a stark visual "show" of the impact that the "Scheme" has on the mostly rural landscape of the Kiewa Valley and what a boost of "modern" equipment into the area has taken place. The "Hydro Scheme" had facilitated the transition of a semi rural area to an advanced rural region within a shorter time frame, than would have taken under "normal" evolutionary time. The speed of information of all "new technology" had a relatively slow assimilation rate before the SEC Kiewa Hydro Scheme came to those living in the then quieter rural communities. This high voltage (330 KV) insulation disk is made from non conductive porcelain stoneware. It is highly polished brown in colour and has a clip fastening for the high voltage cable to be attached to. This disk was hit by lightning and the burn marks are quite noticeable. The top metal connector has a "mushroom" extension jutting below the semi cone like insulation disk. Also four circular ridges or grooves (old 78 rpm disc recording style).Cable bell on top of insulation disk "4K " next to it the international symbol for electricity (triangle containing one horizontal line under one V line and one vertical flame like line.) On the opposite side "2" and to the right "64"sec vic kiewa hydro scheme, alternate energy supplies, alpine (above ground) high voltage electricity cables, volt cable, 330000 volt cable

This is an empty Justus Van Maurik cigar box made c1950 by appointment to the House of Lords, London and the cigars were used by George Reed who was a draftsman in City of Moorabbin c1950. c1700 The Dutch East India Company brought spices from South East Asia and tobacco from the New World to Sumatra and Java in Indonesia. 1794 Justus van Maurik Senior established a tobacco factory in the centre of Amsterdam and his son, Justus van Maurik Junior, spread the company’s fame well beyond the borders of (Holland) Netherlands as he travelled the world successfully promoting the family’s tobacco business.Dutch cigars were popular c1950 in the City of Moorabbin and Justus van Maurik Pty Ltd was a quality producer from Amsterdam , Holland (Netherlands) commencing production c1794. George Reed was a draftsman who lived in City of Moorabbin c1950 A plywood hinged cigar box Lid ; JUSTUS VAN MAURIK / BY APPOINTMENT TO / FAMOUS H T/M L SINCE 1754/ THE / HOUSE OF LORDS / IMPERIALES Inside Lid ; as above cigars, justus van maurik pty ltd., holland, amsterdam, netherlands, dutch east india company, redheads safety matches, safety matches, bryant & may pty ltd, early settlers, moorabbin, bentleigh, cheltenham, tobacco, reed george, draftsman, architect, moorabbin shire, city of moorabbin, post world war 2 estates

The first Seafarers Service was held on 23 October 1905 in the St Paul's Cathedral in London to celebrate the Centenary of the Battle of Trafalgar and the death of Vice-Admiral Horatio Nelson on 21 October 1805. Reverend Alfred Gurney Goldsmith launched the first Seafarers Service two years later and the first service was held on Sunday 10 November 1907. National and house flags are used during the annual Seafarers Service. Eastern and Australian Steam Ship Company, a small line which played a strong part in Australian maritime history, providing links from Australia (in particular Queensland) and New Zealand to South-east Asia from 1873 to 1983.The service continue to reflect the full range of the maritime activities in Australia. Representatives come from the Royal and Merchant Navies, the commercial world, shipping companies, mission and philanthropic societies, veterans’ associations, labour unions, youth and leisure organisations, but anyone is welcome to attend.Large green flag with crest of a gold lion rampant holding a gold fouled anchor on a red stripe.E & A written in black penflag, seafarers service, shipping company, e&a, eastern and australian, house flag

The first Seafarers Service was held on 23 October 1905 in the St Paul's Cathedral in London to celebrate the Centenary of the Battle of Trafalgar and the death of Vice-Admiral Horatio Nelson on 21 October 1805. Reverend Alfred Gurney Goldsmith launched the first Seafarers Service two years later and the first service was held on Sunday 10 November 1907. National and house flags are used during the annual Seafarers Service. Eastern and Australian Steam Ship Company, a small line which played a strong part in Australian maritime history, providing links from Australia (in particular Queensland) and New Zealand to South-east Asia from 1873 to 1983.The service continue to reflect the full range of the maritime activities in Australia. Representatives come from the Royal and Merchant Navies, the commercial world, shipping companies, mission and philanthropic societies, veterans’ associations, labour unions, youth and leisure organisations, but anyone is welcome to attend.Large green flag with crest of a gold lion rampant holding a black fouled anchor on a red stripe.E & A written in black penflag, seafarers service, shipping company, e&a, eastern and australian, house flag

These baby shoes show evidence of once having an additional embellishment on the toe, such as a bow, flower or pom pom. The label written into the bottom of the shoe indicates that it was made by Everbest. Everbest is a shoe company that was established in 1979 in Singapore and primarily sells in South East Asia. Their brand is centred around timeless elegance and quality, which this pair of baby shoes is in keeping with. The Mary Jane shoe was popularised in the early 20th century as a shoe for children regardless of gender. They began to be known as Mary Jane's because of the character of Mary Jane in the Mary Jane and Buster Brown comics, a series of advertisements by the Brown Shoe Company in the USA. They remain a classic style for women and children.These shoes are a record of a small part of the social history of Chiltern, as well as show the continuing popularity of this style of shoe through time. They are also a record that a product of a Singaporean company that primary sells in other countries in South East Asia was able to travel all the way to regional Victoria and be present in the collection of the Chiltern Athenaeum.Pair of pink leather mary jane style baby shoes with gold metallic label on inner soleInner Sole: Lesley Everbest / Baby Shoe / Size 0baby shoe, leather shoe, everbest, leather, shoe, baby clothes, leatherworking, singapore, chiltern, chiltern athenaeum, chiltern athenaeum museum, chiltern athenaeum collection

Chris HEADLEY Born in York, England Chris Headley studied at York School of Art before majoring in ceramics at the Central School of Art in London, learning to throw with (the late) Michael Casson and hand-build with Gordon Baldwin. Chris graduated in 1973 and travelled overland across Europe and Asia, through Turkey, Afghanistan,and Iran arriving in Australia. A year after leaving England, he arrived in Australia, where he has lived and worked ever since. He undertook his Master’s degree at the Australian National University, graduating in 1991, and in 1999, with Dr Owen Rye as his supervisor, gained his PhD from Monash University, Victoria. Sculptural form on wheels black fired with three gold fish hanging. This work forms part of the Jan Feder Memorial Collectionjan feder memorial collection, jan feder, ceramics, artwork, artist, gippsland campus, chris headley, jan feder memorial ceramics collection