8304.1 - Curiously dark rhyolite or rhyolitic volcanic rock. Coarse-grained feldspar quartz crystals within five-grained dark groundmass.

This broken, handmade black glass bottle was made around the mid 1800s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to be made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body was blown, the glass blower continued blowing free-form (without the mould) to form the shoulder and neck, then the base was pushed up with a pontil tool, and the finish for the mouth was added. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck usually looking smoother and shinier. A horizontal line can often be seen around the shoulder where the mould of the body meets the free-blown shoulder. A lump or mark in the centre of the base, called a 'ponty' mark (named after the pontil tool), is also common on this type of bottle. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. (Similar bottles were recovered from the 'Loch Ard' shipwreck, lost in 1898.) The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, thick black glass (dark olive) with matt surface. Mouth has been broken off, leaving sharp edges. Short neck, wide shoulders, body tapers slightly inwards towards base. Wide uneven heel and deep concave base with a fold line in glass. No visible seams.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, bottle, black glass, antique bottle, handmade, mouth blown, blown bottle, liquor bottle, ale bottle, 19th century bottle

The Powerful owl is native to south-eastern and eastern Australia and is the largest owl on the continent. It is found in coastal areas and in the Great Dividing Range rarely more than 200 km (120 mi) inland. An apex predator in its narrow distribution, the Powerful owl is often an opportunist like most predators, but generally hunts arboreal mammals, in particular small to medium-sized marsupials. It is a typically territorial raptorial bird that maintains a large home range and has long intervals between egg-laying and hatching of clutches. Unlike most raptorial birds, male Powerful owls are larger and stronger than females and so the male takes the dominant position in the mating pair, which extends to food distribution. This example of a Powerful Owl show lighter brown coloured feathers and slight discolouration. The Powerful Owl has darker colourings and whiter feathers in real life. This example also show discolouration in the feet and they are brighter yellow in colour in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Powerful Owl has medium brown to dark grey-brown on its wings and back, lighter patterning on its chest lightening with white barring, and off-white front. The eyes are yellow, set in a dark grey/brown facial mask. The legs are feathered with yellow/browning feet and talons. The specimen stands upon a wooden platform and has no identification tags attached. Swing-tag: n/a Metal tag: n/a Mount: wooden with no markings.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, powerful owl

Item issued to Mavis Irene KEILLOR No 105119 WAAF, enlisted 30.12.1942 age 22 years. Discharged with the rank of Aircraftwoman Laverton Transit Departure and Reception Centre on 6.12.1945. Kit Bag, faded dark blue, 12 brass eyelets. Appears to have been dyed dark blue over the original khaki colour.Painted on side & bottom: “105119 WAAAF”equipment, kit bag, waaaf

Rectangular, Clubman tobacco tin with a light blue background and a dark blue 3.5 cm. diagonal strip across the hinged lid. It contains three small, cardboard picture cards with images and names of: a cart, a harp and a star, together with matching name lables.On lid: The merged gold letters "M", "T" and "C" surmounted by a gold crown at the top left hand end of the dark blue diagonal stripe and the name "CLUBMAN" at the right hand end, together with: "A Distinctive Cigarette" in very faded black lettering. Printed at the bottom of the lid are the words: "Silk Tipped Virginia" in black print. Also on the lid are the hand-written letters "CN" written in black permanent ink. Inside the lid: "The Clubman" with the company logo underneath. "A Distinctive Cigarette manufactured from carefully selected tobacco for discriminating smokers" "The Marcus Tobacco Co."tobacco tins, tobacco containers, smoking equipment

Jacqueline Dark (rhs) was a member of this trio. Dark is a principal artist for Opera Australia performing in many operas. With Kanen Breen she performs cabaret under the name "Strange Bedfellows".Small advertising program, black and white photograph of three women with words printed.Odyssey Productions Inc & Chapel off Chapel present Melbourne's newest cabaret sensation Viva la Diva glamour, drama and heavenly music $25 (consession $20) etc.jacqueline darl, viva la diva, opera

A dark brown wooden chair - Bentwood style.Under seat on torn label - MUNDUS FABRIQUE EN POLOGNEchair mundus bentwood-chair

Inspected by archaeologist, Joanna Freslov on 2.6.2008. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt.This is able to withstand repeated impact, and and so was suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. The necessary tools and equipment for hunting, fishing and warfare were some of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This artefact is an exaample of the stone tools that Aboriginal people used.A dark stone handmade Aboriginal axe head.aboriginal axe-head stone-artefacts tool

Atabrin Tablets Quinacrine C23H30ClN3O Anti-Malarial Drugs issued to all troops in tropical areas during WWII Troops used to joke about the fact that ATABRIN turns the skin yellow. Prevented Malaria in Tropical Regions minimizing the disruption to combat caused by untreated Malaria.Rectangular metal container,dark grey in colour. The words Atabrin Tablets printed on lid in raised printmalaria, atabrin, tropical disease,

Army, dark blue with RAEME hat badgeheadgear, c2005, army

Cover is dark blue with the title on the front cover.non-fictionThe Book of Common Prayer and Administration of the Sacraments, and other Rites and ceremonies of the Church according to the use of The Church of England together with The Psalter or Psalms of David.prayer, sacraments, psalms, church of england

Dark metal badge Maltese Cross shape.Top: "SOUTH AFRICA 1900-02" Centre: "FINSBURY RIFLES" Around centre: "PRO ARIS ET FOCIS" badges, africa

GiftOrnamental hippo carved from a dark wood"PMA 0141"

Stamp with dark wooden handle and metal plate "PWO 2992.11" " Deliver/ The Melbourne Harbour Trust Commissioners"

A mass produced hand made bottle made for containing sparkling wine no history or manufacturing provenance currently available.The bottle is a good example from the mid-to-late 19th century. At this time cannot be associated with an historical event, person or place, provenance is unknown.Bottle, dark green glass cork in neck flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bottle, green glass bottle

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps, drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Stoneware short spouted jar. Dark brownchinese, jar, glaze, stoneware

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Squat, shouldered, food jar. Dark brownchinese, jar, glaze, stoneware

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Squat, shouldered, food jar. Dark brownchinese, jar, glaze, stoneware

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Squat, shouldered, food jar. Dark brownchinese, jar, glaze, stoneware

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Squat, shouldered, food jar. Dark brownchinese, jar, glaze, stoneware

Photograph shows the finish of the University of Ballarat Arthur Postle Handicap Race at Stawell. The names and placings are indicated with the photograph. Born on March 8, 1881, at Pittsworth on the Darling Downs, Queensland, Postle was crowned the world’s fastest man in 1906 and won the 220 Yard World Champion Cup in 1909. Coloured photograph framed in dark brown folderTyped slip attached with names of competitors, placings and time of event arthur postle, handicap race, stawell, university of ballarat, h brycki, r smith, e evelyn, a smith, j noble, k mcguigan, s baird, j macgibbon

Celebrations begin at 4am and finish at 10pm. Various venues are used to remember the activities of the day of the Eureka Rebellion.Coloured poster - beige with dark brown writingeureka stackade, anniversary, rebellion