Ballarat born Herbert L. Coburn grew up to be a renowned Ballarat architect, practising from 1905 to 1956. He taught Architecture and Building Construction at the Ballarat School of Mines (SMB) from 1918, resigning in 1948 due to ill health. Copy of a plan for a Catholic primary school at Camperdown by H.L. Coburn. The plan includes front elevation, ground floor and block plan.coburn, h.l. coburn, herbert l. coburn, architecture, camperdown, architectural plan

An image of T Building on the Mount Helen Campus of Federation University Australia taken from the top floor of the E.J. Barker Library.federation university, t building, e.j. barker library, mount helen, mount helen buildings

1) Young men work on steam turbines at the Yallourn Power Station .2) View of the Turbine Floor at Yallourn Power Stationyallourn, yallourn power station, turbines, steam turbines, engineers, rubiocon hydro electric scheme, geelong power station

This photograph on an iPhone 4 during the Museums Australia (Vic) Conference at the National Wool Museum, Geelong. Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (Since the arrival of sheep with the First Fleet in 1788, the wool industry has dominated our economy, our agriculture and our reputation as a quality wool-growing nation throughout the world. Geelong is a city synonymous with wool and the wool industry – sheep farming began here in 1835 and the first of many woollen mills opened here in 1868. For many years the city was known as the 'wool centre of the world'. Two hundred years later, in 1988, the National Wool Museum was established as Australia’s only comprehensive museum of wool. (http://www.geelongaustralia.com.au/nwm/about/article/item/8cbcc313afa77a5.aspx)Photograph of a timber lectern used to auction wool in Geelong. It is found in the auction room on the top floor of Geelong's national wool museum.wool, geelong, auction, auction room, national wool museum

An unmounted black and white photograph of a group of six men sitting on the floor at the opening of their tent having a meal with the mess buckets at their feet.on the back written in pencil: Bunkered Do you think we / could stop one, Eh what (?) do we / look like it. I stopped the last / in one (gulp) I mean. Show this / to Susie.soldiers, armed forces, clothing and dress, camping, men, george evans collection

Junior Legatees Judy Bishop (on the left) and Jeanine Shinners (nee Hunt) dressed for an Annual Demonstration performance. They were taught by Miss E. Domec-Carre and went on to become soloists and then assistants at Girls' Classes. Jeanine later became an active Legatee with SE Group. This photo provides just one example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional.This photograph is of historical and social significance as it serves as photographic evidence of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of Judith Bishop and Janine Hunt standing side-by-side wearing very elaborate floor-length dresses.junior legatee, annual demonstration, costumes

Black & white photograph, Bert Graham Collection, a lad doing a forward roll on a floor mat. Rough Percy is scribbled on the front.bendigo, clubs, bendigo east swimming club

Colour photograph. Ground floor corridor, facing south towards the QVWC entrance and Lonsdale street. Taken during restoration inspection.historic buildings, building construction

Colour photograph. Ground floor kitchen facing towards north west into what was the trust office. Taken during restoration inspection. historic buildings, building construction

Bulla Primary School students were mounting a concerted the Bulla community Centre for the community in 1988. All classes were involved. The children in the photo were from the infant classes or lower primary.A school concert is a way of bringing the community and school close by involving many people.A non-digital coloured photograph of children in fancy dress sitting on the floor in front of a stage in a hall with two adults supervising the group.school concerts, bulla primary school, bulla community centre.

ENID STEART ? ROBERT SEERS, RON PRYOR ,CHARLES FENTON, MAVIS CARSON, IN CLUNES MUSEUM GROUND FLOOR - SHOP AREAlocal history, photography, photographs, museum, clunes

NilHistory involved from just after WW11 for collection of funds for P.O.W's who had just returned form the conflict.P.O.W. Appeal raffle tin, street day appeal with white paper around with red writing, Silver tin compete with handle.Number 158 printed on paper. P.O.W. APPEAL printed on paper in red with address Room 11 7th Floor 340 Lt. Collins St.

A photo that was kept in an album of past presidents and prominent Legatees. The photo shows Legatee Ron Austin with Legatee Sam Benson at a function in Legacy House. Legatee Benson appears to be counting money, perhaps donations or door entry. Ron Austin has the distinction of being the youngest surviving Melbourne Legatee to have served in WW1, he also served in WW2 and received an OBE for his tireless devotion to duty. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee Ron Austin attending a function at Legacy House. The information was collected to record the lives of prominent legatees in a folder.Photo of two legatees at Legacy house attached to an A4 page with caption.Handwritten in blue pen 'Legatee Ron Austin and L/tee Sam Benson. 1st floor dining room. Legacy House July 1991'.ron austin, sam benson, function

Black and white photograph of 2 steamers moored by the river bank. The foreground steamer has 2 crew dressed in sailors uniform (band members?) There is a person standing on the lower roof section putting a case (?) into the upper floor with quite a few people up there also. There appears to be musical instruments behind the crowd. On the gangplank 2 men are wheeling a piece of equipment onto the steamer. The background steamer is the P. S. Canberra, also moored to the bank and unloading. There is a row boat in the middle of the river with 4 rowers and a standing cox.This appears to be a navel band getting ready for a cruise on the river, a social event that often happens in the Echuca area. On the other side of the river can be seen a "Caltex" sign and a couple of caravans parked between the trees. This could have been part of a river festival.Black and white photograph of 2 steamers moored by the river bank. The background steamer is the P. S. Canberra. The foreground steamer has crew dressed in sailors' uniforms (band members?). There is a person standing on the lower roof section putting a case (?) into the upper floor with quite a few people up there also. There appears to be musical instruments behind the crowd. On the gangplank 2 men are wheeling a piece of equipment onto the steamer. There is a row boat in the middle of the river with 4 rowers and a standing cox.The steamer in the background is marked "Canberra". In pencil on the back is marked P000102.paddle steamers, p.s.canberra

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Pink sequinned taffeta, halter neck, full-length sheath, and a low back with two pink chiffon drops from back to floor. The dress was worn by Robin Vanser (aka Robin Kelly nee Vandersluys) in live performances in the 1960s.performing arts - australia - 1960s, robin vanser, performance costumes, floor show dresses

Date of the photograph is not known. Criterion House was built by Samuel Steele in 1862/1863. Samuel Steele left Linton in the late 1860s, but it is not known if B. N. Dodd was the next owner of the building. B. N. Dodd was mentioned in advertising as a Linton draper in 1878. He sold the shop and moved to Ballarat in 1887. The upper floor of the building was used as a hospital from around the end of WWI to the early 1920s. The building was demolished around 1938/39, in connection with the rebuilding of new offices for the Shire of Grenville.Digital copy of original photograph, which shows a two-storey brick building with a verandah. There are four windows across the second storey. A sign across the front of the verandah reads "...TFITTER. B. N. DODD. DRAPER. MILLINERY". A man is leaning on a verandah post at the front of the shop near the entrance, and a woman is standing on the left of the picture, behind a box or counter. Several children are sitting on boxes or bales outside the shop. Ground floor windows have signs reading "DRAPER", "OUTFITTER", "MILLINERY". (A fourth sign is illegible.)criterion house, samuel steele, b.n. (benjamin nunnington) dodd, drapers, shops, sussex street linton

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Black and white photograph of the front of a building. At street level there is an arched window and beside it is an arched double door. Above are levels of paned windows, with the first floor windows barred. Above the second floor windows is the written Mozarts Geburtshaus. On the footpath, along with three pedestrians, there is a man standing facing the camera. The man is Frank Wright and the city is Salzburg.Written in pen on the back - September 1963, Salzburg, Mozart's birthplacefrank wright, mozart, salzburg, mozarts geburtshaus

Was the site of the Old Colonial Bank of Australasia Ltd.9.5cm x 10cm coloured photograph of the building at 39 Sydney Street. The double story building has an ornate light-coloured facade, which darker brickwork on the sides. Arched windows on the ground floor and rectangle window with trim on the top floor. Signage on the building states "Dornal Antiques". There is also a planter out the front on the footpath.storefront, shopfront, antiques, antique dealers, retail stores

This is a photograph of the "Diggers Reunion" for the "Back To" celebrations held in Orbost in March 1937.This is a pictorial record of a significant event in Orbost's history.A black / white photograph on a grey buff card. It shows a large group of people sitting or standing on the floor of what appears to be a church hall.on back - "Mrs Mars. View St ?????????" on front - "Diggers Reunion Back to Celebrations Orbost 3.3.37"orbost-back-to-celebration festivals

Long awaited building renovations in 2019 commenced with the replacement and upgrade of the 102 year old floorboards in the main hall and old Billiard room of the Mission to Seafarers Victoria. Some stumping replaced and repaired in places. Many older seafarers especially recall the regular dances hosted by chaperoned local young women and members of the Ladies Harbour lights Guild that commenced in the 1930s and carried on through to the 1960s. (see also significance statement)These photographs are another historical record. As a listed Building of Heritage significance the Mission to Seafarers commenced in consultation with heritage advice as per Burra Charter, the first phase of renovations to the century old building complex at 717 Flinders St which is still providing services and facilities to seafarers as per the original purpose and design. The club room or main hall was the sight of many performances, slide shows, film screenings, and events to entertain or raise funds for the Mission. Series of photographs depicting the new floor boards in the main hall, Flying Angel Club after renovation winter 2019 and before recarpetingbuilding renovations, flying angel club

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives