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Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase, fully covered in red with a green overglaze which has been allowed to run down to the foot. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade globular ceramic vase, fully covered in red with a green overglaze that has been wiped to reveal the floral pattern.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, narrow-necked ceramic vase, with a pink glaze overlaid with painted and dripped cream and green glazes within the ridges.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling -
Kew Historical Society Inc
Ceramic - Footed dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade oval footed dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, footed oval ceramic dish, covered with a blue glaze. The feet, one of which has been repaired, are created from coils that were then luted to the base.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Lidded container, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade container, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, lidded container, constructed through coil work, and using the different forms of coiling as a decorative element. The container has been glazed in yellow and green.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), containers, viola ayling -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade dish, with a floral design etched into the glaze. The container has been glazed in brown.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Moulded dish, with a floral design on the base. The upper part of the dish has a mottled green and black glaze. The petals on the base are highlighted with a deep pink glazeSignature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade deep dish, glazed in green and maroon. The maroon ground includes a splash of green in the centre of the dish.Signature to base: "V. Ayling" and datedceramics, pakington street -- kew (vic.), dishes, viola ayling -
Kew Historical Society Inc
Ceramic - Lamp base, Viola Ayling
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade lamp base, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade lamp base, irregularly ridged and with and with the use of green and yellow glazes. The lamp base has a hole for a cord above the foot.Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), lamp bases, viola ayling -
Kew Historical Society Inc
Collection, Ceramics of Viola Annie Ayling (1911–1990)
Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024.Parent file of the items in the Viola Annie Ayling collection of 1950s and 60s ceramics. This parent file includes digital copies of a photograph of the ceramicist and also of her home at 128 Pakington Street, Kew, in 1951 where she practiced her art.128 pakington street -- kew (vic.), viola ayling, ceramics -- victoria (australia) -
Federation University Art Collection
Photograph - colour, Robert Allan, 'Looking North - Camp Street' by Robert Allan, 2002
Robert ALLAN Born Hopetoun, Victoria Bob Allan graduated from Melbourne teachers' College in 1967. He obtained an Associateship Diploma in 1973, and a Fellowship Diploma of Art (potter) in 1976 from the Royal Melbourne Institute of Technology. Since 1968 he taught art and pottery at various Victorian secondary schools, and joined the staff of the Ballarat University College (now Federation University Australia) in 1976. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Colour photograph of a view of the Federation University Arts Academy campus before custom buildings were erected.Rust stain 7 cm long on lower right hand corner of glass. art, artwork, allan, bob allan, available, camp street, photography, staff, ballarat university college -
Ballarat Heritage Services
Ceramic, Old Ballarat Pottery, Old Ballarat Pottery Jug
Old Ballarat Pottery was set up by John Gilbert as part of the Old Ballarat Village, opposite Sovereign Hill. Gilbert had lectured at Ballarat College of Advanced Education before establishing the Edinburgh Pottery at Sovereign Hill in 1972 to enable visitors to see traditional trades at work. The Old Ballarat Pottery was a much larger concern, producing wares for sale through department stores and on party plan via Faberware as well as through the village. Early works looked as though they might have been made in the 1850s, with unturned bases, crude marks and dark treacle-like glazes. Peter Pilven, one of Gilbert's students, worked there after graduating from the Ballarat College of Advanced Education, teaching throwing to students like the potter John Ferguson, who was there from 1978-79. Potters were initially employed by Gilbert's company Pontresina Pty Ltd, registered in 1973. (The Old Ballarat Pottery was registered as a company from 1984-1994.) Early works are marked with an impressed long-tailed 'B', or an 'OB' on either side of a mine tower. A printed stamp also features a mine tower surrounded by the text 'Old Ballarat Pottery Made in Australia'. Later work is impressed 'Stoneware Old Ballarat Pottery Australia' with a kangaroo.Hand thrown blue glazed jug.Stamped 'Stoneware Old Ballarat Pottery?old ballarat pottery, australian studio pottery, jug, pontresina, ceramics -
Ballarat Heritage Services
Photograph, Lidded ceramic vessel with Bamboo like design
Robert MAIR Robert (Bob) Mair (1943- ) Born New Zealand A potter who trained at the Sturt Pottery in Mittagong under Les Blakebrough and later set up a pottery at Clifton Pugh’s Dunmoochin estate at Cottles Bridge near Melbourne. He then worked with John Olsen for two years from 1969-1970, with Mair throwing and Olsen hand-decorating the pots. During the 1970s, Bob Mair worked in goldfield production pottery in Ballarat with Robert Pitman before moving to Clarendon in the Adelaide Hills in South Australia in 1982. In the late 1880s and 1990s Robert Mair is working at Sturt Pottery timeline again in the late 1980s/1990s as a visiting potter under Campbell Hegan. In the early 2000s, he and partner Janie Kerr set up a pottery at Braemar in the Southern Highlands of NSW. They then moved, first to Sutton Forest where they took up a residency at Hillview, the former summer residence of the governors of NSW, then to Wingham in the Mid North Coast region of NSW. Mair’s work may be marked with an impressed ‘RM’, an impressed tricuspid symbol or both. In Clarendon, he continued to use the tricuspud symbol with an impressed ‘Old Clarendon Pottery Adelaide’ stamp. A Ballarat mark has not been identified, but simse this lidded pot was found in Ballarat it could be a cross in a circle?Lidded ceramic container with blue bamboo like design on the outside.australian studio pottery, ceramics, bamboo -
Ballarat Heritage Services
Ceramic, Old Ballarat Pottery, Old Ballarat Pottery Bottle, C1990
Old Ballarat Pottery was set up by John Gilbert as part of the Old Ballarat Village, opposite Sovereign Hill. Gilbert had lectured at Ballarat College of Advanced Education before establishing the Edinburgh Pottery at Sovereign Hill in 1972 to enable visitors to see traditional trades at work. The Old Ballarat Pottery was a much larger concern, producing wares for sale through department stores and on party plan via Faberware as well as through the village. Early works looked as though they might have been made in the 1850s, with unturned bases, crude marks and dark treacle-like glazes. Peter Pilven, one of Gilbert's students, worked there after graduating from the Ballarat College of Advanced Education, teaching throwing to students like the potter John Ferguson, who was there from 1978-79. Potters were initially employed by Gilbert's company Pontresina Pty Ltd, registered in 1973. (The Old Ballarat Pottery was registered as a company from 1984-1994.) Early works are marked with an impressed long-tailed 'B', or an 'OB' on either side of a mine tower. A printed stamp also features a mine tower surrounded by the text 'Old Ballarat Pottery Made in Australia'. Later work is impressed 'Stoneware Old Ballarat Pottery Australia' with a kangaroo.Hand thrown black glazed bottle with lip. Stamped 'Stoneware Old Ballarat Pottery' and impressed with a long tailed B.old ballarat pottery, australian studio pottery, pontresina, bottle -
Duldig Studio museum + sculpture garden
Ceramic, Karl Duldig, Gumnut Bowl by Karl Duldig c.1948, c. 1948
Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under. -
Warrnambool and District Historical Society Inc.
Household, Souvenir Cup (Warrnambool’s 150th ), 1997
This cup was produced by Ken Sadler as a souvenir of the 150th anniversary of the settlement of Warrnambool. Ken Sadler was a potter in Liebig Street, Warrnambool for many years (end of 20th century and beginning of 21st century). Warrnambool was founded as a planned town in 1847 to provide port facilities for the produce of squatters who had settled in the area. The town centre was surveyed by William Pickering at the request of Superintendent La Trobe of Melbourne and the first land sales were held in Melbourne in July 1847. The celebrations to mark the 150th anniversary of Warrnambool included concerts, race meetings, church services and the erection of an anniversary tablet on Cannon Hill. Ken Sadler, a well-known Warrnambool potter, made 500 of these cups which are now collectible souvenirs of the city’s 150th anniversary celebrations. This one retained by the Warrnambool and District Historical Society is numbered 189. The 150th anniversary of the founding of Warrnambool was an important event in the city’s history.This is a ceramic cup with a round base and larger rounded body with a round overhanging rim at the top opening. The cup is mottled green with an impressed image of a ship and lettering in white, gold and brown. There is some lettering on the bottom of the cup.‘Warrnambool 150th Anniversary 1847-1997’ ‘Sadler 97 189/500 Warrnambool’ warrnambool’s 150th anniversary, history of warrnambool, ken sadler, warrnambool potter -
Ballarat Heritage Services
Photograph - Digital photograph, Wayne Phillipson, Peta Knott and Dorothy Wickham at Lacock National Trust Village, United Kingdom, 30/1072016
Lacock was on the main London to Bristol road until the road was re-routed through Chippenham. There are no obvious signs of the 21st century in this National Trust village, except the motor car. It has been run by the National Trust since 1944 and residents are on a lease. The oldest house in the village is King John's Hunting Lodge, parts of which date back to the 13th century. In this village there are buildings from every century since right up until the 18th century. The abbey was founded in 1229 by Ela, Countess of Salisbury. Lacock village and abbey were used as the set in the Harry Potter films.Dorothy Wickham and Peta Knott, formerly of Museums Australia (Vic) currently working as a marine archaeologist in England. Taken at Lacock National Trust Village, United Kingdomdorothy wickham, peta knott, lacock national trust village -
Bendigo Historical Society Inc.
Photograph - LONG GULLY HISTORY GROUP COLLECTION: LONG GULLY FOOTBALL CLUB 1926
Copy of a black ans white photo of the 1926 Long Gully Football Club. Photo by Bartlett Bros. Bendigo. Parts of the photo are very dark. Back Row - L to R - C Rowe, J Steele, H Metcalf, T Paynting, W Trewarne, W Boucher, J Hosken, Pat Kelly, Potter. H Salter, T Craig, J Martin, R Rosewarne, A Palmer, A Waterson, R Grenfell, B Whitford, H Beckensall. Front Row - H Boucher, J Casley, B Bodilly, P Wellington, R Rowe. One man is holding a ball with LGFC on the side. Photo is the same as 11010.166.bendigo, history, long gully history group, the long gully history group - long gully football club 1926, c rowe, j steele, h metcalf, t paynting, w trewarne, w boucher, j hosken, pat kelly potter, h salter, t craig, j martin, r rosewarne, a palmer, a waterson, r grenfell, b whitford, h beckensall, h boucher, j casley, b bodilly, p wellington, r rowe, bartlett bros -
Clunes Museum
Photograph - PHOTOGRAPH BACK TO CLUNES 1920, RIALTO, BALLARAT, 1920
CROWD SCENE AT BACK TO CLUNES NOVEMBER 13 th 1920.1 BLACK AND WHITE PHOTOGRAPH ON GREY CARDBOARD MOUNTNG WITH COMMER COMMEMOATION BADGE ATTATCHED ON TOP OF THE CARDBOARD MOUNTING BACK TO CLUNES NOVEMBER 13TH TO 25TH 1920 .2 BLACK AND WHITE COPY OF SAME PHOTOGRAPH MOUNTED ON BEIGE CARDBOARD .3 BLACK AND WHITE COPY OF SAME PHOTOGRAPH, MOUNTED ON GRAY CARDBOARD.1 HANDWRITTEN ON BOTTOM ON CARDBOARD IN INK: BACK TO CLUNES NOV 13TH 1920 .2 HANDWRITTEN IN INK ON BOTTOM ON CARDBOARD: J. FLOWER C VITLE MRS POTTER PROWE G WILLIAMSON (ILLEGIBLE) V GRANDHARD BACK TO CLUNES 1920 .3 WHITE STICKER ON BACK: BACK TO CLUNES NOV 13TH TO 20TH local history, events and celebrations, back to clunes, back to clunes 1920 -
Ringwood and District Historical Society
Photograph, Warrandyte Historical Society Newsletters nos. 68-75
Digitised WHS newsletters from August 1989 (no. 68) to October 1990 (no. 75). Sent to Secretary of the Ringwood Historical Research Group, Jack Lindsay.Noteable articles:- Warrandyte Primary School Artists (Clara Southern, Jo Sweatman) Potter's Cottage Architects Frank Crozier (artist) Warrandyte State Park Harris Gully Road Warrandyte Royal Women's Hospital Auxiliary Warrandyte Trade Directories 1899-1908 Gold nuggets in Warrandyte Gold mining in Warrandyte 1859-60 -
Uniting Church Archives - Synod of Victoria
Photograph, 1908
Mrs Mary Holden (1843 - 1930) was the mother of the Rev Albert Thomas Holden CBE V.D., B.A., D.D. Director of the Methodist Inland Missions, Chaplain-General of the A.I.F. and President-General of the Methodist Conference of Australasia. She was the mother-in-law of the Rev. Samuel HobanB & W composite photo of the Young Men's Class at Ashby Methodist Sunday School in Wellington Street, comprising 30 oval head and shoulders photos of the young men, and 1 rectangular head and shoulders photo of their teacher, Mrs T. Holden."Wellington Street Methodist Sunday School Young Men's Class. Presented to Mrs T. Holden as a slight token of esteem and respect from the members of her class. March 1908. P. Buchanan,N. Buchanan, L. Pash, T. Cortous, C. Walter, B. Palmer, S. Dorling, W. Hancock, N. Potter, E. Thomas, E. Potter, H. Reeves, R. McCann, H. Gallagher, P. Baxter, L. Viccars, F. Walker, F. Wynn, E. Whitton, J. Thomson, A. Sykes, W. Gallagher, G. Littleton, A. Wilson, N. Johnston, H. Viccars, H. Bell, C. Cortous, C. Bond, L. Muir, R. Thomson, H. Johnston.mary holden, rev albert thomas holden, rev samuel hoban, ashby methodist, sunday school -
Wodonga & District Historical Society Inc
Photograph - St Luke's Church, Wodonga, c1900 - 1968
St Luke’s Anglican Church officially opened on 15 March 1863 and originally operated as a branch of the Albury church. The first minister to conduct a service there was Rev. Robert Potter, followed by Rev. B. Brownrigg , Rev. J. H. May, Rev. D. E. Jones and Rev. J. K. Tucker. The first resident minister at Wodonga was Rev. J. H. White who came in 1879. The Church was constructed from locally hewn stone. After serving the congregation for more than a century, the Church was closed by the Health Commission due to its deteriorated condition which was judged to be beyond repair. It was demolished by voluntary labour on the 10 – 11 August 1968. A collection of 4 black and white photos depicting St. Luke's Church Wodonga at different times in its development.st luke's church wodonga, churches wodonga, early churches wodonga -
City of Greater Bendigo - Civic Collection
Ceramic - Painted souvenir plates, Bendigo Pottery, 2010
Established by George Guthrie in 1857 (about 5km north of its current site) and then again seven years later in 1864 after it initially closed, Bendigo Pottery remains one of the most influential and longest running Pottery’s in Australia. Over the years the Pottery has contributed to the growth and development of the district through both its products including building products, table ware and decorative and commemorative war as well as artistically, being responsible for training and supporting many potters locally. The City of Greater Bendigo has had a long history of partnering with Bendigo Pottery to produce tourism tableware and the Civic Collection holds a number of important items within its collection.Two plates produced by Bendigo Pottery with hand painted designs depicting iconic Bendigo landmarks. 0408.1 Front: FCC-A JU HUI (To get together) / Bendigo 2010. Verso: Stamped Bendigo Pottery Est 1858 / Australia, signed FB (Faye Brady). 0408.2 Front: Bendigo / Australia. Verso: Stamped Bendigo pottery Est 1858city of greater bendigo tourism, bendigo pottery, faye brady artist -
Bendigo Historical Society Inc.
Document - H. A. & S. R. WILKINSON COLLECTION: CONTRACT OF SALE
Contract of sale of real estate dated 22nd January, 1966 between Mrs. M. R. Potter (vendor) and Mr. M. L. Smart (purchaser). Solicitor for vendor: Messrs. E. S. Cahill & Son, View Street, Bendigo. Solicitor for purchaser: Messrs. Watson, James & Rogers, Bull Street, Bendigo. Property 3 Atkins Street, Bendigo being lot 1 on plan of subdivision No. 35034 lodged in the office of titles being part of Crown allotment 516B section K land described in certificate of title volume 8103 folio 921 together with all floor coverings, blinds, curtains and electric light fittings and shades. Price 2,500 pounds.organization, business, h.a. & s.r wilkinson real estate -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: PHOTOGRAPH - GSPS YEAR PREP.-1/M 2001
Coloured photograph of the Golden Square Primary School Year Prep.-1/M 2001class and their teachers. Their names are: Back Row, L to R: Ms Kristy Taylor, (Teacher), Rory Veal, Brooke Davies, Taylor O'Malley, Brodie Clive-Griffin, Evan Legg, Mrs Lyndal McClure, (Teacher), Ms Trish Potter (Teacher). Middle Row, L to R: Gemma Bolitho, Casey Moser, Chelsie Murrell, Aaron Jones, Ethan Hardwick, Laura Abley, Zachary Ashman, Megan Anderson. Front Row, L to R: Joshua Wood, Marissa Johnson, Jessica Denner, Jake Higgins, Emily Box, Gemma Roberts, Bradley Wilkinson, Joshua McDonald, Cassandra Bolitho.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school year prep./m 2001, ms kristy taylor, (teacher), rory veal, brooke davies, taylor o'malley, brodie clive-griffin, evan legg, mrs lyndal mcclure, (teacher), ms trish potter (teacher), gemma bolitho, casey moser, chelsie murrell, aaron jones, ethan hardwick, laura abley, zachary ashman, megan anderson, joshua wood, marissa johnson, jessica denner, jake higgins, emily box, gemma roberts, bradley wilkinson, joshua mcdonald, cassandra bolitho -
Phillip Island and District Historical Society Inc.
Functional object, Vases by Eric Juckert and Henning Rathjen
Eric Juckert He worked as a potter and painter from around 1949 to 1992 in Victoria. His pottery was also sold by the department stores Myer and David Jones under the trade name “Jacqueline”.He then set up a studio at Point Road, Grossard Point, Ventnor on Phillip Island, in 1959 where he continued working there until 1992. Henning Alfred Rathjen (1903–1968) was one of the Australian-born artists who established a new pottery studio to cater for local demand and post-war innovations in art pottery. Rathjen established his pottery studio in Melbourne in 1948, producing quality slip-cast wares over the next 20 years. HistoricalCream, rough surfaced vase with oval pinched top and daisies in relief around top by Eric Juckert. Small, cream rough surfaced vase with top that flares outward with leaves and cutout sections by Henning Rathjen.Eric Juckert, Rathjen, pottery, vases, eric juckert, henning rathjen -
Nillumbik Shire Council
Ceramic: Clifton PUGH, technician: Geoffrey DAVIDSON, Leda and the Emu, c. 1975
Geoff Davidson arrived at Dunmoochin around 1968 and began living and working as an apprentice to the potter Robert Main, who was working in a studio rented to him by Clifton Pugh on the Dunmoochin property. When Robert left, Geoff moved into the studio and began collaborating with Clifton Pugh on many projects for a period of 25 years whereby Clifton would decorate pots made by Geoff. Geoff produce the ceramic panels for Leda and the Emu. He mixed and identified the glazes for Clifton, then fired the panels once he had finished painting. Three or four murals were produced in this way, one of which was purchased by Don Dunston (ex-Premier of South Australia) as a gift to his dying wife.Dunmoochin derives its cultural and artistic heritage from the collaborative efforts of a group of artists who purchased land in Cottles Bridge in the early 1950’s. These artists (Pugh) pioneered one of the first artistic communes in Australia and created a lasting vision of how a community can gain knowledge and inspiration from living in a close relationship with nature. Pugh had explored the ‘Leda and the Swan’ mythological themes previously during the sixties in etchings and paintings, although he was more interested in referencing the original myth as allusions to other truths. Pugh was drawn to the Greek myth ‘Leda and the Swan’ in which Zeus transforms into a swan to seduce Leda. Pugh Australianised the myth so that Zeus transformed into an Emu rather than a Swan, and makes a gentle satirical comment on the sexual behaviour of the Australian male, whereby he sees a parallel between this and the proud yet awkward movements and naivety of our national bird. This particular theme was prevalent in Pugh's work right through the 60s and 70s. Leda and the Emu is a work by two prominent local artists (Clifton Pugh and Geoff Davidson) with a national and international reputation.Flat red background, black foliage. Leda is naked and sleeping with head resting in hand. Emu is to the left watching Leda. Drawing style is typical of Pugh’s work: linear, flat and gestural.Signed 'II Clifton' -
Stawell Historical Society Inc
Photograph, Stawell High School Students 1963
Students Named on back Back Row Eileen Crute, Meryl Briggs, Lorraine Hood, Irene Potter, Dianne McDonald, Karen Jenkins, Noelene Anderson, Sharyn Hately, Helen Raeburn, Kathlene Rutter, Cheryl Blake, Maree Streeter, Cheryl Marchant Centre Row Colleen Jackson, Kay Snibson, Kay Borella, Dianne Holmes, Julie Martin, Dianne Henderson, Valarie Thomas, Robyn Warren, Pam Frost, Fay Pickford, Barbara Warren, Judith Reading Front Row Suzzanne Neil, Avis Wall, Dawn Blachford, Lorraine Tieman, Janice Peacock, Miss Hamilton, Janine Coward, Eileen Hayward, Val Gunston, Anne Davie, Lyn Pots. Three Rows of students posing in front of school building Teacher at centre front1963 Marshall Studios Stawelleducation -
Ballarat Heritage Services
Ceramic - Domestic Ware, Jug by Robert Gordon, c1980
Robert GORDON Robert 'Andy' Gordon is a potter supplying ceramic wares to stores across Australia as well as exporting to Canada, the U.S.A. and New Zealand. to China. Robert and his wife Barbara started making pottery in 1979 in a tin shed at Gembrook in the Dandenongs, Victoria, which they called the Pack Track Pottery, selling their wares at the St Kilda markets. In 1987, they expanded to purpose-build premises in nearby Pakenham where they are still based today. Wares made at Pack Track Pottery are painted 'Robert Gordon' or 'Gordon' in oxide. Wares made at the Robert Gordon Pottery are stamped 'Robert Gordon Pottery Australia', 'Robert Gordon Pottery Australian Made' or 'Robert Gordon Australia'. Glazed jugrobert gordon, australia studio pottery, ceramics, pack tack pottery, jug -
Ballarat Heritage Services
Ceramic - Domestic Ware, Stopped Jug by Robert Gordon, c1980
Robert GORDON Robert 'Andy' Gordon is a potter supplying ceramic wares to stores across Australia as well as exporting to Canada, the U.S.A. and New Zealand. to China. Robert and his wife Barbara started making pottery in 1979 in a tin shed at Gembrook in the Dandenongs, Victoria, which they called the Pack Track Pottery, selling their wares at the St Kilda markets. In 1987, they expanded to purpose-build premises in nearby Pakenham where they are still based today. Wares made at Pack Track Pottery are painted 'Robert Gordon' or 'Gordon' in oxide. Wares made at the Robert Gordon Pottery are stamped 'Robert Gordon Pottery Australia', 'Robert Gordon Pottery Australian Made' or 'Robert Gordon Australia'. Glazed jug with cork stopperrobert gordon, australia studio pottery, ceramics, pack tack pottery, jug