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Glenelg Shire Council Cultural Collection
Souvenir - Tea Towel - Maretimo, Portland, n.d
... , then map of locaion, then view from air. 'HISTORIC HOME PORTLAND... Cliff Street Portland great-ocean-road Tea Towel - Maretimo ...From the National Trust register: Statement of Significance Maretimo, a 22 room single storey Australian Colonial Georgian style mansion set on a prominent bluff overlooking Portland harbour, was erected c. 1854 for John Norman McLeod. The design of Maretimo, which is constructed of basalt ashlar with fine-axed parapet entablature, delicate open timber work verandah and Regency interior, has been tenuously attributed to Adelaide architect James Barrow. Maretimo is rivalled only by the stylistically similar Henty residence, Burwsood of 1853 by James Barrow, as perhaps the finest Australian Colonial Georgian style residence erected within the first twenty years of settlement in Victoria. The residence, which was occupied for twenty years by distinguished English-born gentleman parliamentarian, pastoralist and former Van Deimen's Land settler, J H McLeod, is now notable for the disciplined facade and elegantly crafted interiors. Maretimo has been meticulously maintained and is presented in near perfect original condition. The interiors have been sensitively enhanced and redecorated.Linen souvenir tea towel 'Maretimo'. Green and black on cream. 'MARETIMO' at top, front view of Maretimo beneath, then map of locaion, then view from air. 'HISTORIC HOME PORTLAND, VICTORIA' beneath 'Pure Linen', bottom right.historic building, historic homestead, maretimo, henty, souvenir -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Mac's Hotel, Portland, Jan-10
... Front: 'View from Mac's Hotel, PORTLAND' - white print... written message Front: 'View from Mac's Hotel, PORTLAND' - white ...Black and white photo / postcard, fancy border. View from Mac's Hotel - railway cutting in foreground, Henty Beach, band rotunda centre, Railway Pier and Ocean Pier in background, numerous people on lawns above sand. Postmarked Portland, 8.45 am, 31-1-10, on reverse, red 1d stamp (upside down) hand written messageFront: 'View from Mac's Hotel, PORTLAND' - white print, bottom right hand corner 'Vanda' Photo, white print, bottom left hand corner Back: Handwritten message, dated 31/1/10, black inkpostcard, macs hotel, portland -
Glenelg Shire Council Cultural Collection
Artwork, other - Illustration, n.d
... is not bordered. View of Bentinck Street Portland Victoria from old London...Bentinck Street City of Portland Old London Front ...Illustration. Taken and cut from a book. Image is not bordered. View of Bentinck Street Portland Victoria from old London corner, looking south towards Macs Hotel. Scene depicts street life, horse and carts, a man in a top hat, coat and walking cane points south. Two lady's in dresses with an umbrella talk on the corner and various individuals gather out the front of the Old London. Trailer of ivy, top left section. Printed bottom middle BENTINCK STREET, PORTLAND.Front: 'BENTINCK STREET, PORTLAND' - printed, lower edge.bentinck street, city of portland, old london -
Glenelg Shire Council Cultural Collection
Postcard, n.d
... Black and white photo postcard. View of entrance to old... and white photo postcard. View of entrance to old Portland hospital ...Black and white photo postcard. View of entrance to old Portland hospital. Path leading up to steps, garden either side: large tree either side of path, also 2 small hedges, partly obscuring front of bluestone building. Steps lead up to small verandah. One man and four nurses standing at bottom of steps.Front: 'ENTRANCE TO THE PUBLIC HOSPITAL, PORTLAND VIC TOYE , PHOTO' - white script on black bottom border Back: Purple stamp. 'Toye Bros, Photographers, Hamilton & Portland' -
Glenelg Shire Council Cultural Collection
Painting, untitled [Portland Port], n.d
... . The background features a distant view of the town of Portland.... The background features a distant view of the town of Portland ...Art Collection Previously located in History HouseThe painting depicts the Portland Port from an aerial perspective. The perspective is taken from the ocean looking down across the Port and into the town of Portland. Within the foreground is the ocean beyond the Main Breakwater, the Main Breakwater and the Port. Within the Port nine large ships are docked and another is being brought into the Port by two tugboats. The background features a distant view of the town of Portland and the landscape beyond the township. The work has a white wooden frame and glass.Front: TROMPF (white paint, bottom right corner) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Sheet of 12 contact prints - Various historic Portland buildings and Landmarks, c. 1970
... , view from Henty Street (k) Portland Jail (l) Flagstaff... Library (f) ANZ Bank (i) View of Whalers Point (k) Portland Jail..., view from Henty Street (k) Portland Jail (l) Flagstaff ...Sheet of 12 contact prints of rephotographed photographs. Identifying numbers 5724 a, b, c, d, e, f, g, h, i, j, k, l (a) First jetty and immigration depot (b) National School (c) Observatory Hill (d) 'Kenley" Res. George Crouch, First Post Master (e) Old Library (f) Union (ANZ) Bank (g) Lighthouse and Keepers Cottage (h) 'Blainslie' (i) View from Whalers Bluff over Bay (j) Percy Street, view from Henty Street (k) Portland Jail (l) Flagstaff and Light Keepers quartersFront: (a) Henty Beach (b) Portland State School (c) Old Library (f) ANZ Bank (i) View of Whalers Point (k) Portland Jail on Observatory Hill -
Learmonth and District Historical Society Inc.
Medal - Centenary of Victoria, Centenary of Melbourne 1935
White metal medal issued to commemorate Melbourne's centenary 1934-35. This medal was given out to Victorian school children; 325,600 white metal medals were struck. There were also a few VIP pieces in other metals, including two in gold. The medal references Portland, the location of Victoria's first settlement. The Henty brothers, entrepreneur farmers and whalers, established the state's first permanent European settlement in Portland in 1834. Melbourne was established the following year by a party of settlers led by John Batman. In 1934, as Melbourne planned to celebrate the centenary of European settlement, it seemed to some that there was little to celebrate. The financial strains of the depression, unemployment and the scandal of the city's slums all undercut claims of unbridled progress. Perhaps because of such troubles, the organisers of the centenary celebrations tried doubly hard to be positive. The themes of the celebrations were conservative, reflecting the desire of some Melburnians for security in troubled times. The widely promoted image of the 'Garden City' and 'Queen City of the South' emphasised the idea of Melbourne as a very British city. A visit by the Duke of Gloucester, son of George V, the ageing king, provided a reassuring strengthening of Melbourne's imperial connections. The presented view of Melbourne's history stressed the 'myth of the pioneer', embodied in the person of John Batman. Elevated to heroic status, he was reinvented as a courageous pioneer whose life exemplified the rewards of self-improvement. Such a portrayal ignored Batman's dubious 'treaty' with local Aborigines and the less savoury details of his personal life. Melbourne's indigenous people were excluded from this triumphant view of Melbourne's past. The centenary celebrations now seem dated, but the image of Melbourne as a conservative city largely influenced by Britain has been more enduring.Details the settlement of Portland, Melbourne and Victoria, 1834 - 1935Double sided round white metal medal, featuring on front face, the bay of Portland showing a ship in the harbour. On the reverse side of the medal is John Bateman overlooking the city of Melbourne and the Yarra river.The front is inscribed, "CENTENARY OF VICTORIA" 1934, across the top, bottom right has the words "PORTLAND 1834". Reverse side shows "CENTENARY OF MELBOURNE 1935", and the date 1835 at the bottom. melbourne, medal, portland, centenary of victoria 1935 -
The Cyril Kett Optometry Museum
Model eye, F Davidson & Co, Dunn's Model Eye, early 20th century
Model eyes were used by students to practise skills of ophthalmoscopy and retinoscopy. This item shows more variety of fundus view and refractive state than most.This fine example is preserved in excellent condition, perhaps through lack of use. It is the most complex of the five model eyes in the collection.Cased metal model eye for teaching ophthalmoscopy and retinoscopy. 17 numbered interchangeable fundi illustrating various pathological conditions. Double cell lens holder in front can hold lenses for retinoscopy. Axis scale on front. 6 lenses provided to simulate various refractive states. Rotating disc changes between 3 pupil sizes. Model eye, fundi samples & lenses enclosed in snap closing wooden case, covered in black leatherette and lined with burgundy velvet.Inside case:'F.DAVIDSON & Co,/ 29 GREAT PORTLAND STREET,/ LONDON, W/ DUNN'S MODEL EYE'optometry, ophthalmology, model eye, teaching, ophthalmoscopy, retinoscopy -
Tarnagulla History Archive
Photograph: Colonial Bank of Australasia (later Union Bank) in Tarnagulla, June 1866
David Gordon Collection. There were four banks in Tarnagulla at one stage, but two - the National Bank and the Bank of Australasia - were open for a short period only. The single-storey brick building at far left was built in 1859 and used by the Union Bank until 1888, and was later renamed 'Lochcarron' and used as premises by doctors and dentists. The two-storey building (right) was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The double-storey building in this image was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. Both buildings are now private residences. This image was created by Aime Marchand in June 1866. Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honourable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. -
Tarnagulla History Archive
Photograph: Alluvial workings between Gladstone St and Commercial Road, Tarnagulla, June 1866
David Gordon Collection. This image was created by Aime Marchand in June 1866. Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honourable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. -
Tarnagulla History Archive
Negative: Copy of Marchand image of Tarnagulla Courthouse, Court House, June 1866 (original image)
Murray Comrie Collection. This photograph is a reasonable copy created from an older original. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies.A black and white negative image depicting the Court House in Tarnagulla. Copy of the photogrpah made by Aime Marchand.tarnagulla, courthouse, justice, policing, law, buildings, views, victoria street -
Tarnagulla History Archive
Photograph: View of Tarnagulla, June 1866
Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers -
Tarnagulla History Archive
Photograph of Tarnagulla Council Chambers, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. The building was originally Company's Hotel, then used as temporary premises by the Colonial Bank during construction of the bank's own premises, then Borough of Tarnagulla Council Chambers and Mechanics Institute. Also known locally as Burstall Hall from c1960 following a donation of maintenance funding from the Estate of the late RH Burstall. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph the Tarnagulla Council Chambers in June 1866. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers -
Tarnagulla History Archive
Photograph of Commercial Road, Tarnagulla, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the roof of the Council Chambers. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers -
Tarnagulla History Archive
Photograph of Commercial Road, Tarnagulla, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Thomas Comrie's Exchange Store was at south end of Commercial Road, it has since been destroyed. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the Wayman Street corner, opposite Thomson and Comrie's Exchange Store (at south end of Commercial Road).tarnagulla, views, thomas comrie, comrie exchange store, commercial road, local people, residents, aimé marchand, photographers -
Tarnagulla History Archive
Photograph of Commercial Road, Tarnagulla, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Victoria Hotel and Theatre is the stone building at centre right. On the immediate left is Pierce's Southern Cross Store, later to be incorporated into the flour mill complex. The gentleman in the white hat in the group on the left is George Thomson. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking south down Commercial Road, Tarnagulla from near the Victoria Hotel and Theatre, at northern end of Commercial Road.tarnagulla, views, victoria hotel and theatre, commercial road, local people, residents, aimé marchand, photographers -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - View of geothermally-heated swimming pool with diving blocks, n.d
... Cliff Street Portland great-ocean-road Photograph - View ...Glenelg Shire Council RecordsView of geothermally-heated swimming pool with diving blocks. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Annie Clarke's Ladies School, Gawler Street, 1970s
Anne Clarke was born in Devon around 1814 and arrived in Portland in 1854 aboard the "Francis Henty". She opened Portland's first "Ladies School" which she operated until 1891. Many young ladies from the Western District passed through the school, and in some cases, two generations of girls. It is thought that before coming to Australia, Anne taught at a school for the daughters of clergymen at Cowan Bridge, Lancashire, aptly named the Clergy Daughters' School. It was attended by the Bronte sisters and is said to have inspired the Lowood School in Charlotte Bronte's "Jane Eyre". Anne Clarke never married and died in Portland in 1892.Photographic print of a rephotographed photograph. Image of single storey building, front view, verandah, wooden shingle roof. A number of girls of various ages and some adults, standing on verandah. Annie Clarke's ladies school, 52 Gawler Street.anne clarke, seminary for young ladies, gawler street, portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Panorama, 1987
Panorama of 7 colour photos. View of Municiple Offices over bay. Shows History House, Cannons, Charles Street, War Memorial and Court House.Back: For History House - Taken 1987 while employed as cleaner for City Council/Regards/Robert (?) Morris.... (?) (blue pen, upper centre) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Public Baths, Portland, 1930s
Black and white photo, white border. View of the baths, Ocean Pier, Railway Pier with steamer at berth. Fishermen's Breakwater, Battery Point in background. Taken from ground level, looking east.'THE PIERS AND BATTERY POINT PORTLAND', black print, lower borderphotography, portland baths, pier, battery point, portland, fishermans breakwater -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - View of Nuns Beach, c. 1930
... Cliff Street Portland great-ocean-road Photograph - View of Nuns ...Black and white photo, white border. View of Nuns' Beach, looking towards Whalers Point. Bridge / walkway to Baths in foreground, a few people plus 2 camels on beach. 'LOOKING TO WHALERS' POINT, PORTLAND', black paint, lower border. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cape Bridgewater, 1930s
Black and white photo, white border. View of blowholes, at Cape Bridgewater, showing wave crashing against cliff.'THE BLOWHOLE, CAPE BRIDGEWATER, NEAR PORTLAND', black print, lower border -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - view south of London Inn, 1853, n.d
... Cliff Street Portland great-ocean-road Photograph - view south ...Black and white photo of lithograph. 4 sailing ships in harbour. 5 small boats in bay. Trees on Battery Point. 3 small building under cliff. Pier.Front: Looking South from London Inn 1853. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Whaler's Point and Lighthouse, Portland, 1930s
Black and white photo, white border. Nuns' Beach, looking towards Whalers' Point, closer view than 8795. 'WHALERS' POINT AND LIGHTHOUSE, PORTLAND', black print lower borderphotography, landscape, whalers bluff, lighthouse, portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - view of Pivot from Battery Point, Portland, n.d
... Cliff Street Portland great-ocean-road Photograph - view ...Glenelg Shire Council RecordsView of Pivot from Battery Pointbattery point, portland, pivot -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Pier and Battery Point, Portland, n.d
... and Battery Point, Portland Photograph View of the pier and Battery ...View of the pier and Battery Point, Portlandlocal history, portland, photography, harbour, battery point -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - contact sheet of 12 local Portland prints, 1970s
Sheet of 12 contact prints of rephotographed photographs: (a) Pioneers of Portland (b) The Thistle - story of (c) St. Stephens C of E (d) Portland from Observatory Hill (e) Julia Street (f) Gaol - Plans (g) Annie Clark's ladies school (h) View from Cape Bridgewater (i) Maretimo (j) Cape Bridgewater (k) Julia Street (l) Tasmanian InnFront: 3 x 5 each print Back: 3.5 x 5.5 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Whaler's Point and lighthouse, Portland, n.d
... Point and lighthouse, Portland Photograph View of Whaler's Point ...View of Whaler's Point and the lighthouse, Portlandwhalers point, portland lighthouse -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - berthing of "Aquagem', Portland Harbour, 21/03/1972
UnknownBlack and white photograph. Aerial view of berthing of veseel 'Aquagem', using tug 'Tarragal' and others at K.S.Anderson wharf. Unframed.Front: (no inscriptions) Back: (no inscriptions)tug, tarragal, aquagen, k s anderson -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - View of the Cemetery at South Portland, Victoria, n.d
... Cliff Street Portland great-ocean-road Photograph - View ...On display at History House.Sepia photograph of a cemetery. A tall monument is located in the centre of cemetery. To the right is a path leading towards a small building. Mounted on card within a decorative border bearing photographic company's name. Framed under glass in Tasmanian maple frame.Front: 140 (on emulsion, printed, lower left). Yeoman & CO. (printed, lower left). ROYAL ARCADE, MELBOURNE (printed lower right).portland, cemetery