Two men, a woman and a dog sitting in a crop with Mountjoy Guest-house in the distance. Black and white photograph of two young men and a woman holding a dog sitting down in a crop field. Two buildinga and other crops can be seen in the distance.guest house, mountjoy

Woman in early 1930's dressBlack and white small format photograph of a young woman standing on Eastern Wharf, in front of a stack of fish boxes. Two people behind her, one in bathing costume. Lakes Entrance Victoriafishing industry, ships and shipping

Churchill Island Heritage Farm has a large collection of photographs dating from the nineteenth century. The woman in this photograph is Sally O'Neill. The Special Projects officer for Phillip Island Nature Parks, Sally stands in front of the new interpretive exhibitions at the newly opened Churchill Island Visitor Centre in 2001.Photograph of a woman standing in front of a Visitors' Centre display for Dr Harry Jenkinscatalogue number written on reverse in pencilchurchill island, photograph, sally o'neill

HardcoverDrawing of a woman inside front coverwalsh st library

This coin is a Warrnambool Bateman penny. It is an example of an Australian token – a coin that had the value of a penny and was produced by businessmen in the 1850s to be used only in the business of the person named on the coin. There were two firms in Warrnambool that produced tokens in the 1850s – William Jamieson, a general storekeeper and William Bateman. The latter had a general store in Banyan Street and became in the early 1850s one of the largest merchant firms in the Warrnambool district. But the firm’s liabilities were financed by overdrafts and insolvency resulted. A disastrous and suspicious fire in 1856 destroyed the Bateman store and caused a great number of insolvencies in the district as so many businessmen and farmers were financed by Bateman who eventually left the district. This token is of supreme importance. It is significant for three reasons: 1. It is an example of an 1850s Australian token, demonstrating an early business practice in our history. 2. It is an example of a Warrnambool token produced by an important Warrnambool business (only two firms in Warrnambool produced tokens) 3. It is a Bateman token and these are comparatively rare because many Bateman tokens were destroyed in the 1856 fire. This is an 1855 metal token with, on one side, an image of a woman holding scales in one hand and a cornucopia in the other (Dea Pecunia?). The obverse side has the name of William Bateman Junior of Warrnambool. It is a business token which could be used only in the Bateman store in Warrnambool in place of a penny.One side: Woman image and the word ‘Australia’ Obverse side: ‘William Bateman Junr. & Co., Importers and General Merchants, Warnambool (sic), Victoria, 1855’ william bateman junior, warrnambool tokens, bateman token, coin tokens

The man is Robert Greer (who was the Halls Gap baker) and the woman is Rae Greer, his daughter.The photo shows an elderly man in a wheelchair and a woman standing beside him. Both are wearing hats. A red flowering plant is growing alongside a wall behind them.people, greer

The woman in the photo is Goldie (Anne) Warren. The children are (from left) Warren Cavanagh, Carol Cavanagh, David Cavanagh, Janice Warren, Val Warren, Hilary Warren. Goldie Warren never married. The fowl yard was a couple of blocks over from Myrtlebank, a guest house run by the Warrens.The photo shows a woman and six children (two boys and four girls) feeding chickens.people, warren

The woman is Mrs. Ron Groves, formerly Dulcie Stevenson, Cheltenham.The photo shows a woman standing in front of road signs at a road junction. The visible signs read "17 Stawell" and "163 Melbourne" to the left and "Halls Gap 1" and "Dunkeld 49" to the right.people, tourists

An early black and white photograph which shows a man and a woman standing on the bridge that crosses the Steavenson River at the base of the Steavenson Falls in Marysville in Victoria.An early black and white photograph which shows a man and a woman standing on the bridge that crosses the Steavenson River at the base of the Steavenson Falls in Marysville in Victoria. The Steavenson Falls are named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s.steavenson river, steavenson falls, marysville, victoria, waterfalls, john steavenson

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.golf: sport; west sydney; australia

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Pippy, outside Father Inghams Tarree 22.2.47west sydney: car; 1947; 1940's; aaustralia

This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.This photograph is part of the West Sydney Collection which depicts the period around Second World War in Australia from the perspective of a young unknown woman.Barney Grimes, Mum, Mary Grimeswest sydney; australia; melanesia; polynesia; holiday;

The Australian Woman's Mirror, was an Australian weekly women's magazine published by The Bulletin magazine in Sydney, between 1924 and 1961.Women's magazines reflect class and family structures as well as contemporary women’s role in society. A 32 pp magazine, titled The Australian Woman's Mirror. The magazine's contents include recipes, knitting patterns and articles about fashion, holiday destinations and household tips.It also contains short stories, poems, and a serialised novel. On the front cover is a b/w photograph of a woman wearing a knitted jerkin indicating that the pattern is inside the magazine. The magazine cost 3d and is dated Tuesday, Sept. 4 1945.magazine-the- australian-woman's-mirror literature

Portrait of Jane D’Alton (nee Galbraith) taken in studio standing beside chair. The woman is dressed in long frock bodice buttoned with bottom of frock quite elaborate. c 1890Black and white photograph of a woman standing beside a decorative chair. The dress is ballooned to the ground with an elaborate hem. Bodice buttoned with decorated jacket. stawell clothing halls gap

A black and white photograph which shows a woman walking along the track that leads to the base of Steavenson Falls.A black and white photograph which shows a woman walking along the track that leads to the base of Steavenson Falls. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s.steavenson falls, marysville, victoria, waterfalls

The medal was designed by Andor Meszaros and made by K. G. Luke(Medal Makers) of Melbourne, Victoria. This medal was presented to the Shire of Ballarat in 1951 and is now house in the Old Ballarat SHire Building at Learmonth, Victoria.This medal represents the 100 years of "Government in Victoria", also the "Discovery of Gold".A large round bronze medal with a horse bounding left, broken shackles on foreleg, carrying woman holding sword (Justice) and man holding torch (Equality).The front features a man holding a torch and a woman on a horse holding a sword. The horse has a shackle on its front left leg, surrounded by the words "EQUALITY AND JUSTICE THROUGH FREEDOM". On the back at the bottom is flowers and leaves with the words "CENTENARY OF THE GOVERNMENT OF VICTORIA 1851 - 1951.shire ballarat government victoria gold discovery 100 years

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows the volunteers dressed in late nineteenth/early twentieth century style costumes, attending the Museums Victoria conference, held hosted by Flagstaff Hill Maritime Village and held at the Lighthouse Theatre in Warrnambool. Pictured is the woman who has been attributed to making many of the costumes.Colour photograph of a woman in pink period dress taken to show the back of the costume and bustleBACK OF COSTUME FLAGSTAFF/ HILL VOL GUIDE WHO MAKES/MOST OF THE COSTUMES/MUS AUS VIC CONFERENCE/2/4/14 [written on reverse in pen] [catalogue number on reverse in pencil]churchill island, museums victoria, flagstaff hill, warrnambool

One of a collection of photographs from the Iggsten Estate. The water tower in the background is located in Hunter Street and was built in 1899-1900 to serve as the town's water supply. A new reservoir was built in 1945 with water being pumped from the Murray. A steel mesh structure, to make it look like a wine bottle, was added to the top in 1969 with funds from the Rutherglen Wine Festival. The woman in the photograph may be Florence Iggsten. Black and white photograph of a woman standing in a front garden, with a view of a water tower in the background.florence iggsten, water tower, wine bottle, tourism

Edward (Edmund) de Lacy Evans was really Ellen Tremaye; and in 1856 she married her fellow passenger on her voyage to Australia, Mary Delahunty; under the assumed name of EDMUND De Lacy. In 1859 he/she married Sarah Moore. They were married for eight years when in 1867 she died in childbirth. In 1868 after Sarah had died; Ellen, now known as EDWARD de Lacy Evans married Julia Mary Marquand in Ballarat. From the Melbourne Argus Friday 5th Sept 1879, Page 7 THE EXTRAORDINARY PERSONATION CASE. [BY ELECTRIC TELEGRAPH. FROM OUR OWN CORRESPONDENT.) SANDHURST, THURSDAY. The De Lacy Evans case has created great excitement here. The man-woman having resided in the district for about 20 years, was well known amongst the miners, but no one appeared ever to have supposed that she was other than as she represented herself to be, and the discovery of her sex has caused the greatest astonishment. The police have not yet moved in the matter of the discovery of her antecedents, but from the result of inquiries I have made, there seems to be no room to doubt that the woman is identical with the girl Ellen Tremaye, referred to in yesterday's telegram as having arrived at Melbourne by the ship Ocean Monarch in June, 1857. The nurse at the hospital, Mrs. Holt, is positive she is the same, and says the opinion was held amongst those on board the vessel that Tremaye had been well connected, and that she had left home in consequence of some misconduct. The Ocean Monarch was an immigrant vessel, and on the voyage Tremaye and another young woman, named Rose Kelly, were very intimate, but the latter, being seized with a dangerous illness, was left at Rio Janiero. Mrs. Evans, the wife of the supposed man, states that she frequently heard Evans say that she came out by the Ocean Monarch. But the most satisfactory information of Evans' previous history yet received has been obtained from a Mrs. Thompson, a charwoman at Myers' Creek, who was also a shipmate of the girl Tremaye. At the time she made the voyage she was unmarried, and was accompanied by Miss Mary Ann Delahunty, a young lady who was very well connected, and who came from the same village as herself, named Monakine, on the north bank of the river Suir, in Kilkenny. Miss Delahunty was an orphan and brought with her about £900. After Rose Kelly was taken ill, Tremaye resorted to Miss Delahunty's berth, and the passengers appeared to think there was something strange about the manner in which Tremaye conducted herself, and she had been observed to wear a man's under-clothing. Upon the arrival of the ship in Hobson's Bay, Tremaye declared herself to be a man, and told Mrs. Thompson she intended to marry Miss Delahunty. The next Mrs. Thompson saw of Ellen Tremaye was at Peg-leg Gully, Eaglehawk. Tremaye had just established herself in a house there under the name of Edward de Lacy Evans, and Mrs. Thompson went to serve them with milk. When she went to the house, she saw Evans sitting inside dressed in male attire, and immediately recognised him as her fellow passenger, Ellen Tremaye. Evans had, at this time, married his second wife, Miss Moore, who was then present. Evans re-marked to her—"I think I know you." To which Mrs. Thompson replied—"I know you, too," and added something to the effect that Ellen (referring to Tremaye) was a queer girl." Oh, said Evans, evidently anxious that his then wife should not understand Mrs. Thompson's reference, "It's a good job she is gone back to the old country." Mrs. Thompson inquired as to what had become of Miss Delahunty, and Evans replied, "Oh, my poor wife and boy both died of consumption, and are buried in the North Melbourne cemetery. " In reply to an inquiry as to what had been done with her (Delahunty's) money, Evans said she had sent it home to a nunnery. Evans's then wife had been absent during a portion of this conversation, but at this point she returned, and Evans went outside to the milkwoman, and said, "For your life don't mention my dead wife's name ; call me Mr. Evans. This missus of mine is death on the Roman Catholics, and she can't bear to hear my dead wife's name mentioned." This conversation took place about 12 or 14 years ago, and Mrs. Thompson seems to have quite believed that Evans had personated a woman under the name of Ellen Tremaye on the voyage out and was really a man. She lost sight of Evans soon afterwards, and took no further notice of the affair.Copies of two studio Photographs - De Lacy Evans standing with seated woman: a. De Lacy Evans standing with woman seated; b. De Lacy Evans (handwritten below) with woman of same heighta. A. Flegeltaub b.??de lacy evans., ellen tremaye, sarah moore, julia mary marquand, mary delahunty, de lacy, edward de lacy evans, edmund de lacy

Pictorial record of the grave of pioneer woman Mrs Mary Hollonds, who passed away in 1862. The grave is located at Mullagong Station (farm) in Tawonga, five miles south of Keegan's Bridge. Miss Hobbs, formerly of Running Creek, mentioned that twin babies of the Brigg's family are buried at Mary Holland's feet.Pictorial record of pioneer gravesites in the Kiewa Valley. Social history of people in 1977 showing interested in local historyColour photograph of group visiting the grave of pioneer woman Mrs Mary Hollands at Mullagong on 29th May, 1977Handwritten in faint blue ink on back of photograph: Mrs Mary Holland's grave. Died 1862 Mullagong. 29th May, 1977kiewa valley, mullagong station, tawonga, hollonds family, brigg's family

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This series shows the volunteers dressed in late nineteenth/early twentieth century style costumes, attending the Museums Victoria conference, held hosted by Flagstaff Hill Maritime Village and held at the Lighthouse Theatre in Warrnambool. Pictured is the woman who has been attributed to making many of the costumes.Colour photograph of a woman in pink period dress standing in front of the Box Office of the Lighthouse TheatreFRONT OF COSTUME FLAGSTAFF HILL/VOL GUIDE AT MUS AUS VIC/CONFERENCE. THIS LADY MAKES/MOST OF THE COSTUMES [written on reverse in pen] [catalogue number on reverse in pencil]churchill island, museums victoria, flagstaff hill, warrnambool

Jim Keogh owned Lot 7 of the Village Settlement. When the new CRB road went through c1920 his block was cut through leaving a small triangle of land on the high side of the CRB road. He built a shop on this piece of land. The store burned down 31/12/1939. The woman on the step in this photo is Win Woodcock.Sepia image of a woman standing in front of a wooden store. Handwritten inscription on reverse by John Lundy-ClarkeJim Keogh's shop on the north west corner of Falls and Main Roads. Opposite diagonally from St Michael's Church of England. photo Nov 1926.jim keogh, keogh, store, shop, crb road, win woodcock

Black and white image, black border around photo. Portrait of young woman seated dressed in long dress, hat with ruched underneath, cameo brooch at neck of dress. On back of photo, Photographers Miniature and Portrait Painters, Bartlett Bros View Place Sandhurst.Bartlett Bros., Sandhurstcottage, miners, bartlett bros., bendigo, sandhurst, woman

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola. A posed portrait of the artist Alma Figuerola. Figuerola lived in D'Estaville, Barry Street, Kew. This is a magazine photograph and may still be covered by copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in December 1970, so the photograph predates this. A stamp on the back identifies the publisher as Woman's Day No. 570.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

Gwendoline Mudford was born in Flemington on 11 April 1914 and was appointed to the Police Depot for training on 11 February 1941. Her Record of Conduct of Service describes her as being 5'5" tall and weighing 9st 10lb, with brown eyes, light brown hair and medium complexion. Despite showing great promise of being a successful police woman she was forced to resign on 3 September 1941 due to her impending marriage. Graduation class of July 1941 showing Gwendoline Mudford, centre, as the only woman amongst a group of male graduates'The Terrible Fifty Two Squad 1941 July 1941' (pencil under image)police women, mudford, gwendoline 9575, police woman, policewomen, policewoman

This is a photo of one of the trestle bridges on the Heatherlie Quarry train line. It is located near the current site of "the Pines" campground. The woman on the bridge is Janet Witham.Photo is of a derelict trestle bridge over a shallow creek, taken on an angle. There are many sleepers missing and the bridge is surrounded by thick bush and trees. There is bracken in the left foreground. A woman wearing a blue top and grey/brown slacks.structures, bridges, quarrying, heatherlie