Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.A garden fork with four one centimetre diameter, 26 centimetre long tines. It has a four centimetre diameter, 67 centimetre long wooden shaft which has metal reenforcing with TORJAN engraved on it. On top of the shaft is a 'U' shaped metal piece 11 centimetres wide and eight centimetres heigh which holds a three centimetre diameter wooden handle. Part of the Harris Collection.harris collection, garden fork

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s. A curved wooden shaft two centimetres diameter at the top, five centimetres diameter at the bottom and 150 centimetres long. Two wooden handles three centimetres diameter and 11 centimetres long are attached to the shaft. At the bottom of the shaft a curved metal blade is attached, it's 75 centimetres long and nine centimetres wide at the shaft and tapers to a point. Part of the Harris Collection.harris collection, scythe

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.Large metal gate hinge with hole at top and thread at the bottom. Two square metal pieces - one moveable. Part of the Harris Collection.agriculture, farm, gate hinge, harris collection

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.A pitchfork with three Metal prongs that are one centimeter diameter at the top of the handle and taper to a point, the two outside ones are 32 centimetres long and are 18 centimetres apart, they curve to the top of the handle, the middle one is 28 centimetres long and is joined the other two at the top of the handle. The three prongs curve away from the handle to 14 centimetres from the line of the handle. The wooden handle is three and a half centimetres diameter at its widest and tapers to two and a half centimetres, it is135 centimetres long. It has some yellow paint on it. Part of the Harris Collection.harris collection, pitchfork

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.A pitchfork with three Metal prongs that are one centimeter diameter at the top of the handle and taper to a point, the two outside ones are 34 centimetres long and are 16 centimetres apart they curve to the top of the handle, the middle one is 30 centimetres long and is joined the other two at the top of the handle. The three prongs curve away from the handle to 14 centimetres from the line of the handle. The wooden handle is four centimetres diameter at its widest and tapers to three centimetres, it is135 centimetres long. Part of the Harris Collection.harris collection, pitchfork

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s. A metal rod one centimetre diameter 61 centimetres long. On one end six centimetres is folded back to form a handle. On the other end 14 centimetres is flattened to a width of two centimetres and half a centimetre thick, the last six centimetres is bent to 90 degrees and has a one centimetre square hole in it. Part of the Harris Collection.harris collection, hand forged poker

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s An oval metal wash tub. The base has a four centmetres metal band around it that extends two and a half centimetres below the bottom of the tub. The bottom of the tub is an oval 54 centimetres long and 41 centimeters wide. The wall is 32 centimetres high with rolled rim half a centimetre wide on the top, it's made in two pieces that are folded together at each end. The top of the tub is an oval 70 centimetres long and 51 centimetres wide. There are identical metal handles at the top of the tub at each end, they are made of a one centimetre diameter metal rode, they have a nine centimetres long grip, a four centimetre piece at right angles on each end and a two centimetre long piece at the opposite right angle on the end which is inserted into a two centimetre loop that's attached to the tub. Part of the Harris collection. wash tub, personal hygiene, harris collection

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.Metal shears kept in the closed position with a leather clasp. There is some yellow paint on the leather and the metal. The metal has a lot of rust. Part of the Harris Collection.harris collection, shears

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.A large metal rake with a wooden handle. The head 67 centimetres across two centimetres wide and one centimetre wide. attached to it are 12 square tines that are one centimetre square, tapering to half a centimetre and are five centimetres long. It has some yellow paint on it. The wooden handle is 144 centimetres long and three centimetres diameter. Two thin strips of two centimetre wide thick wire have been added. Part of the Harris Collection.harris collection, large rake

Jonathan Harris operated a winery on the banks of the Axe Creek, Axedale in the 1850s.A metal rake with a wooden handle. The head is 25 centimetres across with eight half centimetre diameter tines that are seven centimetres long. the wooden handle is 152 centimetres long and three centimetres diameter, the top 20 centimetres is painted black. Part of the Harris Collection.harris collection, rake

Pipe smoking has been in vogue for centuries, and in Australia it was a symbol of the "discerning smoker" such as the landed gentry or men of professional status. This pipe, of the Standard Canadian style, would have emigrated to Australia with its owner, a reasonable young professional or executive of the Hudson Bay Tobacco Company in the late 1800s or early 1900s. It is the type of pipe well suited to a harsh rural backdrop and with its owner found the Kiewa Valley a more relaxed environment than the Canadian Indian locations. The value of this pipe to the original owner, who would have sealed many trade contracts during the Canadian Indian smoke rituals In the late 1800s, is indicated by the long voyage to Australia and the Kiewa Valley. However with the health related restrictions placed on public smoking in the early 2000s, these tobacco pipes were not immune from the legislation, and even though the pipe smoke was not as offensive as cigarette smoke it still came under the umbrella of smoking. Pipes were also used in the process of inhaling illicit drugs i.e. marijuana, but this use was limited to a very few and not with this pipe. Smoking in the second millennium is being phased out as a social habit in Australia but may affect the few "private" smoker and has, as the United States prohibition era (alcoholic drinks) did, spawn an illicit trade in cheap contraband tobacco. Pipes such as this item show that smoking was not only part of the lifestyle of the era but also that it was part of a ritual (especially to the Indians of the Canada Hudson Bay region) that sealed a brotherhood not only socially but also politically and economically.This type of pipe lends itself well to the rural setting of the Kiewa Valley and although it is a very exclusive pipe it blended into the tobacco industrial environment of the Kiewa Valley and its surrounding districts. The Kiewa Valley region was up until the late 1900s part of the Australian Tobacco industry and the levels of men smoking pipes was enhanced by the readily supply, "off the fields", of tobacco leaves and the attitude to city based smoking restrictions was one of resentment.This pipe has a straight shank and stem and its style is 'standard Canadian'. The pipe has a permanent filter and a stainless steel band with the initials of the Hudson Bay Tobacco Company and its seals stamped on it.. The bowl and shank are one piece of appropriate shaped wood. The bit and bore are made from bakelite (dark brown in colour). The pipe is fashioned in the form of the clay pipes used by trappers, in the late 1800s early 1900s. It has a "rest" lug at the bottom of the bowl similar to clay pipes. This pipe has its own pipe case with wood reinforcement running the entire pipe shaped contour.On the stainless steel at the mortise and tenon junction is stamped "HP" and below that are stamped symbols of a ship's anchor, a lion and a tobacco leaf.tobacco, pipe smoking, smoking accessories

Thes two documents deal with the purchase and sale of land near Warrnambool by Thomas Simpson. The first document, called a Grant by Purchase, is dated 1852 and shows that Thomas Simpson purchased from the Crown, Allotment 146 (22 acres two roods) adjoining the property of Wollaston on the Merri River and the Mortlake Road, north of Warrnambool. The cost was 90 pounds. The second document is dated 1853 and shows that Thomas Simpson sold this Merri River allotment of 22 acres to Eliza Bromfield, in conjunction with her husband, John Davenport Bromfield, for the sum of 110 pounds. The property of Wollaston was owned by the Manifold family and in the 1850s was leased to William Simpson, the brother of Thomas who had an adjoining property called Wooramoota. John Davenport Bromfield was a Colac farmer who played a prominent part in the early history of that town. His brother James Astley Bromfield, an early chemist in Warrnambool is important in Warrnambool's history.These two items are of considerable significance because they are amongst the earliest legal documents we have connected to Warrnambool's history and because they concern three early pioneers of the district. They also have a connection to Wollaston, an important early property in the Warrnambool district..1 A piece of light parchment paper, stained with age and folded in three places. It contains printed and handwritten material, a copy of a signature and a white seal. .2 A piece of parchment paper folded in half and then folded again in two places. It contains ruled red lines, handwritten material in black ink and the remains of a red seal. The top of the first page has a cut-out fluted pattern.wollaston, john davenport bromfield, thomas simpson, eliza bromfield, george barber solicitor

Bendigo Advertiser ''The way we were'' from 2002. The local: Heathcote's Ben Nevis Hotel was a popular meeting and drinking spot for residents from throughout the district in the early 1900s. Many patrons travelled to the hotel on horseback or in a buggy to spend time with publican Howard Chadwick and his family. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Record of dress, vehicles and social commentSource unknown. Kept in collection of B&DHS for the record of dress, vehicles and social commentBlack & White photograph depicting an outing in the early 1900s. There are two vehicles (motor cars) that have been unloaded of luggage (including one suitcase) and (possibly) a picnic rug. The cars are surrounded by disembarked passengers - five men wearing hats and suits, seven women wearing hats and calf-length frockstransport, recreation, picnic, excursion

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. In the Nineteenth and Twentieth centuries, there were large numbers of games produced for children and adults. These included: arcade games, board games, playing cards and puzzles. A representative sample, many now rare survivors, can be found in the collection."Flower Lotto". UK, circa 1950s. Flower Lotto was a product of J.W. Spear & Sons, founded in 1879 in Nuremberg, Germany, but also based in UK after 1932. Spear & Sons were a significant manufacturer of board games from the 1900s. The company was bought out by Mattel in 1994. Missing original box. flower lotto, games and puzzles, j.w. spear and sons

Mrs. A. Cramp had a fruit and vegetable shop in Whitehorse Road, Mitcham in the early 1900sBlack and white photo of a Mrs. A. Cramp taken in August 1929cramp, a. mrs., mitcham shopping centre

A short history of Peter Ruston and family in the 1850s and 1860s by descendant Alan Partington.2 pages of text.peter rustin, peter ruston, alan partington

The hair brush is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hair brush is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hair brush that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back and handle of the hair brush. The hair brush insert is most likely made of celluloid, it no longer has bristles and is purely ornamental. flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, pewter, silver plate, toilet set, harbours master's house, staffordshire house, hair brush, hairbrush, brush, celluloid

The comb is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The comb is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A ladies hair comb which features an ornate flower design on the pewter (or possibly silver-plated) edge. The comb teeth are most likely made of celluloid.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, pewter, silver plate, toilet set, harbours master's house, staffordshire house, celluloid, comb

The hand mirror is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hand mirror is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hand mirror that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back, handle and front edge of mirrorflagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, hand mirror, pewter, silver plate, toilet set, harbours master's house, staffordshire house

Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton which dates from the 1850s. There are several works of art and photographs depicting Clifton Banks which date from the 19th and early 20th centuries. This oil painting is believed to be the work of Emma McGeorge, the wife of Canon Samuel McGeorge, the Vicar of Christ Church, Warrnambool form 1899 to 1905. It is surmised that Emma McGeorge was encouraged by the artist Mary Norman to take up painting as a pastime or to continue with her art interests. Emma McGeorge may have been a pupil of Samuel Pearce Fuller and Mary Norman. She was successful as an exhibitor and entrant in art exhibitions in Warrnambool in the early 1900s. She died in Warrnambool in 1933. This is a highly significant art work as it has artistic merit and is one of the depictions of Clifton Banks on the Hopkins River and so has historical value. It is an example of the high standard of art work that was being produced, especially by women, in the late 19th and early 20th centuries in Warrnambool. It was bought at an auction sale in Camperdown by Les O’Callaghan in 1997. This is an oil painting, probably by Emma McGeorge, on art board of Clifton Banks on the Hopkins River. It has a gilt wooden frame with multi-tiered highly-ornamented outer frames in a gold colouring. The lower frame is discoloured (perhaps by smoke from a fire place) and there is a small piece of wood missing on the lower frame. All the gilding is slightly discoloured. The back has been sealed with pasted paper and there are old tacks and old wire for hanging the picture. There is a label on the back from W. Hickford, the Warrnambool picture framer and handwritten information on the artist and the artwork by Les O’Callaghan.Front: ‘E.Mc.G.’ Back: ‘W. J. Hickford, Picture Dealer, Framer and Gilder, Liebig Street, Warrnambool, Mounting and Repairing, Old Frames Re-gilt, Oakley Printer’ ‘603’ clifton banks, emma mcgeorge, warrnambool, hopkins river estuary

Worn by a local woman when working in South West Victoria in the late 1800s - early 1900sLadies outdoor bonnet, red cotton fabric with white spots. Bonnet is trimmed with frills and straps to tie under the chin. Dated late 19th to early 20th century.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ladies bonnet, outdoor bonnet, ladies clothing, late 19th century bonnet, 20th century bonnet, bonnet, 20th century, early 20th century bonnet

Bendigo Advertiser ''The way we were'' from 2000. Historic: The view over Bendigo in the early 1900s. The photo was taken looking north-west from St. Paul's Church tower. Visible is the Shamrock hotel, the fire brigade depot and bell tower, the County Court House and district jail. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. Industry: The Bridgewater Flour Mill in the shire of Marong, around the beginning of the 1900s. The mill employed 45 people, although the number rose to 60 during the busy wheat season. It was one of the first places to adopt the eight hour working day. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2000. Cosy: The house of Richard Cridge Densem at Daylesford in the early 1900s. Densem was a councillor at the time and had previously managed several mines in the area. He was also captain of the Fosterville rifle club and a member of the Mining Managers' Association and Masonic Fraternity. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Happy Jack Hotel at Lockwood South. Photograph taken in early 1900s. In front of hotel are six people including one on a horse. The hotel later became the Happy Jack General Store. This information is from the article Small Towns With Big Hearts. On rear of image is written Lockwood Sth 10/8/93.Bill Hawkinsregion, small towns, lockwood south

Donated by Mr Greg Thomson, a former resident of RutherglenBlack & white reproduction, unframed, laminated. This reproduction is of the Rutherglen Post-Office as it was in the 1900s. The residence (to the left of pen mark cross on picket fence) has since been demolished and today that is where the present Post-Office stands, building to right of cross still stands. Original building built in 1863, altered in 1910Signs on front of building: "Electric Telegraph Office. Post Office" On back of photo: "Photographed pre 1910"rutherglen post office

Building used as community hall and school until Education Dept built school nearby.Black and white postcard showing early Kalimna West Primary School, square water tank on side of building, home made swing on right, flag pole on left, vegetable garden in foreground, two people, lady and boy, dressed in 1900s style clothes. Uncleared bush in backgound. Kalimna West Victoriaschools, halls

The Kinnane - Cannane family settled at Fellmongers, Little Bendigo and Brown Hill in the 1850s and later.Two folders 32cm x 24 cm with Family Crest on cover and photographs of family gathering insideFirst Cannan/Kinnane Gathering - Held at - Brown Hill Hall - Humffray St, Ballarat - 24th March 1996kinnane, cannane, cannan, brown hill, family history