Showing 598 items
matching australian culture
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Ringwood and District Historical SocietyBook, Dr Gary Presland, First People - The Eastern Kulin of Melbourne, Port Phillip & Central Victoria, 2017
Soft cover book, 168 pages.The Eastern Kulin, like indigenous people all over Australia, believed that they were an integral part of the land; for them nature and culture had been created as one by ancestral beings. Gary Presland presents a unique picture of the Eastern Kulin way of life. -
Ringwood and District Historical SocietyNewspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria
Newspaper Clipping from the ""Maroondah Mail", 15-5-1998", P 3, "School enjoys a Russian Cultural Experience"Year 8 students at Norwood Secondary College have been learning about Russian culture, thanks to a visitor from Chernobyl, Maxim Iouldashev (pictured with Simon and Glenn) was brought to Australia by the Victims of Chernobyl National Relief Fund. He is spending three weeks with the school in Croydon, while staying with a host family in Ringwood. -
Bendigo Historical Society Inc.Document - BENDIGO EASTER FAIR COLLECTION: OLDEST FESTIVAL, 30th June, 1992
2 page document outlining the history of the Bendigo Easter Fair. On top of document 'Australia's Oldest Festival' Mentions Sun Loong, the Tea House and influence on Bendigo's culture. Written on top in pencil sent to Denis Chung, Mt. Eagle Publications, PO Box 84, Heidelberg 3084. with Tea House and wining dragon photo: 30.6.92bendigo, bendigo easter fair, oldest festival -
Bendigo Historical Society Inc.Document - ROYAL PRINCESS THEATRE COLLECTION: VICTORIAN SYMPHONY ORCHESTRA, 15 July
Victorian Symphony Orchestra, Royal Princess Theatre, Bendigo. Conducted by Juan Jose Castro. Soloist: Isador Goodman (pianist). This series of concerts is arranged by the Australian Broadcasting Commission in conjunction with the Government of Victoria. Royal Princess Theatre, Bendigo. Thur., 1st May. Star Theatre, Shepparton, Friday, 2nd May at 8pm. Direction: Australian Broadcasting Commission. Juan Jose Castro (write up on the life of). Harmony and Home. Linking 'Home and Family Week' with this Visit. Bendigo faces the challenge brought through the medium of 'Home and Family Week.' Issues arising out of the relationship of Marriage, Parenthood and the family have been discussed by possible solution. Rather than compete with the Concert, negotiations were effected with the A.B.C., resulting in the acknowledgement of this function as part of our week, and the reciprocal arrangement of space in this booklet. Music, as truly as Education and other Culture, influences the outlook and the stability of the home. Ancient Jewish history gave common paternity . . . Programme. Programme notes. Page 6: photo of Isador Goodman. Page 7: photo of John Brownlee. Associate Artist: Raymond Lambert (pianist). Conductor: Juan Jose Castro. First violins: Jorgensen B, Hutchins H, Schieblich F, Deerson N, O'Brien P, Glassford W, Michael R, Burlakov A. Second violins: Lenzer H, Badley R, Pattison B, Whitelaw M, Pietruschka I, Braithwaite N. Violas: Kerr C, Kogan M, Roberts W. 'Cellos: Howley D, Touzeau H, Awburn V, Neri E. Basses: Howley T, Shiffron S, Morton W. Flutes: Chugg R, Barklamb L. Oboes: Richmond E, Woolley D. Clarinets: White T, Crowley C. Bassoons: Wightman T, Hunt. Horns: White R, Miller G, Grieve G, Bickford G. Trumpets: Simpson M, Roberts S. Trombones: Code S, McGlade J, Willis H. Tuba: Coram C. Tympani: Craig G. Percussion: Crawford B, McManamny T. Harp: Bendall A. Musical Autobiographies The London Daily Graphic's record critic praised Eugene Goossen's musical autobiography, Overture and Beginners, as excellent Story . . . Photographs of Elena Nikolaidi and Michael Rabin along with a write up on each. Advertisements: Georges, Melbourne. Railway.program, theatre, concert, victorian symphony orchestra, royal princess theatre, bendigo. conducted by juan jose castro. soloist: isador goodman (pianist). this series of concerts is arranged by the australian broadcasting commission in conjunction with the government of victoria. royal princess theatre, bendigo. thur., 1st may. star theatre, shepparton. juan jose castro harmony and home. linking 'home and family. family week.' issues arising out of the relationship of marriage, a.b.c., resulting in the acknowledgement of this function as part of our week, and the reciprocal arrangement of space in this booklet. music, as truly as education and other culture. ancient jewish history gave common paternity. programme notes. page 6: photo of isador goodman. page 7: photo of john brownlee. associate artist: raymond lambert (pianist). first violins: jorgensen b, hutchins h, schieblich f, deerson n, o'brien p, glassford w, michael r, burlakov a. second violins: lenzer h, badley r, pattison b, whitelaw m, pietruschka i, braithwaite n. violas: kerr c, kogan m, roberts w. 'cellos: howley d, touzeau h, awburn v, neri e. basses: howley t, shiffron s, morton w. flutes: chugg r, barklamb l. oboes: richmond e, woolley d. clarinets: white t, crowley c. bassoons: wightman t, hunt. horns: white r, miller g, grieve g, bickford g. trumpets: simpson m, roberts s. trombones: code s, mcglade j, willis h. tuba: coram c. tympani: craig g. percussion: crawford b, mcmanamny t. harp: bendall a. musical autobiographies the london daily, eugene goossen's, photographs of elena nikolaidi and michael rabin along with a write. advertisements: georges, melbourne. railway. -
Bendigo Historical Society Inc.Document - LITERATURE
... AUSTRALIA Culture literature Lydia Chancellor Collection collection ...Lydia Chancellor, collection,various Newspaper clippings tennis,/ 3CV Tennis -envelope with black and white photos regarding the of medical equipment by the 3CV Tennis Association Bendigo -Lydia Chancellor -Hon -Sec - / A paper covered booklet containing Sonnets ( printed in Durban ) titled - 'A Passing Cheer,-( Second Crop ) - For the Aussies of The Second World War -From the Long-Ago 'Durban Signaller ' ( Dated 15.3.1942 ) There is a fountain pen note on the front page as follows 'To the Members Golden Square Branch ( R.S.S. & L.T.A.?) - greetings & best wishes from Ethel Campbell dated 1942 ( The Durban Signaller' Writing name for: Ethel Campbell ) The back page has a Sonnet and a note to -Diggers visiting Durban giving Ethel's address . / Included is a 1942 brown coloured paper covered booklet of Sonnets titled - 'When the diggers touched at Durban 1915 - 1920,' ANZACS, this includes literature, poetry, Australian poetry,The booklet was printed in Durban . Written in ink on the front is -'Cheerio ! To the last war Digger Golden Square Branch // There are four four poem cards with illustrations on the front and back - the artist appears to be Dennis AdamsPOETRY AND ARTICLESaustralia, culture, literature, lydia chancellor collection, collection, tennis, 3cv tennis association bendigo, war, world war ii, soldiers, world war i, 'second brigade monthly notes, ' 'a passing cheer, ' 'when the diggers touched at durban 1915 - 1920, ' anzacs, literature, poetry, australian poetry, current affairs, news, photos, entertainment, writing -
Bendigo Historical Society Inc.Book - CHANDELIERS AND BILLY TEA - A CATALOGUE OF AUSTRALIAN LIFE 1880 - 1940, 1984
... AUSTRALIA Culture culture fashion history of technology Butterick ...Chandeliers and billy tea - a catalogue of Australian life 1880 - 1940. 224 pages with photos and illustrations. Published by Five Mile Press, Hawthorn, Vic.Peter Cuffleyaustralia, culture, culture, fashion, history of technology, butterick fashions -
Women's Art RegisterBook - Anthology, Sneja Gunew & Fazal Rizvi, Culture, Difference and the Arts, 1994
... of culture and difference in Australia in the late 20th century ...Collection of essays addressing issues of culture and difference in Australia in the late 20th century and ways to develop new thinking about the role of the arts in a multicultural society.non-fictionCollection of essays addressing issues of culture and difference in Australia in the late 20th century and ways to develop new thinking about the role of the arts in a multicultural society.multiculturalism, funding, access, community arts, cultural difference, arts policy reform, aboriginality -
Women's Art RegisterBook, Fiona Foley et al, The Art of Politics, The Politics of Art: The Place of Indigenous Contemporary Art, 2006
A collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists.non-fictionA collection of essays on Indigenous art in mainstream Australia by international Indigenous and non-Indigenous academics, arts administrators and practising artists. fiona foley, fiona nicoll, regina ganter, ole maiava, louise martin-chew, anna haebich, franca tamisari, aboriginal art, indigenous architecture -
Ithacan Historical SocietyPhotograph, Greek School, Melbourne, 1930s
The Greek Orthodox Community with the support of the Ithacan Community in Melbourne established a Greek Language School in the early 1930s. The teaching of the Greek language to the Australian born children of Greek parents ensured that the language and culture was maintained within the Greek community. A sepia photograph mounted on grey board of the children and teachers at the Greek language school. The people are standing and seated in five rows in front of a stage. -
Bendigo Historical Society Inc.Memorabilia - GOLD NUGGET COLLECTION: THE POSEIDON
... ://www.australiangeographic.com.au/topics/history-culture/2016/11/australias-biggest-gold ...A replica of the gold nugget 'Poseidon' that was discovered on the 18th of December 1906 at Tarnagulla. It was found 10 inches below the surface, 2 inches above bedrock with much quartz. It was found by Woodall and Party and named after a famous racehorse of the time. Gross weight 953 ozs. Net 703 ozs. (See additional research).mining, models, plaster model of victorian gold nugget, https://www.australiangeographic.com.au/topics/history-culture/2016/11/australias-biggest-gold-nuggets/ -
Monbulk RSL Sub BranchBook, Denny Neave et al, Aussie soldier: Up close and personal, 2008
... australia - military culture... narratives australia - military culture A collection of anecdotes ...A collection of anecdotes and excerpts from diaries that have never been published.Bibliography, index, glossary, ill (b/w)non-fictionA collection of anecdotes and excerpts from diaries that have never been published.australia - history - military - personal narratives, australia - military culture -
Monbulk RSL Sub BranchBook, Jane Ross, The myth of the digger: The Australian soldier in two world wars
... australia - military culture... culture The Australian digger represents all the virtues ...The Australian digger represents all the virtues Australians hold dear - mateship, equality, bravery and irreverence. But before 1914 Australia had no military tradition. Jane Ross has analysed the nature and origins of the myth of the digger.Index, Notes, Bibliography, ill (b/w)non-fictionThe Australian digger represents all the virtues Australians hold dear - mateship, equality, bravery and irreverence. But before 1914 Australia had no military tradition. Jane Ross has analysed the nature and origins of the myth of the digger.australian army - history, australia - military culture -
Bendigo Historical Society Inc.Book - THE AUSTRALIAN ABORIGINES, 1956
... Australia-Aborigines-Culture... ABORIGINAL Book Customs Australia-Aborigines-Culture A.P.Elsin ...Hardcover book The Australian Aborigines How to understand Them, 349 pages with black and white photographs. Published by Angus and Robertson, printed by Halstead Press Sydney, inscription inside front cover reads, To Momma & Daddy Christmas 1961 with best wishes love Billy.A.P.Elsinaboriginal, book, customs, australia-aborigines-culture -
Bendigo Historical Society Inc.Book - THROUGH THE EYES OF TWO CULTURES, 1997
Through the eyes of two cultures. A catalogue of an exhibition of paintings by artists Zhou Xiaoping & Jimmy Pike held at the National Gallery of China Beijing, created by the Golden Dragon Museum & sponsored by Arts Victoria, Australia Council for the arts & Foreign Affairs and trade. Coloured photographs of artworks.art, aboriginal, art, zhou xiaoping, jimmy pike, golden dragon museum, aboriginal artists. -
Monbulk RSL Sub BranchBook, Australian Broadcasting Corporation, P.O.W. : prisoners of war, 1985
Within three months of the Japanese entering World War II on December 8, 1941 over 22 000 Australians had become prisoners-of-war. They went into camps in Timor, Ambon, New Britain, Java, Sumatra, Borneo, Singapore and Malaya, and a few were scattered to other points in what was briefly part of the Japanese empire. Later most of the prisoners were to be shifted further north into South-east Asia, Formosa, Korea, Manchuria and Japan itself. They were captives within lands and cultures and to experiences alien to those known to all other Australians. At the end of the war in August 1945, 14315 servicemen and thirty service women were alive to put on new, loose-fitting uniforms and go home. One in three of the prisoners had died. That is, nearly half of the deaths suffered by Australians in the war in the Pacific were among men and women who had surrendered. Another 8174 Australians had been captured in the fighting in Europe, the Middle East and North Africa: but of these men only 265 died as a result of wounds, disease or execution.By any quantitative measure the imprisonment of so many Australians is a major event in Australian history. For many soldiers it was living --and dying --in captivity which made World War II different from that of World War I. But the prisoners have received no permanent place in Australian history. Their story is not immediately recalled on celebratory occasions. In a general history of the nation in which a chapter is given to the war the prisoners might be mentioned in a sentence, or part of a sentence. Where the horror, stoicism and gallantry of Gallipoli have become part of a common tradition shared by all Australians, the ex-prisoners are granted just the horror. The public may be sympathetic; but the horror is for the prisoners alone. To make another comparison: in five months of fighting on the Kokoda Trail in 1942 the Australians lost 625 dead, less than the number who died on Ambon. Yet the events on Ambon are unknown to most Australians. There were no reporters or cameramen on Ambon and, for the 309 who defended Ambon's Laha airfield, no survivors. How many of them died in battle or died as prisoners will never be known. But there are more than just practical reasons why the record of the prisoners of war is so slight and uneven in the general knowledge of Australians. They have not tried to find out. No historian has written a book to cover the range of camps and experiences, and only in specialist medical publications has anyone investigated the impact of prison life on subsequent physical and mental health. The complexity of the experience and its impact on particular lives have not been expressed in a way to give them significance for other Australians.Index, bib, ill, maps, p.224.Within three months of the Japanese entering World War II on December 8, 1941 over 22 000 Australians had become prisoners-of-war. They went into camps in Timor, Ambon, New Britain, Java, Sumatra, Borneo, Singapore and Malaya, and a few were scattered to other points in what was briefly part of the Japanese empire. Later most of the prisoners were to be shifted further north into South-east Asia, Formosa, Korea, Manchuria and Japan itself. They were captives within lands and cultures and to experiences alien to those known to all other Australians. At the end of the war in August 1945, 14315 servicemen and thirty service women were alive to put on new, loose-fitting uniforms and go home. One in three of the prisoners had died. That is, nearly half of the deaths suffered by Australians in the war in the Pacific were among men and women who had surrendered. Another 8174 Australians had been captured in the fighting in Europe, the Middle East and North Africa: but of these men only 265 died as a result of wounds, disease or execution.By any quantitative measure the imprisonment of so many Australians is a major event in Australian history. For many soldiers it was living --and dying --in captivity which made World War II different from that of World War I. But the prisoners have received no permanent place in Australian history. Their story is not immediately recalled on celebratory occasions. In a general history of the nation in which a chapter is given to the war the prisoners might be mentioned in a sentence, or part of a sentence. Where the horror, stoicism and gallantry of Gallipoli have become part of a common tradition shared by all Australians, the ex-prisoners are granted just the horror. The public may be sympathetic; but the horror is for the prisoners alone. To make another comparison: in five months of fighting on the Kokoda Trail in 1942 the Australians lost 625 dead, less than the number who died on Ambon. Yet the events on Ambon are unknown to most Australians. There were no reporters or cameramen on Ambon and, for the 309 who defended Ambon's Laha airfield, no survivors. How many of them died in battle or died as prisoners will never be known. But there are more than just practical reasons why the record of the prisoners of war is so slight and uneven in the general knowledge of Australians. They have not tried to find out. No historian has written a book to cover the range of camps and experiences, and only in specialist medical publications has anyone investigated the impact of prison life on subsequent physical and mental health. The complexity of the experience and its impact on particular lives have not been expressed in a way to give them significance for other Australians.world war 1939 – 1945 - prisons and prisoners – japanese, world war 1939-1945 - personal narrativies - australia -
Yarra City CouncilSculpture - Figurative, William Eicholtz, Courage, 2014
'Inspired by the iconic character of the Cowardly Lion in the story 'The Wonderful Wizard of Oz' and his contemplation of what it means to possess the courage to be yourself, no matter who you are.''Courage' honours the contribution, culture and diversity of the Gay, Lesbian, Bisexual, Transgender, Intersex and Queer (GLBTIQ) community, and is dedicated to the legacy of Ralph McLean (1957–2010), Australia’s first openly gay elected official (City of Fitzroy, 1982) and Mayor (1984), an advocate for gay rights and social justice, and a champion of the arts.Bronze statue of a male figure half dressed in a lion costume holding a medal of bravery with a lions head/mask resting on his foot. Accompanying plaquelgtbqia+, wizard oz, ralph mclean, eicholtz -
Dutch Australian Heritage Centre VictoriaEnamel dishwashing bowl (afwasteiltje)
Made in 1940s and brought to Australia by Dutch migrants in the 1950s. Typical Dutch household item of 1940s and 1950s. Washing up was usually done in a bowl such as this, not in a sink. An expression of Dutch domestic culture.Oval, two handles either end, green outside decorated around circumference with three gilded lines, white inside. Signs of wear and tear, including rust holehousehold item -
Dutch Australian Heritage Centre VictoriaBooklet, Cultuur-historie aan het Eemmeer (Culture and History around Lake Eem), No date recorded
Although this publication has no date it is obviously from the 2nd half of the 20th century and put together by the local historic society in an effort to record certain traditions and promote the local area. It is aimed at visiting tourists and includes maps with walk and cycle routes.A colourful 32pp booklet published as extra-edition of the historic Bunschoten periodical 'Bunscote'.Names of the editing team, co-ordinator, graphic artist and printer are all recorded. -
Dutch Australian Heritage Centre VictoriaFan, 1995
A number of these fans were ordered from Indonesia by Lia Kellener, the founder of Tempo Doeloe in Melbourne.The item relates to the move of many Dutch to The Netherlands or Australia from post-WWII Dutch East Indies. After a 4year struggle immediately following the ousting of the Japanese in 1945, Indonesia officially gained independence from The Netherlands in 1949. Small Indonesian fan produced for the 50th anniversary of Tempo Doeloe in Australia. The fan is made in a similar manner to the so-called Wayang dolls and is reminiscent of this aspect of traditional Indonesian culture.An orange central patch bears the words: Tempo Doeloe 1945-1995 Indonesia - Australia. -
National Vietnam Veterans Museum (NVVM)Book, Moyle, Col (Sketchy), Indebted: From a Quaker schoolboy to an Australian SAS Soldier, 2017
... and training and culture in the Australian Army, particularly ...Indebted is not your usual military autobiography. 'Sketchy's' easy-to-read memoir is both humorous and thought-provoking. It gives a unique insight into jungle warfare during the Vietnam conflict and training and culture in the Australian Army, particularly the Special Air Service. It is a powerful book that will be of interest to both service and non-service personnel.Indebted is not your usual military autobiography. 'Sketchy's' easy-to-read memoir is both humorous and thought-provoking. It gives a unique insight into jungle warfare during the Vietnam conflict and training and culture in the Australian Army, particularly the Special Air Service. It is a powerful book that will be of interest to both service and non-service personnel.vietnam war, 1961-1975 - personal narratives, australian, australia. army. special air service regiment -- biography, soldiers -- training of -- australia -
National Vietnam Veterans Museum (NVVM)Book, Pigot, John, Leather Bred Heroes: The Vietnam Veteran's Motorcycle Club (Copy 1)
One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.vietnam veterans' motorcycle club, vietnamese conflict, 1961-1975 - veterans - australia -
National Vietnam Veterans Museum (NVVM)Book, Pigot, John, Leather Bred Heroes: The Vietnam Veterans' Motorcycle Club (Copy 2)
One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community. vietnam veterans' motorcycle club, vietnamese conflict, 1961-1975 - veterans - australia -
National Vietnam Veterans Museum (NVVM)Book, Ashbolt, Allan, Words From the Vietnam Years: An Australian Experience
... Political culture - Australia... - Australia Political culture - Australia Australia. Social change ...Thus we can say that we constantly surpass our class and that our class reality is made manifest by this very surpassing.Thus we can say that we constantly surpass our class and that our class reality is made manifest by this very surpassing.social movements - australia, political culture - australia, australia. social change, 1960-1972 -
Jewish Museum of Australiaring, Martha Ash, Marriage ring, by Martha Ash, 1981
... as deeply considered connections to Australia’s broader culture ...Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape.jewellery, judaica -
Jewish Museum of Australiaceramic platter, Fiona Hiscock, Platter for honey cake, by Fiona Hiscock, 2007
... as deeply considered connections to Australia’s broader culture ...To celebrate Rosh Hashanah (Jewish New Year), Jews eat foods like honey cake and apple dipped in honey. Along with a special prayer, this is a way of asking God for a sweet and happy year ahead. Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape. judaica, ceramics, jewish new year -
Jewish Museum of AustraliaMenorah, Menorah, by Mark Edgoose
This menorah has 7 candle holders joined in a horizontal row, on thin rod stands. The circular holders sit on two flat silver strips that are attached to silver rectangles on either side of the holders, creating a shield-like form on either side of the holder. The stand on which this construction is propped up, is made up of rods that stand vertically on either side of the holders and behind the shields. The rods are intersected by other rod 'lines' that visually weave horizontally across the top half of the stand. Each point of intersection of lines and rod stands is marked by a circular shape. Artist's statement: In terms of the Jewish diaspora, the variety and flexibility of approaches within Judaism has enabled the culture to endure and nurture ever stronger connections despite physical distance. This notion of an enriched connectedness was one of the two central ideas which contributed to the development of this piece. The second was the idea of light and its cultural significance. Light is about both practical illumination and spiritual expression. While revealing and manipulating material and form, light has also come to stand for the triumph of goodness over evil for many cultures, Of utmost importance in Jewish ritual, light and its media are also recognised symbols of connection and interaction for Jewish people throughout the world. (1999, Blessed Be the Work, Australian Contemporary Design in Jewish Ceremony II) -
St Kilda Historical SocietyPhotograph, c. 1991?
Alfred Felton (8 November 1831 – 8 January 1904) lived at the Esplanade Hotel, St Kilda, from 1892 and died there in 1904. He was born in England and came to Australia in 1853 intending to search for gold. In 1867, having worked as a commission agent and dealer in merchandise, an importer and general dealer and a wholesale druggist, he went into partnership with Frederick Sheppard Grimwade and founded Felton Grimwade and Company, "wholesale druggists and manufacturing chemists". He was a keen collector of books and art. He never married, had no direct descendants and gave away considerable amounts to charity. When Felton died, he left the bulk of his fortune to the creation of a charitable foundation known as the Felton Bequest to support culture and the community, with half the funding benefiting Victorian charities (particularly those that support women and children) and the other half used to acquire and donate art works to the National Gallery of Victoria. The Felton Bequest has been responsible for 15,000 artworks in the National Gallery of Victoria and they are the core of the collection. colour photograph unmountedCity of St Kilda. Alfred Felton (1831-1904) Philanthropist, Industrialist, lived here 1892 - 1904, sponsored by ACI International Ltdfelton, alfred felton, the esplanade, hotel esplanade, espy, st kilda, plaques -
Puffing Billy RailwaySign - Advertising - Griffiths Tea Sign - 30 Miles, between 1879 - 1930's
In 1879, James Griffiths established one of Australia’s first tea and coffee distribution companies at 30 Flinders St, Melbourne, which is now, occupied by the boutique Lindrum Hotel. Established with his brother John, recent immigrants from England, Griffiths occupied the highest position in the commercial world during their many years as distributors of tea, coffee, cocoa and other products throughout Victoria and Australia. The Griffiths brand was a guarantee for quality of product and service as it still is today. This extensive service was provided to customers via horse drawn carts serviced by rail from Melbourne. As a spirited entrepreneur, Griffiths made his company a household name through his pioneering use of outdoor advertising by installing the infamous blue and white enamel “Griffiths Tea” promotional signs affixed to the railway boundary fences highlighting to travellers the distance to or from Melbourne, indicating so many “— miles to Griffiths Tea”. These signs, much sought after today, were well known through out the eastern states. Photographs have been published of a sign erected by a Digger in France during the First World War with the words “1100 miles to Griffiths Bros”. Tragically, James and his wife Emily with friends died in a level rail crossing accident at Bayswater in 1925. Despite this unfortunate accident, Griffiths and its culture of innovation has survived as one of the few 100% Australian owned coffee roasters, with only three owners in 128 years. http://www.griffithscoffee.com.au/about-us/back-to-1879/ Sign - Advertising - Griffiths Tea Sign - 30 MilesHistoric - Sign - Advertising - Griffiths Tea Sign - used along side of Victorian Railway lines and at StationsSign - Advertising - Griffiths Tea Sign - 30 Miles Griffiths Tea sign made of Enamel paint on metal sign30 Miles to Griffiths Tea Sign puffing billy, sign - advertising - griffiths tea sign - 30 miles -
Tatura Irrigation & Wartime Camps Museum
Booklet, Our Liverpool Boys
This publication presents the stories of soldiers who were born or bred in Liverpool and who have a strong connection with Liverpool.This edition was supported by the Australian Government's Anzac Centenary Arts and Culture Fund,the Liverpool City Council & My Library Liverpool.`Light olive cardboard cover with black printing "Our Liverpool Boys" on cover. Photo on cover shows six Liverpool boys titled "at ease at Liverpool Military Camp".33 pages. black & white/ sepia photos of the Liverpool BoysMessages. from Mayor of Liverpool Ned Mannoun, Sue Dredge, Heritage Collections Curator and Julie Senior, Family History Officer. Sepia photo of Liverpool Army Camp from the station courtesy of Liverpool Heritage Collectionliverpool boys -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Fujitsu, Sei
Sia Fujitsu, the son of Jiroguma Fujitsu was born on 27 May 1926 in Yamaguchi-Ken, Japan. His trade is listed as Employee of Culture and his religion is Buddhist. He was captured at Tawao, North Borneo on 27th January, 1942 and was interned in Loveday South Australia until he was repatriated to Japan on 21st February, 1946. Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.SiaPhotocopy of a pencil and ink Portrait of a Japanese youth Short black hair, dark eyes and pink lips. He is wearing a jacket that appears to be too large for him and white collar and beige coloured tie. There is light blue shading around is head and shoulders. Japanese lettering in black ink on the left of the picture translates to his name "Sia FUJITSU". Signed in black ink by artist Kurt Winkler, Loveday, 1942.Kurt Winkler LOVDAY 1942
