MEDIUM: Oil on paper. DESCRIPTION: Blue, white and brown oil painting on paper, mounted on white board under glass, white outer frame. An abstract close up, bones are lined up vertically along the full length of the canvas against a bright blue background and a centrally placed horizontal earthy toned background, the bones almost appear attached, as to a cowboys belt. Initialed and dated on image, proper left bottom corner.them, oil, bathgate, bones

This is the program for the annual sports competition between the RAAF School of Radio, Laverton and the AHQ Survey Regiment, Bendigo. The location of the sports day alternated annually between the two units. The day major sports trophy was the "Large Bone Trophy" and the evening minor sports trophy was the "Little Bone Trophy".Booklet, B4 size, cream covered card, title, badges of RAAF School of Radio and Royal Australian Survey Corps, 30 pages, caricatures for each sport contested. The pages have been photographed and are stored on a USB Digital Storage Device. The 30 page images have been converted into a video (.mp4) format and are also stored on the USB. The video is 2.4Mb in size and runs for 5 minutes.Forward by Wing Commander E.R. Hall, Commanding Officer RAAF School of Radio.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr, raaf, raaf school of radio, bones day

Hand made and used by a Woodcutter and Charcoal burner, Mitchell known as "Bones' Sevillle.Hand made Cut-throat razor with wooden handle.cut-throat razors, shaving equipment

Set of weights to be used with a beam balance9 weights from 1 to 50 gram plus 8 fractional pieces 0.5 down. Tweezers with bone tips. Box lined with purple velvetweights, gram, tweezers, beam balance

Made by P.O.W at Camp 13 Murchison for "Soda" MartinWooden handmade jewel box and lid with inlay. Has bone studs on each corner of the base held with screws. Box and lid lined with green cloth.camp 13, murchison, prisoner of war camps, handcarving

Black cotton crocheted bag attached to cream fan shaped bone frame. Broken metal handle. Orange clasp. It is estimated that this item was made in 1883.costume accessories, female

An item from an outstanding and diverse collection of photographs, artefacts and publications, assembled by members of the Christian and Washfold families of Kew.Small brown cardboard box containing folding metal scissors, metal and bone pen knife and cylindrical metal container. Minor corrosion on knife and cylinder.functional accessories, scissors, christian-washfold collection

This envelope and its unknown contents were sent in 1937 to Fred Miller of Boughton Farm at Cassady's Bridge. west of Warrnambool. The envelope advertises an Annual Gala Week in Warrnambool from December 26th 1937 to January 2nd 1938. This was an event organized by the Warrnambool Progress Association as a tourist promotion exercise. The Secretary of the Association at the time was Martin Carter, a well-known Warrnambool saddler and local band conductor. The envelope also advertised the forthcoming Warrnambool Centenary Celebrations in 1939-1940 but these were not held because of the outbreak of World War Two. The Centenary celebrations were eventually held in 1947, a more appropriate year as Warrnambool was founded in 1847. This envelope is of interest as a memento of the 1930s in WarrnamboolThis is a bone-coloured envelope with images on the front of three people on the left and in the centre, red printing, black typing and postal franking. The back has a postal stamp.Mr. F. Miller Cassidy's (sic) Warrnambool P.O. Warrnambool Centenary Celebrations 1939-40 For Your Next Holiday Warrnambool the Garden City by the Sea Annual Gala Week --Dec.26,1937 to Jan.2 Under auspices of Warrnambool Progress Association Particulars from M.L.Carter, Sec.gala week warrnambool 1937, m.l.carter warrnambool, warrnambool progress association, warrnambool centenary celebrations, fred miller boughton cassady's bridge

A fid is a conical tool traditionally made of wood or bone. It is used to work with rope and canvas.Fids where traditionally used for working with rope and/or sails on sailing ships. They are still in use today for working with rope.Large timber fid with a metal ring attached to wide end for strength used for splicing rope or cable.fid, sail making, rope splicing

Sepia photograph on grey mount of P Rohs Bone Mills, artificial manures, flock mills. Timber building, with large brick chimney stack. Dray loaded with bags of manure pulled by white horse. Female and male figures on platform in front of building. Two children and group of five males and one female on ground. Inscriptions: in image - 'P Rohs, Bendigo Bone Mills, Artificial manures, flock mills'. On cart in image - 'Bendigo Bone Mills', On front TR corner 'MP115'. On back - 'Peter Rohs Fertilizer Factory, Rohs Road, Bendigo c1880'. Handwritten on back in ball point pen.buildings, commercial, p rohs bone mills

Tip Top Collar Supports Packaging: Green with white print inscribed 'Tip-Top' Best Quality Bone Collar Supports, Capped Ends'. Package opens up with instructions on how to use. Has Shield with the words Trade Mark'' underneath. Inside the words 'Tip Top Bone collar Supports. The Best Cotton Quality and keeps the Collar in Perfect Shape'. Box 625Tip-Top Made in England

Bone China, three sided dish with gold lining, partly embossed around the edges, with an image of Flinders St station, Melbourne, with electric trams (W and single trucker) in Swanston St and cable trams in Flinders St - late 1920's? Image has been coloured. On the rear of the dish: "Royal Stafford / Bone (manufacturer's crown mark) China / Made in England / No. 224"trams, tramways, melbourne, flinders st station, souvenirs

At Mayoral Ball, Crowning of Queen of Textiles, 1951 To Mr Fairnie/ with best wishes/ from ADA Carmel Lourey/ or/ Elsie Bonetextile mills - staff textile mills - history textile mills, returned soldiers and sailors mill, kidman, mr g. l., textile mills - staff, textile mills - history, textile mills

A toasting fork is a three pronged fork designed to be used to toast things over an open fireplace. Classically, a toasting fork could be stuck into a piece of bread and used to hold the bread in the fire, with a periodic rotation for even browning. For advanced players, it's possible to use a toasting fork to make toasted cheese sandwiches and other hot sandwiches. A typical toasting fork is made of wire, and many modern ones are telescopic, allowing people to fold the fork up or slide the handle in when not in use. This makes toasting forks easier to store and transport, while allowing people to keep their hands well clear of the fire when the fork is in use. The three slender prongs can be of varying length, depending on the design; prongs which are too long will mangle the bread, while short prongs will allow the bread to slide off, so most designers try to strike a happy medium. Before the arrival of gas and electric cook stoves, households relied on heavy duty wood and coal fired cookers, or simply open fireplaces. Such stoves required a great deal of energy and maintenance to run, so when someone wanted a quick snack, toasting something over an open fire could be much more appealing than wrestling with the cooker. Some people also undoubtedly found the experience of toasting something over an open fire to be enjoyable. https://www.delightedcooking.com/what-is-a-toasting-fork.htmIn the old days, there were no electric toasters, so the toasting fork used near an open flame proved extremely effective.Fork with three prongs with hook design on the two outside prongs. Neck features decorative twisted design and there is more decorative work in the metal near the bone handle.None. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This lady’s cotton full length nightdress is an example of the dressmaking and lacework skills of the women of the early settlers families in Moorabbin Shire in the early 20th C Early settlers and market gardeners established their families in Moorabbin Shire c1900 and this item shows the dressmaking and lacework skill of the women of these families Lady's white cotton, Full Length , V neck, sleeveless nightdress with lace shoulder straps and bodice. The bodice has pintucks and front bone buttons at opening.clothing, needlework, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework, moorabbin shire, milne meryl, dairy farms, fruit orchards

Pair of black wool with silk facing gaiters with silk covered buttons and leather instep strap with boning. The gaiters have button holes at the top to attach to britches.presbyterian moderator

Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet a Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Catalogue for an Exhibition of Watercolors by Thomas H. Bone. Held in the Advertiser Lounge, View point, Bendigo Sept 10th to the 13th, 10am to 5pm. A list of 31 watercolours.history, amy huxtable, bendigo, watercolour exhibition bendigo

Used for ceremonial purposes by the members of the Farmers arms Lodge OrfordCeremonial axe and hand: a. Stained wood handle ceremonial painted head, floral emblem, skull and cross bones. b. Wooden hand clasping heart in palmMORS on axe headlocal history, societies, grand united order of oddfellows, orford

see page 7 Lakes Post Newspaper 22 October 1997Black and white photograph child and adult, Little Prince winner Daniel Hughes holding trophy at Baby Show for Bone Marrow Registry. Lakes Entrance Victoriacharities, baby show

Event, An invitation from Thomas H. Bone (Native of Bendigo), has the pleasure of inviting you to the opening of his Exhibition of Watercolour Paintings by His Worship the Mayor, Cr.G.Pethard in the ''Advertiser'' Lounge, View Point, Bendigo, at 3 p.m. on Wednesday September 11th, 1940. The Exhibition will remain open until 5 p.m. on Sunday, September 15th. Born Thomas Henry Bone 1901, died 1953.event, exhibition, advertiser lounge view point

Gold framed bone matt board colour print of a Cessna Bird Dog single engine light aircraft flying over jungle with mountains in the background and river belowForward Air Controllers in Vietnam 1965 - 1971. Bird Dog Over Vietnam. Donated by the FAC Association - presented by the RAAFVVAcessna o.1 bird dog, framed print

Poster with information about Pte DA Griffin 210685 V2 1RNZIR. He made models out of bone and stone becasue he felt rejected on his returnposter, new zealand, pte da griffin

Commemorative engraved silver trowel in a black leather box with a blue silk and velvet lining. Trowel is decorated and has an inscription and hallmark on the front. It has plain bone handle. "Presented to Mrs S.G.King on the occasion on the laying of the memorial stone of the Hotham Hill Wesleyan Church Dec 16th 1872"

see page 22 Lakes Post Newspaper 20 July 1994Black and white photograph taken at Baby Show fundraiser for Bone Marrow Registry, Champion Baby Tiah Guillot, holding trophy, with mother Wendy. Lakes Entrance Victoriacharities, clubs

When scrimshaw is mentioned, most people think of carving on sperm whale teeth only. But scrimshaw also includes engravings on skeletal whale bone–such as the jaw bone, called pan bone and ivory from other marine mammals such as walrus. Although scrimshaw is widely associated with nautical themes and designs of the 19th century whaling industry, vintage scrimshaw was also produced as tribal art in many cultures. Today, scrimshaw is recognized as a unique medium in which present-day artists have developed their own modern themes. Scrimshaw reproductions may take several forms. There are - New carvings on genuine ivory or bone with the deliberate intent to create an "antique” - New carvings on genuine ivory or bone sold as signed and dated contemporary art - Clearly marked synthetic museum reproductions and mass marketed - Unmarked synthetic replicas This scrimshaw work is done on a sperm whale's tooth. It is one of two pieces by artist Gary Tonkin in Flagstaff Hill’s collection. Sperm whales can live for 60 or even 70 years, so the tooth could be quite old. It came from the whaling station in Albany, Western Australia, which ceased processing whales in 1978 and is now a whaling museum. The two works were commissioned by Flagstaff Hill in the 1980s. Tonkin could spend from a few days to a few months in intensive work on each piece of scrimshaw. He is a world-renowned Master Scrimshander and a Fellow of the Australian Society of Marine Artists (FASMA), and lives in Albany, Western Australia. Gary Tonkin, FASMA – Tonkin was born in 1949 in Portland, Victoria, and grew up there with a history of whaling and related industries. He moved to Albany in southwest WA in 1971 and worked as an Export Meat inspector for the Federal Government. This small town also had a historical connection to whaling. The Cheynes Beach Whaling Station was still operating, and there were even three whaling ‘chaser’ vessels at the old jetty. In 1975, his employment now permanent, Tonkin bought an old cottage near the bay, purchased some whales’ teeth, and began learning the sailors’ art of scrimshaw, combining this with his artistic skills and knowledge of history. His job gave him access to buy as many whale teeth as he could afford, straight from the whaling station. Tonkin gained further marine knowledge as he sailed on the schooner ‘Esperance’ from Fremantle to Mauritius in 1988. He watched the sailors at work and experienced the rough and stormy sea conditions first-hand. Tonkin later visited whaling museums, galleries and libraries in England and America to gather reference materials and information on all aspects of whaling and scrimshaw. In 1993 he was Commissioned to engrave six large whale teeth, from the Albany whaling station, for the USA Gallery at the Australian National Maritime Museum in Sydney. This work is now in the museum’s permanent collection. From that time, Tonkin began working full-time as a Scrimshander. Tonkin’s work is now in galleries and museums in America and Australia, as well as in private collections. He is the founder of the Albany Maritime Heritage Association and was the inaugural President. In the 1990s he actively and successfully campaigned for the preservation of the Cheynes Beach Whaling Station in Albany, which is now Whale World, an open-air whaling museum. His continuing work as a Scrimshander contributes to the preservation of the art of scrimshaw and the history of whaling. This scrimshaw represents the ancient craft of scrimshaw, associated with mariners in the whaling trade in the early 19th century. The work is also Nationally significant for being created by world-renowned Scrimshander, Gary Tonkin, from Albany, Western Australia. Scrimshaw; whale tooth carved with an image of two whaleboats hauling a dead whale back to the mother ship. Inscribed Title and signature of artist Gary Tonkin.Inscribed "Bringing in the whale". Signature "G Tonkin"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, maritime museum, flagstaff hill, perth, whaling, whales, australia, scrimshaw, scrimshander, gary tonkin, g tonkin, bone, tooth, craft, albany, western australia, cheynes beach whaling station, whale world, portland, engraving, maritime art, sperm whale's tooth, albany whaling station, albany whaling museum

The Thomas splint is still used in war zones today. It was invented in the late 19th Century by pioneering surgeon Hugh Owen Thomas, often described as the father of British orthopaedics, born in Anglesey to a family of "bone setters". He created the so-called 'Thomas Splint', which would stabilise a fractured femur and prevent infection. This item was used for a child with a broken thigh bone.This item is an example of an early piece of medical equipment.Thomas splint is a leg splint consisting of two rigid rods attached to an ovoid padded ring that fits around the thigh.splint-thomas orbost-hospital medicine-nursing

Photograph: black and white photo of soldier in uniform. Head/shoulders portrait. Framed with glass and wooden frame. Bone mat. Signed with pencil on bottom of photo : ' L. Keith Dammatt ? 'Surbiton & Wokingorganization, military, male portrait, army, ww1