This pump was situated at Mildura Victoria and pumped water from the Murray river to irrigate the fruit blocks.Large double suction centrifugal pump with 36" suction and discharge branches weighing 7500 kg. Cast iron baseplate for the pump measuring 154 x 185 x 22 cm. The pump is fitted with a spring grid coupling. The pump and baseplate are painted pale blue. The pump identification plate has been removed and there are no markings cast on it. The baseplate has Thompsons cast in relief on the top surface. The coupling has a brass nameplate with Richardson Spring Grid Coupling engraved on it.machinery - pumps; metalwork

Vertical cylinder reciprocating condenser air pump with two 107 cm diameter flywheels (one on each end of crankshaft). The operating cylinder at at top of the machine has a centrifugal governor. Access ladder to platform at front. Painted black and red. On cylinder head "63"machinery pumps reciprocating metalwork

42 sample specification plates and labels of types used on machinery made be various pump manufacturers associated with Thompsons Kelly & Lewis and Flowserve. Mount is of fibreboard, painted brown on the front and black on the back.display

David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He completed an Honours Degree in Fine Art (Printmaking (at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. One of Austalia's foremost printmakers David Frazer's highly detailed woodblock and linocut prints often explore the emotional and fragile state of the human condition. His work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He has held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) David was awarded the Keith Wingrove Bookplate Design and in 2002.Framed limited edition linocut on paper.lls '2/36' lc 'The Text Message (study)' lrs 'D. Frazer 15'artist, artwork, david frazer, parallel prints, printmaking, linocut

13 pages document containing the minutes of the 134th Annual General Meeting held on 25 July 2019. First page table of contents illustrated with a colour photograph (etc)thompson's foundry band, castlemaine, agm, 2019

Bandmaster Ed Wilcock presenting member Ruth Pearce with the Annual AwardPhotograph depicts Ed Wilcox presenting the Wooden plaque to Ruth Pearceat Thompson's Foundry Band Hallruth pearce, ed wilcox

Photograph with Seven people. L-R: Ruth Pearce, Ken Boal, John Bouch, Joan Cox, Peter Ward, Miriam Maddern

Strengthening Our Community Grants 2013-2014 Thompsons Foundry Band For the Project Instrument upgrades and repairs

Photograph of Joan Stewart and Miriam Maddern at presentation of Life Governorship certificate to Joan Stewartjoan stewart, miriam maddern, certificate, life governor

Decorative object made by silversmith Ernest Leviny.Silver mounted emu egg goblet with detachable silver lid decorated with a kneeling Aboriginal figure holding weapons (spear is missing). Emu egg is mounted on a silver base with filigree acanthus leaf designwork on the stem, leading to four sprays on the egg surface with a rose, thistle and shamrock design. The inner egg is lined with a gold wash.Noneernest leviny, silversmithing, colonial silverware, castlemaine, emu egg goblet, buda, c 1859

This screen with embroidered and appliqued panels was entered in the First Australian Exhibition of Women's Work 1907, at the Royal Exhibition Building in Melbourne. This landmark exhibition gave women artists and craft workers an opportunity to display their works to a broad audience and gain recognition for the variety and high standard of the works in both traditional and non-traditional fields for women. The embroidery and applique design is based on an original design for a similar object made by British Arts and Crafts Architect and Designer, M.H. Baillie-Scott, which was published in The Studio magazine in the early 1900s,This three-panel draught screen was made by Hilda Leviny in the Arts and Crafts style and entered into the First Exhibition of Women's Work, at the Exhibition Buildings, Melbourne in 1907.Arts and Crafts style three-panel draught screen made from timber(American Oak), linen panels, silk embroidery threads, beaten copper decoration and varnish. The embroidered panels, made by Hilda Leviny, are mounted within the timer framework, depicting a design of birds and trees in the Arts and Crafts style. Pattern Reg. No. 3227.2 and 2503. With copper decoration.hilda leviny, buda, castlemaine, domestic furniture, handcrafts, needlework, art nouveau, 1907, exhibition of women's work, royal exhibition building, woodwork, draught sceen, arts and crafts movement, embroidery and applique

Original design by Dorothy Leviny, aged 25, while she was a student at the Bendigo School Of Mines under the tutelage of Arthur T. Woodward. Woodward, who had come to Australia from Britain, was a renowned proponent of the Arts and Crafts Movement in Australia during the late nineteenth and early twentieth centuries. Dorothy Leviny, along with two of her sisters, entered a number of items in the First Australian Exhibition of Women's Work, Melbourne, 1907, and was awarded second prize for one of her wallpaper designs. Dorothy Leviny was the ninth child born to noted colonial silversmith and jeweller, Ernest Leviny, and his wife, Bertha (nee Hudson).This original wallpaper design by Dorothy Leviny is one of few that remain in existence from the early twentieth century showing the influence of the British Arts and Crafts Movement in Australia.Original wallpaper design made by (Bertha) Dorothy Leviny painted in watercolour. The repetitive floral design consists of pale pink bell-shaped flowers with green stems and leaves. Paper, card, watercolour paint.'D. Leviny /06'.dorothy leviny, watercolour painting, arts and crafts movement, 1906, buda, castlemaine, arthur t woodward, bendigo school of mines, exhibition of womens work 1907, wallpaper design, illustration

This is a hard cover book with a black cover with silver-coloured printing on the front and spine. The dust cover has a white background with several black and white and colour photographs and white and brown printing. The book contains an introduction, 13 chapters of text and the publisher’s acknowledgements. The text includes many black and white and colour photographs, diagrams and maps. non-fictionThis book documents a 1930 taxi fare from Lorne to Darwin via Warrnambool.charles heard, car travel in 1930, history of warrnambool

Bride in shin length dress , head dress and veil typical of 1920'sBlack and white photograph of Les Fish and his bride Ethal on their wedding daycelebration, wedding, ww 1, army

Slide. Bendigo Easter Fair. The Castlemaine Highland Pipe Band.slide, bendigo, bendigo easter fair., bendigo easter fair.

Methodist Order of Knights Central District Shield. Dark stained wood with gilt text and MOK enamel badge. There are two small chrome shields on the front and brown paper on the back."CENTRAL DISTRICT" "1963 Castlemaine" "1964 Kennington"methodist order of knights

Friday October 18 2002 Castlemaine Mail

This coloured postcard has the crossed flags of Australia & the United States held by a figure dressed in the stars & stripes on one side and figure in a 'colonial' outfit. Between the men are several warships. The text reads Australia Greets America. It was a souvenir of the visit of the Great White Fleet in 1908. The sender of the postcard had travelled to Melbourne to see the Great White Fleet.Addressed to Major Field, Winters Flat, Castlemaine. armed services - navy, celebrations, great white fleet

This coloured postcard with a photograph of the Exhibition Building in the centre with crossed hands above & the flags of Australia & the United States on either side was a souvenir of the visit of the Great White Fleet in 1908. There is also a representation of the Statue of Liberty on the left & the Australian Coat of Arms on the right. The sender of the postcard had travelled to Melbourne to shop at Foy's and to see the Great White Fleet.Addressed to Miss Bennett, Campbells Creek, Castlemaine. armed services - navy, celebrations, great white fleet

A cream programme with mauve print. On the front cover is a photo of Mr. W.C. Frazier, A.R.C.O., Conductor, and the words, Castlemaine Choral Society. Season 1923. Seventh Grand Concert. A programme by the Bendigo and Castlemaine Choirs. Monday Evening, 3rd December, 1923, in Castlemaine Town Hall. Programme Threepence. H.W. Byrne, Hon. Sec.program, music, castlemaine choral society, lydia chancellor, collection, music, castlemaine choral society, concert, entertainment, singing, choir, amusements, castlemaine town hall, bendigo choral society