Green field shirt with two chest pockets. It has three cloth badges of rank. Two badges sewn on the right sleeve and one badge on the left sleeve. The Australian Military Badge is at the top of the L sleeve. Warrant Officer Class II badges (L/R sleeves). Each shoulder has a strap.Manufacturers Badge sewn inside shirt. Australian Government Clothing Factory, Victoria, 1980 SIZE 38/81 B405.66.093.2430 SERVICE NO. NAMEgreen shirt,, 1980,, australian armed forces

Major-General Charles Goerge Gordon. Born in Woolwich, Kent England 28 January 1833, died 26January 1885 Khartoum, Mahdist Sudan. He was The Governor General of Sudan and had Commands in Crimean War, Siege of Sevastopol, Battle of Kinburn, Second Opium War, Taiping Rebellion, Battle of Cixi, Battle of Changzhou, Mahdist War, Siege of Khartoum. Awards - Companion of the Order of the Bath (United Kingdom), Order of the Osmanieh Fourth Class (Ottoman Empire), Order of the Medjidie Fourth Class (Ottoman Empire), Chevalier of the Legion of Honour (France), Order of the Double Dragon (China), Imperial yellow jacket (China)An oval hand coloured photograph of a man with a mustache wearing a red hat and a blue military uniform with a gold collar, epaulettes and lapels, and a green sash. On his left chest there are five awards. It's attached to a rectangular brown paper covered cardboard. On the rear handwritten pencil General Charles Cordon British Officemajor-general g. g. gordon, awarda, middle east, china

In a black frame a coloured photograph taken from the stern of ship showing several sailors most bare chested enjoying the sunshine. Another ship can be seen in the background. At the bottom left hand side of the photograph reads Voyages to Vietnam Collection. Bottom right hand side reads Copyright Brenton TancockVoyages to Vietnam Collection. Copyright Brenton Tancockphotograph, ran, cerberus collection

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. The decoration on this garment was embroidered by hand by a skilled worker at the Kathryn Knitwear factory Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Orlon was developed by DuPont in the 1940s and became the first commercially successful acrylic fibre in the 1950s and 1960s. The development of Orlon coincided with an increase in availability of washing machines in everyday Australian homes. The great appeal of Orlon was that while wool garments still had to be hand-washed, Orlon’s shrink-resistant nature made it machine washable and dryable. This was a very appealing prospect, especially for the seemingly unending task of cleaning active children’s clothing. Machine washable wool would not be available until the development of the ‘Superwash’ treatment by the Australian Wool Board and CSIRO in 1970. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.White short-sleeved polo jumper with patch pocket on left side of chest. Features a navy hand embroidered anchor motif on the patch pocket and navy accents on top edge of pocket and edge of collar. Style 853/P. .2 Cream paper tag with handwritten red text and printed blue text..2) [sample label] [OBVERSE] S/8 853/P – PULLOVER – ORLON – HAND EMBROIDER POCKET. 24” 26” 28” 30” 32” 34” 26/- 29/- 32/- 35/- 39/- 43/6 WHITE/NAVY. NAVY/WHITEchildren's knitwear, knitwear, clothing, children's clothing, cardigan, manufacturing, fashion textile production, machine knitting, embroidery, embroiderer, anchor, anchor motif, nautical, nautical fashion

During National Arthritis Week (NAW) in 2004, Arthritis Victoria held a special event for Self-Help Groups at Jells Park in Wheelers Hill. In this photo, a woman leads the group in a gentle exercise routine.COL photo of a group of people standing on a grassy area in a large park, doing some exercises. One woman is standing apart from the group, facing them. Everyone is standing slightly apart , with their hands up in front of their chests. One participant is standing behind his walking frame. There are many trees in the background.[On a white label, typed in black ink] National Arthritis Week 2004 SHG Event @ Jells Park [In the bottom right corner of the label, handwritten in blue ink] 5 [circled twice and somewhat illegible]arthritis foundation of victoria, afv, arthritis victoria, av, national arthritis week, naw, self help groups, exercise, jells park, wheelers hill, update, 2004

Uniform shirt issued to POLWARTH No. 3178035.Shirt - green colour cotton fabric with collar, long sleeves, shoulder epaulettes, two front pockets with button down flap, green colour plastic buttons, two front pockets with button down flap. Green colour cotton manufacturer's label, with small white label below collar. Army work dress shirt commonly called "GREENS". This shirt has more of an American style. Manufacturer's label information - black ink print (some of print illegible) ?? Pty Ltd/ 1971/ ^/ 8405-66-034-5398/ CHEST & SIZE 44-45?/ NAME/ ARMY NO./ ???" handwritten on label - black ink pen "POLWARTH/ 317803". Small white label - handwritten black ink pen "POL".passchendaele barracks trust, uniform, army workdress, polwarth

Letters from Alf Ferris to his Family at Terrick Terrick, refer Cat No 4183.3P.1) Letter, square paper, off white colour, ruled lines, hand written in black pencil & dated. .2) Envelope, rectangular shape, off white colour, Red postage stamp, PO stamp from Melbourne Victoria, hand written in black pen. .3) Envelope, rectangular shape, off white colour, Field PO stamp, passed by censor stamp in black & initialled, hand written in black pencil. .4) Envelope, “AIF & War Chest Club” , PO stamp in black, date unclear, hand written in black pen. .5) Letter, “AIF & War Chest Club” letter head in black, plain paper, off white, rectangular shape, hand written in black pen & dated..1) At Top, “France 2nd June 1918, Dear Mother and All” .5) At top, “10th Aug 1918, Dear Mother”.letters, envelopes, war chest club

This jacket is part of a Royal Australian Army Ordnance Corps uniform. The Royal Australian Army Ordnance Corps (RAAOC) is responsible for various logistics and organisational operations, such as maintenance of parachutes, fuel distribution, personnel administration, exlosive disposal and laundy operations. The jacket was manufactured in 1968 and was worn by an unknown RAAOC serviceman. The patches on his sleeves denote that he had earned qualifications as a parachuter and a marksman and that he was a Warrant Officer 1. Due to the period of manufacture it can be presumed that the serviceman whom this uniform belonged to served Vietnam War.As an historic military uniform dating to 1968, it is presumed that this item would have been used in service during the Vietnam War. The wearer of the uniform is unknown, however the patches and flashes attached signify that the serviceman worked for the Royal Australian Army Ordnance Corps, earned qualifications as a parachuter and marksman and ranked highly as a Warrant Officer 1. The item is representative of a type of uniform worn by high ranking RAAOC servicemen during the 1960’s. It is also in very good condition for its age.A khaki coloured waist length jacket which is composed of a heavy fabric. The jacket fastens with five buttons down the front and a buckle. The buttons are composed of brown plastic and the buckle is a dark grey metal. The buckle is attached to a waistband on the right-hand side which loops around to a strip of fabric on the left-hand side which passes through the buckle. There are two breast pockets, one on each side of the chest. The right breast pocket is fastened with a brown plastic button and the left breast pocket is missing its button. Each pocket has a flap of fabric which covers the button area. The jacket has a collar and an epaulette on each shoulder which are each fastened with one brown plastic button. There is a ribbon of fabric on the interior of the collar with no inscriptions. There are identical crescent shaped red patches on each shoulder, each showing the words in navy blue stitching "Royal Australian Army Ordinance Corps". The upper right sleeve has a khaki coloured parachuting qualification patch, which depicts an air balloon in white stitching, with wings on either side in light blue stitching. The lower section of each sleeve has a Warrant Officer First Class khaki coloured patch. This depicts a shield in red, black, white, blue and gold stitching in the centre which sits beneath a gold and blue striped line and a gold star. There is a gold kangaroo to the left of these motifs and a gold emu to the right. Beneath these motifs there is a ribbon in white, blue and gold stitching with the word "Australia". In addition there are curvilinear green decorative elements with yellow flowers on their ends. The left-hand sleeve also has a brown marksmen qualification patch. This depicts two crossed rifles in white and brown stitching. There is a white label with printed inscriptions on the interior of the left breast pocket. There is also a band of fabric on the interior back waist band which has three button holes.Printed in black inscriptions on the white label: E.W. PTY/LTD. SOUTH AUSTRALIA 1968 (a broad arrow) Class 8405-66-025-641 Batch A.W... Mill (the ‘A.W...’ is in stamped purple ink and there are some other purple inscriptions that are difficult to decipher) SIZE OF CHEST 39/49PR MATCHING TROUSERS 37 PR DRY CLEAN ONLY CREASE UPPER HALF OF LAPELS ONLY NAME..... ARMY No..... (the number 40 is also wrtten in faded black ink in the top right corner of the label)military, jacket, army, raaoc, royal australian army ordnance corps, parachuting, marksman, warrant officer, uniform

The DollarBird is the only member of the Roller family found in Australia and can be found in forests and woodland areas. The name of this bird comes from the large white spot on the underside of each wing which resemble silver dollars. They travel to Australia each year to breed from New Guinea and the surrounding area. Their main source of food is insects which they hunt during flight. They capture these foods while displaying skillful aerial pursuits. They then return to the same perch they were upon when they left to catch their food. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This juvenile Dollar bird's feet are a faded brown and the bill is a light yellow. The colour of this specimen's head and neck are a cool grey which fades to a patch of bright purple on its upper chest. The back is grey while the underbelly and wings are a light blue-grey. The tail feathers are tipped in black. The specimen is standing on a wooden mount.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, dollar bird

The library committee had already commissioned a portrait of Sir Redmond Barry when they purchased this bust of Barry along with that of Justice Fellows. The library still holds the receipt for this purchase of 24 pounds. The purchases were probably part of the program of outfitting the library interiors and may have been purchased for the niches, that were later covered with the portraits, ironically one of these was of Barry. Redmond Barry is an important figure in colonial Victorian history, responsible for the establishment of key cultural institutions as well as a Supreme Court Judge for nearly 30 years, presiding over both the Eureka trials and the trial of Ned Kelly.The bust of Redmond Barry is of some interest as part of the original furnishings of the library. It represents one of a number of bust portraits of Barry and is of some significance as it portrays Barry, an important figure in Victorian history. The bust is also of interest as a work of James Scurry, most well known for his architectural sculpture.Plaster bust of Justice Redmond Barry. The bust itself is painted white. The pedestal has been painted for a red and black marble effect. Barry's name appears in gold lettering. The Bust is larger than life size. The head is finely detailed with Barry in contemporary clothing with a bow tie and his orders on his chest.Sir Redmond Barry

The Golden Whistler is native to coastal areas of Australia, from Queensland around to Southern Western Australia, including Tasmania. It usually lives in dense forested areas. The males have bright yellow plumage, whilst the females have only pale yellow plumage. The males and females work together to build the nest and raise chicks. They eat spiders and insects. The taxidermy specimen is not a good example of a Golden Whistler. Its feathers are very faded and ruffled. There looks to be some damage on the throat of the specimen. The Golden Whistler has usually vibrant colours, whilst this one is almost white. The colour markings on the bird indicate that it is male; the specimen should be a bright yellow. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This male Golden Whistler has a black head and stripe on chest, brown-grey wings and tail and white patches on throat and neck. The belly is a white-yellow, though significantly faded. Its feathers are quite ruffled and there is sign of damage to the throat. The specimen stands on a wooden stand and has an identification tag attached to its leg. Label: 24a / white throated Thickhead / See catalogue, page 11taxidermy mount, taxidermy, golden whistler, beechworth, burke museum, australian bird

The Medal ribbons are:- Top row - OBE Military Division 1939-45 Star, Pacific Star, War medal 1939-45. Middle row - Aust Service Medal. Korea Medal, Korea U.N. Medal, General Service Medal (Malaya). Bottom Row - Vietnam Medal. Long Service & Good Conduct Medal. Meritorious Service Medal. Sth. Vietnam Campaign Medal.1. Jacket, black woollen, four front pockets. There are no buttons or corps badges. On the arms are the metallic gold badges of a Staff Sgt. On the chest are 12 ribbons. 2. Braces, trouser. Elastic white, gold plated steel clips. 3. Necktie, Green. On the tie are repetitive patterns of the RA Inf badge. 4. Necktie.mess dress, uniform, post ww2, passchendaele barracks trust

MEDIUM: Photographic print. DESCRIPTION: Black and white photography print, no frame. A figurative nude stands against a cracked and splitting wall, the image captures a faceless woman’s body as it curls inward upon itself, her head and chest guarded and held by her arms and hands. A vulnerable moment captured in black and white photography. Signed and dated across bottom of print.photograph, body, print, banda, form

Newspaper article - written on top 'early before Jan 1983' Title: ' Dragon its tail? Not Bendigo by Alan Dearn. Article describes history of Easter Fair. Louey Wat Soon, Neil Roxborough details the history of the imperial dragon, kept by the Chinese Association packed in camphor wood chests with other rare costumes.bendigo, chinese, bendigo easter fair

Else-Lore and her mother Else Oertel were German internees in Camp 3A from 1940-1945. The German Red Cross sent items to the internees in the camps and this tin of chocolate was one of the items given to the Oertel family. Else-Lore Hukins donated the item, which she describes as a 'treasured item'.Round metal tin with plastic-wrapped cake of chocolate inside. Chocolate has Hildebrand inscribed in centre with picture possibly of two knights on horseback. Tin has cream/tan lid with dark brown base. Lid has picture of German eagle in brown, with a cream swastika on its chest, standing on a red cross.(On lid): Deutsches rotes kreuz (German Red Cross)/ Schokolade (chocolate)/ Hildebrand - Berlintatura, ww2, camp 3, internment, internee camps, items, german red cross, else-lore hukins, oertel family, else oertel

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This gown is believed to have been owned and worn by a member of the Smart family of 'Turinville', in Barnard Grove, Kew.Two-piece dress comprised of a bodice and floor length skirt made of a soft, lightweight cerise coloured silk fabric. The bodice features a v-shaped rear neck. A wide velvet cummerbund is part of the outfit. Dated to c. 1901. (Measurements: Length 132 x Waist 62-73, Chest 76 cm)australian fashion - 1900s, ball gowns - 1900s, evening dresses, evening wear, women's clothing

Sepia photograph of a well dressed couple, lady wearing long high necked gown with flowers centre chest right, standing with right arm held behind back, left arm resting on chair where gentleman with beard, wearing suit sits with left arm resting on thigh and right arm on chair arm."Lizzie and John Mr and Mrs Godden, Linton nee Boreham from Nerrina"mr and mrs john godden, lizzie boreham

George Henry Edwards (Born Melbourne, enlisted Colac) No 1288 enlisted on 15.10.1914 aged 23 years in the 14th Batt AIF. He embarked for Eygpt on 22.12.1914, embarked for Gallipoli 12.4.15. Hospital 27.8.15 with Diarrehoea, promoted Corporal 10.9.15, hospital 26.9.15 with Pluerisy, hospital 1.12.15 with chest injury, sprained back 12.12.15, embarked for Australia 13.12.15 for discharge. Discharged from the AIF medically unfit 25.7.16.Medal set, court mounted, set of (3) re G.H Edwards. 1. 1914-15 Star. 2. War medal 1914-18. Replica not engraved. 3. Victory medal 1914 — 1919. Replica not engraved."1288. PTE G.H.EDWARDS. 14/BN A.I.F. "medals, military, history

Frank William Trengove (born Hay NSW, enlisted Bendigo) No 3201 enlisted in the 7th reinforcements 2nd Pioneers on 27.9.1916 age 21 years 5 months. Embarked for England 23.11.1916, embarked for France 5.9.1917, transferred to 38th Batt 17.9.1917, WIA 13.10.1917 Gassed, returned to France 2.4.1918, hospital 15.4.1918 Chest problems, transferred back to 2nd Pioneers 20.6.1918, discharged from the AIF 4.11.1919.Medals, court mounted, set of 2, re F W TRENGOVE 1. War Medal 1914-18 2. Victory Medal 19141 - 1919”3201 A- L- CPL F W TRENGOVE 38 BN AIF”medals, military, history, passchendaele barracks trust

Benjamin Thomas Roy Chadd No's 10594, VX20311, 1st and 2nd AIF. Refer Cat No 2039 for his complete service history. Photo taken possibly between WW1 and WW2. Photograph, framed. Re Lt. Col. B. T. R. CHADD. Timber frame mid brown colour. Black and white photograph of eight lighthorse officers, some have medal ribbons on left of chest. One vehicle and row of trees in background. Group full length portrait. Dark green cardboard surround to photograph.On white label with frame "Lt Col B.T.R. CHADD/donated by Mrs B. CAHILL"photography- photographs, frame accessories, military history- army

Glass statuette of a man holding a baby. The man is dressed as a doctor, in white clothing, and has grey hair, a grey beard, and spectacles. He is holding a baby to his chest, with the baby facing towards the man, head pointing down. The man is holding the baby's ankles in his right hand, and the baby's bottom in his left hand.

This is a rare and hazardous obstetric complication, occurring approximately once every 90000 deliveries. It usually results in a low survival rate for the twin that presents first, with a stillborn rate over 50%. This piece is believed to be from South America, and is either from Colombia or Peru.Ceramic childbirth scene with three figures. At centre, a woman lies on a table giving birth. A figure wearing a hat stands to her right, resting their hand on her upper chest in a gesture of support. On her left, a gloved man with receding hairline and a moustache is leaning over her abdomen and is extracting two babies from her womb.obstetric delivery

One pouch is inscribed with Jackson FIT614

Block mounted colour photograph featuring the artist Francis Smith. Shows a head and shoulders image of Smith, bare chested with long hair and full beard. He is resting his right hand on a wooden pole, possibly a shovel handle, and looks skywood. His fingers are dirty. Mounted on craftwood board with black painted edges.

These labels come from the Warrnambool chemist business of John Sambell/Sambell and Son/Sambell, Son and Granddaughter. John Sambell opened the Hall of Pharmacy in Fairy Street, Warrnambool about 1890. He was a chemist and dentist with previous business experience in Great Britain and Victoria. By 1919 John Sambell’s son, Herbert had joined the business, trading as Sambell and Son (though John Sambell died in 1906) and the shop was located at 151 Fairy Street. In the late 1930s Sambells moved to 90 Fairy Street and was known as Sambell, Son and Granddaughter. Herbert Sambell died in 1943. These labels show some of the many products sold by the Warrnambool chemist business of John Sambell/Sambell & Son/Sambell, Son and Granddaughter, a prominent 20th century Warrnambool business. The labels also remind us that this business was unusual in that in the 20th century it acknowledged a female proprietor along with the male proprietors (Sambell, Son and Granddaughter).1A sheet of paper pasted on to a thicker card. It has a red border and a red cross and blue printing .2 A sheet of paper pasted onto another sheet with red and blue printing and a red and blue border .3 A sheet of paper with a red border, a red cross and blue printing .4 A sheet of paper with red lines, a red cross and blue and red printing .5 A sheet of paper with a red decorative border and blue and red printing .6 A sheet of pink paper with a black border and black printing .7 A sheet of paper with a gold border and blue and gold printing .8 A sheet of paper with blue printing and a red cross .1 Sambell’s Chest and Lung Mixture .2 Sarsparilla Blood Purifier .3. Sambell’s Restorative Tonic 4. Sambell’s Balsamic Salve 5. Sambell’s Emulsion of Cod Liver Oil 6. Sambell’s White Diarrhoea Mixture 7. Sambell’s Elixir Strengthening Tonic 8. Sambell’s Red Cross Dairy Ointment sambell, chemist,, warrnambool, labels

Battle dress jacket and trousers. 1. 2. Khaki colour wool serge fabric. Green colour plastic buttons. 1. Jacket - bomber jacket style with collar, shoulder epaulettes, long sleeves with cuffs, two front patch pockets with concealed button down flap. Attached waist band with metal slide buckle and strap closure. Front concealed button. Paper label on back waistband. Manufacturers information - white cotton fabric inside left side. 2. Trousers - battle dress style with fib pocket, two side pockets, one back pocket with button down flap. Green colour polyester fabric lining to pockets, cotton fabric lining to waistband. Metal zipper fly. White colour cotton manufacturers label - inside, lining back pocket.Manufacturers information on labels - black ink print. 1. "OXFORD CLOTHES PTY LTD/ SOUTH AUSTRALIA 1968/ ^/ CLASS 8405-66-025-6416/ Mill A.W.M. 9/69/ Size of Chest 36/37L/ Matching trouser 32 waist/ DRY CLEAN ONLY/ CREASE UPPER HALF OF LAPELS ONLY/ NAME "WINBERS" (Handwritten)/ ARMY NO. Paper label with black ink print "SIZE 4 CHEST 36/37L/ MATCHING TROUSERS/ 32 WAIST/ MILL A.W.M. 9/69/ BATCH 20". 2. "A.G.C.F./ VIC.1976/ ^/ 8405-66-025-6182/ McQUARIE/ BATCH 12.1969/ SIZE. WAIST 31R/ DRY CLEAN ONLY/ CREASES SET/ BY BIRO SET/ MENDING PATCH ATTACHED".uniforms, battle dress, army

James Woods No NX29622, (born Wee Waa NSW, enlisted Paddington NSW) in the 2nd AIF on 10.6.40. Serving in the Middle East with 2/2nd Machine Gun Batt he was awarded the Military Medal for " Conspicious and outstanding control of fire during the period 10 July - 2 August in the Tel El Eisa area". WIA with GSW's to chest and back he was discharged medically unfit on 4.6.43 with the rank of Cpl.Medal set, brass plate mounted, set of (6) re H.J.Woods 1. Military Medal. 2. 1939-45 Star, not engraved but original. 3. Africa Star, not engraved but original. 4. Defence Medal. 5. War Medal 1939-45. 6. Australian Service Medal 1939 - 45"NX29622 Cpl H.J.Woods. AIF"medals, military, bravery, history