Trenavin Park was built by Mr Sambell on a site just above the original site of the McHaffie homestead. Was owned by Mr & Mrs Oswin (70's)Six coloured photographs of Trenavin Park, Ventnor, Phillip Island. 81-90: Front view of Trenavin Park 81-90a: Back view of Trenavin Park 81-90b: Interior of Trenavin Park showing stairs 81-90c: Interior of Trenavin Park showing lounge and dining areas 81-90d: Interior of Trenavin Park showing games room with billiard table 81-90e: The Furneryphotographs, trenavin park phillip island, john cook

This chair is one of a set of four chairs from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. * for more detailed history please see our Registration Number 658, Set of chairs This set of chairs is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of chairs is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this set of chairs to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Chair: Australian Colonial rail back dining chair. Chair is one of a set of four (4) cedar wood chairs. Each chair has a rounded rail back, flat cross rail, flat solid wood seat, curved back legs and colonial turned front legs. Mid-brown colour, veneer finish. The set of chairs is part of the St Nicholas Seamen's Church Williamstown Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, sailors rest, sailors’ church, bethel sailors’ church, bethel floating church, ladies harbour light guild, lightkeepers’ auxiliary, missions to seamen victoria, mission to seafarers, flying angel’s club, ann street williamstown, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, religious worship, anglican church, chair, dining chair, kitchen chair, domestic furniture, colonial chair, australian colonial period, cedar chair

This chair is one of a set of four chairs from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. * for more detailed history please see our Registration Number 658, Set of chairs This set of chairs is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of chairs is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this set of chairs to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Chair: Australian Colonial rail back dining chair. Chair is one of a set of four (4) cedar wood chairs. Each chair has a rounded rail back, flat cross rail, flat solid wood seat, curved back legs and colonial turned front legs. Mid-brown colour, veneer finish. The set of chairs is part of the St Nicholas Seamen's Church Williamstown Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, sailors rest, sailors’ church, bethel sailors’ church, bethel floating church, ladies harbour light guild, lightkeepers’ auxiliary, missions to seamen victoria, mission to seafarers, flying angel’s club, ann street williamstown, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, religious worship, anglican church, chair, dining chair, kitchen chair, domestic furniture, colonial chair, australian colonial period, cedar chair

This chair is one of a set of four chairs from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. * for more detailed history please see our Registration Number 658, Set of chairs This set of chairs is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of chairs is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this set of chairs to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Chair: Australian Colonial rail back dining chair. Chair is one of a set of four (4) cedar wood chairs. Each chair has a rounded rail back, flat cross rail, flat solid wood seat, curved back legs and colonial turned front legs. Mid-brown colour, veneer finish. The set of chairs is part of the St Nicholas Seamen's Church Williamstown Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, sailors rest, sailors’ church, bethel sailors’ church, bethel floating church, ladies harbour light guild, lightkeepers’ auxiliary, missions to seamen victoria, mission to seafarers, flying angel’s club, ann street williamstown, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, religious worship, anglican church, chair, dining chair, kitchen chair, domestic furniture, colonial chair, australian colonial period, cedar chair

This chair is one of a set of four chairs from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. * for more detailed history please see our Registration Number 658, Set of chairs This set of chairs is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The set of chairs is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this set of chairs to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Chair: Australian Colonial rail back dining chair. Chair is one of a set of four (4) cedar wood chairs. Each chair has a rounded rail back, flat cross rail, flat solid wood seat, curved back legs and colonial turned front legs. Mid-brown colour, veneer finish. The set of chairs is part of the St Nicholas Seamen's Church Williamstown Collection. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, sailors rest, sailors’ church, bethel sailors’ church, bethel floating church, ladies harbour light guild, lightkeepers’ auxiliary, missions to seamen victoria, mission to seafarers, flying angel’s club, ann street williamstown, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, church furniture, religious furniture, religious worship, anglican church, chair, dining chair, kitchen chair, domestic furniture, colonial chair, australian colonial period, cedar chair

Black and white photograph of Victorian / Edwardian Dining Room. Large sideboard with mirror, large over mantle on fireplace with urns and figurines. Candlesticks and epergne on table. Large hanging branched light to ceiling. Tray mobile against wall. Various pictures on wall. Inscriptions: on front - BR corner 'UI 589 1'. On back - hand written in ball point pen 'Mueller's Mc Laren St'.place, residential, see also 2001.143.01

List of events for the No. 41 Air Defence Radar Wing 50th Anniversary, the celebrations will be held at the RAAF Base Williamtown on Friday 26 February 1993. events include: Barbecue lunch at no.3 Control and Reporting Unit; Air Defence Photographic Displays and Guided Tours of 3CRU; RAAF Base Williamtown and Fighter World museum guided tours; No.41 Wing all ranks mixed dining in night dinner.military, airforce, raaf radar

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the rear panel of the fireplace in the dining room at Villa Alba. The central decorative tiles depict pears and pomegranates. Above and below this central pair are abstract floral tiles in shades of olive green, blue and white. These six decorative tiles are surrounded by rectangular plain majolica tiles in shades of maroon and teal blue. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

This plate was used for serving carved meat at the dining table. This serving meat plate/platter dates to the 1914 to 1930's period in time. Generally fine bone china and crockery was imported. Pieces like this tray were often considered to be "good" crockery for use on special occasions.The item is an example of a piece of china used by local families in the early 20th century. It also has aesthetic significance.A large meat carving plate with a floral design around its rim. The plate is white china with pink and blue painted flowers. The edge is scalloped and painted with a gold edging.Underneath - H 4.....?domestic kitchen crockery, serving-plates platters food-preparation

Colour photograph - 1st Cricket, 1978."Attached to photograph" Back Row-L to R: Dijan Dinic, Jim Pumpa, Gavin Thorpe, David Hill, Greg Smith, Gavin Williams. Front Row- L to R: Werner Birkner, Peter Last, Matty Cane, Phillip Hagger, Peter Johnson, Mark Boehme, Paul Evans. Coach: Bruce Bower

Black and white photograph - Grade Prep B, 1977"Attached to photograph" Back Row- L to R: Carl (?), ?, ?, ?, Dean Mavroudis, ?, Mark McDougall 2nd Row- L to R: Brett Davenport, ?, ?, Chris McEwan, Mathew Rooks, Peter Rigg. 3rd Row- L to R: ?, ?, Melissa Beard, Deanna Dinic, ?, Michelle(?), ?. Front Row- ?. Teacher: Miss Harrison, Mrs Thatcher.

2 photographs (1 sepia copy, 1 larger black and white copy). Image shows brick house with picket fence all roWritten below black and white photograph: "Home of Tommy Grant before the Coffee Palace was built in front of it. The house became part of the Coffee Palace. Demolished for Eastland c1968." Written on the back of the sepia photograph, "The centre section of the Coffee Palace was built in front of house, rooms becoming dining rooms. (T. Grant).1908."

This vase would have been used to hold five small flowers or fronds and would have been a decorative item on a dining table or mantelpiece. Today a vase holding one or a small number of flowers is called a specimen vase and the style of these tends to be less decorative than the item described here. This item has no known local provenance but is retained as an example of a household item from the past.This is a white china vase with a central pillar representing the trunk of a tree and (originally) four pillars branching out from the main pillar to represent the branches of a tree. One of these pillars is now missing. The china stems holding the branch columns have embossed flowers and fronds. The main pillar and the branch pillars have irregular-shaped openings for flower insertion.household items, history of warrnambool

This is a letterhead from Proudfoot’s Boathouse in Warrnambool. Thomas Proudfoot built the boathouse near the mouth of the Hopkins River in 1885 and it was an accommodation and dining place for tourists, especially for those interested in fishing and other recreational pursuits and it was the base for the Hopkins Rowing Club. Proudfoot built additions in 1888 and 1893 and after he died in 1900 his wife Catherine continued on the business for over 30 years, transferring the licence to her son. In 1939 Thomas Proudfoot’s granddaughter, Ena Hunt gained the licence and operated the business with her husband Percy until 1979. It is Percy Hunt’s name on the letterhead described here. The business today is mainly centred around catering and dining. In the 1990s other buildings were added to the boathouse complex, with the original buildings now being heritage-listed. This item is of some interest as it is the only memento we have of the Hunt family’s 40 years proprietorship of Proudfoot’s Boathouse, a significant set of buildings in Warrnambool.This is a single sheet of cream coloured paper with blue and red printing and a blue-coloured photograph of Proudfoot’s Boat House. It is slightly creased.The Boat House Warrnambool P.J.Hunt Proprietor Telephone 131 proudfoots boat house warrnambool, p.j.hunt, the boat house warrnambool, history of warrnambool

Vol. 4, No. 2, Mar-Apr 1999 CONTENTS 'VISUALISE' WITH JOHN WOLSELEY Guest speaker at Banyule Festival 2 FROM ASSISTED IMMIGRANTS TO MODEL FARMERS Gulf Station 3 THE PARADOX OF HUMAN FRAILTY AND MAGNIFICENCE Isobel Clements on art and life 7 MONTH OF FESTIVALS EVENTS GUIDE Banyule Festival 10 Heidi Festival 13 Petty's Orchard Antique Apple Festival 16 Boroondara LitFest 17 Mullum Mullum Festival 17 Templestowe Festival 19 Warrandyte Festival 21 City of Whittlesea Community Festival 23 DINING WITH SIGMUND JORGENSON 25 SHORT STORY A Pony Called Letter 27 THE WORLD ACCORDING TO INDRA Independent publishing 30 CD REVIEWS 12, 17,22 WINING & DINING 32,33 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, kerri simpson, micl o'connor, dean addison, st andrews hotel, lloyd rees, bridget mcdonnell gallery, hammock, john wolseley, helen baker, jan lowe, karen meehan, gulf station, bell family, banyule young artists award, adams of north riding, montsalvat, dymocks booksellers, isobel clements, isobel clement, banyyule festival, eltham wiregrass gallery, willy wonka's ice cream gourmet food, victorian artists supplies, dianne bullen, kate mcgarrigle, anna mcgarrigle, bulleen art & garden centre, museum of modern art at heide, lovegroves of cottles bridge, rosanna community house, recherche, la piazza restaurant bar & cafe, carlucci's, litfest, mullum mullum festival, petty's orchard, festival of kites, mike rudd, bill putt, cydi boste, templestowe village festival, bi-wize quality paints, jordie albiston, arts on burgundy, warrandyte village festival, mercer's restaurant, manningham gallery, la trobe university art museum, fleur de feliss florist, city of whittlesea community festival, sigmund jorgensen, bhoj, yarra valley country club, monique delaney, dynamic vegies, carly young, indra publishing, ian fraser, volumes

This extension table was used as the dining table in the Boyd's Camberwell home. The legs were cut to create a coffee table when it was moved to the Walsh Street house. It was placed along the west facing windowall in the study in Children's Pavilion. Mandie, Penleigh and Suzy Boyd used to watch televison on the set placed on this coffee table.Timber table (expandable). Top surface slides off to reveal two extra flaps.walsh st furnishings, robin boyd, ohm2022, ohm2022_34

Melbourne Water Transport Unit carried supplies by land and sea.Single sheet of cardboard, off white, folded once. Printing is in blue ink. Front cover, RAACT badge, titled "Melbourne Water Transport Unit, Disbandment Dinner" plus "Held at A & F Receptions, Cromwell Rd, South Yarra - Saturday 28 June 1986". Inside are faint pictures of L.A.R.C.S. Printing of toasts, guests and menu is in red ink. Includes after dinner mints! Dining President WO2 R. Brown CSM.water transport, larcs, passchendaele barracks trust

Beige ticket with a green top right corner. Ticket is to aid the Bendigo Base Hospital and Benevolent Home. Tickets cost 1/- and prize value £100 consisting 5 piece bedroom suite, lounge suite, 6 piece dining room suite and kitchen setting. Ticket no 1229 and drawn publicly Friday, May 24th, 1946. Goods donated and supplied by Beehive Stores, Myers, Maples, Morley Johnsons and L. A. McKenna.bendigo, bendigo easter fair, raffle ticket 1946, document, the bendigo easter fair society house furniture raffle ticket 1946, bendigo base hospital, benevolent home, cr a truscott, cr geo pethard, e g ham, victoria chambers, beehive stores, myers, maples, morley johnsons, l a mckenna, bendigo advertiser, cambridge press

Contract of sale of land dated 11th December, 1954 between Mr. E. C. Rayner (vendor) and Mr. K. O. Stokes (purchaser). Property: land situate in Letherbys Road, Eaglehawk, land described in right to occupy residence area No. 9596, together with weatherboard and brick dwelling, all sundry outbuildings, all linos, electric light fittings and shades and curtains with the exceptions of those in dining room. Price: 275 pounds.organization, business, h.a. & s.r wilkinson real estate

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Colour photograph of 8/13 Victorian Mounted Rifles officers and guests at a Dining In night 22nd April 1989. From left: Major ( Ret'd ) Max Oates, Lieutenant Colonel ( Ret,d ) Jim Allard, Colonel John Neale, Colonel McAloney, Colonel ( Ret,d ) Tom Arrowsmith MC, Major Robert Morrison, Colonel Brewer, Major Gordon Cole and captain Peter Hartung. Sergeant Robin Ellison standing behind.

The Ritz was situated near the corner of Lava and Liebig St. The site was originally a hotel which traded under various names, including The Prince of Wales Dining Room, The Stork The Red Lion and later the Princess Royal after a fire in 1880 and it was delicensed in 1900. it later became the Mia mia cafe before a change to the Ritz. A fragment from Warrnambool's past.Fragment of white plate with black and white check edge and logo of Ritz with Warrnambool in banner below it.Ritz Warrnambool.warrnambool, ritz cafe warrnambool

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair wooden varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned wood. Back rest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair wooden varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned' wood. Backrest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned wood. Back rest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

From the early days of our race, the knife represented one of the first and most important tools that enabled rise of our technology, military, culture, science and all other things that brought us to this point of modern civilisation. As a vital tool for survival, combat, construction and food preparation, the knife quickly became the most basic tool from which all others were born. In those ancient times, 500,000 years ago, sharpened stones started slowly evolving, becoming more and more like their modern counterpart. Before the time when fire enabled the melting of the various metals, and forging them into modern knives, their stone counterparts received several visual upgrades. Double bladed knives were most popular, and their wooden or stone hilts were decorated with animal skins and feathers. Those knives represented a great deal of pride for the warriors and elders who owned them, and that tradition continued to be practised with the arrival of the Bronze Age. The appearance of metallurgy brought the ability to create knives from softer types of metal. Even though knives from bronze did not provide durability over longer periods of time [easily dulled, and susceptible to corrosion), their sharpness and slim designed proved to be superior to any stone knife tool. As the centuries went on, iron and then steel became commonplace across the entire world. Knives created from those materials were much more durable and easier to maintain their sharpness after prolonged use. During medieval times in Europe, steel metallurgy managed to evolve knives from small single or double-bladed edges to larger sizes - swords, spears and axes. Even with all those advancements, the use of knives as an eating utensil continued to be used in some small circles. Even as early as the 15th century, wealthy circles of people started carrying personal knives, intended for double use - both eating and defending against threats. During those times the host were not obliged to provide their guest with any kind of eating utensil in addition to plates, so wealthy males used their eating knives for cutting their own meals, and the meals of nearby female guests. Slim double-bladed knives were good for cutting and piercing foods. As the use of forks became widespread in the whole of Europe by the late 17th century, most people used this kind of small knife on a regular basis (a combination of two knives, one for stabilising and other for cutting the meal). http://www.eatingutensils.net/history-of-cutlery/knife-history/The knife is one of the most important items that has enabled the development of civilisation over thousands of years.Carving knife with wooden handle and rusted slender metal blade.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, knife, kitchen equipment, dining

Dark haired boy sitting at a table eating food with his hands. In the second image, another child is seated next to him and has placed his fingers over his mouth, to understand what is happening. Both boys appear to be in the dining room at the RVIB Burwood School as there is another table behind them and possibly a servery in the background.2 digital images of a boy eating his lunchrvib burwood school, education

This chair is one piece of the parlour or lounge suite in the front room at Hymettus Cottage, Ballarat. The suite consist of this grandfather chair, a grandmother or nursing chair and four balloon back chairs all in Australian cedar. The furniture and decoration in this room is Victorian and a much lighter tone and feel to that in the dining room which is much heavier of an Edwardian style.This suite is a light Australian cedar and a contrast to the heavy Edwardian furniture elsewhere in the cottage.Nilparlour suite, chair

Vol. 3, No. 5, Nov-Dec 1998 CONTENTS RECIPES AND RULES Peter Wegner talks about life and painting 3 A MUSICAL JOURNEY Helen Lucas travels bush tracks to interview two talented musicians 6 THEATRE WITH CAROLYN PICKETT 7 EXHIBITION Peter Glass at Eltham Library 9 PROJECT Banyule arts take part in schools program 10 SHORT STORY Flying the Ditch by Kristina Ekman 12 RESTAURANTS Sigmund Jorgensen dines at Mercer's 14 ELTHAM FESTIVAL Local artists open their studios 16 CD REVIEWS 19, 25 BOOK REVIEWS 20 EXHIBITION - STROLLING AT HEIDE 25 CD REVIEWS A glance at some late arrivals 29 WINING, DINING, ENTERTAINING 30 COMMUNITY SERVICES 31 THEATRE Some new developments 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, mia bulleen, dymocks booksellers, ceramics, peter wegner, fleur de feliss florist, adams of north riding, monty deli & catering services, victorian artists supplies, elham wiregrass gallery, helen lucas, cate bailey, kate adam, carolyn pickett, peter glass, aphids events inc., artists in schools program, kristina ekman, sigmund jorgensen, mercer's restaurant, stephen mercer, artists open studios program, peter accadia, dave bradley, jules christian burns, john fitzgerald, damian fitzgerald, jill forrest, ona henderson, syd tunn, denise keele bedford, annie kiel-taggart, jenni mitchell, grace mitchell, mervyn hannan, mary lou pittard, chris pittard, alan martin, elizabeth vercoe, nel ten wolde, montsalvat, yarra valley country club, pool & spa care centre, la piazza restaurant bar & cafe, frank jones, inga clendinnen, gwen ford, rose zwi, michelle lonsdale, christopher heathcote, roger palmer, jane messer, sandy jeffs, rodney waterman, doug de vries, recherche speciality picture framing, llobex image wizards, museum of modern art at heide, callam morton, maz delaney, shauna mcmullen, carlton courthouse theartre, ariel valent, kate adam, david brown, cate bailey, tony o'rourke, andy baylor, bulleen art & garden centre, dynamic vegies, volumes