Beige ticket with a green top right corner. Ticket is to aid the Bendigo Base Hospital and Benevolent Home. Tickets cost 1/- and prize value £100 consisting 5 piece bedroom suite, lounge suite, 6 piece dining room suite and kitchen setting. Ticket no 1229 and drawn publicly Friday, May 24th, 1946. Goods donated and supplied by Beehive Stores, Myers, Maples, Morley Johnsons and L. A. McKenna.bendigo, bendigo easter fair, raffle ticket 1946, document, the bendigo easter fair society house furniture raffle ticket 1946, bendigo base hospital, benevolent home, cr a truscott, cr geo pethard, e g ham, victoria chambers, beehive stores, myers, maples, morley johnsons, l a mckenna, bendigo advertiser, cambridge press

Contract of sale of land dated 11th December, 1954 between Mr. E. C. Rayner (vendor) and Mr. K. O. Stokes (purchaser). Property: land situate in Letherbys Road, Eaglehawk, land described in right to occupy residence area No. 9596, together with weatherboard and brick dwelling, all sundry outbuildings, all linos, electric light fittings and shades and curtains with the exceptions of those in dining room. Price: 275 pounds.organization, business, h.a. & s.r wilkinson real estate

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Colour photograph of 8/13 Victorian Mounted Rifles officers and guests at a Dining In night 22nd April 1989. From left: Major ( Ret'd ) Max Oates, Lieutenant Colonel ( Ret,d ) Jim Allard, Colonel John Neale, Colonel McAloney, Colonel ( Ret,d ) Tom Arrowsmith MC, Major Robert Morrison, Colonel Brewer, Major Gordon Cole and captain Peter Hartung. Sergeant Robin Ellison standing behind.

This vase would have been used to hold five small flowers or fronds and would have been a decorative item on a dining table or mantelpiece. Today a vase holding one or a small number of flowers is called a specimen vase and the style of these tends to be less decorative than the item described here. This item has no known local provenance but is retained as an example of a household item from the past.This is a white china vase with a central pillar representing the trunk of a tree and (originally) four pillars branching out from the main pillar to represent the branches of a tree. One of these pillars is now missing. The china stems holding the branch columns have embossed flowers and fronds. The main pillar and the branch pillars have irregular-shaped openings for flower insertion.household items, history of warrnambool

This is a letterhead from Proudfoot’s Boathouse in Warrnambool. Thomas Proudfoot built the boathouse near the mouth of the Hopkins River in 1885 and it was an accommodation and dining place for tourists, especially for those interested in fishing and other recreational pursuits and it was the base for the Hopkins Rowing Club. Proudfoot built additions in 1888 and 1893 and after he died in 1900 his wife Catherine continued on the business for over 30 years, transferring the licence to her son. In 1939 Thomas Proudfoot’s granddaughter, Ena Hunt gained the licence and operated the business with her husband Percy until 1979. It is Percy Hunt’s name on the letterhead described here. The business today is mainly centred around catering and dining. In the 1990s other buildings were added to the boathouse complex, with the original buildings now being heritage-listed. This item is of some interest as it is the only memento we have of the Hunt family’s 40 years proprietorship of Proudfoot’s Boathouse, a significant set of buildings in Warrnambool.This is a single sheet of cream coloured paper with blue and red printing and a blue-coloured photograph of Proudfoot’s Boat House. It is slightly creased.The Boat House Warrnambool P.J.Hunt Proprietor Telephone 131 proudfoots boat house warrnambool, p.j.hunt, the boat house warrnambool, history of warrnambool

Vol. 4, No. 2, Mar-Apr 1999 CONTENTS 'VISUALISE' WITH JOHN WOLSELEY Guest speaker at Banyule Festival 2 FROM ASSISTED IMMIGRANTS TO MODEL FARMERS Gulf Station 3 THE PARADOX OF HUMAN FRAILTY AND MAGNIFICENCE Isobel Clements on art and life 7 MONTH OF FESTIVALS EVENTS GUIDE Banyule Festival 10 Heidi Festival 13 Petty's Orchard Antique Apple Festival 16 Boroondara LitFest 17 Mullum Mullum Festival 17 Templestowe Festival 19 Warrandyte Festival 21 City of Whittlesea Community Festival 23 DINING WITH SIGMUND JORGENSON 25 SHORT STORY A Pony Called Letter 27 THE WORLD ACCORDING TO INDRA Independent publishing 30 CD REVIEWS 12, 17,22 WINING & DINING 32,33 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, kerri simpson, micl o'connor, dean addison, st andrews hotel, lloyd rees, bridget mcdonnell gallery, hammock, john wolseley, helen baker, jan lowe, karen meehan, gulf station, bell family, banyule young artists award, adams of north riding, montsalvat, dymocks booksellers, isobel clements, isobel clement, banyyule festival, eltham wiregrass gallery, willy wonka's ice cream gourmet food, victorian artists supplies, dianne bullen, kate mcgarrigle, anna mcgarrigle, bulleen art & garden centre, museum of modern art at heide, lovegroves of cottles bridge, rosanna community house, recherche, la piazza restaurant bar & cafe, carlucci's, litfest, mullum mullum festival, petty's orchard, festival of kites, mike rudd, bill putt, cydi boste, templestowe village festival, bi-wize quality paints, jordie albiston, arts on burgundy, warrandyte village festival, mercer's restaurant, manningham gallery, la trobe university art museum, fleur de feliss florist, city of whittlesea community festival, sigmund jorgensen, bhoj, yarra valley country club, monique delaney, dynamic vegies, carly young, indra publishing, ian fraser, volumes

Colour photograph - 1st Cricket, 1978."Attached to photograph" Back Row-L to R: Dijan Dinic, Jim Pumpa, Gavin Thorpe, David Hill, Greg Smith, Gavin Williams. Front Row- L to R: Werner Birkner, Peter Last, Matty Cane, Phillip Hagger, Peter Johnson, Mark Boehme, Paul Evans. Coach: Bruce Bower

Black and white photograph - Grade Prep B, 1977"Attached to photograph" Back Row- L to R: Carl (?), ?, ?, ?, Dean Mavroudis, ?, Mark McDougall 2nd Row- L to R: Brett Davenport, ?, ?, Chris McEwan, Mathew Rooks, Peter Rigg. 3rd Row- L to R: ?, ?, Melissa Beard, Deanna Dinic, ?, Michelle(?), ?. Front Row- ?. Teacher: Miss Harrison, Mrs Thatcher.

Note on back to Miss Barber from Betty saying she asked Mrs Blay about accommodation etc. Also another postcard 03833.2 to a Clarence Pawsey dated 18.3.1918Sepia toned postcard showing Albert Park Guest House consisting of bedroom wing on left and detached kitchen dining wing on right, verandah across front of building with two deck chairs and bench on verandah, man and lady standing and lady sitting on bench. Extensive paths and garden in front, glimpses of other buildings at back. Two water tanks at left one round galvanized and one square, trees behind building. Lake Tyers VictoriaAlbert Park Lake Tyers Victoriawaterways, topography, guesthouses

This extension table was used as the dining table in the Boyd's Camberwell home. The legs were cut to create a coffee table when it was moved to the Walsh Street house. It was placed along the west facing windowall in the study in Children's Pavilion. Mandie, Penleigh and Suzy Boyd used to watch televison on the set placed on this coffee table.Timber table (expandable). Top surface slides off to reveal two extra flaps.walsh st furnishings, robin boyd, ohm2022, ohm2022_34

The Ritz was situated near the corner of Lava and Liebig St. The site was originally a hotel which traded under various names, including The Prince of Wales Dining Room, The Stork The Red Lion and later the Princess Royal after a fire in 1880 and it was delicensed in 1900. it later became the Mia mia cafe before a change to the Ritz. A fragment from Warrnambool's past.Fragment of white plate with black and white check edge and logo of Ritz with Warrnambool in banner below it.Ritz Warrnambool.warrnambool, ritz cafe warrnambool

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair wooden varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned wood. Back rest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair wooden varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned' wood. Backrest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

The chair has been used since antiquity, although for many centuries it was a symbolic article of state and dignity rather than an article for ordinary use. "The chair" is still used as the emblem of authority in the House of Commons in the United Kingdom and Canada, and in many other settings. In keeping with this historical connotation of the "chair" as the symbol of authority, committees, boards of directors, and academic departments all have a 'chairman' or 'chair'. Endowed professorships are referred to as chairs. It was not until the 16th century that chairs became common. Until then, people sat on chests, benches, and stools, which were the ordinary seats of everyday life. The number of chairs which have survived from an earlier date is exceedingly limited; most examples are of ecclesiastical, seigneurial or feudal origin. Chairs were in existence since at least the Early Dynastic Period of Egypt (c. 3100 BC). They were covered with cloth or leather, were made of carved wood, and were much lower than today's chairs – chair seats were sometimes only 10 inches (25 cm) high. In ancient Egypt, chairs appear to have been of great richness and splendour. Fashioned of ebony and ivory, or of carved and gilded wood, they were covered with costly materials, magnificent patterns and supported upon representations of the legs of beasts or the figures of captives. Generally speaking, the higher ranked an individual was, the taller and more sumptuous was the chair he sat on and the greater the honour. On state occasions, the pharaoh sat on a throne, often with a little footstool in front of it.[ The average Egyptian family seldom had chairs, and if they did, it was usually only the master of the household who sat on a chair. Among the better off, the chairs might be painted to look like the ornate inlaid and carved chairs of the rich, but the craftsmanship was usually poor. The earliest images of chairs in China are from 6th-century Buddhist murals and stele, but the practice of sitting in chairs at that time was rare. It was not until the 12th century that chairs became widespread in China. Scholars disagree on the reasons for the adoption of the chair. The most common theories are that the chair was an outgrowth of indigenous Chinese furniture, that it evolved from a camp stool imported from Central Asia, that it was introduced to China by Christian missionaries in the 7th century, and that the chair came to China from India as a form of Buddhist monastic furniture. In modern China, unlike Korea or Japan, it is no longer common to sit at floor level. In Europe, it was owing in great measure to the Renaissance that the chair ceased to be a privilege of state and became a standard item of furniture for anyone who could afford to buy it. Once the idea of privilege faded the chair speedily came into general use. Almost at once the chair began to change every few years to reflect the fashions of the day. Thomas Edward Bowdich visited the main Palace of the Ashanti Empire in 1819, and observed chairs engrossed with gold in the empire. In the 1880s, chairs became more common in American households and usually there was a chair provided for every family member to sit down to dinner. By the 1830s, factory-manufactured “fancy chairs” like those by Sears, Roebuck, and Co. allowed families to purchase machined sets. With the Industrial Revolution, chairs became much more available. The 20th century saw an increasing use of technology in chair construction with such things as all-metal folding chairs, metal-legged chairs, the Slumber Chair,[ moulded plastic chairs and ergonomic chairs. The recliner became a popular form, at least in part due to radio and television. The modern movement of the 1960s produced new forms of chairs: the butterfly chair (originally called the Hardoy chair), bean bags, and the egg-shaped pod chair that turns. It also introduced the first mass-produced plastic chairs such as the Bofinger chair in 1966. Technological advances led to moulded plywood and wood laminate chairs, as well as chairs made of leather or polymers. Mechanical technology incorporated into the chair enabled adjustable chairs, especially for office use. Motors embedded in the chair resulted in massage chairs. https://en.wikipedia.org/wiki/ChairThe chair is one of the most commonly used items providing comfort.Chair varnished dark brown. Spokes for back support, front legs and spokes joining legs are patterned turned wood. Back rest has a floral emblem with a kangaroo in the centre.Back rest has a floral emblem with a kangaroo in the centre.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, dining, carpentry

From the early days of our race, the knife represented one of the first and most important tools that enabled rise of our technology, military, culture, science and all other things that brought us to this point of modern civilisation. As a vital tool for survival, combat, construction and food preparation, the knife quickly became the most basic tool from which all others were born. In those ancient times, 500,000 years ago, sharpened stones started slowly evolving, becoming more and more like their modern counterpart. Before the time when fire enabled the melting of the various metals, and forging them into modern knives, their stone counterparts received several visual upgrades. Double bladed knives were most popular, and their wooden or stone hilts were decorated with animal skins and feathers. Those knives represented a great deal of pride for the warriors and elders who owned them, and that tradition continued to be practised with the arrival of the Bronze Age. The appearance of metallurgy brought the ability to create knives from softer types of metal. Even though knives from bronze did not provide durability over longer periods of time [easily dulled, and susceptible to corrosion), their sharpness and slim designed proved to be superior to any stone knife tool. As the centuries went on, iron and then steel became commonplace across the entire world. Knives created from those materials were much more durable and easier to maintain their sharpness after prolonged use. During medieval times in Europe, steel metallurgy managed to evolve knives from small single or double-bladed edges to larger sizes - swords, spears and axes. Even with all those advancements, the use of knives as an eating utensil continued to be used in some small circles. Even as early as the 15th century, wealthy circles of people started carrying personal knives, intended for double use - both eating and defending against threats. During those times the host were not obliged to provide their guest with any kind of eating utensil in addition to plates, so wealthy males used their eating knives for cutting their own meals, and the meals of nearby female guests. Slim double-bladed knives were good for cutting and piercing foods. As the use of forks became widespread in the whole of Europe by the late 17th century, most people used this kind of small knife on a regular basis (a combination of two knives, one for stabilising and other for cutting the meal). http://www.eatingutensils.net/history-of-cutlery/knife-history/The knife is one of the most important items that has enabled the development of civilisation over thousands of years.Carving knife with wooden handle and rusted slender metal blade.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, knife, kitchen equipment, dining

Dark haired boy sitting at a table eating food with his hands. In the second image, another child is seated next to him and has placed his fingers over his mouth, to understand what is happening. Both boys appear to be in the dining room at the RVIB Burwood School as there is another table behind them and possibly a servery in the background.2 digital images of a boy eating his lunchrvib burwood school, education

Vol. 3, No. 5, Nov-Dec 1998 CONTENTS RECIPES AND RULES Peter Wegner talks about life and painting 3 A MUSICAL JOURNEY Helen Lucas travels bush tracks to interview two talented musicians 6 THEATRE WITH CAROLYN PICKETT 7 EXHIBITION Peter Glass at Eltham Library 9 PROJECT Banyule arts take part in schools program 10 SHORT STORY Flying the Ditch by Kristina Ekman 12 RESTAURANTS Sigmund Jorgensen dines at Mercer's 14 ELTHAM FESTIVAL Local artists open their studios 16 CD REVIEWS 19, 25 BOOK REVIEWS 20 EXHIBITION - STROLLING AT HEIDE 25 CD REVIEWS A glance at some late arrivals 29 WINING, DINING, ENTERTAINING 30 COMMUNITY SERVICES 31 THEATRE Some new developments 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, mia bulleen, dymocks booksellers, ceramics, peter wegner, fleur de feliss florist, adams of north riding, monty deli & catering services, victorian artists supplies, elham wiregrass gallery, helen lucas, cate bailey, kate adam, carolyn pickett, peter glass, aphids events inc., artists in schools program, kristina ekman, sigmund jorgensen, mercer's restaurant, stephen mercer, artists open studios program, peter accadia, dave bradley, jules christian burns, john fitzgerald, damian fitzgerald, jill forrest, ona henderson, syd tunn, denise keele bedford, annie kiel-taggart, jenni mitchell, grace mitchell, mervyn hannan, mary lou pittard, chris pittard, alan martin, elizabeth vercoe, nel ten wolde, montsalvat, yarra valley country club, pool & spa care centre, la piazza restaurant bar & cafe, frank jones, inga clendinnen, gwen ford, rose zwi, michelle lonsdale, christopher heathcote, roger palmer, jane messer, sandy jeffs, rodney waterman, doug de vries, recherche speciality picture framing, llobex image wizards, museum of modern art at heide, callam morton, maz delaney, shauna mcmullen, carlton courthouse theartre, ariel valent, kate adam, david brown, cate bailey, tony o'rourke, andy baylor, bulleen art & garden centre, dynamic vegies, volumes

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for HO40 Craigellachie 2b & 2c Lynedoch Avenue Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/35209 as at (28/10/2020) Craigellachie" is situated at No. 2B Lynedoch Avenue, Caulfield North, and was built for the noted investor, pastoralist and politician, William Pearson, not earlier than 1864 and possible in 1876, undergoing several substantial and contributory extensions during the nineteenth century. It is historically and aesthetically significant. From Victorian Heritage Database citation for HO40 Craigellachie https://vhd.heritagecouncil.vic.gov.au/places/35209 as at (28/10/2020) It is historically significant (Criterion A) as the Melbourne home of William Pearson, MLA, MLC and principal shareholder in Walhalla's Long Tunnel Extended Gold Mining Co. which sustained the township well past the turn of the twentieth century and occupied fifth place amongst Victoria's richest mines. It is aesthetically significant (Criterion E) for its capacity to demonstrate Pearson's continuing financial success throughout the mid to late nineteenth century, the additions associated with the tower being most noteworthy as an example of the lasting appeal of the Italian Style, popularized in the pattern books of the day. The Ailanthus altissima (Tree of Heaven) is significant as an outstanding example of a species that is rare in cultivation, as well as for its very high aesthetic value. The Araucaria bidwilli is notable as a fine example of a species infrequently planted in Melbourne and rarely found in private suburban gardens.Page 159 - four photographs of Craigellachie - three room interiors and along the verandah. Handwritten: CRAIGELLACHIE [top left] / Neg 224 1973 CHINESE SITTING ROOM [under top right photo] / Neg 226 1973 / CHINESE SITTING ROOM [under top right photo] / Neg 214 1973 DINING ROOM [under bottom left photo] / Neg 213 - 1973 [under bottom right photo] / 159 [bottom left]trevor hart, verandah, orrong road, tower, curved windows, decorative brackets, craigellache, italianate, mansion, 1870's, william pearson, inkerman street, apartments, spire, decorative plaster work, rendered walls, arched windows, moulded ornaments, 1860's, lynedoch avenue, classical style, caulfield north, craigellachie, land subdivision, gardens, late victorian style, cast iron work, st kilda east, dining rooms, sitting rooms, furnishings, tiles

No information is available regarding this item and it is not known who ‘H.W.’ is. Silver serviettes such as this one were common household items and common wedding presents in the early 20th century. The fact that this one is silver and is monogrammed suggests that it came from an affluent family. It may have been one of a set. Serviette rings are still used today, especially for formal dining occasions. This item is of interest in that it is an example of dining customs in the early 20th century. It is a display item.This is a circular silver object used to hold a folded serviette. It has four hallmarks which indicate it is British made and it has a monogram, ‘H.W.’ It is slightly tarnished and has some small dents. ‘H.W.’ (or ‘W.H.’)serviette ring, warrnambool

Interior photographs of the house at 3 St Helena Road Greensborough (corner Diamond Creek Road), showing lounge, dining, kitchen and hallway. The house was built in 1920. These photographs are from the Ray White sales brochure 2017. The 4 bedroom property sold in December 2017 for $900,000; previous sales: April 2009, $600,000; June 1981, $36,500; June 1976, $32,500. Digital copy of 8 colour photographs.st helena road greensborough, diamond creek road greensborough

Tourist Guide for 'St. Kilda the City of internationalism', 'your HOLIDAY centre'. Undated but appears to have been produced in 1970 because it refers to Sergio's Cabaret, which opened in mid-1969, and the Victory Theatre, which closed in 1971. Includes information on shopping areas; fun things to do; dining, drinking and dancing; sightseeing; nearby beauty spots; and what to do in Melbourne.Multi-page pamphlet of white paper printed in black and blue and stapled.st kilda tourism

This item was used by the State Electricity Commission of Victoria in their mess rooms for their workers during the construction of the Kiewa Hydro Electricity Scheme. The imprint of the year "1921" was to identify the year that the SECV was formed and relieved the private VHEC (Victorian Hydro-Electric Company). As the scheme was of such a huge, isolated and time consuming nature the feeding of its workers was quite demanding of cutlery and crockery. The use of sturdy English cups and saucers was essential. The period of construction and the isolation of the Kiewa Valley area placed heavy demand for "solid" crockery that could wear abusive handling. This period in time was one when crockery, whether for domestic or commercial use, was imported from "mother" England. This scenario was more so for governmental bodies such as rail, jails and electricity providers than domestic users. The influx of cheaper Asian crockery had not yet begun.This type of crockery item was used by the thousands of SEC Victorian staff and construction workers involved in the building of the Kiewa Hydro Electricity Scheme, over the extensive period (1938 to 1961). This was a period when Government bodies and other semi- government organisations were still tide to the "establishments" of "mother" England. It was a period in Australia's development when the Asian influence was very weak and the established ties to England and Europe was still very strong. The majority of heavy equipment and machinery was either made in England or Europe. Local expertise in dam construction and water management in alpine terrain came from migrants for England and Europe. The quality of workmanship from big steel manufacturing plants in England and Europe could not be matched from anywhere else in the developed world.This item is a white ceramic plate (bread & butter). It is made in England and is of strong and durable ceramic. The bottom of the plate is flat with edges sloping out (to position the bread) and the extended rim is to catch any spillages. The 5mm thickness of the ceramic suggests this plate belongs to a commercial kitchen/eating establishment (mess) and not a domestic dining room. The indent bottom of the plate is 5mm deep with a side curvature ratio of 2:5. The ceramic is glazed to a commercial standard (see KVHS 0128 for its saucer part of a dinner set.The seal of the State Electricity Commission Of Victoria is imprinted on the top inside rim within a curved scroll. Snuggled within the borders of the scroll is a banner with the five stars of the southern cross and an arm with a closed fist projecting from the top with five lightning bolts projecting outwards. On the underside "Vitrified sold by Cafe & Hotel Supplies Pty Ltd Dunn Bennett & Co. Ltd. Burslem Made in England"saucer, plate, secv, state electricity commission of victoria, crockery

1985 GR 1: Back Row: Stewart Brown, Stuart Rowley, Brian Donald, Tony Aravanis, Paul Tsiokis, Alex Dinic, Jess Sinclair, Paul Eldridge 2nd Row: Ben Collinson, Joanne Gibson, Michelle Rigg, Adele Matthews, Krista Terzioski, Jasmina Pavlov, Christie Attwood, Carly White, Paul Constellis Front Row: Samantha Weaver, Carly Pryke, Naomi Terrell, Rebecca Rogers, Tara Barker, Melanie Warby, Emily Sykes. Teacher J. Smith

Grade 3 1987 Back Row: Ben Collinson, Alex Dinic, Paul Tsiokis, Brian Donald, Tony Aravanis, Stuart Brown. 2nd Row: Trevor Willicks, Troy Shanley, Jess Sinclair, Belinda Poulianakis, Jamina Pavlov, Alison Crawford, Mark Ingram, Paul Eldridge, Stuart Rowley Front Row: Naomi Miriklis, Emily Sykes, Tara Barker, Christie Attwod, Krista Terzioski, Rebecca Taualii, Tongauua Taualii, Brenda Milgate, Samantha Weaver Teacher: Mrs J. Eyck

The floor covering in the living/dining room was originally seagrass matting as seen in the Strizic photographs of 1959 and 1963. This was replaced after the Boyd's saw a large cream rug floor covering at the Shelmerdine's house and liked it. It was purchased from Myer. In 2007, that rug was found to be moth-eaten and treated and put into storage. Now a similar rug of the same size has replaced the rug purchased by the Boyds.Cream wool with fringeswalsh st furnishings, robin boyd

Construction of Bogong Village was commenced in 1940 and was the Field Headquarters for the early part of the construction of the Kiewa Hydro Electric Scheme. In all, a total of 36 houses, medical centre, police station, trading store and primary school were built. As well, there was a hostel for staff personnel and prefabricated units, each 10 feet x 8 feet, with separate dining and recreational facilities for the worker's. This camp was closed in 1962.These photos show the type of accommodation, available in this period, as well as the benched layout of the village. The damage of the 1939 bushfires is still evident.1. Black and white photo of Junction Dam Wall, Lake Guy and Bogong Village. 2.Black and white photo of single men's quarters at Bogong Village. 3.Lake Guy and Bogong Village.1.Back of photo, Left upper corner - K1334 Upper Right corner - mu (very faint) 6-10-43 2.Back of photo, Left upper corner - K1399 Upper right corner - 14 m 1-2-44 3. Back of photo, left upper corner -K1738 Upper right corner - 145 a mus 5-12-44 bogong village, lake guy, secv

Photos of a junior legatee fishing and later in the dining hall of a camp. It was likely to be the January camp for junior legatees in either 2001 or 2002. The photos were loose in the back of an album of events that happened for Junior Legatees in 2001, including a trip to the Aquarium, a trip to Luna Park, horse riding and fishing and a Melbourne Legacy Leadership Group Christmas party. Melbourne Legacy arranged many events for Junior Legatees to experience. A record of the outings provided for Junior Legatees organised by Legacy.Colour photo x 2 of activities for Junior Legatees approximately 2001.junior legatee outing, junior legatees, camps

Black and white Photograph Mundy Street, Bendigo, 1860s Building signs include .Professor LEWIS'S Haircutting and Shampooing Saloon, Lewis's shaving .Three Barber's poles outside the weatherboard shop. Clothes Cleaning & Renovating, Cahill and Associates- Obstetrician, Empire Restaurant, Dining Rooms & Boarding House, J.Lindop's Family Hotel, Allen Reeve glass, paperhanging, oil & color warehouse, John D.Bywater-Hay & Corn Dealer, Fletchers on the corner, Fosdyke Drapers.Reverse has a rubber stamp - Kilmore Historical Society .The street is unmade and no people appear to be in view -Batchelderphotograph, streetscape, bendigo